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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 13 231 it is the complementary color RGB 90 242 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 13 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 13 231 shade: RGB 170 13 226, RGB 187 31 245, RGB 204 49 255, RGB 221 67 255 and RGB 238 85 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 13 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 13 231 shade: RGB 165 13 231, RGB 148 0 212, RGB 131 0 193, RGB 114 0 174 and RGB 97 0 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 13 231 shade: RGB 165 13 231, RGB 224 13 231, RGB 231 13 179, RGB 231 13 121 and RGB 231 13 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 13 231 shade: RGB 165 13 231, RGB 106 13 231, RGB 47 13 231 and RGB 13 13 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 13 231 shade matches the following richer shades: RGB 165 13 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 13 231 shade: RGB 165 13 231, RGB 157 33 211, RGB 149 53 191, RGB 141 72 171 and RGB 134 92 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 13 231 shade: RGB 46 13 231, RGB 104 13 231, RGB 162 13 231, RGB 220 13 231 and RGB 231 13 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 13 231 shade: RGB 109 8 153, RGB 137 11 192, RGB 165 13 231, RGB 182 43 242 and RGB 195 82 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 13 231 shade: RGB 165 13 231, RGB 231 13 38 and RGB 13 231 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 13 231 shade: RGB 165 13 231, RGB 231 162 13 and RGB 13 231 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 13 231 shade: RGB 165 13 231, RGB 231 13 38, RGB 82 231 13 and RGB 13 231 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 13 231 shade: RGB 165 13 231, RGB 231 53 13, RGB 82 231 13 and RGB 13 191 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 94 / 0 / 9

HEX #A50DE7

RGB 165 13 231

HSL 281.83, 0.89%, 0.48%

LAB 44.31, 80.78, -73.99

 

Complementary color

CMYK 63 / 0 / 90 / 5

HEX #5AF218

RGB 90 242 24

HSL 101.83, 0.89%, 0.52%

LAB 84.87, -72.56, 78.96

 

CMYK 25 / 94 / 0 / 11

HEX #AA0DE2

RGB 170 13 226

HSL 284.23, 0.89%, 0.47%

LAB 44.7, 80.5, -70.49

 

CMYK 24 / 87 / 0 / 4

HEX #BB1FF5

RGB 187 31 245

HSL 283.74, 0.91%, 0.54%

LAB 49.66, 83.58, -73.02

 

CMYK 20 / 81 / 0 / 0

HEX #CC31FF

RGB 204 49 255

HSL 285.15, 1%, 0.6%

LAB 54.3, 83.94, -70.97

 

CMYK 13 / 74 / 0 / 0

HEX #DD43FF

RGB 221 67 255

HSL 289.15, 1%, 0.63%

LAB 58.61, 81.71, -63.88

 

CMYK 7 / 67 / 0 / 0

HEX #EE55FF

RGB 238 85 255

HSL 294, 1%, 0.67%

LAB 63.26, 78.94, -56.31

 

CMYK 29 / 94 / 0 / 9

HEX #A50DE7

RGB 165 13 231

HSL 281.83, 0.89%, 0.48%

LAB 44.31, 80.78, -73.99

 

CMYK 30 / 100 / 0 / 17

HEX #9400D4

RGB 148 0 212

HSL 281.89, 1%, 0.42%

LAB 39.66, 76.52, -70.82

 

CMYK 32 / 100 / 0 / 24

HEX #8300C1

RGB 131 0 193

HSL 280.73, 1%, 0.38%

LAB 35.35, 70.94, -66.91

 

CMYK 34 / 100 / 0 / 32

HEX #7200AE

RGB 114 0 174

HSL 279.31, 1%, 0.34%

LAB 30.96, 65.25, -62.94

 

CMYK 37 / 100 / 0 / 39

HEX #61009B

RGB 97 0 155

HSL 277.55, 1%, 0.3%

LAB 26.47, 59.46, -58.89

 

CMYK 29 / 94 / 0 / 9

HEX #A50DE7

RGB 165 13 231

HSL 281.83, 0.89%, 0.48%

LAB 44.31, 80.78, -73.99

 

CMYK 3 / 94 / 0 / 9

HEX #E00DE7

RGB 224 13 231

HSL 298.07, 0.89%, 0.48%

LAB 53.93, 89.18, -57.96

 

CMYK 0 / 94 / 23 / 9

HEX #E70DB3

RGB 231 13 179

HSL 314.31, 0.89%, 0.48%

LAB 52.43, 83.54, -30.36

 

CMYK 0 / 94 / 48 / 9

HEX #E70D79

RGB 231 13 121

HSL 330.28, 0.89%, 0.48%

LAB 50.28, 77.89, 1.04

 

CMYK 0 / 94 / 73 / 9

HEX #E70D3E

RGB 231 13 62

HSL 346.51, 0.89%, 0.48%

LAB 49.04, 74.49, 35.32

 

CMYK 29 / 94 / 0 / 9

HEX #A50DE7

RGB 165 13 231

HSL 281.83, 0.89%, 0.48%

LAB 44.31, 80.78, -73.99

 

CMYK 54 / 94 / 0 / 9

HEX #6A0DE7

RGB 106 13 231

HSL 265.6, 0.89%, 0.48%

LAB 36.22, 74.84, -87.6

 

CMYK 80 / 94 / 0 / 9

HEX #2F0DE7

RGB 47 13 231

HSL 249.36, 0.89%, 0.48%

LAB 31.02, 71.88, -96.38

 

CMYK 94 / 94 / 0 / 9

HEX #0D0DE7

RGB 13 13 231

HSL 240, 0.89%, 0.48%

LAB 29.77, 71.31, -98.51

 

CMYK 29 / 94 / 0 / 9

HEX #A50DE7

RGB 165 13 231

HSL 281.83, 0.89%, 0.48%

LAB 44.31, 80.78, -73.99

 

CMYK 29 / 94 / 0 / 9

HEX #A50DE7

RGB 165 13 231

HSL 281.83, 0.89%, 0.48%

LAB 44.31, 80.78, -73.99

 

CMYK 26 / 84 / 0 / 17

HEX #9D21D3

RGB 157 33 211

HSL 281.8, 0.73%, 0.48%

LAB 42.7, 72.41, -65.23

 

CMYK 22 / 72 / 0 / 25

HEX #9535BF

RGB 149 53 191

HSL 281.74, 0.57%, 0.48%

LAB 42.3, 60.59, -54.31

 

CMYK 18 / 58 / 0 / 33

HEX #8D48AB

RGB 141 72 171

HSL 281.82, 0.41%, 0.48%

LAB 43.12, 45.77, -41.3

 

CMYK 12 / 39 / 0 / 40

HEX #865C98

RGB 134 92 152

HSL 282, 0.25%, 0.48%

LAB 45.62, 28.41, -26.15

 

CMYK 80 / 94 / 0 / 9

HEX #2E0DE7

RGB 46 13 231

HSL 249.08, 0.89%, 0.48%

LAB 30.97, 71.86, -96.47

 

CMYK 55 / 94 / 0 / 9

HEX #680DE7

RGB 104 13 231

HSL 265.05, 0.89%, 0.48%

LAB 35.99, 74.69, -87.99

 

CMYK 30 / 94 / 0 / 9

HEX #A20DE7

RGB 162 13 231

HSL 281.01, 0.89%, 0.48%

LAB 43.86, 80.41, -74.75

 

CMYK 5 / 94 / 0 / 9

HEX #DC0DE7

RGB 220 13 231

HSL 296.97, 0.89%, 0.48%

LAB 53.25, 88.55, -59.09

 

CMYK 0 / 94 / 20 / 9

HEX #E70DB8

RGB 231 13 184

HSL 312.94, 0.89%, 0.48%

LAB 52.66, 84.13, -32.93

 

CMYK 29 / 95 / 0 / 40

HEX #6D0899

RGB 109 8 153

HSL 281.79, 0.9%, 0.32%

LAB 28.71, 59.12, -53.93

 

CMYK 29 / 94 / 0 / 25

HEX #890BC0

RGB 137 11 192

HSL 281.77, 0.89%, 0.4%

LAB 36.67, 70.1, -64.12

 

CMYK 29 / 94 / 0 / 9

HEX #A50DE7

RGB 165 13 231

HSL 281.83, 0.89%, 0.48%

LAB 44.31, 80.78, -73.99

 

CMYK 25 / 82 / 0 / 5

HEX #B62BF2

RGB 182 43 242

HSL 281.91, 0.88%, 0.56%

LAB 49.6, 79.63, -71.48

 

CMYK 20 / 66 / 0 / 4

HEX #C352F4

RGB 195 82 244

HSL 281.85, 0.88%, 0.64%

LAB 56.26, 68.94, -61.75

 

CMYK 29 / 94 / 0 / 9

HEX #A50DE7

RGB 165 13 231

HSL 281.83, 0.89%, 0.48%

LAB 44.31, 80.78, -73.99

 

CMYK 0 / 94 / 84 / 9

HEX #E70D26

RGB 231 13 38

HSL 353.12, 0.89%, 0.48%

LAB 48.78, 73.78, 48.51

 

CMYK 94 / 0 / 68 / 9

HEX #0DE74B

RGB 13 231 75

HSL 137.06, 0.89%, 0.48%

LAB 80.6, -75.89, 60.52

 

CMYK 29 / 94 / 0 / 9

HEX #A50DE7

RGB 165 13 231

HSL 281.83, 0.89%, 0.48%

LAB 44.31, 80.78, -73.99

 

CMYK 0 / 30 / 94 / 9

HEX #E7A20D

RGB 231 162 13

HSL 41.01, 0.89%, 0.48%

LAB 71.46, 15.44, 73.72

 

CMYK 94 / 0 / 30 / 9

HEX #0DE7A2

RGB 13 231 162

HSL 161.01, 0.89%, 0.48%

LAB 81.75, -62.08, 20.82

 

CMYK 29 / 94 / 0 / 9

HEX #A50DE7

RGB 165 13 231

HSL 281.83, 0.89%, 0.48%

LAB 44.31, 80.78, -73.99

 

CMYK 0 / 94 / 84 / 9

HEX #E70D26

RGB 231 13 38

HSL 353.12, 0.89%, 0.48%

LAB 48.78, 73.78, 48.51

 

CMYK 65 / 0 / 94 / 9

HEX #52E70D

RGB 82 231 13

HSL 101.01, 0.89%, 0.48%

LAB 81.28, -71, 77.27

 

CMYK 94 / 0 / 11 / 9

HEX #0DE7CD

RGB 13 231 205

HSL 172.84, 0.89%, 0.48%

LAB 82.72, -51.59, -0.37

 

CMYK 29 / 94 / 0 / 9

HEX #A50DE7

RGB 165 13 231

HSL 281.83, 0.89%, 0.48%

LAB 44.31, 80.78, -73.99

 

CMYK 0 / 77 / 94 / 9

HEX #E7350D

RGB 231 53 13

HSL 11.01, 0.89%, 0.48%

LAB 51.34, 65.72, 60.43

 

CMYK 65 / 0 / 94 / 9

HEX #52E70D

RGB 82 231 13

HSL 101.01, 0.89%, 0.48%

LAB 81.28, -71, 77.27

 

CMYK 94 / 17 / 0 / 9

HEX #0DBFE7

RGB 13 191 231

HSL 191.01, 0.89%, 0.48%

LAB 71.63, -25.53, -31

 

Description

Color code: RGB 165 13 231 | qconv.com Color code: RGB 165 13 231 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 13 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 13 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 94 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 94% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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