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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 91 108 it is the complementary color RGB 90 164 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 91 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 91 108 shade: RGB 170 91 103, RGB 187 109 122, RGB 204 127 141, RGB 221 145 160 and RGB 238 163 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 91 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 91 108 shade: RGB 165 91 108, RGB 148 73 89, RGB 131 55 70, RGB 114 37 51 and RGB 97 19 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 91 108 shade: RGB 164 90 107 and RGB 164 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 91 108 shade: RGB 164 90 107, RGB 164 90 127, RGB 164 90 147, RGB 161 90 164 and RGB 141 90 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 91 108 shade matches the following richer shades: RGB 164 90 107, RGB 185 69 96, RGB 205 49 85, RGB 226 28 74 and RGB 246 8 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 91 108 shade: RGB 164 90 107, RGB 143 111 118, RGB 123 131 129, RGB 102 152 140 and RGB 81 173 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 91 108 shade: RGB 164 90 147, RGB 164 90 127, RGB 164 90 107, RGB 164 92 90 and RGB 164 112 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 91 108 shade: RGB 111 61 72, RGB 137 75 90, RGB 164 90 107, RGB 179 117 131 and RGB 193 143 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 91 108 shade: RGB 165 91 108, RGB 164 162 90 and RGB 90 137 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 91 108 shade: RGB 165 91 108, RGB 107 164 90 and RGB 90 107 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 91 108 shade: RGB 165 91 108, RGB 164 162 90, RGB 90 164 147 and RGB 90 92 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 91 108 shade: RGB 165 91 108, RGB 144 164 90, RGB 90 164 147 and RGB 110 90 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 35 / 35

HEX #A55B6C

RGB 165 91 108

HSL 346.22, 0.29%, 0.5%

LAB 47.71, 32.24, 3.8

 

Complementary color

CMYK 45 / 0 / 10 / 36

HEX #5AA493

RGB 90 164 147

HSL 166.22, 0.29%, 0.5%

LAB 62.36, -27.3, 1.65

 

CMYK 0 / 46 / 39 / 33

HEX #AA5B67

RGB 170 91 103

HSL 350.89, 0.32%, 0.51%

LAB 48.27, 33.5, 7.71

 

CMYK 0 / 42 / 35 / 27

HEX #BB6D7A

RGB 187 109 122

HSL 350, 0.36%, 0.58%

LAB 54.98, 32.5, 6.31

 

CMYK 0 / 38 / 31 / 20

HEX #CC7F8D

RGB 204 127 141

HSL 349.09, 0.43%, 0.65%

LAB 61.6, 31.57, 5.1

 

CMYK 0 / 34 / 28 / 13

HEX #DD91A0

RGB 221 145 160

HSL 348.16, 0.53%, 0.72%

LAB 68.14, 30.72, 4.03

 

CMYK 0 / 32 / 25 / 7

HEX #EEA3B3

RGB 238 163 179

HSL 347.2, 0.69%, 0.79%

LAB 74.59, 29.93, 3.07

 

CMYK 0 / 45 / 35 / 35

HEX #A55B6C

RGB 165 91 108

HSL 346.22, 0.29%, 0.5%

LAB 47.71, 32.24, 3.8

 

CMYK 0 / 51 / 40 / 42

HEX #944959

RGB 148 73 89

HSL 347.2, 0.34%, 0.43%

LAB 40.87, 33.23, 5.29

 

CMYK 0 / 58 / 47 / 49

HEX #833746

RGB 131 55 70

HSL 348.16, 0.41%, 0.36%

LAB 33.98, 34.21, 7.16

 

CMYK 0 / 68 / 55 / 55

HEX #722533

RGB 114 37 51

HSL 349.09, 0.51%, 0.3%

LAB 27.13, 35.02, 9.63

 

CMYK 0 / 80 / 67 / 62

HEX #611320

RGB 97 19 32

HSL 350, 0.67%, 0.23%

LAB 20.48, 35.23, 13.1

 

CMYK 0 / 45 / 35 / 36

HEX #A45A6B

RGB 164 90 107

HSL 346.22, 0.29%, 0.5%

LAB 47.32, 32.28, 3.83

 

CMYK 0 / 45 / 45 / 36

HEX #A45A5A

RGB 164 90 90

HSL 0, 0.29%, 0.5%

LAB 46.9, 30.24, 13.49

 

CMYK 0 / 45 / 35 / 36

HEX #A45A6B

RGB 164 90 107

HSL 346.22, 0.29%, 0.5%

LAB 47.32, 32.28, 3.83

 

CMYK 0 / 45 / 23 / 36

HEX #A45A7F

RGB 164 90 127

HSL 330, 0.29%, 0.5%

LAB 47.93, 35.11, -7.33

 

CMYK 0 / 45 / 10 / 36

HEX #A45A93

RGB 164 90 147

HSL 313.78, 0.29%, 0.5%

LAB 48.65, 38.38, -18.19

 

CMYK 2 / 45 / 0 / 36

HEX #A15AA4

RGB 161 90 164

HSL 297.57, 0.29%, 0.5%

LAB 48.97, 40.55, -27.79

 

CMYK 14 / 45 / 0 / 36

HEX #8D5AA4

RGB 141 90 164

HSL 281.35, 0.29%, 0.5%

LAB 46.52, 34.42, -31.8

 

CMYK 0 / 45 / 35 / 36

HEX #A45A6B

RGB 164 90 107

HSL 346.22, 0.29%, 0.5%

LAB 47.32, 32.28, 3.83

 

CMYK 0 / 63 / 48 / 27

HEX #B94560

RGB 185 69 96

HSL 346.03, 0.46%, 0.5%

LAB 46.2, 49.02, 9.36

 

CMYK 0 / 76 / 59 / 20

HEX #CD3155

RGB 205 49 85

HSL 346.15, 0.61%, 0.5%

LAB 46.75, 61.87, 17.42

 

CMYK 0 / 88 / 67 / 11

HEX #E21C4A

RGB 226 28 74

HSL 346.06, 0.78%, 0.5%

LAB 48.88, 71.84, 27.69

 

CMYK 0 / 97 / 75 / 4

HEX #F6083E

RGB 246 8 62

HSL 346.39, 0.94%, 0.5%

LAB 51.97, 78.47, 39.48

 

CMYK 0 / 45 / 35 / 36

HEX #A45A6B

RGB 164 90 107

HSL 346.22, 0.29%, 0.5%

LAB 47.32, 32.28, 3.83

 

CMYK 0 / 22 / 17 / 44

HEX #8F6F76

RGB 143 111 118

HSL 346.88, 0.13%, 0.5%

LAB 50.12, 13.8, 0.98

 

CMYK 6 / 0 / 2 / 49

HEX #7B8381

RGB 123 131 129

HSL 165, 0.03%, 0.5%

LAB 54.06, -3.36, 0.05

 

CMYK 33 / 0 / 8 / 40

HEX #66988C

RGB 102 152 140

HSL 165.6, 0.2%, 0.5%

LAB 59.14, -19.49, 0.97

 

CMYK 53 / 0 / 12 / 32

HEX #51AD98

RGB 81 173 152

HSL 166.3, 0.36%, 0.5%

LAB 64.89, -32.6, 2.47

 

CMYK 0 / 45 / 10 / 36

HEX #A45A93

RGB 164 90 147

HSL 313.78, 0.29%, 0.5%

LAB 48.65, 38.38, -18.19

 

CMYK 0 / 45 / 23 / 36

HEX #A45A7F

RGB 164 90 127

HSL 330, 0.29%, 0.5%

LAB 47.93, 35.11, -7.33

 

CMYK 0 / 45 / 35 / 36

HEX #A45A6B

RGB 164 90 107

HSL 346.22, 0.29%, 0.5%

LAB 47.32, 32.28, 3.83

 

CMYK 0 / 44 / 45 / 36

HEX #A45C5A

RGB 164 92 90

HSL 1.62, 0.29%, 0.5%

LAB 47.35, 29.14, 14.11

 

CMYK 0 / 32 / 45 / 36

HEX #A4705A

RGB 164 112 90

HSL 17.84, 0.29%, 0.5%

LAB 52.08, 17.88, 20.53

 

CMYK 0 / 45 / 35 / 56

HEX #6F3D48

RGB 111 61 72

HSL 346.8, 0.29%, 0.34%

LAB 32.22, 23.31, 2.94

 

CMYK 0 / 45 / 34 / 46

HEX #894B5A

RGB 137 75 90

HSL 345.48, 0.29%, 0.42%

LAB 39.73, 28.04, 2.83

 

CMYK 0 / 45 / 35 / 36

HEX #A45A6B

RGB 164 90 107

HSL 346.22, 0.29%, 0.5%

LAB 47.32, 32.28, 3.83

 

CMYK 0 / 35 / 27 / 30

HEX #B37583

RGB 179 117 131

HSL 346.45, 0.29%, 0.58%

LAB 56.03, 26.31, 2.44

 

CMYK 0 / 26 / 20 / 24

HEX #C18F9B

RGB 193 143 155

HSL 345.6, 0.29%, 0.66%

LAB 64.44, 20.74, 1.09

 

CMYK 0 / 45 / 35 / 35

HEX #A55B6C

RGB 165 91 108

HSL 346.22, 0.29%, 0.5%

LAB 47.71, 32.24, 3.8

 

CMYK 0 / 1 / 45 / 36

HEX #A4A25A

RGB 164 162 90

HSL 58.38, 0.29%, 0.5%

LAB 65.33, -9.86, 37.54

 

CMYK 45 / 16 / 0 / 36

HEX #5A89A4

RGB 90 137 164

HSL 201.89, 0.29%, 0.5%

LAB 54.81, -8.5, -19.3

 

CMYK 0 / 45 / 35 / 35

HEX #A55B6C

RGB 165 91 108

HSL 346.22, 0.29%, 0.5%

LAB 47.71, 32.24, 3.8

 

CMYK 35 / 0 / 45 / 36

HEX #6BA45A

RGB 107 164 90

HSL 106.22, 0.29%, 0.5%

LAB 62.01, -33.1, 32.54

 

CMYK 45 / 35 / 0 / 36

HEX #5A6BA4

RGB 90 107 164

HSL 226.22, 0.29%, 0.5%

LAB 46.14, 9.25, -32.73

 

CMYK 0 / 45 / 35 / 35

HEX #A55B6C

RGB 165 91 108

HSL 346.22, 0.29%, 0.5%

LAB 47.71, 32.24, 3.8

 

CMYK 0 / 1 / 45 / 36

HEX #A4A25A

RGB 164 162 90

HSL 58.38, 0.29%, 0.5%

LAB 65.33, -9.86, 37.54

 

CMYK 45 / 0 / 10 / 36

HEX #5AA493

RGB 90 164 147

HSL 166.22, 0.29%, 0.5%

LAB 62.36, -27.3, 1.65

 

CMYK 45 / 44 / 0 / 36

HEX #5A5CA4

RGB 90 92 164

HSL 238.38, 0.29%, 0.5%

LAB 42.01, 18.6, -39.24

 

CMYK 0 / 45 / 35 / 35

HEX #A55B6C

RGB 165 91 108

HSL 346.22, 0.29%, 0.5%

LAB 47.71, 32.24, 3.8

 

CMYK 12 / 0 / 45 / 36

HEX #90A45A

RGB 144 164 90

HSL 76.22, 0.29%, 0.5%

LAB 64.34, -19.14, 35.96

 

CMYK 45 / 0 / 10 / 36

HEX #5AA493

RGB 90 164 147

HSL 166.22, 0.29%, 0.5%

LAB 62.36, -27.3, 1.65

 

CMYK 33 / 45 / 0 / 36

HEX #6E5AA4

RGB 110 90 164

HSL 256.22, 0.29%, 0.5%

LAB 43.22, 25.26, -37.21

 

Description

Color code: RGB 165 91 108 | qconv.com Color code: RGB 165 91 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 91 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 91 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 35 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 35% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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