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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 48 201 it is the complementary color RGB 90 207 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 48 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 48 201 shade: RGB 170 48 196, RGB 187 66 215, RGB 204 84 234, RGB 221 102 253 and RGB 238 120 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 48 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 48 201 shade: RGB 165 48 201, RGB 148 30 182, RGB 131 12 163, RGB 114 0 144 and RGB 97 0 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 48 201 shade: RGB 165 48 201, RGB 201 48 195, RGB 201 48 154, RGB 201 48 113 and RGB 201 48 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 48 201 shade: RGB 165 48 201, RGB 124 48 201, RGB 83 48 201 and RGB 48 48 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 48 201 shade matches the following richer shades: RGB 165 48 201, RGB 175 28 221 and RGB 186 8 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 48 201 shade: RGB 165 48 201, RGB 154 68 180, RGB 143 89 160, RGB 133 109 140 and RGB 122 129 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 48 201 shade: RGB 81 48 201, RGB 122 48 201, RGB 163 48 201, RGB 201 48 198 and RGB 201 48 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 48 201 shade: RGB 110 32 134, RGB 138 40 167, RGB 165 48 201, RGB 180 78 212 and RGB 194 112 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 48 201 shade: RGB 165 48 201, RGB 201 48 56 and RGB 48 201 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 48 201 shade: RGB 165 48 201, RGB 201 163 48 and RGB 48 201 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 48 201 shade: RGB 165 48 201, RGB 201 48 56, RGB 86 201 48 and RGB 48 201 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 48 201 shade: RGB 165 48 201, RGB 201 86 48, RGB 86 201 48 and RGB 48 163 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 76 / 0 / 21

HEX #A530C9

RGB 165 48 201

HSL 285.88, 0.61%, 0.49%

LAB 44.7, 67.51, -56.15

 

Complementary color

CMYK 57 / 0 / 74 / 19

HEX #5ACF36

RGB 90 207 54

HSL 105.88, 0.61%, 0.51%

LAB 74.23, -59.46, 62.03

 

CMYK 13 / 76 / 0 / 23

HEX #AA30C4

RGB 170 48 196

HSL 289.46, 0.61%, 0.48%

LAB 45.14, 67.54, -52.49

 

CMYK 13 / 69 / 0 / 16

HEX #BB42D7

RGB 187 66 215

HSL 288.72, 0.65%, 0.55%

LAB 51.11, 68.09, -53.72

 

CMYK 13 / 64 / 0 / 8

HEX #CC54EA

RGB 204 84 234

HSL 288, 0.78%, 0.62%

LAB 57.19, 68.13, -54.6

 

CMYK 13 / 60 / 0 / 1

HEX #DD66FD

RGB 221 102 253

HSL 287.28, 0.97%, 0.7%

LAB 63.32, 67.85, -55.26

 

CMYK 7 / 53 / 0 / 0

HEX #EE78FF

RGB 238 120 255

HSL 292.44, 1%, 0.74%

LAB 68.63, 64.2, -47.81

 

CMYK 18 / 76 / 0 / 21

HEX #A530C9

RGB 165 48 201

HSL 285.88, 0.61%, 0.49%

LAB 44.7, 67.51, -56.15

 

CMYK 19 / 84 / 0 / 29

HEX #941EB6

RGB 148 30 182

HSL 286.58, 0.72%, 0.42%

LAB 38.9, 66.2, -54.53

 

CMYK 20 / 93 / 0 / 36

HEX #830CA3

RGB 131 12 163

HSL 287.28, 0.86%, 0.34%

LAB 33.42, 63.65, -52.18

 

CMYK 21 / 100 / 0 / 44

HEX #720090

RGB 114 0 144

HSL 287.5, 1%, 0.28%

LAB 28.36, 59.46, -48.92

 

CMYK 22 / 100 / 0 / 51

HEX #61007D

RGB 97 0 125

HSL 286.56, 1%, 0.25%

LAB 23.74, 53.43, -44.64

 

CMYK 18 / 76 / 0 / 21

HEX #A530C9

RGB 165 48 201

HSL 285.88, 0.61%, 0.49%

LAB 44.7, 67.51, -56.15

 

CMYK 0 / 76 / 3 / 21

HEX #C930C3

RGB 201 48 195

HSL 302.35, 0.61%, 0.49%

LAB 50.06, 73.61, -43.77

 

CMYK 0 / 76 / 23 / 21

HEX #C9309A

RGB 201 48 154

HSL 318.43, 0.61%, 0.49%

LAB 48.09, 67.84, -22.74

 

CMYK 0 / 76 / 44 / 21

HEX #C93071

RGB 201 48 113

HSL 334.51, 0.61%, 0.49%

LAB 46.61, 63.32, -0.12

 

CMYK 0 / 76 / 64 / 21

HEX #C93048

RGB 201 48 72

HSL 350.59, 0.61%, 0.49%

LAB 45.63, 60.22, 23.78

 

CMYK 18 / 76 / 0 / 21

HEX #A530C9

RGB 165 48 201

HSL 285.88, 0.61%, 0.49%

LAB 44.7, 67.51, -56.15

 

CMYK 38 / 76 / 0 / 21

HEX #7C30C9

RGB 124 48 201

HSL 269.8, 0.61%, 0.49%

LAB 38.93, 60.21, -65.79

 

CMYK 59 / 76 / 0 / 21

HEX #5330C9

RGB 83 48 201

HSL 253.73, 0.61%, 0.49%

LAB 34.33, 54.24, -73.49

 

CMYK 76 / 76 / 0 / 21

HEX #3030C9

RGB 48 48 201

HSL 240, 0.61%, 0.49%

LAB 31.71, 50.75, -77.9

 

CMYK 18 / 76 / 0 / 21

HEX #A530C9

RGB 165 48 201

HSL 285.88, 0.61%, 0.49%

LAB 44.7, 67.51, -56.15

 

CMYK 21 / 87 / 0 / 13

HEX #AF1CDD

RGB 175 28 221

HSL 285.7, 0.78%, 0.49%

LAB 45.86, 78.08, -65.71

 

CMYK 23 / 97 / 0 / 5

HEX #BA08F1

RGB 186 8 241

HSL 285.84, 0.94%, 0.49%

LAB 48.21, 85.69, -73.14

 

CMYK 18 / 76 / 0 / 21

HEX #A530C9

RGB 165 48 201

HSL 285.88, 0.61%, 0.49%

LAB 44.7, 67.51, -56.15

 

CMYK 14 / 62 / 0 / 29

HEX #9A44B4

RGB 154 68 180

HSL 286.07, 0.45%, 0.49%

LAB 44.66, 52.94, -44.05

 

CMYK 11 / 44 / 0 / 37

HEX #8F59A0

RGB 143 89 160

HSL 285.63, 0.29%, 0.49%

LAB 46.34, 34.73, -29.69

 

CMYK 5 / 22 / 0 / 45

HEX #856D8C

RGB 133 109 140

HSL 286.45, 0.12%, 0.49%

LAB 49.27, 15.42, -13.42

 

CMYK 5 / 0 / 7 / 49

HEX #7A8178

RGB 122 129 120

HSL 106.67, 0.04%, 0.49%

LAB 53.16, -4.4, 3.98

 

CMYK 60 / 76 / 0 / 21

HEX #5130C9

RGB 81 48 201

HSL 252.94, 0.61%, 0.49%

LAB 34.15, 54, -73.8

 

CMYK 39 / 76 / 0 / 21

HEX #7A30C9

RGB 122 48 201

HSL 269.02, 0.61%, 0.49%

LAB 38.67, 59.88, -66.21

 

CMYK 19 / 76 / 0 / 21

HEX #A330C9

RGB 163 48 201

HSL 285.1, 0.61%, 0.49%

LAB 44.4, 67.13, -56.65

 

CMYK 0 / 76 / 1 / 21

HEX #C930C6

RGB 201 48 198

HSL 301.18, 0.61%, 0.49%

LAB 50.23, 74.07, -45.25

 

CMYK 0 / 76 / 22 / 21

HEX #C9309D

RGB 201 48 157

HSL 317.25, 0.61%, 0.49%

LAB 48.22, 68.23, -24.34

 

CMYK 18 / 76 / 0 / 47

HEX #6E2086

RGB 110 32 134

HSL 285.88, 0.61%, 0.33%

LAB 29.59, 49, -40.74

 

CMYK 17 / 76 / 0 / 35

HEX #8A28A7

RGB 138 40 167

HSL 286.3, 0.61%, 0.41%

LAB 37.32, 58.45, -48.23

 

CMYK 18 / 76 / 0 / 21

HEX #A530C9

RGB 165 48 201

HSL 285.88, 0.61%, 0.49%

LAB 44.7, 67.51, -56.15

 

CMYK 15 / 63 / 0 / 17

HEX #B44ED4

RGB 180 78 212

HSL 285.67, 0.61%, 0.57%

LAB 51.73, 61, -51.08

 

CMYK 12 / 49 / 0 / 14

HEX #C270DC

RGB 194 112 220

HSL 285.56, 0.61%, 0.65%

LAB 60.09, 49.69, -42.24

 

CMYK 18 / 76 / 0 / 21

HEX #A530C9

RGB 165 48 201

HSL 285.88, 0.61%, 0.49%

LAB 44.7, 67.51, -56.15

 

CMYK 0 / 76 / 72 / 21

HEX #C93038

RGB 201 48 56

HSL 356.86, 0.61%, 0.49%

LAB 45.38, 59.4, 33.09

 

CMYK 76 / 0 / 49 / 21

HEX #30C966

RGB 48 201 102

HSL 141.18, 0.61%, 0.49%

LAB 71.8, -60.22, 38.36

 

CMYK 18 / 76 / 0 / 21

HEX #A530C9

RGB 165 48 201

HSL 285.88, 0.61%, 0.49%

LAB 44.7, 67.51, -56.15

 

CMYK 0 / 19 / 76 / 21

HEX #C9A330

RGB 201 163 48

HSL 45.1, 0.61%, 0.49%

LAB 68.62, 2.67, 61.09

 

CMYK 76 / 0 / 19 / 21

HEX #30C9A3

RGB 48 201 163

HSL 165.1, 0.61%, 0.49%

LAB 72.92, -47.78, 7.92

 

CMYK 18 / 76 / 0 / 21

HEX #A530C9

RGB 165 48 201

HSL 285.88, 0.61%, 0.49%

LAB 44.7, 67.51, -56.15

 

CMYK 0 / 76 / 72 / 21

HEX #C93038

RGB 201 48 56

HSL 356.86, 0.61%, 0.49%

LAB 45.38, 59.4, 33.09

 

CMYK 57 / 0 / 76 / 21

HEX #56C930

RGB 86 201 48

HSL 105.1, 0.61%, 0.49%

LAB 72.21, -58.74, 61.99

 

CMYK 76 / 0 / 4 / 21

HEX #30C9C1

RGB 48 201 193

HSL 176.86, 0.61%, 0.49%

LAB 73.71, -39.82, -7.18

 

CMYK 18 / 76 / 0 / 21

HEX #A530C9

RGB 165 48 201

HSL 285.88, 0.61%, 0.49%

LAB 44.7, 67.51, -56.15

 

CMYK 0 / 57 / 76 / 21

HEX #C95630

RGB 201 86 48

HSL 14.9, 0.61%, 0.49%

LAB 51.02, 43.61, 43.71

 

CMYK 57 / 0 / 76 / 21

HEX #56C930

RGB 86 201 48

HSL 105.1, 0.61%, 0.49%

LAB 72.21, -58.74, 61.99

 

CMYK 76 / 19 / 0 / 21

HEX #30A3C9

RGB 48 163 201

HSL 194.9, 0.61%, 0.49%

LAB 62.54, -18.79, -28.5

 

Description

Color code: RGB 165 48 201 | qconv.com Color code: RGB 165 48 201 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 48 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 48 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 76 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 76% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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