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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 137 112 it is the complementary color RGB 90 118 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 137 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 137 112 shade: RGB 170 137 107, RGB 187 155 126, RGB 204 173 145, RGB 221 191 164 and RGB 238 209 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 137 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 137 112 shade: RGB 165 137 112, RGB 148 119 93, RGB 131 101 74, RGB 114 83 55 and RGB 97 65 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 137 112 shade: RGB 164 136 110, RGB 164 121 110 and RGB 164 110 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 137 112 shade: RGB 164 136 110, RGB 164 150 110, RGB 164 164 110, RGB 149 164 110 and RGB 134 164 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 137 112 shade matches the following richer shades: RGB 164 136 110, RGB 183 135 91, RGB 202 134 72, RGB 221 132 53 and RGB 240 131 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 137 112 shade: RGB 164 136 110, RGB 145 137 129, RGB 126 138 148, RGB 107 139 167 and RGB 88 140 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 137 112 shade: RGB 164 110 114, RGB 164 121 110, RGB 164 135 110, RGB 164 150 110 and RGB 164 164 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 137 112 shade: RGB 118 95 74, RGB 143 115 90, RGB 164 136 110, RGB 180 157 136 and RGB 196 177 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 137 112 shade: RGB 165 137 112, RGB 128 164 110 and RGB 114 110 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 137 112 shade: RGB 165 137 112, RGB 110 164 135 and RGB 135 110 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 137 112 shade: RGB 165 137 112, RGB 128 164 110, RGB 110 139 164 and RGB 146 110 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 137 112 shade: RGB 165 137 112, RGB 112 164 110, RGB 110 139 164 and RGB 162 110 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 32 / 35

HEX #A58970

RGB 165 137 112

HSL 28.3, 0.23%, 0.54%

LAB 59.03, 6.84, 17.39

 

Complementary color

CMYK 37 / 17 / 0 / 44

HEX #5A768F

RGB 90 118 143

HSL 208.3, 0.23%, 0.46%

LAB 48.4, -3.53, -16.84

 

CMYK 0 / 19 / 37 / 33

HEX #AA896B

RGB 170 137 107

HSL 28.57, 0.27%, 0.54%

LAB 59.43, 8.25, 20.84

 

CMYK 0 / 17 / 33 / 27

HEX #BB9B7E

RGB 187 155 126

HSL 28.52, 0.31%, 0.61%

LAB 66.15, 7.62, 19.66

 

CMYK 0 / 15 / 29 / 20

HEX #CCAD91

RGB 204 173 145

HSL 28.47, 0.37%, 0.68%

LAB 72.74, 7.07, 18.57

 

CMYK 0 / 14 / 26 / 13

HEX #DDBFA4

RGB 221 191 164

HSL 28.42, 0.46%, 0.75%

LAB 79.22, 6.6, 17.56

 

CMYK 0 / 12 / 23 / 7

HEX #EED1B7

RGB 238 209 183

HSL 28.36, 0.62%, 0.83%

LAB 85.6, 6.17, 16.62

 

CMYK 0 / 17 / 32 / 35

HEX #A58970

RGB 165 137 112

HSL 28.3, 0.23%, 0.54%

LAB 59.03, 6.84, 17.39

 

CMYK 0 / 20 / 37 / 42

HEX #94775D

RGB 148 119 93

HSL 28.36, 0.23%, 0.47%

LAB 52.15, 7.48, 18.58

 

CMYK 0 / 23 / 44 / 49

HEX #83654A

RGB 131 101 74

HSL 28.42, 0.28%, 0.4%

LAB 45.12, 8.25, 19.91

 

CMYK 0 / 27 / 52 / 55

HEX #725337

RGB 114 83 55

HSL 28.47, 0.35%, 0.33%

LAB 37.91, 9.21, 21.4

 

CMYK 0 / 33 / 63 / 62

HEX #614124

RGB 97 65 36

HSL 28.52, 0.46%, 0.26%

LAB 30.52, 10.44, 23.08

 

CMYK 0 / 17 / 33 / 36

HEX #A4886E

RGB 164 136 110

HSL 28.89, 0.23%, 0.54%

LAB 58.63, 6.72, 17.95

 

CMYK 0 / 26 / 33 / 36

HEX #A4796E

RGB 164 121 110

HSL 12.22, 0.23%, 0.54%

LAB 54.75, 15.22, 12.6

 

CMYK 0 / 33 / 33 / 36

HEX #A46E6E

RGB 164 110 110

HSL 0, 0.23%, 0.54%

LAB 52.03, 21.48, 8.77

 

CMYK 0 / 17 / 33 / 36

HEX #A4886E

RGB 164 136 110

HSL 28.89, 0.23%, 0.54%

LAB 58.63, 6.72, 17.95

 

CMYK 0 / 9 / 33 / 36

HEX #A4966E

RGB 164 150 110

HSL 44.44, 0.23%, 0.54%

LAB 62.36, -1.05, 23.01

 

CMYK 0 / 0 / 33 / 36

HEX #A4A46E

RGB 164 164 110

HSL 60, 0.23%, 0.54%

LAB 66.19, -8.62, 28.09

 

CMYK 9 / 0 / 33 / 36

HEX #95A46E

RGB 149 164 110

HSL 76.67, 0.23%, 0.54%

LAB 65.02, -14.6, 26.32

 

CMYK 18 / 0 / 33 / 36

HEX #86A46E

RGB 134 164 110

HSL 93.33, 0.23%, 0.54%

LAB 63.95, -20.38, 24.72

 

CMYK 0 / 17 / 33 / 36

HEX #A4886E

RGB 164 136 110

HSL 28.89, 0.23%, 0.54%

LAB 58.63, 6.72, 17.95

 

CMYK 0 / 26 / 50 / 28

HEX #B7875B

RGB 183 135 91

HSL 28.7, 0.39%, 0.54%

LAB 60.02, 13.05, 30.75

 

CMYK 0 / 34 / 64 / 21

HEX #CA8648

RGB 202 134 72

HSL 28.62, 0.55%, 0.54%

LAB 61.72, 20.12, 43.34

 

CMYK 0 / 40 / 76 / 13

HEX #DD8435

RGB 221 132 53

HSL 28.21, 0.71%, 0.54%

LAB 63.45, 28.17, 54.89

 

CMYK 0 / 45 / 86 / 6

HEX #F08322

RGB 240 131 34

HSL 28.25, 0.87%, 0.54%

LAB 65.65, 35.84, 65.06

 

CMYK 0 / 17 / 33 / 36

HEX #A4886E

RGB 164 136 110

HSL 28.89, 0.23%, 0.54%

LAB 58.63, 6.72, 17.95

 

CMYK 0 / 6 / 11 / 43

HEX #918981

RGB 145 137 129

HSL 30, 0.07%, 0.54%

LAB 57.56, 1.53, 5.35

 

CMYK 15 / 7 / 0 / 42

HEX #7E8A94

RGB 126 138 148

HSL 207.27, 0.09%, 0.54%

LAB 56.83, -2.18, -6.82

 

CMYK 36 / 17 / 0 / 35

HEX #6B8BA7

RGB 107 139 167

HSL 208, 0.25%, 0.54%

LAB 56.47, -4.11, -18.41

 

CMYK 53 / 25 / 0 / 27

HEX #588CBA

RGB 88 140 186

HSL 208.16, 0.42%, 0.54%

LAB 56.46, -4.11, -29.35

 

CMYK 0 / 33 / 30 / 36

HEX #A46E72

RGB 164 110 114

HSL 355.56, 0.23%, 0.54%

LAB 52.13, 22.03, 6.55

 

CMYK 0 / 26 / 33 / 36

HEX #A4796E

RGB 164 121 110

HSL 12.22, 0.23%, 0.54%

LAB 54.75, 15.22, 12.6

 

CMYK 0 / 18 / 33 / 36

HEX #A4876E

RGB 164 135 110

HSL 27.78, 0.23%, 0.54%

LAB 58.36, 7.29, 17.59

 

CMYK 0 / 9 / 33 / 36

HEX #A4966E

RGB 164 150 110

HSL 44.44, 0.23%, 0.54%

LAB 62.36, -1.05, 23.01

 

CMYK 0 / 0 / 33 / 36

HEX #A4A46E

RGB 164 164 110

HSL 60, 0.23%, 0.54%

LAB 66.19, -8.62, 28.09

 

CMYK 0 / 19 / 37 / 54

HEX #765F4A

RGB 118 95 74

HSL 28.64, 0.23%, 0.38%

LAB 42.05, 6.08, 15.54

 

CMYK 0 / 20 / 37 / 44

HEX #8F735A

RGB 143 115 90

HSL 28.3, 0.23%, 0.46%

LAB 50.5, 7.27, 17.99

 

CMYK 0 / 17 / 33 / 36

HEX #A4886E

RGB 164 136 110

HSL 28.89, 0.23%, 0.54%

LAB 58.63, 6.72, 17.95

 

CMYK 0 / 13 / 24 / 29

HEX #B49D88

RGB 180 157 136

HSL 28.64, 0.23%, 0.62%

LAB 66.21, 5.13, 14.1

 

CMYK 0 / 10 / 18 / 23

HEX #C4B1A1

RGB 196 177 161

HSL 27.43, 0.23%, 0.7%

LAB 73.39, 4.19, 10.66

 

CMYK 0 / 17 / 32 / 35

HEX #A58970

RGB 165 137 112

HSL 28.3, 0.23%, 0.54%

LAB 59.03, 6.84, 17.39

 

CMYK 22 / 0 / 33 / 36

HEX #80A46E

RGB 128 164 110

HSL 100, 0.23%, 0.54%

LAB 63.56, -22.61, 24.13

 

CMYK 30 / 33 / 0 / 36

HEX #726EA4

RGB 114 110 164

HSL 244.44, 0.23%, 0.54%

LAB 48.77, 14.27, -28.48

 

CMYK 0 / 17 / 32 / 35

HEX #A58970

RGB 165 137 112

HSL 28.3, 0.23%, 0.54%

LAB 59.03, 6.84, 17.39

 

CMYK 33 / 0 / 18 / 36

HEX #6EA487

RGB 110 164 135

HSL 147.78, 0.23%, 0.54%

LAB 63.02, -24.24, 9.44

 

CMYK 18 / 33 / 0 / 36

HEX #876EA4

RGB 135 110 164

HSL 267.78, 0.23%, 0.54%

LAB 50.67, 20.88, -25.39

 

CMYK 0 / 17 / 32 / 35

HEX #A58970

RGB 165 137 112

HSL 28.3, 0.23%, 0.54%

LAB 59.03, 6.84, 17.39

 

CMYK 22 / 0 / 33 / 36

HEX #80A46E

RGB 128 164 110

HSL 100, 0.23%, 0.54%

LAB 63.56, -22.61, 24.13

 

CMYK 33 / 15 / 0 / 36

HEX #6E8BA4

RGB 110 139 164

HSL 207.78, 0.23%, 0.54%

LAB 56.55, -4.02, -16.55

 

CMYK 11 / 33 / 0 / 36

HEX #926EA4

RGB 146 110 164

HSL 280, 0.23%, 0.54%

LAB 51.77, 24.48, -23.59

 

CMYK 0 / 17 / 32 / 35

HEX #A58970

RGB 165 137 112

HSL 28.3, 0.23%, 0.54%

LAB 59.03, 6.84, 17.39

 

CMYK 32 / 0 / 33 / 36

HEX #70A46E

RGB 112 164 110

HSL 117.78, 0.23%, 0.54%

LAB 62.61, -28.29, 22.69

 

CMYK 33 / 15 / 0 / 36

HEX #6E8BA4

RGB 110 139 164

HSL 207.78, 0.23%, 0.54%

LAB 56.55, -4.02, -16.55

 

CMYK 1 / 33 / 0 / 36

HEX #A26EA4

RGB 162 110 164

HSL 297.78, 0.23%, 0.54%

LAB 53.51, 29.8, -20.78

 

Description

Color code: RGB 165 137 112 | qconv.com Color code: RGB 165 137 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 137 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 137 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 32 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 32% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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