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Color name
RGB 165 63 109

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 63 109 it is the complementary color RGB 90 192 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 63 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 63 109 shade: RGB 170 63 104, RGB 187 81 123, RGB 204 99 142, RGB 221 117 161 and RGB 238 135 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 63 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 63 109 shade: RGB 165 63 109, RGB 148 45 90, RGB 131 27 71, RGB 114 9 52 and RGB 97 0 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 63 109 shade: RGB 166 63 109, RGB 166 63 81 and RGB 166 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 63 109 shade: RGB 166 63 109, RGB 166 63 137, RGB 166 63 165, RGB 139 63 166 and RGB 111 63 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 63 109 shade matches the following richer shades: RGB 166 63 109, RGB 184 44 107, RGB 203 25 106 and RGB 222 7 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 63 109 shade: RGB 166 63 109, RGB 147 81 111, RGB 129 100 113, RGB 110 118 115 and RGB 92 137 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 63 109 shade: RGB 166 63 166, RGB 166 63 138, RGB 166 63 111, RGB 166 63 83 and RGB 166 69 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 63 109 shade: RGB 106 40 70, RGB 136 51 89, RGB 166 63 109, RGB 189 81 130 and RGB 200 111 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 63 109 shade: RGB 165 63 109, RGB 166 138 63 and RGB 63 152 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 63 109 shade: RGB 165 63 109, RGB 111 166 63 and RGB 63 111 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 63 109 shade: RGB 165 63 109, RGB 166 138 63, RGB 63 166 118 and RGB 63 90 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 63 109 shade: RGB 165 63 109, RGB 162 166 63, RGB 63 166 118 and RGB 66 63 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 34 / 35

HEX #A53F6D

RGB 165 63 109

HSL 332.94, 0.45%, 0.45%

LAB 42.24, 46.61, -4.8

 

Complementary color

CMYK 53 / 0 / 24 / 25

HEX #5AC092

RGB 90 192 146

HSL 152.94, 0.45%, 0.55%

LAB 70.84, -40.59, 14.29

 

CMYK 0 / 63 / 39 / 33

HEX #AA3F68

RGB 170 63 104

HSL 337.01, 0.46%, 0.46%

LAB 42.91, 47.63, -0.62

 

CMYK 0 / 57 / 34 / 27

HEX #BB517B

RGB 187 81 123

HSL 336.23, 0.44%, 0.53%

LAB 49.35, 47.05, -2.45

 

CMYK 0 / 51 / 30 / 20

HEX #CC638E

RGB 204 99 142

HSL 335.43, 0.51%, 0.59%

LAB 55.8, 46.31, -3.94

 

CMYK 0 / 47 / 27 / 13

HEX #DD75A1

RGB 221 117 161

HSL 334.62, 0.6%, 0.66%

LAB 62.23, 45.5, -5.18

 

CMYK 0 / 43 / 24 / 7

HEX #EE87B4

RGB 238 135 180

HSL 333.79, 0.75%, 0.73%

LAB 68.61, 44.68, -6.26

 

CMYK 0 / 62 / 34 / 35

HEX #A53F6D

RGB 165 63 109

HSL 332.94, 0.45%, 0.45%

LAB 42.24, 46.61, -4.8

 

CMYK 0 / 70 / 39 / 42

HEX #942D5A

RGB 148 45 90

HSL 333.79, 0.53%, 0.38%

LAB 35.81, 46.85, -2.68

 

CMYK 0 / 79 / 46 / 49

HEX #831B47

RGB 131 27 71

HSL 334.62, 0.66%, 0.31%

LAB 29.57, 46.4, 0.18

 

CMYK 0 / 92 / 54 / 55

HEX #720934

RGB 114 9 52

HSL 335.43, 0.85%, 0.24%

LAB 23.74, 44.65, 4.2

 

CMYK 0 / 100 / 66 / 62

HEX #610021

RGB 97 0 33

HSL 339.59, 1%, 0.19%

LAB 18.59, 40.77, 9.88

 

CMYK 0 / 62 / 34 / 35

HEX #A63F6D

RGB 166 63 109

HSL 333.2, 0.45%, 0.45%

LAB 42.41, 46.93, -4.54

 

CMYK 0 / 62 / 51 / 35

HEX #A63F51

RGB 166 63 81

HSL 349.51, 0.45%, 0.45%

LAB 41.62, 43.93, 11.74

 

CMYK 0 / 62 / 62 / 35

HEX #A63F3F

RGB 166 63 63

HSL 0, 0.45%, 0.45%

LAB 41.25, 42.48, 22.37

 

CMYK 0 / 62 / 34 / 35

HEX #A63F6D

RGB 166 63 109

HSL 333.2, 0.45%, 0.45%

LAB 42.41, 46.93, -4.54

 

CMYK 0 / 62 / 17 / 35

HEX #A63F89

RGB 166 63 137

HSL 316.89, 0.45%, 0.45%

LAB 43.46, 50.79, -20.12

 

CMYK 0 / 62 / 1 / 35

HEX #A63FA5

RGB 166 63 165

HSL 300.58, 0.45%, 0.45%

LAB 44.77, 55.37, -34.9

 

CMYK 16 / 62 / 0 / 35

HEX #8B3FA6

RGB 139 63 166

HSL 284.27, 0.45%, 0.45%

LAB 40.89, 48.7, -41.9

 

CMYK 33 / 62 / 0 / 35

HEX #6F3FA6

RGB 111 63 166

HSL 267.96, 0.45%, 0.45%

LAB 37.28, 41.85, -47.89

 

CMYK 0 / 62 / 34 / 35

HEX #A63F6D

RGB 166 63 109

HSL 333.2, 0.45%, 0.45%

LAB 42.41, 46.93, -4.54

 

CMYK 0 / 76 / 42 / 28

HEX #B82C6B

RGB 184 44 107

HSL 333, 0.61%, 0.45%

LAB 42.84, 59.39, -2.3

 

CMYK 0 / 88 / 48 / 20

HEX #CB196A

RGB 203 25 106

HSL 332.7, 0.78%, 0.45%

LAB 44.85, 68.74, 1.69

 

CMYK 0 / 97 / 53 / 13

HEX #DE0768

RGB 222 7 104

HSL 332.93, 0.94%, 0.45%

LAB 47.86, 75.11, 7.74

 

CMYK 0 / 62 / 34 / 35

HEX #A63F6D

RGB 166 63 109

HSL 333.2, 0.45%, 0.45%

LAB 42.41, 46.93, -4.54

 

CMYK 0 / 45 / 24 / 42

HEX #93516F

RGB 147 81 111

HSL 332.73, 0.29%, 0.45%

LAB 43.12, 31.49, -5.03

 

CMYK 0 / 22 / 12 / 49

HEX #816471

RGB 129 100 113

HSL 333.1, 0.13%, 0.45%

LAB 45.6, 13.93, -2.82

 

CMYK 7 / 0 / 3 / 54

HEX #6E7673

RGB 110 118 115

HSL 157.5, 0.04%, 0.45%

LAB 48.9, -3.63, 0.61

 

CMYK 33 / 0 / 15 / 46

HEX #5C8974

RGB 92 137 116

HSL 152, 0.2%, 0.45%

LAB 53.41, -20.21, 6.39

 

CMYK 0 / 62 / 0 / 35

HEX #A63FA6

RGB 166 63 166

HSL 300, 0.45%, 0.45%

LAB 44.82, 55.55, -35.42

 

CMYK 0 / 62 / 17 / 35

HEX #A63F8A

RGB 166 63 138

HSL 316.31, 0.45%, 0.45%

LAB 43.5, 50.94, -20.67

 

CMYK 0 / 62 / 33 / 35

HEX #A63F6F

RGB 166 63 111

HSL 332.04, 0.45%, 0.45%

LAB 42.48, 47.18, -5.67

 

CMYK 0 / 62 / 50 / 35

HEX #A63F53

RGB 166 63 83

HSL 348.35, 0.45%, 0.45%

LAB 41.67, 44.12, 10.57

 

CMYK 0 / 58 / 62 / 35

HEX #A6453F

RGB 166 69 63

HSL 3.5, 0.45%, 0.45%

LAB 42.34, 39.6, 23.77

 

CMYK 0 / 62 / 34 / 58

HEX #6A2846

RGB 106 40 70

HSL 332.73, 0.45%, 0.29%

LAB 26.8, 32.86, -3.77

 

CMYK 0 / 63 / 35 / 47

HEX #883359

RGB 136 51 89

HSL 333.18, 0.45%, 0.37%

LAB 34.65, 40.23, -4

 

CMYK 0 / 62 / 34 / 35

HEX #A63F6D

RGB 166 63 109

HSL 333.2, 0.45%, 0.45%

LAB 42.41, 46.93, -4.54

 

CMYK 0 / 57 / 31 / 26

HEX #BD5182

RGB 189 81 130

HSL 332.78, 0.45%, 0.53%

LAB 49.88, 48.58, -5.84

 

CMYK 0 / 45 / 25 / 22

HEX #C86F97

RGB 200 111 151

HSL 333.03, 0.45%, 0.61%

LAB 57.93, 40.04, -6.1

 

CMYK 0 / 62 / 34 / 35

HEX #A53F6D

RGB 165 63 109

HSL 332.94, 0.45%, 0.45%

LAB 42.24, 46.61, -4.8

 

CMYK 0 / 17 / 62 / 35

HEX #A68A3F

RGB 166 138 63

HSL 43.69, 0.45%, 0.45%

LAB 58.64, 1.64, 43.25

 

CMYK 62 / 8 / 0 / 35

HEX #3F98A6

RGB 63 152 166

HSL 188.16, 0.45%, 0.45%

LAB 58.29, -22.02, -15.25

 

CMYK 0 / 62 / 34 / 35

HEX #A53F6D

RGB 165 63 109

HSL 332.94, 0.45%, 0.45%

LAB 42.24, 46.61, -4.8

 

CMYK 33 / 0 / 62 / 35

HEX #6FA63F

RGB 111 166 63

HSL 92.04, 0.45%, 0.45%

LAB 62.52, -35.74, 46.43

 

CMYK 62 / 33 / 0 / 35

HEX #3F6FA6

RGB 63 111 166

HSL 212.04, 0.45%, 0.45%

LAB 45.88, 1.17, -34.42

 

CMYK 0 / 62 / 34 / 35

HEX #A53F6D

RGB 165 63 109

HSL 332.94, 0.45%, 0.45%

LAB 42.24, 46.61, -4.8

 

CMYK 0 / 17 / 62 / 35

HEX #A68A3F

RGB 166 138 63

HSL 43.69, 0.45%, 0.45%

LAB 58.64, 1.64, 43.25

 

CMYK 62 / 0 / 29 / 35

HEX #3FA676

RGB 63 166 118

HSL 152.04, 0.45%, 0.45%

LAB 61.34, -41.23, 16.23

 

CMYK 62 / 46 / 0 / 35

HEX #3F5AA6

RGB 63 90 166

HSL 224.27, 0.45%, 0.45%

LAB 39.79, 14.42, -44.08

 

CMYK 0 / 62 / 34 / 35

HEX #A53F6D

RGB 165 63 109

HSL 332.94, 0.45%, 0.45%

LAB 42.24, 46.61, -4.8

 

CMYK 2 / 0 / 62 / 35

HEX #A2A63F

RGB 162 166 63

HSL 62.33, 0.45%, 0.45%

LAB 65.99, -15.13, 51.23

 

CMYK 62 / 0 / 29 / 35

HEX #3FA676

RGB 63 166 118

HSL 152.04, 0.45%, 0.45%

LAB 61.34, -41.23, 16.23

 

CMYK 60 / 62 / 0 / 35

HEX #423FA6

RGB 66 63 166

HSL 241.75, 0.45%, 0.45%

LAB 32.85, 32.43, -55.28

 

Description

Color code: RGB 165 63 109 | qconv.com Color code: RGB 165 63 109 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 63 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 63 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 34 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 34% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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