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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 233 89 it is the complementary color RGB 90 22 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 233 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 233 89 shade: RGB 170 233 84, RGB 187 251 103, RGB 204 255 122, RGB 221 255 141 and RGB 238 255 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 233 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 233 89 shade: RGB 165 233 89, RGB 148 215 70, RGB 131 197 51, RGB 114 179 32 and RGB 97 161 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 233 89 shade: RGB 164 233 88, RGB 203 233 88, RGB 233 223 88, RGB 233 184 88 and RGB 233 145 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 233 89 shade: RGB 164 233 88, RGB 125 233 88, RGB 88 233 89, RGB 88 233 128 and RGB 88 233 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 233 89 shade matches the following richer shades: RGB 164 233 88 and RGB 165 248 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 233 89 shade: RGB 164 233 88, RGB 163 218 103, RGB 162 202 118, RGB 162 187 133 and RGB 161 172 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 233 89 shade: RGB 233 223 88, RGB 204 233 88, RGB 165 233 88, RGB 126 233 88 and RGB 88 233 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 233 89 shade: RGB 124 211 27, RGB 144 228 51, RGB 164 233 88, RGB 184 238 124 and RGB 204 242 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 233 89 shade: RGB 165 233 89, RGB 88 233 184 and RGB 233 88 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 233 89 shade: RGB 165 233 89, RGB 88 165 233 and RGB 233 88 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 233 89 shade: RGB 165 233 89, RGB 88 233 184, RGB 155 88 233 and RGB 233 88 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 233 89 shade: RGB 165 233 89, RGB 88 233 228, RGB 155 88 233 and RGB 233 88 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 62 / 9

HEX #A5E959

RGB 165 233 89

HSL 88.33, 0.77%, 0.63%

LAB 85.5, -43.65, 61.44

 

Complementary color

CMYK 46 / 87 / 0 / 35

HEX #5A16A6

RGB 90 22 166

HSL 268.33, 0.77%, 0.37%

LAB 28.12, 56.33, -62.92

 

CMYK 27 / 0 / 64 / 9

HEX #AAE954

RGB 170 233 84

HSL 85.37, 0.77%, 0.62%

LAB 85.74, -42.25, 63.81

 

CMYK 25 / 0 / 59 / 2

HEX #BBFB67

RGB 187 251 103

HSL 85.95, 0.95%, 0.69%

LAB 91.93, -42.47, 63.04

 

CMYK 20 / 0 / 52 / 0

HEX #CCFF7A

RGB 204 255 122

HSL 83.01, 1%, 0.74%

LAB 94.21, -36.4, 57.63

 

CMYK 13 / 0 / 45 / 0

HEX #DDFF8D

RGB 221 255 141

HSL 77.89, 1%, 0.78%

LAB 95.5, -28.25, 50.66

 

CMYK 7 / 0 / 37 / 0

HEX #EEFFA0

RGB 238 255 160

HSL 70.74, 1%, 0.81%

LAB 96.92, -19.86, 43.55

 

CMYK 29 / 0 / 62 / 9

HEX #A5E959

RGB 165 233 89

HSL 88.33, 0.77%, 0.63%

LAB 85.5, -43.65, 61.44

 

CMYK 31 / 0 / 67 / 16

HEX #94D746

RGB 148 215 70

HSL 87.72, 0.64%, 0.56%

LAB 79.24, -43.39, 62.08

 

CMYK 34 / 0 / 74 / 23

HEX #83C533

RGB 131 197 51

HSL 87.12, 0.59%, 0.49%

LAB 72.89, -43, 62.31

 

CMYK 36 / 0 / 82 / 30

HEX #72B320

RGB 114 179 32

HSL 86.53, 0.7%, 0.41%

LAB 66.46, -42.41, 61.78

 

CMYK 40 / 0 / 92 / 37

HEX #61A10D

RGB 97 161 13

HSL 85.95, 0.85%, 0.34%

LAB 59.94, -41.56, 59.98

 

CMYK 30 / 0 / 62 / 9

HEX #A4E958

RGB 164 233 88

HSL 88.55, 0.77%, 0.63%

LAB 85.44, -44.08, 61.77

 

CMYK 13 / 0 / 62 / 9

HEX #CBE958

RGB 203 233 88

HSL 72.41, 0.77%, 0.63%

LAB 87.81, -29.49, 65.03

 

CMYK 0 / 4 / 62 / 9

HEX #E9DF58

RGB 233 223 88

HSL 55.86, 0.77%, 0.63%

LAB 87.39, -12.59, 65.25

 

CMYK 0 / 21 / 62 / 9

HEX #E9B858

RGB 233 184 88

HSL 39.72, 0.77%, 0.63%

LAB 77.47, 7.39, 54.39

 

CMYK 0 / 38 / 62 / 9

HEX #E99158

RGB 233 145 88

HSL 23.59, 0.77%, 0.63%

LAB 68.23, 28.07, 43.74

 

CMYK 30 / 0 / 62 / 9

HEX #A4E958

RGB 164 233 88

HSL 88.55, 0.77%, 0.63%

LAB 85.44, -44.08, 61.77

 

CMYK 46 / 0 / 62 / 9

HEX #7DE958

RGB 125 233 88

HSL 104.69, 0.77%, 0.63%

LAB 83.62, -56.73, 59.25

 

CMYK 62 / 0 / 62 / 9

HEX #58E959

RGB 88 233 89

HSL 120.41, 0.77%, 0.63%

LAB 82.42, -65.95, 57.15

 

CMYK 62 / 0 / 45 / 9

HEX #58E980

RGB 88 233 128

HSL 136.55, 0.77%, 0.63%

LAB 82.87, -60.87, 39.71

 

CMYK 62 / 0 / 28 / 9

HEX #58E9A8

RGB 88 233 168

HSL 153.1, 0.77%, 0.63%

LAB 83.54, -53.62, 20.34

 

CMYK 30 / 0 / 62 / 9

HEX #A4E958

RGB 164 233 88

HSL 88.55, 0.77%, 0.63%

LAB 85.44, -44.08, 61.77

 

CMYK 33 / 0 / 71 / 3

HEX #A5F848

RGB 165 248 72

HSL 88.3, 0.93%, 0.63%

LAB 89.67, -51.18, 72.28

 

CMYK 30 / 0 / 62 / 9

HEX #A4E958

RGB 164 233 88

HSL 88.55, 0.77%, 0.63%

LAB 85.44, -44.08, 61.77

 

CMYK 25 / 0 / 53 / 15

HEX #A3DA67

RGB 163 218 103

HSL 88.7, 0.61%, 0.63%

LAB 81.24, -36.43, 50.38

 

CMYK 20 / 0 / 42 / 21

HEX #A2CA76

RGB 162 202 118

HSL 88.57, 0.44%, 0.63%

LAB 76.82, -27.61, 37.63

 

CMYK 13 / 0 / 29 / 27

HEX #A2BB85

RGB 162 187 133

HSL 87.78, 0.28%, 0.63%

LAB 72.84, -18.15, 24.61

 

CMYK 6 / 0 / 13 / 33

HEX #A1AC95

RGB 161 172 149

HSL 88.7, 0.12%, 0.63%

LAB 68.93, -8.14, 10.52

 

CMYK 0 / 4 / 62 / 9

HEX #E9DF58

RGB 233 223 88

HSL 55.86, 0.77%, 0.63%

LAB 87.39, -12.59, 65.25

 

CMYK 12 / 0 / 62 / 9

HEX #CCE958

RGB 204 233 88

HSL 72, 0.77%, 0.63%

LAB 87.88, -29.09, 65.13

 

CMYK 29 / 0 / 62 / 9

HEX #A5E958

RGB 165 233 88

HSL 88.14, 0.77%, 0.63%

LAB 85.49, -43.73, 61.84

 

CMYK 46 / 0 / 62 / 9

HEX #7EE958

RGB 126 233 88

HSL 104.28, 0.77%, 0.63%

LAB 83.66, -56.44, 59.31

 

CMYK 62 / 0 / 62 / 9

HEX #58E958

RGB 88 233 88

HSL 120, 0.77%, 0.63%

LAB 82.41, -66.05, 57.56

 

CMYK 41 / 0 / 87 / 17

HEX #7CD31B

RGB 124 211 27

HSL 88.37, 0.77%, 0.47%

LAB 76.65, -52.23, 71.99

 

CMYK 37 / 0 / 78 / 11

HEX #90E433

RGB 144 228 51

HSL 88.47, 0.77%, 0.55%

LAB 82.73, -51.36, 71.91

 

CMYK 30 / 0 / 62 / 9

HEX #A4E958

RGB 164 233 88

HSL 88.55, 0.77%, 0.63%

LAB 85.44, -44.08, 61.77

 

CMYK 23 / 0 / 48 / 7

HEX #B8EE7C

RGB 184 238 124

HSL 88.42, 0.77%, 0.71%

LAB 88.35, -35.72, 49.38

 

CMYK 16 / 0 / 33 / 5

HEX #CCF2A1

RGB 204 242 161

HSL 88.15, 0.76%, 0.79%

LAB 91.2, -25.9, 35.16

 

CMYK 29 / 0 / 62 / 9

HEX #A5E959

RGB 165 233 89

HSL 88.33, 0.77%, 0.63%

LAB 85.5, -43.65, 61.44

 

CMYK 62 / 0 / 21 / 9

HEX #58E9B8

RGB 88 233 184

HSL 159.72, 0.77%, 0.63%

LAB 83.87, -50.19, 12.46

 

CMYK 0 / 62 / 4 / 9

HEX #E958DF

RGB 233 88 223

HSL 304.14, 0.77%, 0.63%

LAB 61.33, 71.4, -41.61

 

CMYK 29 / 0 / 62 / 9

HEX #A5E959

RGB 165 233 89

HSL 88.33, 0.77%, 0.63%

LAB 85.5, -43.65, 61.44

 

CMYK 62 / 29 / 0 / 9

HEX #58A5E9

RGB 88 165 233

HSL 208.14, 0.77%, 0.63%

LAB 65.65, -3.41, -41.29

 

CMYK 0 / 62 / 29 / 9

HEX #E958A5

RGB 233 88 165

HSL 328.14, 0.77%, 0.63%

LAB 58.99, 63.21, -12.13

 

CMYK 29 / 0 / 62 / 9

HEX #A5E959

RGB 165 233 89

HSL 88.33, 0.77%, 0.63%

LAB 85.5, -43.65, 61.44

 

CMYK 62 / 0 / 21 / 9

HEX #58E9B8

RGB 88 233 184

HSL 159.72, 0.77%, 0.63%

LAB 83.87, -50.19, 12.46

 

CMYK 33 / 62 / 0 / 9

HEX #9B58E9

RGB 155 88 233

HSL 267.72, 0.77%, 0.63%

LAB 51.65, 55.22, -63.27

 

CMYK 0 / 62 / 42 / 9

HEX #E95888

RGB 233 88 136

HSL 340.14, 0.77%, 0.63%

LAB 58.11, 59.98, 3.48

 

CMYK 29 / 0 / 62 / 9

HEX #A5E959

RGB 165 233 89

HSL 88.33, 0.77%, 0.63%

LAB 85.5, -43.65, 61.44

 

CMYK 62 / 0 / 2 / 9

HEX #58E9E4

RGB 88 233 228

HSL 177.93, 0.77%, 0.63%

LAB 84.97, -39.37, -9.08

 

CMYK 33 / 62 / 0 / 9

HEX #9B58E9

RGB 155 88 233

HSL 267.72, 0.77%, 0.63%

LAB 51.65, 55.22, -63.27

 

CMYK 0 / 62 / 61 / 9

HEX #E9585C

RGB 233 88 92

HSL 358.34, 0.77%, 0.63%

LAB 57.15, 56.33, 27.87

 

Description

Color code: RGB 165 233 89 | qconv.com Color code: RGB 165 233 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 233 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 233 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 62 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 62% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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