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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 123 74 it is the complementary color RGB 90 132 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 123 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 123 74 shade: RGB 170 123 69, RGB 187 141 88, RGB 204 159 107, RGB 221 177 126 and RGB 238 195 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 123 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 123 74 shade: RGB 165 123 74, RGB 148 105 55, RGB 131 87 36, RGB 114 69 17 and RGB 97 51 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 123 74 shade: RGB 165 123 74, RGB 165 98 74 and RGB 165 74 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 123 74 shade: RGB 165 123 74, RGB 165 147 74, RGB 158 165 74, RGB 133 165 74 and RGB 109 165 74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 123 74 shade matches the following richer shades: RGB 165 123 74, RGB 184 124 54, RGB 204 126 35 and RGB 223 127 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 123 74 shade: RGB 165 123 74, RGB 146 121 93, RGB 126 120 113, RGB 107 118 132 and RGB 87 117 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 123 74 shade: RGB 165 74 74, RGB 165 98 74, RGB 165 122 74, RGB 165 147 74 and RGB 159 165 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 123 74 shade: RGB 108 80 48, RGB 136 102 61, RGB 165 123 74, RGB 183 143 96 and RGB 196 163 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 123 74 shade: RGB 165 123 74, RGB 98 165 74 and RGB 86 74 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 123 74 shade: RGB 165 123 74, RGB 74 165 122 and RGB 122 74 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 123 74 shade: RGB 165 123 74, RGB 98 165 74, RGB 74 116 165 and RGB 141 74 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 123 74 shade: RGB 165 123 74, RGB 74 165 77, RGB 74 116 165 and RGB 165 74 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 55 / 35

HEX #A57B4A

RGB 165 123 74

HSL 32.31, 0.38%, 0.47%

LAB 54.72, 10.48, 32.93

 

Complementary color

CMYK 50 / 27 / 0 / 29

HEX #5A84B5

RGB 90 132 181

HSL 212.31, 0.38%, 0.53%

LAB 54.04, -0.55, -30.25

 

CMYK 0 / 28 / 59 / 33

HEX #AA7B45

RGB 170 123 69

HSL 32.08, 0.42%, 0.47%

LAB 55.22, 12.25, 36.34

 

CMYK 0 / 25 / 53 / 27

HEX #BB8D58

RGB 187 141 88

HSL 32.12, 0.42%, 0.54%

LAB 61.93, 11.14, 34.85

 

CMYK 0 / 22 / 48 / 20

HEX #CC9F6B

RGB 204 159 107

HSL 32.16, 0.49%, 0.61%

LAB 68.53, 10.2, 33.45

 

CMYK 0 / 20 / 43 / 13

HEX #DDB17E

RGB 221 177 126

HSL 32.21, 0.58%, 0.68%

LAB 75.03, 9.39, 32.13

 

CMYK 0 / 18 / 39 / 7

HEX #EEC391

RGB 238 195 145

HSL 32.26, 0.73%, 0.75%

LAB 81.43, 8.69, 30.89

 

CMYK 0 / 25 / 55 / 35

HEX #A57B4A

RGB 165 123 74

HSL 32.31, 0.38%, 0.47%

LAB 54.72, 10.48, 32.93

 

CMYK 0 / 29 / 63 / 42

HEX #946937

RGB 148 105 55

HSL 32.26, 0.46%, 0.4%

LAB 47.85, 11.68, 34.46

 

CMYK 0 / 34 / 73 / 49

HEX #835724

RGB 131 87 36

HSL 32.21, 0.57%, 0.33%

LAB 40.85, 13.16, 35.97

 

CMYK 0 / 39 / 85 / 55

HEX #724511

RGB 114 69 17

HSL 32.16, 0.74%, 0.26%

LAB 33.72, 15, 37.08

 

CMYK 0 / 47 / 100 / 62

HEX #613300

RGB 97 51 0

HSL 31.55, 1%, 0.19%

LAB 26.47, 17.26, 36.7

 

CMYK 0 / 25 / 55 / 35

HEX #A57B4A

RGB 165 123 74

HSL 32.31, 0.38%, 0.47%

LAB 54.72, 10.48, 32.93

 

CMYK 0 / 41 / 55 / 35

HEX #A5624A

RGB 165 98 74

HSL 15.82, 0.38%, 0.47%

LAB 48.55, 24.63, 25.18

 

CMYK 0 / 55 / 55 / 35

HEX #A54A4A

RGB 165 74 74

HSL 0, 0.38%, 0.47%

LAB 43.35, 37.58, 18.38

 

CMYK 0 / 25 / 55 / 35

HEX #A57B4A

RGB 165 123 74

HSL 32.31, 0.38%, 0.47%

LAB 54.72, 10.48, 32.93

 

CMYK 0 / 11 / 55 / 35

HEX #A5934A

RGB 165 147 74

HSL 48.13, 0.38%, 0.47%

LAB 61.1, -2.88, 40.6

 

CMYK 4 / 0 / 55 / 35

HEX #9EA54A

RGB 158 165 74

HSL 64.62, 0.38%, 0.47%

LAB 65.49, -15.47, 45.55

 

CMYK 19 / 0 / 55 / 35

HEX #85A54A

RGB 133 165 74

HSL 81.1, 0.38%, 0.47%

LAB 63.66, -25.76, 42.96

 

CMYK 34 / 0 / 55 / 35

HEX #6DA54A

RGB 109 165 74

HSL 96.92, 0.38%, 0.47%

LAB 62.22, -34.88, 40.9

 

CMYK 0 / 25 / 55 / 35

HEX #A57B4A

RGB 165 123 74

HSL 32.31, 0.38%, 0.47%

LAB 54.72, 10.48, 32.93

 

CMYK 0 / 33 / 71 / 28

HEX #B87C36

RGB 184 124 54

HSL 32.31, 0.55%, 0.47%

LAB 56.95, 16.82, 46.29

 

CMYK 0 / 38 / 83 / 20

HEX #CC7E23

RGB 204 126 35

HSL 32.31, 0.71%, 0.47%

LAB 59.78, 23.59, 57.86

 

CMYK 0 / 43 / 93 / 13

HEX #DF7F10

RGB 223 127 16

HSL 32.17, 0.87%, 0.47%

LAB 62.43, 30.67, 66.35

 

CMYK 0 / 25 / 55 / 35

HEX #A57B4A

RGB 165 123 74

HSL 32.31, 0.38%, 0.47%

LAB 54.72, 10.48, 32.93

 

CMYK 0 / 17 / 36 / 43

HEX #92795D

RGB 146 121 93

HSL 31.7, 0.22%, 0.47%

LAB 52.48, 5.48, 18.99

 

CMYK 0 / 5 / 10 / 51

HEX #7E7871

RGB 126 120 113

HSL 32.31, 0.05%, 0.47%

LAB 50.76, 0.97, 4.65

 

CMYK 19 / 11 / 0 / 48

HEX #6B7684

RGB 107 118 132

HSL 213.6, 0.1%, 0.47%

LAB 49.19, -0.91, -9.04

 

CMYK 42 / 23 / 0 / 41

HEX #577597

RGB 87 117 151

HSL 211.88, 0.27%, 0.47%

LAB 48.24, -1.52, -21.83

 

CMYK 0 / 55 / 55 / 35

HEX #A54A4A

RGB 165 74 74

HSL 0, 0.38%, 0.47%

LAB 43.35, 37.58, 18.38

 

CMYK 0 / 41 / 55 / 35

HEX #A5624A

RGB 165 98 74

HSL 15.82, 0.38%, 0.47%

LAB 48.55, 24.63, 25.18

 

CMYK 0 / 26 / 55 / 35

HEX #A57A4A

RGB 165 122 74

HSL 31.65, 0.38%, 0.47%

LAB 54.46, 11.05, 32.61

 

CMYK 0 / 11 / 55 / 35

HEX #A5934A

RGB 165 147 74

HSL 48.13, 0.38%, 0.47%

LAB 61.1, -2.88, 40.6

 

CMYK 4 / 0 / 55 / 35

HEX #9FA54A

RGB 159 165 74

HSL 63.96, 0.38%, 0.47%

LAB 65.57, -15.04, 45.66

 

CMYK 0 / 26 / 56 / 58

HEX #6C5030

RGB 108 80 48

HSL 32, 0.38%, 0.31%

LAB 36.25, 7.53, 23.3

 

CMYK 0 / 25 / 55 / 47

HEX #88663D

RGB 136 102 61

HSL 32.8, 0.38%, 0.39%

LAB 45.74, 8.51, 28.3

 

CMYK 0 / 25 / 55 / 35

HEX #A57B4A

RGB 165 123 74

HSL 32.31, 0.38%, 0.47%

LAB 54.72, 10.48, 32.93

 

CMYK 0 / 22 / 48 / 28

HEX #B78F60

RGB 183 143 96

HSL 32.41, 0.38%, 0.55%

LAB 62.13, 9.1, 30.72

 

CMYK 0 / 17 / 36 / 23

HEX #C4A37D

RGB 196 163 125

HSL 32.11, 0.38%, 0.63%

LAB 69.05, 6.74, 24.29

 

CMYK 0 / 25 / 55 / 35

HEX #A57B4A

RGB 165 123 74

HSL 32.31, 0.38%, 0.47%

LAB 54.72, 10.48, 32.93

 

CMYK 41 / 0 / 55 / 35

HEX #62A54A

RGB 98 165 74

HSL 104.18, 0.38%, 0.47%

LAB 61.66, -38.68, 40.1

 

CMYK 48 / 55 / 0 / 35

HEX #564AA5

RGB 86 74 165

HSL 247.91, 0.38%, 0.47%

LAB 37.1, 29.25, -47.71

 

CMYK 0 / 25 / 55 / 35

HEX #A57B4A

RGB 165 123 74

HSL 32.31, 0.38%, 0.47%

LAB 54.72, 10.48, 32.93

 

CMYK 55 / 0 / 26 / 35

HEX #4AA57A

RGB 74 165 122

HSL 151.65, 0.38%, 0.47%

LAB 61.46, -37.5, 14.23

 

CMYK 26 / 55 / 0 / 35

HEX #7A4AA5

RGB 122 74 165

HSL 271.65, 0.38%, 0.47%

LAB 40.82, 38.27, -41.55

 

CMYK 0 / 25 / 55 / 35

HEX #A57B4A

RGB 165 123 74

HSL 32.31, 0.38%, 0.47%

LAB 54.72, 10.48, 32.93

 

CMYK 41 / 0 / 55 / 35

HEX #62A54A

RGB 98 165 74

HSL 104.18, 0.38%, 0.47%

LAB 61.66, -38.68, 40.1

 

CMYK 55 / 30 / 0 / 35

HEX #4A74A5

RGB 74 116 165

HSL 212.31, 0.38%, 0.47%

LAB 47.83, 0.13, -30.73

 

CMYK 15 / 55 / 0 / 35

HEX #8D4AA5

RGB 141 74 165

HSL 284.18, 0.38%, 0.47%

LAB 43.18, 43.43, -37.65

 

CMYK 0 / 25 / 55 / 35

HEX #A57B4A

RGB 165 123 74

HSL 32.31, 0.38%, 0.47%

LAB 54.72, 10.48, 32.93

 

CMYK 55 / 0 / 53 / 35

HEX #4AA54D

RGB 74 165 77

HSL 121.98, 0.38%, 0.47%

LAB 60.69, -45.49, 37.23

 

CMYK 55 / 30 / 0 / 35

HEX #4A74A5

RGB 74 116 165

HSL 212.31, 0.38%, 0.47%

LAB 47.83, 0.13, -30.73

 

CMYK 0 / 55 / 2 / 35

HEX #A54AA2

RGB 165 74 162

HSL 301.98, 0.38%, 0.47%

LAB 46.32, 49.54, -30.7

 

Description

Color code: RGB 165 123 74 | qconv.com Color code: RGB 165 123 74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 123 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 123 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 55 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 55% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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