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Color name
RGB 165 110 195

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 110 195 it is the complementary color RGB 90 145 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 110 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 110 195 shade: RGB 170 110 190, RGB 187 128 209, RGB 204 146 228, RGB 221 164 247 and RGB 238 182 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 110 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 110 195 shade: RGB 165 110 195, RGB 148 92 176, RGB 131 74 157, RGB 114 56 138 and RGB 97 38 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 110 195 shade: RGB 165 111 194, RGB 187 111 194, RGB 194 111 179, RGB 194 111 156 and RGB 194 111 134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 110 195 shade: RGB 165 111 194, RGB 142 111 194, RGB 120 111 194 and RGB 111 111 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 110 195 shade matches the following richer shades: RGB 165 111 194, RGB 170 94 211, RGB 174 78 227 and RGB 179 61 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 110 195 shade: RGB 165 111 194, RGB 160 127 178, RGB 155 144 161, RGB 150 160 145 and RGB 145 177 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 110 195 shade: RGB 119 111 194, RGB 141 111 194, RGB 164 111 194, RGB 186 111 194 and RGB 194 111 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 110 195 shade: RGB 125 65 157, RGB 147 82 182, RGB 165 111 194, RGB 183 140 206 and RGB 201 169 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 110 195 shade: RGB 165 110 195, RGB 194 111 125 and RGB 111 194 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 110 195 shade: RGB 165 110 195, RGB 194 164 111 and RGB 111 194 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 110 195 shade: RGB 165 110 195, RGB 194 111 125, RGB 141 194 111 and RGB 111 194 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 110 195 shade: RGB 165 110 195, RGB 194 122 111, RGB 141 194 111 and RGB 111 183 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 44 / 0 / 24

HEX #A56EC3

RGB 165 110 195

HSL 278.82, 0.41%, 0.6%

LAB 55.17, 37.21, -36.05

 

Complementary color

CMYK 38 / 0 / 59 / 43

HEX #5A913C

RGB 90 145 60

HSL 98.82, 0.41%, 0.4%

LAB 54.81, -34.09, 38.79

 

CMYK 11 / 42 / 0 / 25

HEX #AA6EBE

RGB 170 110 190

HSL 285, 0.38%, 0.59%

LAB 55.5, 37.64, -32.63

 

CMYK 11 / 39 / 0 / 18

HEX #BB80D1

RGB 187 128 209

HSL 283.7, 0.47%, 0.66%

LAB 62.17, 36.86, -32.87

 

CMYK 11 / 36 / 0 / 11

HEX #CC92E4

RGB 204 146 228

HSL 282.44, 0.6%, 0.73%

LAB 68.75, 36.12, -33.09

 

CMYK 11 / 34 / 0 / 3

HEX #DDA4F7

RGB 221 164 247

HSL 281.2, 0.84%, 0.81%

LAB 75.23, 35.42, -33.31

 

CMYK 7 / 29 / 0 / 0

HEX #EEB6FF

RGB 238 182 255

HSL 286.03, 1%, 0.86%

LAB 81.21, 32.6, -28.27

 

CMYK 15 / 44 / 0 / 24

HEX #A56EC3

RGB 165 110 195

HSL 278.82, 0.41%, 0.6%

LAB 55.17, 37.21, -36.05

 

CMYK 16 / 48 / 0 / 31

HEX #945CB0

RGB 148 92 176

HSL 280, 0.35%, 0.53%

LAB 48.37, 38.04, -35.89

 

CMYK 17 / 53 / 0 / 38

HEX #834A9D

RGB 131 74 157

HSL 281.2, 0.36%, 0.45%

LAB 41.46, 38.88, -35.67

 

CMYK 17 / 59 / 0 / 46

HEX #72388A

RGB 114 56 138

HSL 282.44, 0.42%, 0.38%

LAB 34.48, 39.64, -35.36

 

CMYK 18 / 68 / 0 / 53

HEX #612677

RGB 97 38 119

HSL 283.7, 0.52%, 0.31%

LAB 27.46, 40.16, -34.82

 

CMYK 15 / 43 / 0 / 24

HEX #A56FC2

RGB 165 111 194

HSL 279.04, 0.4%, 0.6%

LAB 55.34, 36.44, -35.21

 

CMYK 4 / 43 / 0 / 24

HEX #BB6FC2

RGB 187 111 194

HSL 294.94, 0.4%, 0.6%

LAB 57.87, 43.06, -31.07

 

CMYK 0 / 43 / 8 / 24

HEX #C26FB3

RGB 194 111 179

HSL 310.84, 0.4%, 0.6%

LAB 58.13, 42.49, -22.03

 

CMYK 0 / 43 / 20 / 24

HEX #C26F9C

RGB 194 111 156

HSL 327.47, 0.4%, 0.6%

LAB 57.31, 38.73, -10

 

CMYK 0 / 43 / 31 / 24

HEX #C26F86

RGB 194 111 134

HSL 343.37, 0.4%, 0.6%

LAB 56.64, 35.57, 1.81

 

CMYK 15 / 43 / 0 / 24

HEX #A56FC2

RGB 165 111 194

HSL 279.04, 0.4%, 0.6%

LAB 55.34, 36.44, -35.21

 

CMYK 27 / 43 / 0 / 24

HEX #8E6FC2

RGB 142 111 194

HSL 262.41, 0.4%, 0.6%

LAB 52.97, 29.69, -39.1

 

CMYK 38 / 43 / 0 / 24

HEX #786FC2

RGB 120 111 194

HSL 246.51, 0.4%, 0.6%

LAB 50.99, 23.6, -42.36

 

CMYK 43 / 43 / 0 / 24

HEX #6F6FC2

RGB 111 111 194

HSL 240, 0.4%, 0.6%

LAB 50.27, 21.26, -43.55

 

CMYK 15 / 43 / 0 / 24

HEX #A56FC2

RGB 165 111 194

HSL 279.04, 0.4%, 0.6%

LAB 55.34, 36.44, -35.21

 

CMYK 19 / 55 / 0 / 17

HEX #AA5ED3

RGB 170 94 211

HSL 278.97, 0.57%, 0.6%

LAB 53.23, 50.66, -48.2

 

CMYK 23 / 66 / 0 / 11

HEX #AE4EE3

RGB 174 78 227

HSL 278.66, 0.73%, 0.6%

LAB 51.83, 62.72, -59.48

 

CMYK 27 / 75 / 0 / 4

HEX #B33DF4

RGB 179 61 244

HSL 278.69, 0.89%, 0.6%

LAB 51.21, 74.01, -70

 

CMYK 15 / 43 / 0 / 24

HEX #A56FC2

RGB 165 111 194

HSL 279.04, 0.4%, 0.6%

LAB 55.34, 36.44, -35.21

 

CMYK 10 / 29 / 0 / 30

HEX #A07FB2

RGB 160 127 178

HSL 278.82, 0.25%, 0.6%

LAB 57.91, 22.32, -22.12

 

CMYK 4 / 11 / 0 / 37

HEX #9B90A1

RGB 155 144 161

HSL 278.82, 0.08%, 0.6%

LAB 61.21, 7.34, -7.48

 

CMYK 6 / 0 / 9 / 37

HEX #96A091

RGB 150 160 145

HSL 100, 0.07%, 0.6%

LAB 64.7, -6.43, 6.59

 

CMYK 18 / 0 / 28 / 31

HEX #91B180

RGB 145 177 128

HSL 99.18, 0.24%, 0.6%

LAB 68.77, -20.11, 21.59

 

CMYK 39 / 43 / 0 / 24

HEX #776FC2

RGB 119 111 194

HSL 245.78, 0.4%, 0.6%

LAB 50.9, 23.33, -42.5

 

CMYK 27 / 43 / 0 / 24

HEX #8D6FC2

RGB 141 111 194

HSL 261.69, 0.4%, 0.6%

LAB 52.87, 29.41, -39.26

 

CMYK 15 / 43 / 0 / 24

HEX #A46FC2

RGB 164 111 194

HSL 278.31, 0.4%, 0.6%

LAB 55.23, 36.14, -35.39

 

CMYK 4 / 43 / 0 / 24

HEX #BA6FC2

RGB 186 111 194

HSL 294.22, 0.4%, 0.6%

LAB 57.75, 42.76, -31.26

 

CMYK 0 / 43 / 7 / 24

HEX #C26FB4

RGB 194 111 180

HSL 310.12, 0.4%, 0.6%

LAB 58.16, 42.66, -22.55

 

CMYK 20 / 59 / 0 / 38

HEX #7D419D

RGB 125 65 157

HSL 279.13, 0.41%, 0.44%

LAB 38.86, 42.1, -39.86

 

CMYK 19 / 55 / 0 / 29

HEX #9352B6

RGB 147 82 182

HSL 279, 0.41%, 0.52%

LAB 46.47, 44.54, -42.41

 

CMYK 15 / 43 / 0 / 24

HEX #A56FC2

RGB 165 111 194

HSL 279.04, 0.4%, 0.6%

LAB 55.34, 36.44, -35.21

 

CMYK 11 / 32 / 0 / 19

HEX #B78CCE

RGB 183 140 206

HSL 279.09, 0.4%, 0.68%

LAB 64.39, 28.35, -27.8

 

CMYK 8 / 23 / 0 / 14

HEX #C9A9DB

RGB 201 169 219

HSL 278.4, 0.41%, 0.76%

LAB 73.49, 20.75, -20.91

 

CMYK 15 / 44 / 0 / 24

HEX #A56EC3

RGB 165 110 195

HSL 278.82, 0.41%, 0.6%

LAB 55.17, 37.21, -36.05

 

CMYK 0 / 43 / 36 / 24

HEX #C26F7D

RGB 194 111 125

HSL 349.88, 0.4%, 0.6%

LAB 56.41, 34.41, 6.72

 

CMYK 43 / 0 / 33 / 24

HEX #6FC282

RGB 111 194 130

HSL 133.73, 0.4%, 0.6%

LAB 71.94, -39.1, 24.51

 

CMYK 15 / 44 / 0 / 24

HEX #A56EC3

RGB 165 110 195

HSL 278.82, 0.41%, 0.6%

LAB 55.17, 37.21, -36.05

 

CMYK 0 / 15 / 43 / 24

HEX #C2A46F

RGB 194 164 111

HSL 38.31, 0.4%, 0.6%

LAB 68.87, 3.78, 31.56

 

CMYK 43 / 0 / 15 / 24

HEX #6FC2A4

RGB 111 194 164

HSL 158.31, 0.4%, 0.6%

LAB 72.66, -32.33, 7.24

 

CMYK 15 / 44 / 0 / 24

HEX #A56EC3

RGB 165 110 195

HSL 278.82, 0.41%, 0.6%

LAB 55.17, 37.21, -36.05

 

CMYK 0 / 43 / 36 / 24

HEX #C26F7D

RGB 194 111 125

HSL 349.88, 0.4%, 0.6%

LAB 56.41, 34.41, 6.72

 

CMYK 27 / 0 / 43 / 24

HEX #8DC26F

RGB 141 194 111

HSL 98.31, 0.4%, 0.6%

LAB 73.15, -32.33, 36.25

 

CMYK 43 / 0 / 7 / 24

HEX #6FC2B4

RGB 111 194 180

HSL 169.88, 0.4%, 0.6%

LAB 73.06, -28.65, -0.87

 

CMYK 15 / 44 / 0 / 24

HEX #A56EC3

RGB 165 110 195

HSL 278.82, 0.41%, 0.6%

LAB 55.17, 37.21, -36.05

 

CMYK 0 / 37 / 43 / 24

HEX #C27A6F

RGB 194 122 111

HSL 7.95, 0.4%, 0.6%

LAB 58.54, 26.81, 17.81

 

CMYK 27 / 0 / 43 / 24

HEX #8DC26F

RGB 141 194 111

HSL 98.31, 0.4%, 0.6%

LAB 73.15, -32.33, 36.25

 

CMYK 43 / 6 / 0 / 24

HEX #6FB7C2

RGB 111 183 194

HSL 187.95, 0.4%, 0.6%

LAB 70.27, -19.65, -12.65

 

Description

Color code: RGB 165 110 195 | qconv.com Color code: RGB 165 110 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 110 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 110 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 44 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 44% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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