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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 166 128 it is the complementary color RGB 90 89 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 166 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 166 128 shade: RGB 170 166 123, RGB 187 184 142, RGB 204 202 161, RGB 221 220 180 and RGB 238 238 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 166 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 166 128 shade: RGB 165 166 128, RGB 148 148 109, RGB 131 130 90, RGB 114 112 71 and RGB 97 94 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 166 128 shade: RGB 166 167 128, RGB 167 157 128, RGB 167 147 128, RGB 167 137 128 and RGB 167 128 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 166 128 shade: RGB 166 167 128, RGB 155 167 128, RGB 145 167 128, RGB 134 167 128 and RGB 128 167 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 166 128 shade matches the following richer shades: RGB 166 167 128, RGB 182 184 111, RGB 198 201 93, RGB 215 219 76 and RGB 231 236 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 166 128 shade: RGB 166 167 128, RGB 149 149 145, RGB 133 132 163, RGB 116 115 180 and RGB 100 97 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 166 128 shade: RGB 167 147 128, RGB 167 157 128, RGB 166 167 128, RGB 156 167 128 and RGB 145 167 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 166 128 shade: RGB 124 125 87, RGB 148 150 104, RGB 166 167 128, RGB 183 184 152 and RGB 200 201 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 166 128 shade: RGB 165 166 128, RGB 128 167 136 and RGB 152 128 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 166 128 shade: RGB 165 166 128, RGB 128 166 167 and RGB 167 128 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 166 128 shade: RGB 165 166 128, RGB 128 167 136, RGB 129 128 167 and RGB 167 128 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 166 128 shade: RGB 165 166 128, RGB 128 167 148, RGB 129 128 167 and RGB 167 128 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 23 / 35

HEX #A5A680

RGB 165 166 128

HSL 61.58, 0.18%, 0.58%

LAB 67.15, -6.81, 19.62

 

Complementary color

CMYK 29 / 30 / 0 / 50

HEX #5A597F

RGB 90 89 127

HSL 241.58, 0.18%, 0.42%

LAB 39.33, 9.67, -21.18

 

CMYK 0 / 2 / 28 / 33

HEX #AAA67B

RGB 170 166 123

HSL 54.89, 0.22%, 0.57%

LAB 67.46, -5.55, 22.84

 

CMYK 0 / 2 / 24 / 27

HEX #BBB88E

RGB 187 184 142

HSL 56, 0.25%, 0.65%

LAB 74.06, -5.8, 21.78

 

CMYK 0 / 1 / 21 / 20

HEX #CCCAA1

RGB 204 202 161

HSL 57.21, 0.3%, 0.72%

LAB 80.54, -6.01, 20.77

 

CMYK 0 / 0 / 19 / 13

HEX #DDDCB4

RGB 221 220 180

HSL 58.54, 0.38%, 0.79%

LAB 86.93, -6.2, 19.83

 

CMYK 0 / 0 / 16 / 7

HEX #EEEEC7

RGB 238 238 199

HSL 60, 0.53%, 0.86%

LAB 93.21, -6.36, 18.92

 

CMYK 1 / 0 / 23 / 35

HEX #A5A680

RGB 165 166 128

HSL 61.58, 0.18%, 0.58%

LAB 67.15, -6.81, 19.62

 

CMYK 0 / 0 / 26 / 42

HEX #94946D

RGB 148 148 109

HSL 60, 0.15%, 0.5%

LAB 60.41, -6.6, 20.69

 

CMYK 0 / 1 / 31 / 49

HEX #83825A

RGB 131 130 90

HSL 58.54, 0.19%, 0.43%

LAB 53.52, -6.35, 21.85

 

CMYK 0 / 2 / 38 / 55

HEX #727047

RGB 114 112 71

HSL 57.21, 0.23%, 0.36%

LAB 46.47, -6.04, 23.1

 

CMYK 0 / 3 / 46 / 62

HEX #615E34

RGB 97 94 52

HSL 56, 0.3%, 0.29%

LAB 39.23, -5.61, 24.43

 

CMYK 1 / 0 / 23 / 35

HEX #A6A780

RGB 166 167 128

HSL 61.54, 0.18%, 0.58%

LAB 67.5, -6.95, 20.12

 

CMYK 0 / 6 / 23 / 35

HEX #A79D80

RGB 167 157 128

HSL 44.62, 0.18%, 0.58%

LAB 64.87, -1.16, 16.51

 

CMYK 0 / 12 / 23 / 35

HEX #A79380

RGB 167 147 128

HSL 29.23, 0.18%, 0.58%

LAB 62.2, 4.35, 12.79

 

CMYK 0 / 18 / 23 / 35

HEX #A78980

RGB 167 137 128

HSL 13.85, 0.18%, 0.58%

LAB 59.59, 9.95, 9.1

 

CMYK 0 / 23 / 23 / 35

HEX #A78080

RGB 167 128 128

HSL 0, 0.18%, 0.58%

LAB 57.28, 15.04, 5.81

 

CMYK 1 / 0 / 23 / 35

HEX #A6A780

RGB 166 167 128

HSL 61.54, 0.18%, 0.58%

LAB 67.5, -6.95, 20.12

 

CMYK 7 / 0 / 23 / 35

HEX #9BA780

RGB 155 167 128

HSL 78.46, 0.18%, 0.58%

LAB 66.65, -11.2, 18.8

 

CMYK 13 / 0 / 23 / 35

HEX #91A780

RGB 145 167 128

HSL 93.85, 0.18%, 0.58%

LAB 65.92, -14.97, 17.68

 

CMYK 20 / 0 / 23 / 35

HEX #86A780

RGB 134 167 128

HSL 110.77, 0.18%, 0.58%

LAB 65.17, -18.99, 16.54

 

CMYK 23 / 0 / 21 / 35

HEX #80A784

RGB 128 167 132

HSL 126.15, 0.18%, 0.58%

LAB 64.88, -20.39, 13.86

 

CMYK 1 / 0 / 23 / 35

HEX #A6A780

RGB 166 167 128

HSL 61.54, 0.18%, 0.58%

LAB 67.5, -6.95, 20.12

 

CMYK 1 / 0 / 40 / 28

HEX #B6B86F

RGB 182 184 111

HSL 61.64, 0.34%, 0.58%

LAB 73.14, -11.71, 36.82

 

CMYK 1 / 0 / 54 / 21

HEX #C6C95D

RGB 198 201 93

HSL 61.67, 0.5%, 0.58%

LAB 78.79, -15.6, 52.75

 

CMYK 2 / 0 / 65 / 14

HEX #D7DB4C

RGB 215 219 76

HSL 61.68, 0.67%, 0.58%

LAB 84.81, -18.72, 66.91

 

CMYK 2 / 0 / 75 / 7

HEX #E7EC3B

RGB 231 236 59

HSL 61.69, 0.82%, 0.58%

LAB 90.46, -21.22, 78.68

 

CMYK 1 / 0 / 23 / 35

HEX #A6A780

RGB 166 167 128

HSL 61.54, 0.18%, 0.58%

LAB 67.5, -6.95, 20.12

 

CMYK 0 / 0 / 3 / 42

HEX #959591

RGB 149 149 145

HSL 60, 0.02%, 0.58%

LAB 61.59, -0.76, 2.1

 

CMYK 18 / 19 / 0 / 36

HEX #8584A3

RGB 133 132 163

HSL 241.94, 0.14%, 0.58%

LAB 56.22, 7.06, -16.31

 

CMYK 36 / 36 / 0 / 29

HEX #7473B4

RGB 116 115 180

HSL 240.92, 0.3%, 0.58%

LAB 51, 16.19, -34.29

 

CMYK 49 / 51 / 0 / 23

HEX #6461C5

RGB 100 97 197

HSL 241.8, 0.46%, 0.58%

LAB 46.03, 28.08, -52.08

 

CMYK 0 / 12 / 23 / 35

HEX #A79380

RGB 167 147 128

HSL 29.23, 0.18%, 0.58%

LAB 62.2, 4.35, 12.79

 

CMYK 0 / 6 / 23 / 35

HEX #A79D80

RGB 167 157 128

HSL 44.62, 0.18%, 0.58%

LAB 64.87, -1.16, 16.51

 

CMYK 1 / 0 / 23 / 35

HEX #A6A780

RGB 166 167 128

HSL 61.54, 0.18%, 0.58%

LAB 67.5, -6.95, 20.12

 

CMYK 7 / 0 / 23 / 35

HEX #9CA780

RGB 156 167 128

HSL 76.92, 0.18%, 0.58%

LAB 66.72, -10.82, 18.92

 

CMYK 13 / 0 / 23 / 35

HEX #91A780

RGB 145 167 128

HSL 93.85, 0.18%, 0.58%

LAB 65.92, -14.97, 17.68

 

CMYK 1 / 0 / 30 / 51

HEX #7C7D57

RGB 124 125 87

HSL 61.58, 0.18%, 0.42%

LAB 51.43, -6.92, 20.65

 

CMYK 1 / 0 / 31 / 41

HEX #949668

RGB 148 150 104

HSL 62.61, 0.18%, 0.5%

LAB 60.88, -8.39, 24.09

 

CMYK 1 / 0 / 23 / 35

HEX #A6A780

RGB 166 167 128

HSL 61.54, 0.18%, 0.58%

LAB 67.5, -6.95, 20.12

 

CMYK 1 / 0 / 17 / 28

HEX #B7B898

RGB 183 184 152

HSL 61.88, 0.18%, 0.66%

LAB 73.94, -5.83, 16.18

 

CMYK 0 / 0 / 12 / 21

HEX #C8C9B1

RGB 200 201 177

HSL 62.5, 0.18%, 0.74%

LAB 80.31, -4.5, 11.88

 

CMYK 1 / 0 / 23 / 35

HEX #A5A680

RGB 165 166 128

HSL 61.58, 0.18%, 0.58%

LAB 67.15, -6.81, 19.62

 

CMYK 23 / 0 / 19 / 35

HEX #80A788

RGB 128 167 136

HSL 132.31, 0.18%, 0.58%

LAB 64.97, -19.64, 11.77

 

CMYK 9 / 23 / 0 / 35

HEX #9880A7

RGB 152 128 167

HSL 276.92, 0.18%, 0.58%

LAB 56.98, 16.7, -17.3

 

CMYK 1 / 0 / 23 / 35

HEX #A5A680

RGB 165 166 128

HSL 61.58, 0.18%, 0.58%

LAB 67.15, -6.81, 19.62

 

CMYK 23 / 1 / 0 / 35

HEX #80A6A7

RGB 128 166 167

HSL 181.54, 0.18%, 0.58%

LAB 65.48, -12.61, -4.75

 

CMYK 0 / 23 / 1 / 35

HEX #A780A6

RGB 167 128 166

HSL 301.54, 0.18%, 0.58%

LAB 58.42, 21.68, -14.4

 

CMYK 1 / 0 / 23 / 35

HEX #A5A680

RGB 165 166 128

HSL 61.58, 0.18%, 0.58%

LAB 67.15, -6.81, 19.62

 

CMYK 23 / 0 / 19 / 35

HEX #80A788

RGB 128 167 136

HSL 132.31, 0.18%, 0.58%

LAB 64.97, -19.64, 11.77

 

CMYK 23 / 23 / 0 / 35

HEX #8180A7

RGB 129 128 167

HSL 241.54, 0.18%, 0.58%

LAB 54.96, 9.04, -20.56

 

CMYK 0 / 23 / 5 / 35

HEX #A7809E

RGB 167 128 158

HSL 313.85, 0.18%, 0.58%

LAB 58.15, 20.15, -10.21

 

CMYK 1 / 0 / 23 / 35

HEX #A5A680

RGB 165 166 128

HSL 61.58, 0.18%, 0.58%

LAB 67.15, -6.81, 19.62

 

CMYK 23 / 0 / 11 / 35

HEX #80A794

RGB 128 167 148

HSL 150.77, 0.18%, 0.58%

LAB 65.25, -17.27, 5.51

 

CMYK 23 / 23 / 0 / 35

HEX #8180A7

RGB 129 128 167

HSL 241.54, 0.18%, 0.58%

LAB 54.96, 9.04, -20.56

 

CMYK 0 / 23 / 12 / 35

HEX #A78093

RGB 167 128 147

HSL 330.77, 0.18%, 0.58%

LAB 57.81, 18.16, -4.39

 

Description

Color code: RGB 165 166 128 | qconv.com Color code: RGB 165 166 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 166 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 166 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 23 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 23% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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