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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 104 83 it is the complementary color RGB 90 151 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 104 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 104 83 shade: RGB 170 104 78, RGB 187 122 97, RGB 204 140 116, RGB 221 158 135 and RGB 238 176 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 104 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 104 83 shade: RGB 165 104 83, RGB 148 86 64, RGB 131 68 45, RGB 114 50 26 and RGB 97 32 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 104 83 shade: RGB 166 104 83 and RGB 166 83 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 104 83 shade: RGB 166 104 83, RGB 166 127 83, RGB 166 149 83, RGB 160 166 83 and RGB 138 166 83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 104 83 shade matches the following richer shades: RGB 166 104 83, RGB 186 94 63, RGB 206 85 43, RGB 226 75 23 and RGB 247 65 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 104 83 shade: RGB 166 104 83, RGB 145 114 103, RGB 125 124 124, RGB 105 134 144 and RGB 85 144 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 104 83 shade: RGB 166 83 107, RGB 166 83 85, RGB 166 104 83, RGB 166 126 83 and RGB 166 148 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 104 83 shade: RGB 111 70 56, RGB 138 87 69, RGB 166 104 83, RGB 181 127 109 and RGB 195 151 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 104 83 shade: RGB 165 104 83, RGB 129 166 83 and RGB 83 96 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 104 83 shade: RGB 165 104 83, RGB 83 166 104 and RGB 104 83 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 104 83 shade: RGB 165 104 83, RGB 129 166 83, RGB 83 145 166 and RGB 120 83 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 104 83 shade: RGB 165 104 83, RGB 104 166 83, RGB 83 145 166 and RGB 145 83 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 50 / 35

HEX #A56853

RGB 165 104 83

HSL 15.37, 0.33%, 0.49%

LAB 50.13, 22.1, 22.01

 

Complementary color

CMYK 48 / 12 / 0 / 33

HEX #5A97AC

RGB 90 151 172

HSL 195.37, 0.33%, 0.51%

LAB 59.24, -13.95, -17.13

 

CMYK 0 / 39 / 54 / 33

HEX #AA684E

RGB 170 104 78

HSL 16.96, 0.37%, 0.49%

LAB 50.68, 23.71, 25.75

 

CMYK 0 / 35 / 48 / 27

HEX #BB7A61

RGB 187 122 97

HSL 16.67, 0.4%, 0.56%

LAB 57.41, 22.52, 24.11

 

CMYK 0 / 31 / 43 / 20

HEX #CC8C74

RGB 204 140 116

HSL 16.36, 0.46%, 0.63%

LAB 64.04, 21.49, 22.65

 

CMYK 0 / 29 / 39 / 13

HEX #DD9E87

RGB 221 158 135

HSL 16.05, 0.56%, 0.7%

LAB 70.58, 20.57, 21.34

 

CMYK 0 / 26 / 35 / 7

HEX #EEB09A

RGB 238 176 154

HSL 15.71, 0.71%, 0.77%

LAB 77.02, 19.77, 20.13

 

CMYK 0 / 37 / 50 / 35

HEX #A56853

RGB 165 104 83

HSL 15.37, 0.33%, 0.49%

LAB 50.13, 22.1, 22.01

 

CMYK 0 / 42 / 57 / 42

HEX #945640

RGB 148 86 64

HSL 15.71, 0.4%, 0.42%

LAB 43.24, 23.37, 23.76

 

CMYK 0 / 48 / 66 / 49

HEX #83442D

RGB 131 68 45

HSL 16.05, 0.49%, 0.35%

LAB 36.27, 24.84, 25.8

 

CMYK 0 / 56 / 77 / 55

HEX #72321A

RGB 114 50 26

HSL 16.36, 0.63%, 0.27%

LAB 29.24, 26.51, 28.15

 

CMYK 0 / 67 / 93 / 62

HEX #612007

RGB 97 32 7

HSL 16.67, 0.87%, 0.2%

LAB 22.27, 28.27, 29.74

 

CMYK 0 / 37 / 50 / 35

HEX #A66853

RGB 166 104 83

HSL 15.18, 0.33%, 0.49%

LAB 50.25, 22.52, 22.2

 

CMYK 0 / 50 / 50 / 35

HEX #A65353

RGB 166 83 83

HSL 0, 0.33%, 0.49%

LAB 45.52, 34.09, 15.87

 

CMYK 0 / 37 / 50 / 35

HEX #A66853

RGB 166 104 83

HSL 15.18, 0.33%, 0.49%

LAB 50.25, 22.52, 22.2

 

CMYK 0 / 23 / 50 / 35

HEX #A67F53

RGB 166 127 83

HSL 31.81, 0.33%, 0.49%

LAB 56, 9.5, 29.63

 

CMYK 0 / 10 / 50 / 35

HEX #A69553

RGB 166 149 83

HSL 47.71, 0.33%, 0.49%

LAB 61.85, -2.73, 36.92

 

CMYK 4 / 0 / 50 / 35

HEX #A0A653

RGB 160 166 83

HSL 64.34, 0.33%, 0.49%

LAB 66.04, -14.33, 41.85

 

CMYK 17 / 0 / 50 / 35

HEX #8AA653

RGB 138 166 83

HSL 80.24, 0.33%, 0.49%

LAB 64.4, -23.33, 39.5

 

CMYK 0 / 37 / 50 / 35

HEX #A66853

RGB 166 104 83

HSL 15.18, 0.33%, 0.49%

LAB 50.25, 22.52, 22.2

 

CMYK 0 / 49 / 66 / 27

HEX #BA5E3F

RGB 186 94 63

HSL 15.12, 0.49%, 0.49%

LAB 50.46, 34.55, 34.43

 

CMYK 0 / 59 / 79 / 19

HEX #CE552B

RGB 206 85 43

HSL 15.46, 0.65%, 0.49%

LAB 51.6, 45.75, 47.05

 

CMYK 0 / 67 / 90 / 11

HEX #E24B17

RGB 226 75 23

HSL 15.37, 0.82%, 0.49%

LAB 53.24, 56.63, 58.16

 

CMYK 0 / 74 / 99 / 3

HEX #F74102

RGB 247 65 2

HSL 15.43, 0.98%, 0.49%

LAB 55.64, 66.69, 66.81

 

CMYK 0 / 37 / 50 / 35

HEX #A66853

RGB 166 104 83

HSL 15.18, 0.33%, 0.49%

LAB 50.25, 22.52, 22.2

 

CMYK 0 / 21 / 29 / 43

HEX #917267

RGB 145 114 103

HSL 15.71, 0.17%, 0.49%

LAB 50.73, 10.49, 10.74

 

CMYK 0 / 1 / 1 / 51

HEX #7D7C7C

RGB 125 124 124

HSL 0, 0%, 0.49%

LAB 52.1, 0.38, 0.13

 

CMYK 27 / 7 / 0 / 44

HEX #698690

RGB 105 134 144

HSL 195.38, 0.16%, 0.49%

LAB 54.1, -7.83, -8.74

 

CMYK 48 / 12 / 0 / 36

HEX #5590A4

RGB 85 144 164

HSL 195.19, 0.32%, 0.49%

LAB 56.64, -13.65, -16.53

 

CMYK 0 / 50 / 36 / 35

HEX #A6536B

RGB 166 83 107

HSL 342.65, 0.33%, 0.49%

LAB 46.12, 36.78, 2.13

 

CMYK 0 / 50 / 49 / 35

HEX #A65355

RGB 166 83 85

HSL 358.55, 0.33%, 0.49%

LAB 45.56, 34.29, 14.72

 

CMYK 0 / 37 / 50 / 35

HEX #A66853

RGB 166 104 83

HSL 15.18, 0.33%, 0.49%

LAB 50.25, 22.52, 22.2

 

CMYK 0 / 24 / 50 / 35

HEX #A67E53

RGB 166 126 83

HSL 31.08, 0.33%, 0.49%

LAB 55.74, 10.06, 29.3

 

CMYK 0 / 11 / 50 / 35

HEX #A69453

RGB 166 148 83

HSL 46.99, 0.33%, 0.49%

LAB 61.58, -2.18, 36.58

 

CMYK 0 / 37 / 50 / 56

HEX #6F4638

RGB 111 70 56

HSL 15.27, 0.33%, 0.33%

LAB 34.08, 15.86, 15.71

 

CMYK 0 / 37 / 50 / 46

HEX #8A5745

RGB 138 87 69

HSL 15.65, 0.33%, 0.41%

LAB 42.23, 18.99, 19.21

 

CMYK 0 / 37 / 50 / 35

HEX #A66853

RGB 166 104 83

HSL 15.18, 0.33%, 0.49%

LAB 50.25, 22.52, 22.2

 

CMYK 0 / 30 / 40 / 29

HEX #B57F6D

RGB 181 127 109

HSL 15, 0.33%, 0.57%

LAB 58.14, 18.61, 18.15

 

CMYK 0 / 23 / 30 / 24

HEX #C39788

RGB 195 151 136

HSL 15.25, 0.33%, 0.65%

LAB 66.15, 14.32, 14.23

 

CMYK 0 / 37 / 50 / 35

HEX #A56853

RGB 165 104 83

HSL 15.37, 0.33%, 0.49%

LAB 50.13, 22.1, 22.01

 

CMYK 22 / 0 / 50 / 35

HEX #81A653

RGB 129 166 83

HSL 86.75, 0.33%, 0.49%

LAB 63.81, -26.87, 38.64

 

CMYK 50 / 42 / 0 / 35

HEX #5360A6

RGB 83 96 166

HSL 230.6, 0.33%, 0.49%

LAB 42.7, 14.96, -39.37

 

CMYK 0 / 37 / 50 / 35

HEX #A56853

RGB 165 104 83

HSL 15.37, 0.33%, 0.49%

LAB 50.13, 22.1, 22.01

 

CMYK 50 / 0 / 37 / 35

HEX #53A668

RGB 83 166 104

HSL 135.18, 0.33%, 0.49%

LAB 61.75, -39.22, 24.55

 

CMYK 37 / 50 / 0 / 35

HEX #6853A6

RGB 104 83 166

HSL 255.18, 0.33%, 0.49%

LAB 41.03, 28.44, -41.92

 

CMYK 0 / 37 / 50 / 35

HEX #A56853

RGB 165 104 83

HSL 15.37, 0.33%, 0.49%

LAB 50.13, 22.1, 22.01

 

CMYK 22 / 0 / 50 / 35

HEX #81A653

RGB 129 166 83

HSL 86.75, 0.33%, 0.49%

LAB 63.81, -26.87, 38.64

 

CMYK 50 / 13 / 0 / 35

HEX #5391A6

RGB 83 145 166

HSL 195.18, 0.33%, 0.49%

LAB 56.92, -14.1, -17.26

 

CMYK 28 / 50 / 0 / 35

HEX #7853A6

RGB 120 83 166

HSL 266.75, 0.33%, 0.49%

LAB 42.66, 32.79, -39.22

 

CMYK 0 / 37 / 50 / 35

HEX #A56853

RGB 165 104 83

HSL 15.37, 0.33%, 0.49%

LAB 50.13, 22.1, 22.01

 

CMYK 37 / 0 / 50 / 35

HEX #68A653

RGB 104 166 83

HSL 104.82, 0.33%, 0.49%

LAB 62.37, -35.99, 36.56

 

CMYK 50 / 13 / 0 / 35

HEX #5391A6

RGB 83 145 166

HSL 195.18, 0.33%, 0.49%

LAB 56.92, -14.1, -17.26

 

CMYK 13 / 50 / 0 / 35

HEX #9153A6

RGB 145 83 166

HSL 284.82, 0.33%, 0.49%

LAB 45.58, 39.95, -34.42

 

Description

Color code: RGB 165 104 83 | qconv.com Color code: RGB 165 104 83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 104 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 104 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 50 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 50% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Home - The Mitchell ...
Link: http://the-mitchellgroup.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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