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Color name
RGB 165 37 140

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 37 140 it is the complementary color RGB 90 218 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 37 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 37 140 shade: RGB 170 37 135, RGB 187 55 154, RGB 204 73 173, RGB 221 91 192 and RGB 238 109 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 37 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 37 140 shade: RGB 165 37 140, RGB 148 19 121, RGB 131 1 102, RGB 114 0 83 and RGB 97 0 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 37 140 shade: RGB 166 37 141, RGB 166 37 106, RGB 166 37 71 and RGB 166 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 37 140 shade: RGB 166 37 141, RGB 156 37 166, RGB 122 37 166, RGB 87 37 166 and RGB 52 37 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 37 140 shade matches the following richer shades: RGB 166 37 141, RGB 182 21 151 and RGB 199 4 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 37 140 shade: RGB 166 37 141, RGB 149 54 131, RGB 133 70 121, RGB 116 87 110 and RGB 100 103 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 37 140 shade: RGB 121 37 166, RGB 155 37 166, RGB 166 37 142, RGB 166 37 108 and RGB 166 37 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 37 140 shade: RGB 99 22 84, RGB 132 30 112, RGB 166 37 141, RGB 199 45 169 and RGB 213 72 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 37 140 shade: RGB 165 37 140, RGB 166 87 37 and RGB 37 166 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 37 140 shade: RGB 165 37 140, RGB 142 166 37 and RGB 37 142 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 37 140 shade: RGB 165 37 140, RGB 166 87 37, RGB 37 166 61 and RGB 37 116 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 37 140 shade: RGB 165 37 140, RGB 166 125 37, RGB 37 166 61 and RGB 37 78 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 15 / 35

HEX #A5258C

RGB 165 37 140

HSL 311.72, 0.63%, 0.4%

LAB 39.94, 60.72, -27.43

 

Complementary color

CMYK 59 / 0 / 47 / 15

HEX #5ADA73

RGB 90 218 115

HSL 131.72, 0.63%, 0.6%

LAB 78.2, -56.82, 40.19

 

CMYK 0 / 78 / 21 / 33

HEX #AA2587

RGB 170 37 135

HSL 315.79, 0.64%, 0.41%

LAB 40.6, 61.2, -23.26

 

CMYK 0 / 71 / 18 / 27

HEX #BB379A

RGB 187 55 154

HSL 315, 0.55%, 0.47%

LAB 46.49, 62.14, -25.42

 

CMYK 0 / 64 / 15 / 20

HEX #CC49AD

RGB 204 73 173

HSL 314.2, 0.56%, 0.54%

LAB 52.53, 62.4, -27.06

 

CMYK 0 / 59 / 13 / 13

HEX #DD5BC0

RGB 221 91 192

HSL 313.38, 0.66%, 0.61%

LAB 58.66, 62.25, -28.35

 

CMYK 0 / 54 / 11 / 7

HEX #EE6DD3

RGB 238 109 211

HSL 312.56, 0.79%, 0.68%

LAB 64.82, 61.86, -29.4

 

CMYK 0 / 78 / 15 / 35

HEX #A5258C

RGB 165 37 140

HSL 311.72, 0.63%, 0.4%

LAB 39.94, 60.72, -27.43

 

CMYK 0 / 87 / 18 / 42

HEX #941379

RGB 148 19 121

HSL 312.56, 0.77%, 0.33%

LAB 34.28, 58.77, -24.73

 

CMYK 0 / 99 / 22 / 49

HEX #830166

RGB 131 1 102

HSL 313.38, 0.98%, 0.26%

LAB 28.92, 55.6, -21.22

 

CMYK 0 / 100 / 27 / 55

HEX #720053

RGB 114 0 83

HSL 316.32, 1%, 0.22%

LAB 24.33, 49.77, -16.1

 

CMYK 0 / 100 / 34 / 62

HEX #610040

RGB 97 0 64

HSL 320.41, 1%, 0.19%

LAB 19.69, 43.65, -10.58

 

CMYK 0 / 78 / 15 / 35

HEX #A6258D

RGB 166 37 141

HSL 311.63, 0.64%, 0.4%

LAB 40.17, 61.1, -27.67

 

CMYK 0 / 78 / 36 / 35

HEX #A6256A

RGB 166 37 106

HSL 327.91, 0.64%, 0.4%

LAB 38.67, 56.63, -8.23

 

CMYK 0 / 78 / 57 / 35

HEX #A62547

RGB 166 37 71

HSL 344.19, 0.64%, 0.4%

LAB 37.64, 53.4, 12.56

 

CMYK 0 / 78 / 78 / 35

HEX #A62525

RGB 166 37 37

HSL 0, 0.64%, 0.4%

LAB 37.05, 51.51, 33.03

 

CMYK 0 / 78 / 15 / 35

HEX #A6258D

RGB 166 37 141

HSL 311.63, 0.64%, 0.4%

LAB 40.17, 61.1, -27.67

 

CMYK 6 / 78 / 0 / 35

HEX #9C25A6

RGB 156 37 166

HSL 295.35, 0.64%, 0.4%

LAB 39.82, 62.88, -43.45

 

CMYK 27 / 78 / 0 / 35

HEX #7A25A6

RGB 122 37 166

HSL 279.53, 0.64%, 0.4%

LAB 34.42, 56.24, -52.43

 

CMYK 48 / 78 / 0 / 35

HEX #5725A6

RGB 87 37 166

HSL 263.26, 0.64%, 0.4%

LAB 29.67, 50.27, -60.38

 

CMYK 69 / 78 / 0 / 35

HEX #3425A6

RGB 52 37 166

HSL 246.98, 0.64%, 0.4%

LAB 26.18, 45.77, -66.26

 

CMYK 0 / 78 / 15 / 35

HEX #A6258D

RGB 166 37 141

HSL 311.63, 0.64%, 0.4%

LAB 40.17, 61.1, -27.67

 

CMYK 0 / 88 / 17 / 29

HEX #B61597

RGB 182 21 151

HSL 311.55, 0.79%, 0.4%

LAB 42.33, 69.55, -30.16

 

CMYK 0 / 98 / 19 / 22

HEX #C704A1

RGB 199 4 161

HSL 311.69, 0.96%, 0.4%

LAB 45.36, 76.05, -31.2

 

CMYK 0 / 78 / 15 / 35

HEX #A6258D

RGB 166 37 141

HSL 311.63, 0.64%, 0.4%

LAB 40.17, 61.1, -27.67

 

CMYK 0 / 64 / 12 / 42

HEX #953683

RGB 149 54 131

HSL 311.37, 0.47%, 0.4%

LAB 39.01, 48.99, -23.55

 

CMYK 0 / 47 / 9 / 48

HEX #854679

RGB 133 70 121

HSL 311.43, 0.31%, 0.4%

LAB 39.15, 34.35, -17.37

 

CMYK 0 / 25 / 5 / 55

HEX #74576E

RGB 116 87 110

HSL 312.41, 0.14%, 0.4%

LAB 40.66, 16.16, -8.49

 

CMYK 3 / 0 / 3 / 60

HEX #646764

RGB 100 103 100

HSL 120, 0.01%, 0.4%

LAB 43.26, -1.78, 1.28

 

CMYK 27 / 78 / 0 / 35

HEX #7925A6

RGB 121 37 166

HSL 279.07, 0.64%, 0.4%

LAB 34.28, 56.05, -52.68

 

CMYK 7 / 78 / 0 / 35

HEX #9B25A6

RGB 155 37 166

HSL 294.88, 0.64%, 0.4%

LAB 39.66, 62.67, -43.73

 

CMYK 0 / 78 / 14 / 35

HEX #A6258E

RGB 166 37 142

HSL 311.16, 0.64%, 0.4%

LAB 40.22, 61.24, -28.2

 

CMYK 0 / 78 / 35 / 35

HEX #A6256C

RGB 166 37 108

HSL 326.98, 0.64%, 0.4%

LAB 38.75, 56.86, -9.38

 

CMYK 0 / 78 / 55 / 35

HEX #A6254A

RGB 166 37 74

HSL 342.79, 0.64%, 0.4%

LAB 37.71, 53.62, 10.74

 

CMYK 0 / 78 / 15 / 61

HEX #631654

RGB 99 22 84

HSL 311.69, 0.64%, 0.24%

LAB 23.23, 40.83, -18.72

 

CMYK 0 / 77 / 15 / 48

HEX #841E70

RGB 132 30 112

HSL 311.76, 0.63%, 0.32%

LAB 31.82, 50.88, -23.1

 

CMYK 0 / 78 / 15 / 35

HEX #A6258D

RGB 166 37 141

HSL 311.63, 0.64%, 0.4%

LAB 40.17, 61.1, -27.67

 

CMYK 0 / 77 / 15 / 22

HEX #C72DA9

RGB 199 45 169

HSL 311.69, 0.63%, 0.48%

LAB 48.11, 70.23, -31.65

 

CMYK 0 / 66 / 13 / 16

HEX #D548BA

RGB 213 72 186

HSL 311.49, 0.63%, 0.56%

LAB 54.37, 67.01, -31.65

 

CMYK 0 / 78 / 15 / 35

HEX #A5258C

RGB 165 37 140

HSL 311.72, 0.63%, 0.4%

LAB 39.94, 60.72, -27.43

 

CMYK 0 / 48 / 78 / 35

HEX #A65725

RGB 166 87 37

HSL 23.26, 0.64%, 0.4%

LAB 45.71, 28.73, 42.03

 

CMYK 78 / 0 / 17 / 35

HEX #25A68A

RGB 37 166 138

HSL 166.98, 0.64%, 0.4%

LAB 61.22, -40.56, 4.85

 

CMYK 0 / 78 / 15 / 35

HEX #A5258C

RGB 165 37 140

HSL 311.72, 0.63%, 0.4%

LAB 39.94, 60.72, -27.43

 

CMYK 14 / 0 / 78 / 35

HEX #8EA625

RGB 142 166 37

HSL 71.16, 0.64%, 0.4%

LAB 64.29, -25.17, 58.98

 

CMYK 78 / 14 / 0 / 35

HEX #258EA6

RGB 37 142 166

HSL 191.16, 0.64%, 0.4%

LAB 54.55, -20.61, -21.02

 

CMYK 0 / 78 / 15 / 35

HEX #A5258C

RGB 165 37 140

HSL 311.72, 0.63%, 0.4%

LAB 39.94, 60.72, -27.43

 

CMYK 0 / 48 / 78 / 35

HEX #A65725

RGB 166 87 37

HSL 23.26, 0.64%, 0.4%

LAB 45.71, 28.73, 42.03

 

CMYK 78 / 0 / 63 / 35

HEX #25A63D

RGB 37 166 61

HSL 131.16, 0.64%, 0.4%

LAB 59.89, -55.47, 43.67

 

CMYK 78 / 30 / 0 / 35

HEX #2574A6

RGB 37 116 166

HSL 203.26, 0.64%, 0.4%

LAB 46.49, -6, -33.51

 

CMYK 0 / 78 / 15 / 35

HEX #A5258C

RGB 165 37 140

HSL 311.72, 0.63%, 0.4%

LAB 39.94, 60.72, -27.43

 

CMYK 0 / 25 / 78 / 35

HEX #A67D25

RGB 166 125 37

HSL 40.93, 0.64%, 0.4%

LAB 54.98, 7.41, 51.05

 

CMYK 78 / 0 / 63 / 35

HEX #25A63D

RGB 37 166 61

HSL 131.16, 0.64%, 0.4%

LAB 59.89, -55.47, 43.67

 

CMYK 78 / 53 / 0 / 35

HEX #254EA6

RGB 37 78 166

HSL 220.93, 0.64%, 0.4%

LAB 35.19, 18.26, -51.54

 

Description

Color code: RGB 165 37 140 | qconv.com Color code: RGB 165 37 140 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 37 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 37 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 15 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 15% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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