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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 74 143 it is the complementary color RGB 90 181 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 74 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 74 143 shade: RGB 170 74 138, RGB 187 92 157, RGB 204 110 176, RGB 221 128 195 and RGB 238 146 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 74 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 74 143 shade: RGB 165 74 143, RGB 148 56 124, RGB 131 38 105, RGB 114 20 86 and RGB 97 2 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 74 143 shade: RGB 165 74 143, RGB 165 74 118, RGB 165 74 94 and RGB 165 74 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 74 143 shade: RGB 165 74 143, RGB 162 74 165, RGB 138 74 165, RGB 113 74 165 and RGB 89 74 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 74 143 shade matches the following richer shades: RGB 165 74 143, RGB 184 54 153, RGB 204 35 163 and RGB 223 16 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 74 143 shade: RGB 165 74 143, RGB 146 93 133, RGB 126 113 123, RGB 107 132 113 and RGB 87 151 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 74 143 shade: RGB 138 74 165, RGB 162 74 165, RGB 165 74 144, RGB 165 74 119 and RGB 165 74 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 74 143 shade: RGB 108 48 94, RGB 136 61 118, RGB 165 74 143, RGB 183 96 162 and RGB 196 125 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 74 143 shade: RGB 165 74 143, RGB 165 113 74 and RGB 74 165 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 74 143 shade: RGB 165 74 143, RGB 144 165 74 and RGB 74 144 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 74 143 shade: RGB 165 74 143, RGB 165 113 74, RGB 74 165 95 and RGB 74 125 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 74 143 shade: RGB 165 74 143, RGB 165 141 74, RGB 74 165 95 and RGB 74 98 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 13 / 35

HEX #A54A8F

RGB 165 74 143

HSL 314.51, 0.38%, 0.47%

LAB 45.47, 46.28, -20.67

 

Complementary color

CMYK 50 / 0 / 38 / 29

HEX #5AB570

RGB 90 181 112

HSL 134.51, 0.38%, 0.53%

LAB 66.82, -42.42, 27.04

 

CMYK 0 / 56 / 19 / 33

HEX #AA4A8A

RGB 170 74 138

HSL 320, 0.39%, 0.48%

LAB 46.01, 47.03, -16.76

 

CMYK 0 / 51 / 16 / 27

HEX #BB5C9D

RGB 187 92 157

HSL 318.95, 0.41%, 0.55%

LAB 52.57, 46.41, -17.84

 

CMYK 0 / 46 / 14 / 20

HEX #CC6EB0

RGB 204 110 176

HSL 317.87, 0.48%, 0.62%

LAB 59.09, 45.7, -18.72

 

CMYK 0 / 42 / 12 / 13

HEX #DD80C3

RGB 221 128 195

HSL 316.77, 0.58%, 0.68%

LAB 65.55, 44.95, -19.48

 

CMYK 0 / 39 / 10 / 7

HEX #EE92D6

RGB 238 146 214

HSL 315.65, 0.73%, 0.75%

LAB 71.95, 44.2, -20.14

 

CMYK 0 / 55 / 13 / 35

HEX #A54A8F

RGB 165 74 143

HSL 314.51, 0.38%, 0.47%

LAB 45.47, 46.28, -20.67

 

CMYK 0 / 62 / 16 / 42

HEX #94387C

RGB 148 56 124

HSL 315.65, 0.45%, 0.4%

LAB 38.86, 46.69, -19.48

 

CMYK 0 / 71 / 20 / 49

HEX #832669

RGB 131 38 105

HSL 316.77, 0.55%, 0.33%

LAB 32.33, 46.65, -17.85

 

CMYK 0 / 82 / 25 / 55

HEX #721456

RGB 114 20 86

HSL 317.87, 0.7%, 0.26%

LAB 26.01, 45.71, -15.5

 

CMYK 0 / 98 / 31 / 62

HEX #610243

RGB 97 2 67

HSL 318.95, 0.96%, 0.19%

LAB 20, 43.5, -12.18

 

CMYK 0 / 55 / 13 / 35

HEX #A54A8F

RGB 165 74 143

HSL 314.51, 0.38%, 0.47%

LAB 45.47, 46.28, -20.67

 

CMYK 0 / 55 / 28 / 35

HEX #A54A76

RGB 165 74 118

HSL 330.99, 0.38%, 0.47%

LAB 44.53, 42.51, -6.94

 

CMYK 0 / 55 / 43 / 35

HEX #A54A5E

RGB 165 74 94

HSL 346.81, 0.38%, 0.47%

LAB 43.81, 39.54, 6.74

 

CMYK 0 / 55 / 55 / 35

HEX #A54A4A

RGB 165 74 74

HSL 0, 0.38%, 0.47%

LAB 43.35, 37.58, 18.38

 

CMYK 0 / 55 / 13 / 35

HEX #A54A8F

RGB 165 74 143

HSL 314.51, 0.38%, 0.47%

LAB 45.47, 46.28, -20.67

 

CMYK 2 / 55 / 0 / 35

HEX #A24AA5

RGB 162 74 165

HSL 298.02, 0.38%, 0.47%

LAB 46.04, 49.25, -32.95

 

CMYK 16 / 55 / 0 / 35

HEX #8A4AA5

RGB 138 74 165

HSL 282.2, 0.38%, 0.47%

LAB 42.79, 42.61, -38.29

 

CMYK 32 / 55 / 0 / 35

HEX #714AA5

RGB 113 74 165

HSL 265.71, 0.38%, 0.47%

LAB 39.79, 35.89, -43.25

 

CMYK 46 / 55 / 0 / 35

HEX #594AA5

RGB 89 74 165

HSL 249.89, 0.38%, 0.47%

LAB 37.37, 29.94, -47.27

 

CMYK 0 / 55 / 13 / 35

HEX #A54A8F

RGB 165 74 143

HSL 314.51, 0.38%, 0.47%

LAB 45.47, 46.28, -20.67

 

CMYK 0 / 71 / 17 / 28

HEX #B83699

RGB 184 54 153

HSL 314.31, 0.55%, 0.47%

LAB 45.81, 61.6, -25.91

 

CMYK 0 / 83 / 20 / 20

HEX #CC23A3

RGB 204 35 163

HSL 314.56, 0.71%, 0.47%

LAB 47.86, 72.99, -28.42

 

CMYK 0 / 93 / 22 / 13

HEX #DF10AD

RGB 223 16 173

HSL 314.49, 0.87%, 0.47%

LAB 50.78, 81.03, -29.53

 

CMYK 0 / 55 / 13 / 35

HEX #A54A8F

RGB 165 74 143

HSL 314.51, 0.38%, 0.47%

LAB 45.47, 46.28, -20.67

 

CMYK 0 / 36 / 9 / 43

HEX #925D85

RGB 146 93 133

HSL 314.72, 0.22%, 0.47%

LAB 46.49, 28.05, -13.33

 

CMYK 0 / 10 / 2 / 51

HEX #7E717B

RGB 126 113 123

HSL 313.85, 0.05%, 0.47%

LAB 49.1, 6.97, -3.67

 

CMYK 19 / 0 / 14 / 48

HEX #6B8471

RGB 107 132 113

HSL 134.4, 0.1%, 0.47%

LAB 52.75, -13.01, 7.31

 

CMYK 42 / 0 / 32 / 41

HEX #579767

RGB 87 151 103

HSL 135, 0.27%, 0.47%

LAB 57.21, -31.41, 19.03

 

CMYK 16 / 55 / 0 / 35

HEX #8A4AA5

RGB 138 74 165

HSL 282.2, 0.38%, 0.47%

LAB 42.79, 42.61, -38.29

 

CMYK 2 / 55 / 0 / 35

HEX #A24AA5

RGB 162 74 165

HSL 298.02, 0.38%, 0.47%

LAB 46.04, 49.25, -32.95

 

CMYK 0 / 55 / 13 / 35

HEX #A54A90

RGB 165 74 144

HSL 313.85, 0.38%, 0.47%

LAB 45.51, 46.44, -21.21

 

CMYK 0 / 55 / 28 / 35

HEX #A54A77

RGB 165 74 119

HSL 330.33, 0.38%, 0.47%

LAB 44.56, 42.65, -7.5

 

CMYK 0 / 55 / 42 / 35

HEX #A54A5F

RGB 165 74 95

HSL 346.15, 0.38%, 0.47%

LAB 43.83, 39.65, 6.17

 

CMYK 0 / 56 / 13 / 58

HEX #6C305E

RGB 108 48 94

HSL 314, 0.38%, 0.31%

LAB 29.69, 33.15, -15.16

 

CMYK 0 / 55 / 13 / 47

HEX #883D76

RGB 136 61 118

HSL 314.4, 0.38%, 0.39%

LAB 37.63, 39.61, -17.82

 

CMYK 0 / 55 / 13 / 35

HEX #A54A8F

RGB 165 74 143

HSL 314.51, 0.38%, 0.47%

LAB 45.47, 46.28, -20.67

 

CMYK 0 / 48 / 11 / 28

HEX #B760A2

RGB 183 96 162

HSL 314.48, 0.38%, 0.55%

LAB 53, 43.92, -20.17

 

CMYK 0 / 36 / 9 / 23

HEX #C47DB3

RGB 196 125 179

HSL 314.37, 0.38%, 0.63%

LAB 61.36, 35.66, -17.08

 

CMYK 0 / 55 / 13 / 35

HEX #A54A8F

RGB 165 74 143

HSL 314.51, 0.38%, 0.47%

LAB 45.47, 46.28, -20.67

 

CMYK 0 / 32 / 55 / 35

HEX #A5714A

RGB 165 113 74

HSL 25.71, 0.38%, 0.47%

LAB 52.18, 16.15, 29.78

 

CMYK 55 / 0 / 9 / 35

HEX #4AA596

RGB 74 165 150

HSL 170.11, 0.38%, 0.47%

LAB 62.14, -30.83, -0.43

 

CMYK 0 / 55 / 13 / 35

HEX #A54A8F

RGB 165 74 143

HSL 314.51, 0.38%, 0.47%

LAB 45.47, 46.28, -20.67

 

CMYK 13 / 0 / 55 / 35

HEX #90A54A

RGB 144 165 74

HSL 73.85, 0.38%, 0.47%

LAB 64.43, -21.31, 44.05

 

CMYK 55 / 13 / 0 / 35

HEX #4A90A5

RGB 74 144 165

HSL 193.85, 0.38%, 0.47%

LAB 56.21, -15.89, -17.81

 

CMYK 0 / 55 / 13 / 35

HEX #A54A8F

RGB 165 74 143

HSL 314.51, 0.38%, 0.47%

LAB 45.47, 46.28, -20.67

 

CMYK 0 / 32 / 55 / 35

HEX #A5714A

RGB 165 113 74

HSL 25.71, 0.38%, 0.47%

LAB 52.18, 16.15, 29.78

 

CMYK 55 / 0 / 42 / 35

HEX #4AA55F

RGB 74 165 95

HSL 133.85, 0.38%, 0.47%

LAB 60.95, -42.73, 28.26

 

CMYK 55 / 24 / 0 / 35

HEX #4A7DA5

RGB 74 125 165

HSL 206.37, 0.38%, 0.47%

LAB 50.5, -5.2, -26.58

 

CMYK 0 / 55 / 13 / 35

HEX #A54A8F

RGB 165 74 143

HSL 314.51, 0.38%, 0.47%

LAB 45.47, 46.28, -20.67

 

CMYK 0 / 15 / 55 / 35

HEX #A58D4A

RGB 165 141 74

HSL 44.18, 0.38%, 0.47%

LAB 59.47, 0.41, 38.68

 

CMYK 55 / 0 / 42 / 35

HEX #4AA55F

RGB 74 165 95

HSL 133.85, 0.38%, 0.47%

LAB 60.95, -42.73, 28.26

 

CMYK 55 / 41 / 0 / 35

HEX #4A62A5

RGB 74 98 165

HSL 224.18, 0.38%, 0.47%

LAB 42.62, 11.26, -38.93

 

Description

Color code: RGB 165 74 143 | qconv.com Color code: RGB 165 74 143 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 74 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 74 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 13 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 13% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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