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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 23 80 it is the complementary color RGB 90 232 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 23 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 23 80 shade: RGB 170 23 75, RGB 187 41 94, RGB 204 59 113, RGB 221 77 132 and RGB 238 95 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 23 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 23 80 shade: RGB 165 23 80, RGB 148 5 61, RGB 131 0 42, RGB 114 0 23 and RGB 97 0 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 23 80 shade: RGB 166 22 80, RGB 166 22 41 and RGB 166 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 23 80 shade: RGB 166 22 80, RGB 166 22 118, RGB 166 22 157, RGB 135 22 166 and RGB 97 22 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 23 80 shade matches the following richer shades: RGB 166 22 80 and RGB 181 7 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 23 80 shade: RGB 166 22 80, RGB 150 37 83, RGB 135 53 86, RGB 120 68 89 and RGB 104 83 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 23 80 shade: RGB 166 22 158, RGB 166 22 120, RGB 166 22 82, RGB 166 22 44 and RGB 166 39 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 23 80 shade: RGB 93 12 45, RGB 129 17 62, RGB 166 22 80, RGB 202 27 97 and RGB 226 44 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 23 80 shade: RGB 165 23 80, RGB 166 134 22 and RGB 22 139 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 23 80 shade: RGB 165 23 80, RGB 82 166 22 and RGB 22 82 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 23 80 shade: RGB 165 23 80, RGB 166 134 22, RGB 22 166 106 and RGB 22 53 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 23 80 shade: RGB 165 23 80, RGB 154 166 22, RGB 22 166 106 and RGB 34 22 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 52 / 35

HEX #A51750

RGB 165 23 80

HSL 335.92, 0.76%, 0.37%

LAB 36.35, 57.56, 4.94

 

Complementary color

CMYK 61 / 0 / 25 / 9

HEX #5AE8AF

RGB 90 232 175

HSL 155.92, 0.76%, 0.63%

LAB 83.43, -51.38, 16.56

 

CMYK 0 / 86 / 56 / 33

HEX #AA174B

RGB 170 23 75

HSL 338.78, 0.76%, 0.38%

LAB 37.24, 58.48, 9.57

 

CMYK 0 / 78 / 50 / 27

HEX #BB295E

RGB 187 41 94

HSL 338.22, 0.64%, 0.45%

LAB 42.7, 59.94, 5.69

 

CMYK 0 / 71 / 45 / 20

HEX #CC3B71

RGB 204 59 113

HSL 337.66, 0.59%, 0.52%

LAB 48.46, 60.49, 2.64

 

CMYK 0 / 65 / 40 / 13

HEX #DD4D84

RGB 221 77 132

HSL 337.08, 0.68%, 0.58%

LAB 54.39, 60.47, 0.2

 

CMYK 0 / 60 / 37 / 7

HEX #EE5F97

RGB 238 95 151

HSL 336.5, 0.81%, 0.65%

LAB 60.42, 60.11, -1.8

 

CMYK 0 / 86 / 52 / 35

HEX #A51750

RGB 165 23 80

HSL 335.92, 0.76%, 0.37%

LAB 36.35, 57.56, 4.94

 

CMYK 0 / 97 / 59 / 42

HEX #94053D

RGB 148 5 61

HSL 336.5, 0.93%, 0.3%

LAB 31.21, 54.84, 9.66

 

CMYK 0 / 100 / 68 / 49

HEX #83002A

RGB 131 0 42

HSL 340.76, 1%, 0.26%

LAB 26.71, 50.17, 15.77

 

CMYK 0 / 100 / 80 / 55

HEX #720017

RGB 114 0 23

HSL 347.89, 1%, 0.22%

LAB 22.44, 44.82, 22.54

 

CMYK 0 / 100 / 96 / 62

HEX #610004

RGB 97 0 4

HSL 357.53, 1%, 0.19%

LAB 18.14, 39.57, 26.33

 

CMYK 0 / 87 / 52 / 35

HEX #A61650

RGB 166 22 80

HSL 335.83, 0.77%, 0.37%

LAB 36.48, 58.03, 5.15

 

CMYK 0 / 87 / 75 / 35

HEX #A61629

RGB 166 22 41

HSL 352.08, 0.77%, 0.37%

LAB 35.68, 55.69, 29.1

 

CMYK 0 / 87 / 87 / 35

HEX #A61616

RGB 166 22 22

HSL 0, 0.77%, 0.37%

LAB 35.48, 55.1, 39.82

 

CMYK 0 / 87 / 52 / 35

HEX #A61650

RGB 166 22 80

HSL 335.83, 0.77%, 0.37%

LAB 36.48, 58.03, 5.15

 

CMYK 0 / 87 / 29 / 35

HEX #A61676

RGB 166 22 118

HSL 320, 0.77%, 0.37%

LAB 37.82, 61.8, -17.07

 

CMYK 0 / 87 / 5 / 35

HEX #A6169D

RGB 166 22 157

HSL 303.75, 0.77%, 0.37%

LAB 39.77, 67.05, -38.02

 

CMYK 19 / 87 / 0 / 35

HEX #8716A6

RGB 135 22 166

HSL 287.08, 0.77%, 0.37%

LAB 34.96, 62.95, -51.46

 

CMYK 42 / 87 / 0 / 35

HEX #6116A6

RGB 97 22 166

HSL 271.25, 0.77%, 0.37%

LAB 29.08, 57.22, -61.3

 

CMYK 0 / 87 / 52 / 35

HEX #A61650

RGB 166 22 80

HSL 335.83, 0.77%, 0.37%

LAB 36.48, 58.03, 5.15

 

CMYK 0 / 96 / 57 / 29

HEX #B5074D

RGB 181 7 77

HSL 335.86, 0.93%, 0.37%

LAB 38.75, 63.74, 10.72

 

CMYK 0 / 87 / 52 / 35

HEX #A61650

RGB 166 22 80

HSL 335.83, 0.77%, 0.37%

LAB 36.48, 58.03, 5.15

 

CMYK 0 / 75 / 45 / 41

HEX #962553

RGB 150 37 83

HSL 335.58, 0.6%, 0.37%

LAB 34.87, 49.75, 0.48

 

CMYK 0 / 61 / 36 / 47

HEX #873556

RGB 135 53 86

HSL 335.85, 0.44%, 0.37%

LAB 34.74, 38.54, -1.96

 

CMYK 0 / 43 / 26 / 53

HEX #784459

RGB 120 68 89

HSL 335.77, 0.28%, 0.37%

LAB 35.69, 25.32, -2.73

 

CMYK 0 / 20 / 12 / 59

HEX #68535C

RGB 104 83 92

HSL 334.29, 0.11%, 0.37%

LAB 37.67, 10.36, -1.93

 

CMYK 0 / 87 / 5 / 35

HEX #A6169E

RGB 166 22 158

HSL 303.33, 0.77%, 0.37%

LAB 39.83, 67.2, -38.53

 

CMYK 0 / 87 / 28 / 35

HEX #A61678

RGB 166 22 120

HSL 319.17, 0.77%, 0.37%

LAB 37.91, 62.04, -18.19

 

CMYK 0 / 87 / 51 / 35

HEX #A61652

RGB 166 22 82

HSL 335, 0.77%, 0.37%

LAB 36.54, 58.19, 3.94

 

CMYK 0 / 87 / 73 / 35

HEX #A6162C

RGB 166 22 44

HSL 350.83, 0.77%, 0.37%

LAB 35.72, 55.82, 27.29

 

CMYK 0 / 77 / 87 / 35

HEX #A62716

RGB 166 39 22

HSL 7.08, 0.77%, 0.37%

LAB 37.14, 50.4, 41.25

 

CMYK 0 / 87 / 52 / 64

HEX #5D0C2D

RGB 93 12 45

HSL 335.56, 0.77%, 0.21%

LAB 19.14, 37.37, 1.91

 

CMYK 0 / 87 / 52 / 49

HEX #81113E

RGB 129 17 62

HSL 335.89, 0.77%, 0.29%

LAB 27.89, 47.84, 3.72

 

CMYK 0 / 87 / 52 / 35

HEX #A61650

RGB 166 22 80

HSL 335.83, 0.77%, 0.37%

LAB 36.48, 58.03, 5.15

 

CMYK 0 / 87 / 52 / 21

HEX #CA1B61

RGB 202 27 97

HSL 336, 0.76%, 0.45%

LAB 44.52, 67.43, 6.8

 

CMYK 0 / 81 / 48 / 11

HEX #E22C75

RGB 226 44 117

HSL 335.93, 0.76%, 0.53%

LAB 50.98, 71.28, 4.37

 

CMYK 0 / 86 / 52 / 35

HEX #A51750

RGB 165 23 80

HSL 335.92, 0.76%, 0.37%

LAB 36.35, 57.56, 4.94

 

CMYK 0 / 19 / 87 / 35

HEX #A68616

RGB 166 134 22

HSL 46.67, 0.77%, 0.37%

LAB 57.28, 1.88, 58.03

 

CMYK 87 / 16 / 0 / 35

HEX #168BA6

RGB 22 139 166

HSL 191.25, 0.77%, 0.37%

LAB 53.37, -20.4, -22.84

 

CMYK 0 / 86 / 52 / 35

HEX #A51750

RGB 165 23 80

HSL 335.92, 0.76%, 0.37%

LAB 36.35, 57.56, 4.94

 

CMYK 51 / 0 / 87 / 35

HEX #52A616

RGB 82 166 22

HSL 95, 0.77%, 0.37%

LAB 60.89, -48.28, 58.77

 

CMYK 87 / 51 / 0 / 35

HEX #1652A6

RGB 22 82 166

HSL 215, 0.77%, 0.37%

LAB 35.9, 14.12, -50.41

 

CMYK 0 / 86 / 52 / 35

HEX #A51750

RGB 165 23 80

HSL 335.92, 0.76%, 0.37%

LAB 36.35, 57.56, 4.94

 

CMYK 0 / 19 / 87 / 35

HEX #A68616

RGB 166 134 22

HSL 46.67, 0.77%, 0.37%

LAB 57.28, 1.88, 58.03

 

CMYK 87 / 0 / 36 / 35

HEX #16A66A

RGB 22 166 106

HSL 155, 0.77%, 0.37%

LAB 60.32, -49.67, 21.3

 

CMYK 87 / 68 / 0 / 35

HEX #1635A6

RGB 22 53 166

HSL 227.08, 0.77%, 0.37%

LAB 28.03, 33.68, -63.25

 

CMYK 0 / 86 / 52 / 35

HEX #A51750

RGB 165 23 80

HSL 335.92, 0.76%, 0.37%

LAB 36.35, 57.56, 4.94

 

CMYK 7 / 0 / 87 / 35

HEX #9AA616

RGB 154 166 22

HSL 65, 0.77%, 0.37%

LAB 65.12, -20.54, 64.05

 

CMYK 87 / 0 / 36 / 35

HEX #16A66A

RGB 22 166 106

HSL 155, 0.77%, 0.37%

LAB 60.32, -49.67, 21.3

 

CMYK 80 / 87 / 0 / 35

HEX #2216A6

RGB 34 22 166

HSL 245, 0.77%, 0.37%

LAB 22.54, 51.44, -72.32

 

Description

Color code: RGB 165 23 80 | qconv.com Color code: RGB 165 23 80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 23 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 23 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 52 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 52% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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