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Color name
RGB 165 47 111

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 47 111 it is the complementary color RGB 90 208 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 47 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 47 111 shade: RGB 170 47 106, RGB 187 65 125, RGB 204 83 144, RGB 221 101 163 and RGB 238 119 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 47 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 47 111 shade: RGB 165 47 111, RGB 148 29 92, RGB 131 11 73, RGB 114 0 54 and RGB 97 0 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 47 111 shade: RGB 167 47 112, RGB 167 47 79, RGB 167 47 47 and RGB 167 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 47 111 shade: RGB 167 47 112, RGB 167 47 144, RGB 157 47 167, RGB 124 47 167 and RGB 92 47 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 47 111 shade matches the following richer shades: RGB 167 47 112, RGB 184 29 113 and RGB 201 12 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 47 111 shade: RGB 167 47 112, RGB 149 64 110, RGB 132 81 109, RGB 115 99 107 and RGB 97 116 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 47 111 shade: RGB 157 47 167, RGB 167 47 145, RGB 167 47 113, RGB 167 47 81 and RGB 167 47 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 47 111 shade: RGB 102 28 68, RGB 134 38 90, RGB 167 47 112, RGB 199 56 133 and RGB 208 88 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 47 111 shade: RGB 165 47 111, RGB 167 125 47 and RGB 47 161 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 47 111 shade: RGB 165 47 111, RGB 113 167 47 and RGB 47 113 167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 47 111 shade: RGB 165 47 111, RGB 167 125 47, RGB 47 167 101 and RGB 47 89 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 47 111 shade: RGB 165 47 111, RGB 167 161 47, RGB 47 167 101 and RGB 47 53 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 33 / 35

HEX #A52F6F

RGB 165 47 111

HSL 327.46, 0.56%, 0.42%

LAB 39.88, 53.53, -9.57

 

Complementary color

CMYK 57 / 0 / 31 / 18

HEX #5AD090

RGB 90 208 144

HSL 147.46, 0.56%, 0.58%

LAB 75.64, -47.85, 22.01

 

CMYK 0 / 72 / 38 / 33

HEX #AA2F6A

RGB 170 47 106

HSL 331.22, 0.57%, 0.43%

LAB 40.61, 54.37, -5.27

 

CMYK 0 / 65 / 33 / 27

HEX #BB417D

RGB 187 65 125

HSL 330.49, 0.48%, 0.49%

LAB 46.75, 54.48, -7.52

 

CMYK 0 / 59 / 29 / 20

HEX #CC5390

RGB 204 83 144

HSL 329.75, 0.54%, 0.56%

LAB 52.99, 54.15, -9.29

 

CMYK 0 / 54 / 26 / 13

HEX #DD65A3

RGB 221 101 163

HSL 329, 0.64%, 0.63%

LAB 59.27, 53.59, -10.73

 

CMYK 0 / 50 / 24 / 7

HEX #EE77B6

RGB 238 119 182

HSL 328.24, 0.78%, 0.7%

LAB 65.55, 52.92, -11.94

 

CMYK 0 / 72 / 33 / 35

HEX #A52F6F

RGB 165 47 111

HSL 327.46, 0.56%, 0.42%

LAB 39.88, 53.53, -9.57

 

CMYK 0 / 80 / 38 / 42

HEX #941D5C

RGB 148 29 92

HSL 328.24, 0.67%, 0.35%

LAB 33.87, 52.71, -6.85

 

CMYK 0 / 92 / 44 / 49

HEX #830B49

RGB 131 11 73

HSL 329, 0.85%, 0.28%

LAB 28.24, 50.62, -3.12

 

CMYK 0 / 100 / 53 / 55

HEX #720036

RGB 114 0 54

HSL 331.58, 1%, 0.22%

LAB 23.15, 46.72, 1.96

 

CMYK 0 / 100 / 64 / 62

HEX #610023

RGB 97 0 35

HSL 338.35, 1%, 0.19%

LAB 18.64, 40.91, 8.51

 

CMYK 0 / 72 / 33 / 35

HEX #A72F70

RGB 167 47 112

HSL 327.5, 0.56%, 0.42%

LAB 40.28, 54.22, -9.57

 

CMYK 0 / 72 / 53 / 35

HEX #A72F4F

RGB 167 47 79

HSL 344, 0.56%, 0.42%

LAB 39.26, 50.85, 9.75

 

CMYK 0 / 72 / 72 / 35

HEX #A72F2F

RGB 167 47 47

HSL 0, 0.56%, 0.42%

LAB 38.64, 48.73, 28.93

 

CMYK 0 / 72 / 72 / 35

HEX #A72F2F

RGB 167 47 47

HSL 0, 0.56%, 0.42%

LAB 38.64, 48.73, 28.93

 

CMYK 0 / 72 / 33 / 35

HEX #A72F70

RGB 167 47 112

HSL 327.5, 0.56%, 0.42%

LAB 40.28, 54.22, -9.57

 

CMYK 0 / 72 / 14 / 35

HEX #A72F90

RGB 167 47 144

HSL 311.5, 0.56%, 0.42%

LAB 41.63, 58.53, -27.2

 

CMYK 6 / 72 / 0 / 35

HEX #9D2FA7

RGB 157 47 167

HSL 295, 0.56%, 0.42%

LAB 41.2, 59.95, -41.84

 

CMYK 26 / 72 / 0 / 35

HEX #7C2FA7

RGB 124 47 167

HSL 278.5, 0.56%, 0.42%

LAB 36.19, 52.85, -50.15

 

CMYK 45 / 72 / 0 / 35

HEX #5C2FA7

RGB 92 47 167

HSL 262.5, 0.56%, 0.42%

LAB 32.03, 46.6, -57.1

 

CMYK 0 / 72 / 33 / 35

HEX #A72F70

RGB 167 47 112

HSL 327.5, 0.56%, 0.42%

LAB 40.28, 54.22, -9.57

 

CMYK 0 / 84 / 39 / 28

HEX #B81D71

RGB 184 29 113

HSL 327.48, 0.73%, 0.42%

LAB 41.63, 64.02, -7.84

 

CMYK 0 / 94 / 43 / 21

HEX #C90C73

RGB 201 12 115

HSL 327.3, 0.89%, 0.42%

LAB 44.12, 70.83, -5.02

 

CMYK 0 / 72 / 33 / 35

HEX #A72F70

RGB 167 47 112

HSL 327.5, 0.56%, 0.42%

LAB 40.28, 54.22, -9.57

 

CMYK 0 / 57 / 26 / 42

HEX #95406E

RGB 149 64 110

HSL 327.53, 0.4%, 0.42%

LAB 39.89, 41.06, -9.21

 

CMYK 0 / 39 / 17 / 48

HEX #84516D

RGB 132 81 109

HSL 327.06, 0.24%, 0.42%

LAB 41.05, 25.61, -7.1

 

CMYK 0 / 14 / 7 / 55

HEX #73636B

RGB 115 99 107

HSL 330, 0.07%, 0.42%

LAB 43.7, 7.9, -2.16

 

CMYK 16 / 0 / 9 / 55

HEX #61746A

RGB 97 116 106

HSL 148.42, 0.09%, 0.42%

LAB 47.07, -9.21, 3.17

 

CMYK 6 / 72 / 0 / 35

HEX #9D2FA7

RGB 157 47 167

HSL 295, 0.56%, 0.42%

LAB 41.2, 59.95, -41.84

 

CMYK 0 / 72 / 13 / 35

HEX #A72F91

RGB 167 47 145

HSL 311, 0.56%, 0.42%

LAB 41.68, 58.68, -27.74

 

CMYK 0 / 72 / 32 / 35

HEX #A72F71

RGB 167 47 113

HSL 327, 0.56%, 0.42%

LAB 40.31, 54.34, -10.14

 

CMYK 0 / 72 / 51 / 35

HEX #A72F51

RGB 167 47 81

HSL 343, 0.56%, 0.42%

LAB 39.31, 51.02, 8.55

 

CMYK 0 / 72 / 71 / 35

HEX #A72F31

RGB 167 47 49

HSL 359, 0.56%, 0.42%

LAB 38.67, 48.83, 27.76

 

CMYK 0 / 73 / 33 / 60

HEX #661C44

RGB 102 28 68

HSL 327.57, 0.57%, 0.25%

LAB 23.91, 36.94, -6.83

 

CMYK 0 / 72 / 33 / 47

HEX #86265A

RGB 134 38 90

HSL 327.5, 0.56%, 0.34%

LAB 32.24, 45.45, -8.27

 

CMYK 0 / 72 / 33 / 35

HEX #A72F70

RGB 167 47 112

HSL 327.5, 0.56%, 0.42%

LAB 40.28, 54.22, -9.57

 

CMYK 0 / 72 / 33 / 22

HEX #C73885

RGB 199 56 133

HSL 327.69, 0.56%, 0.5%

LAB 47.83, 62.24, -10.53

 

CMYK 0 / 58 / 26 / 18

HEX #D05899

RGB 208 88 153

HSL 327.5, 0.56%, 0.58%

LAB 54.75, 54.28, -11.89

 

CMYK 0 / 72 / 33 / 35

HEX #A52F6F

RGB 165 47 111

HSL 327.46, 0.56%, 0.42%

LAB 39.88, 53.53, -9.57

 

CMYK 0 / 25 / 72 / 35

HEX #A77D2F

RGB 167 125 47

HSL 39, 0.56%, 0.42%

LAB 55.16, 8.34, 47.05

 

CMYK 72 / 4 / 0 / 35

HEX #2FA1A7

RGB 47 161 167

HSL 183, 0.56%, 0.42%

LAB 60.68, -28.76, -12.26

 

CMYK 0 / 72 / 33 / 35

HEX #A52F6F

RGB 165 47 111

HSL 327.46, 0.56%, 0.42%

LAB 39.88, 53.53, -9.57

 

CMYK 32 / 0 / 72 / 35

HEX #71A72F

RGB 113 167 47

HSL 87, 0.56%, 0.42%

LAB 62.8, -36.73, 53.43

 

CMYK 72 / 32 / 0 / 35

HEX #2F71A7

RGB 47 113 167

HSL 207, 0.56%, 0.42%

LAB 45.91, -2.48, -34.99

 

CMYK 0 / 72 / 33 / 35

HEX #A52F6F

RGB 165 47 111

HSL 327.46, 0.56%, 0.42%

LAB 39.88, 53.53, -9.57

 

CMYK 0 / 25 / 72 / 35

HEX #A77D2F

RGB 167 125 47

HSL 39, 0.56%, 0.42%

LAB 55.16, 8.34, 47.05

 

CMYK 72 / 0 / 40 / 35

HEX #2FA765

RGB 47 167 101

HSL 147, 0.56%, 0.42%

LAB 60.94, -48.07, 24.9

 

CMYK 72 / 47 / 0 / 35

HEX #2F59A7

RGB 47 89 167

HSL 219, 0.56%, 0.42%

LAB 38.79, 12.69, -46.31

 

CMYK 0 / 72 / 33 / 35

HEX #A52F6F

RGB 165 47 111

HSL 327.46, 0.56%, 0.42%

LAB 39.88, 53.53, -9.57

 

CMYK 0 / 4 / 72 / 35

HEX #A7A12F

RGB 167 161 47

HSL 57, 0.56%, 0.42%

LAB 64.89, -11.31, 56.78

 

CMYK 72 / 0 / 40 / 35

HEX #2FA765

RGB 47 167 101

HSL 147, 0.56%, 0.42%

LAB 60.94, -48.07, 24.9

 

CMYK 72 / 68 / 0 / 35

HEX #2F35A7

RGB 47 53 167

HSL 237, 0.56%, 0.42%

LAB 29.26, 36.3, -61.79

 

Description

Color code: RGB 165 47 111 | qconv.com Color code: RGB 165 47 111 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 47 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 47 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 33 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 33% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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