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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 13 100 it is the complementary color RGB 90 242 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 13 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 13 100 shade: RGB 170 13 95, RGB 187 31 114, RGB 204 49 133, RGB 221 67 152 and RGB 238 85 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 13 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 13 100 shade: RGB 165 13 100, RGB 148 0 81, RGB 131 0 62, RGB 114 0 43 and RGB 97 0 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 13 100 shade: RGB 165 13 100, RGB 165 13 59, RGB 165 13 18 and RGB 165 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 13 100 shade: RGB 165 13 100, RGB 165 13 141, RGB 148 13 165, RGB 107 13 165 and RGB 66 13 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 13 100 shade matches the following richer shades: RGB 165 13 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 13 100 shade: RGB 165 13 100, RGB 150 27 98, RGB 136 42 96, RGB 121 56 93 and RGB 107 71 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 13 100 shade: RGB 147 13 165, RGB 165 13 142, RGB 165 13 101, RGB 165 13 61 and RGB 165 13 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 13 100 shade: RGB 88 7 53, RGB 126 10 77, RGB 165 13 100, RGB 203 16 123 and RGB 236 24 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 13 100 shade: RGB 165 13 100, RGB 165 106 13 and RGB 13 162 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 13 100 shade: RGB 165 13 100, RGB 101 165 13 and RGB 13 101 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 13 100 shade: RGB 165 13 100, RGB 165 106 13, RGB 13 165 76 and RGB 13 71 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 13 100 shade: RGB 165 13 100, RGB 165 152 13, RGB 13 165 76 and RGB 13 26 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 39 / 35

HEX #A50D64

RGB 165 13 100

HSL 325.66, 0.85%, 0.35%

LAB 36.38, 61.15, -7.89

 

Complementary color

CMYK 63 / 0 / 36 / 5

HEX #5AF29B

RGB 90 242 155

HSL 145.66, 0.85%, 0.65%

LAB 86.03, -59.29, 30.4

 

CMYK 0 / 92 / 44 / 33

HEX #AA0D5F

RGB 170 13 95

HSL 328.66, 0.86%, 0.36%

LAB 37.23, 61.84, -3.32

 

CMYK 0 / 83 / 39 / 27

HEX #BB1F72

RGB 187 31 114

HSL 328.08, 0.72%, 0.43%

LAB 42.4, 64.4, -7.25

 

CMYK 0 / 76 / 35 / 20

HEX #CC3185

RGB 204 49 133

HSL 327.48, 0.61%, 0.5%

LAB 47.91, 65.82, -10.32

 

CMYK 0 / 70 / 31 / 13

HEX #DD4398

RGB 221 67 152

HSL 326.88, 0.69%, 0.56%

LAB 53.66, 66.45, -12.75

 

CMYK 0 / 64 / 28 / 7

HEX #EE55AB

RGB 238 85 171

HSL 326.27, 0.82%, 0.63%

LAB 59.54, 66.56, -14.7

 

CMYK 0 / 92 / 39 / 35

HEX #A50D64

RGB 165 13 100

HSL 325.66, 0.85%, 0.35%

LAB 36.38, 61.15, -7.89

 

CMYK 0 / 100 / 45 / 42

HEX #940051

RGB 148 0 81

HSL 327.16, 1%, 0.29%

LAB 31.56, 57.17, -3.12

 

CMYK 0 / 100 / 53 / 49

HEX #83003E

RGB 131 0 62

HSL 331.6, 1%, 0.26%

LAB 27.22, 51.53, 2.82

 

CMYK 0 / 100 / 62 / 55

HEX #72002B

RGB 114 0 43

HSL 337.37, 1%, 0.22%

LAB 22.83, 45.88, 9.21

 

CMYK 0 / 100 / 75 / 62

HEX #610018

RGB 97 0 24

HSL 345.15, 1%, 0.19%

LAB 18.4, 40.26, 16.08

 

CMYK 0 / 92 / 39 / 35

HEX #A50D64

RGB 165 13 100

HSL 325.66, 0.85%, 0.35%

LAB 36.38, 61.15, -7.89

 

CMYK 0 / 92 / 64 / 35

HEX #A50D3B

RGB 165 13 59

HSL 341.84, 0.85%, 0.35%

LAB 35.21, 57.92, 17

 

CMYK 0 / 92 / 89 / 35

HEX #A50D12

RGB 165 13 18

HSL 358.03, 0.85%, 0.35%

LAB 34.66, 56.38, 41.07

 

CMYK 0 / 92 / 92 / 35

HEX #A50D0D

RGB 165 13 13

HSL 0, 0.85%, 0.35%

LAB 34.63, 56.29, 43.33

 

CMYK 0 / 92 / 39 / 35

HEX #A50D64

RGB 165 13 100

HSL 325.66, 0.85%, 0.35%

LAB 36.38, 61.15, -7.89

 

CMYK 0 / 92 / 15 / 35

HEX #A50D8D

RGB 165 13 141

HSL 309.47, 0.85%, 0.35%

LAB 38.22, 66.01, -30.75

 

CMYK 10 / 92 / 0 / 35

HEX #940DA5

RGB 148 13 165

HSL 293.29, 0.85%, 0.35%

LAB 36.56, 66.58, -48.17

 

CMYK 35 / 92 / 0 / 35

HEX #6B0DA5

RGB 107 13 165

HSL 277.11, 0.85%, 0.35%

LAB 29.74, 60.46, -59.56

 

CMYK 60 / 92 / 0 / 35

HEX #420DA5

RGB 66 13 165

HSL 260.92, 0.85%, 0.35%

LAB 24.2, 56.14, -68.88

 

CMYK 0 / 92 / 39 / 35

HEX #A50D64

RGB 165 13 100

HSL 325.66, 0.85%, 0.35%

LAB 36.38, 61.15, -7.89

 

CMYK 0 / 92 / 39 / 35

HEX #A50D64

RGB 165 13 100

HSL 325.66, 0.85%, 0.35%

LAB 36.38, 61.15, -7.89

 

CMYK 0 / 82 / 35 / 41

HEX #961B62

RGB 150 27 98

HSL 325.37, 0.69%, 0.35%

LAB 34.29, 54.46, -10.04

 

CMYK 0 / 69 / 29 / 47

HEX #882A60

RGB 136 42 96

HSL 325.53, 0.53%, 0.35%

LAB 33.42, 45.19, -10.33

 

CMYK 0 / 54 / 23 / 53

HEX #79385D

RGB 121 56 93

HSL 325.85, 0.37%, 0.35%

LAB 33.32, 33.11, -8.81

 

CMYK 0 / 34 / 15 / 58

HEX #6B475B

RGB 107 71 91

HSL 326.67, 0.2%, 0.35%

LAB 34.78, 18.78, -5.54

 

CMYK 11 / 92 / 0 / 35

HEX #930DA5

RGB 147 13 165

HSL 292.89, 0.85%, 0.35%

LAB 36.38, 66.41, -48.46

 

CMYK 0 / 92 / 14 / 35

HEX #A50D8E

RGB 165 13 142

HSL 309.08, 0.85%, 0.35%

LAB 38.27, 66.14, -31.28

 

CMYK 0 / 92 / 39 / 35

HEX #A50D65

RGB 165 13 101

HSL 325.26, 0.85%, 0.35%

LAB 36.42, 61.25, -8.47

 

CMYK 0 / 92 / 63 / 35

HEX #A50D3D

RGB 165 13 61

HSL 341.05, 0.85%, 0.35%

LAB 35.25, 58.04, 15.76

 

CMYK 0 / 92 / 88 / 35

HEX #A50D14

RGB 165 13 20

HSL 357.24, 0.85%, 0.35%

LAB 34.68, 56.41, 40.09

 

CMYK 0 / 92 / 40 / 65

HEX #580735

RGB 88 7 53

HSL 325.93, 0.85%, 0.19%

LAB 17.84, 38.2, -5.82

 

CMYK 0 / 92 / 39 / 51

HEX #7E0A4D

RGB 126 10 77

HSL 325.34, 0.85%, 0.27%

LAB 27.27, 49.97, -7.36

 

CMYK 0 / 92 / 39 / 35

HEX #A50D64

RGB 165 13 100

HSL 325.66, 0.85%, 0.35%

LAB 36.38, 61.15, -7.89

 

CMYK 0 / 92 / 39 / 20

HEX #CB107B

RGB 203 16 123

HSL 325.67, 0.85%, 0.43%

LAB 44.94, 71.56, -8.7

 

CMYK 0 / 90 / 39 / 7

HEX #EC1891

RGB 236 24 145

HSL 325.75, 0.85%, 0.51%

LAB 52.43, 79.82, -10.16

 

CMYK 0 / 92 / 39 / 35

HEX #A50D64

RGB 165 13 100

HSL 325.66, 0.85%, 0.35%

LAB 36.38, 61.15, -7.89

 

CMYK 0 / 36 / 92 / 35

HEX #A56A0D

RGB 165 106 13

HSL 36.71, 0.85%, 0.35%

LAB 49.9, 16.98, 54.4

 

CMYK 92 / 2 / 0 / 35

HEX #0DA2A5

RGB 13 162 165

HSL 181.18, 0.85%, 0.35%

LAB 60.47, -32.8, -11.5

 

CMYK 0 / 92 / 39 / 35

HEX #A50D64

RGB 165 13 100

HSL 325.66, 0.85%, 0.35%

LAB 36.38, 61.15, -7.89

 

CMYK 39 / 0 / 92 / 35

HEX #65A50D

RGB 101 165 13

HSL 85.26, 0.85%, 0.35%

LAB 61.4, -41.81, 61.27

 

CMYK 92 / 39 / 0 / 35

HEX #0D65A5

RGB 13 101 165

HSL 205.26, 0.85%, 0.35%

LAB 41.39, 0.72, -41.02

 

CMYK 0 / 92 / 39 / 35

HEX #A50D64

RGB 165 13 100

HSL 325.66, 0.85%, 0.35%

LAB 36.38, 61.15, -7.89

 

CMYK 0 / 36 / 92 / 35

HEX #A56A0D

RGB 165 106 13

HSL 36.71, 0.85%, 0.35%

LAB 49.9, 16.98, 54.4

 

CMYK 92 / 0 / 54 / 35

HEX #0DA54C

RGB 13 165 76

HSL 144.87, 0.85%, 0.35%

LAB 59.45, -55.46, 35.93

 

CMYK 92 / 57 / 0 / 35

HEX #0D47A5

RGB 13 71 165

HSL 217.11, 0.85%, 0.35%

LAB 32.5, 20.61, -55.34

 

CMYK 0 / 92 / 39 / 35

HEX #A50D64

RGB 165 13 100

HSL 325.66, 0.85%, 0.35%

LAB 36.38, 61.15, -7.89

 

CMYK 0 / 8 / 92 / 35

HEX #A5980D

RGB 165 152 13

HSL 54.87, 0.85%, 0.35%

LAB 62.07, -8.57, 63.7

 

CMYK 92 / 0 / 54 / 35

HEX #0DA54C

RGB 13 165 76

HSL 144.87, 0.85%, 0.35%

LAB 59.45, -55.46, 35.93

 

CMYK 92 / 84 / 0 / 35

HEX #0D1AA5

RGB 13 26 165

HSL 234.87, 0.85%, 0.35%

LAB 22.09, 48.61, -72.49

 

Description

Color code: RGB 165 13 100 | qconv.com Color code: RGB 165 13 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 13 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 13 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 39 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 39% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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