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Color name
RGB 164 95 48

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 95 48 it is the complementary color RGB 91 160 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 95 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 95 48 shade: RGB 169 95 43, RGB 186 113 62, RGB 203 131 81, RGB 220 149 100 and RGB 237 167 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 95 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 95 48 shade: RGB 164 95 48, RGB 147 77 29, RGB 130 59 10, RGB 113 41 0 and RGB 96 23 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 95 48 shade: RGB 166 95 48, RGB 166 64 48 and RGB 166 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 95 48 shade: RGB 166 95 48, RGB 166 127 48, RGB 166 159 48, RGB 140 166 48 and RGB 109 166 48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 95 48 shade matches the following richer shades: RGB 166 95 48, RGB 183 92 30 and RGB 200 89 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 95 48 shade: RGB 166 95 48, RGB 148 99 65, RGB 131 102 82, RGB 114 105 100 and RGB 96 109 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 95 48 shade: RGB 166 48 63, RGB 166 63 48, RGB 166 95 48, RGB 166 126 48 and RGB 166 158 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 95 48 shade: RGB 102 58 29, RGB 134 77 38, RGB 166 95 48, RGB 197 114 57 and RGB 207 137 89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 95 48 shade: RGB 164 95 48, RGB 95 166 48 and RGB 48 48 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 95 48 shade: RGB 164 95 48, RGB 48 166 95 and RGB 95 48 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 95 48 shade: RGB 164 95 48, RGB 95 166 48, RGB 48 118 166 and RGB 118 48 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 95 48 shade: RGB 164 95 48, RGB 59 166 48, RGB 48 118 166 and RGB 154 48 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 71 / 36

HEX #A45F30

RGB 164 95 48

HSL 24.31, 0.55%, 0.42%

LAB 47.35, 24, 38.14

 

Complementary color

CMYK 56 / 23 / 0 / 19

HEX #5BA0CF

RGB 91 160 207

HSL 204.31, 0.55%, 0.58%

LAB 63.24, -8.26, -30.66

 

CMYK 0 / 44 / 75 / 34

HEX #A95F2B

RGB 169 95 43

HSL 24.76, 0.59%, 0.42%

LAB 48, 25.89, 41.58

 

CMYK 0 / 39 / 67 / 27

HEX #BA713E

RGB 186 113 62

HSL 24.68, 0.5%, 0.49%

LAB 54.65, 24.24, 39.85

 

CMYK 0 / 35 / 60 / 20

HEX #CB8351

RGB 203 131 81

HSL 24.59, 0.54%, 0.56%

LAB 61.24, 22.8, 38.15

 

CMYK 0 / 32 / 55 / 14

HEX #DC9564

RGB 220 149 100

HSL 24.5, 0.63%, 0.63%

LAB 67.75, 21.55, 36.54

 

CMYK 0 / 30 / 50 / 7

HEX #EDA777

RGB 237 167 119

HSL 24.41, 0.77%, 0.7%

LAB 74.17, 20.45, 35.04

 

CMYK 0 / 42 / 71 / 36

HEX #A45F30

RGB 164 95 48

HSL 24.31, 0.55%, 0.42%

LAB 47.35, 24, 38.14

 

CMYK 0 / 48 / 80 / 42

HEX #934D1D

RGB 147 77 29

HSL 24.41, 0.67%, 0.35%

LAB 40.57, 25.8, 39.83

 

CMYK 0 / 55 / 92 / 49

HEX #823B0A

RGB 130 59 10

HSL 24.5, 0.86%, 0.27%

LAB 33.76, 27.86, 40.8

 

CMYK 0 / 64 / 100 / 56

HEX #712900

RGB 113 41 0

HSL 21.77, 1%, 0.22%

LAB 27.01, 30.06, 38.23

 

CMYK 0 / 76 / 100 / 62

HEX #601700

RGB 96 23 0

HSL 14.38, 1%, 0.19%

LAB 20.44, 31.9, 30.55

 

CMYK 0 / 43 / 71 / 35

HEX #A65F30

RGB 166 95 48

HSL 23.9, 0.55%, 0.42%

LAB 47.63, 24.86, 38.52

 

CMYK 0 / 61 / 71 / 35

HEX #A64030

RGB 166 64 48

HSL 8.14, 0.55%, 0.42%

LAB 41.2, 41.09, 31.27

 

CMYK 0 / 71 / 71 / 35

HEX #A63030

RGB 166 48 48

HSL 0, 0.55%, 0.42%

LAB 38.61, 48.06, 28.24

 

CMYK 0 / 43 / 71 / 35

HEX #A65F30

RGB 166 95 48

HSL 23.9, 0.55%, 0.42%

LAB 47.63, 24.86, 38.52

 

CMYK 0 / 23 / 71 / 35

HEX #A67F30

RGB 166 127 48

HSL 40.17, 0.55%, 0.42%

LAB 55.58, 6.82, 46.99

 

CMYK 0 / 4 / 71 / 35

HEX #A69F30

RGB 166 159 48

HSL 56.44, 0.55%, 0.42%

LAB 64.26, -10.65, 55.74

 

CMYK 16 / 0 / 71 / 35

HEX #8CA630

RGB 140 166 48

HSL 73.22, 0.55%, 0.42%

LAB 64.21, -25.44, 55.02

 

CMYK 34 / 0 / 71 / 35

HEX #6DA630

RGB 109 166 48

HSL 88.98, 0.55%, 0.42%

LAB 62.29, -37.7, 52.45

 

CMYK 0 / 43 / 71 / 35

HEX #A65F30

RGB 166 95 48

HSL 23.9, 0.55%, 0.42%

LAB 47.63, 24.86, 38.52

 

CMYK 0 / 50 / 84 / 28

HEX #B75C1E

RGB 183 92 30

HSL 24.31, 0.72%, 0.42%

LAB 49.27, 32.88, 49.41

 

CMYK 0 / 56 / 94 / 22

HEX #C8590D

RGB 200 89 13

HSL 24.39, 0.88%, 0.42%

LAB 51.21, 40.85, 57.65

 

CMYK 0 / 43 / 71 / 35

HEX #A65F30

RGB 166 95 48

HSL 23.9, 0.55%, 0.42%

LAB 47.63, 24.86, 38.52

 

CMYK 0 / 33 / 56 / 42

HEX #946341

RGB 148 99 65

HSL 24.58, 0.39%, 0.42%

LAB 46.45, 15.98, 27.23

 

CMYK 0 / 22 / 37 / 49

HEX #836652

RGB 131 102 82

HSL 24.49, 0.23%, 0.42%

LAB 45.55, 8.66, 15.76

 

CMYK 0 / 8 / 12 / 55

HEX #726964

RGB 114 105 100

HSL 21.43, 0.07%, 0.42%

LAB 45.08, 2.59, 4.08

 

CMYK 18 / 7 / 0 / 54

HEX #606D75

RGB 96 109 117

HSL 202.86, 0.1%, 0.42%

LAB 45.23, -3.03, -6.1

 

CMYK 0 / 71 / 62 / 35

HEX #A6303F

RGB 166 48 63

HSL 352.37, 0.55%, 0.42%

LAB 38.86, 48.94, 19.28

 

CMYK 0 / 62 / 71 / 35

HEX #A63F30

RGB 166 63 48

HSL 7.63, 0.55%, 0.42%

LAB 41.02, 41.56, 31.06

 

CMYK 0 / 43 / 71 / 35

HEX #A65F30

RGB 166 95 48

HSL 23.9, 0.55%, 0.42%

LAB 47.63, 24.86, 38.52

 

CMYK 0 / 24 / 71 / 35

HEX #A67E30

RGB 166 126 48

HSL 39.66, 0.55%, 0.42%

LAB 55.32, 7.38, 46.72

 

CMYK 0 / 5 / 71 / 35

HEX #A69E30

RGB 166 158 48

HSL 55.93, 0.55%, 0.42%

LAB 63.98, -10.12, 55.47

 

CMYK 0 / 43 / 72 / 60

HEX #663A1D

RGB 102 58 29

HSL 23.84, 0.56%, 0.26%

LAB 29.26, 16.62, 25.9

 

CMYK 0 / 43 / 72 / 47

HEX #864D26

RGB 134 77 38

HSL 24.38, 0.56%, 0.34%

LAB 38.75, 20.52, 32.77

 

CMYK 0 / 43 / 71 / 35

HEX #A65F30

RGB 166 95 48

HSL 23.9, 0.55%, 0.42%

LAB 47.63, 24.86, 38.52

 

CMYK 0 / 42 / 71 / 23

HEX #C57239

RGB 197 114 57

HSL 24.43, 0.55%, 0.5%

LAB 56.29, 28.02, 44.62

 

CMYK 0 / 34 / 57 / 19

HEX #CF8959

RGB 207 137 89

HSL 24.41, 0.55%, 0.58%

LAB 63.24, 21.81, 36.45

 

CMYK 0 / 42 / 71 / 36

HEX #A45F30

RGB 164 95 48

HSL 24.31, 0.55%, 0.42%

LAB 47.35, 24, 38.14

 

CMYK 43 / 0 / 71 / 35

HEX #5FA630

RGB 95 166 48

HSL 96.1, 0.55%, 0.42%

LAB 61.58, -42.63, 51.51

 

CMYK 71 / 71 / 0 / 35

HEX #3030A6

RGB 48 48 166

HSL 240, 0.55%, 0.42%

LAB 28.1, 39.13, -63.09

 

CMYK 0 / 42 / 71 / 36

HEX #A45F30

RGB 164 95 48

HSL 24.31, 0.55%, 0.42%

LAB 47.35, 24, 38.14

 

CMYK 71 / 0 / 43 / 35

HEX #30A65F

RGB 48 166 95

HSL 143.9, 0.55%, 0.42%

LAB 60.54, -48.64, 27.58

 

CMYK 43 / 71 / 0 / 35

HEX #5F30A6

RGB 95 48 166

HSL 263.9, 0.55%, 0.42%

LAB 32.48, 46.38, -55.75

 

CMYK 0 / 42 / 71 / 36

HEX #A45F30

RGB 164 95 48

HSL 24.31, 0.55%, 0.42%

LAB 47.35, 24, 38.14

 

CMYK 43 / 0 / 71 / 35

HEX #5FA630

RGB 95 166 48

HSL 96.1, 0.55%, 0.42%

LAB 61.58, -42.63, 51.51

 

CMYK 71 / 29 / 0 / 35

HEX #3076A6

RGB 48 118 166

HSL 204.41, 0.55%, 0.42%

LAB 47.42, -5.68, -32.04

 

CMYK 29 / 71 / 0 / 35

HEX #7630A6

RGB 118 48 166

HSL 275.59, 0.55%, 0.42%

LAB 35.44, 50.94, -50.81

 

CMYK 0 / 42 / 71 / 36

HEX #A45F30

RGB 164 95 48

HSL 24.31, 0.55%, 0.42%

LAB 47.35, 24, 38.14

 

CMYK 64 / 0 / 71 / 35

HEX #3BA630

RGB 59 166 48

HSL 114.41, 0.55%, 0.42%

LAB 60.26, -52.79, 49.72

 

CMYK 71 / 29 / 0 / 35

HEX #3076A6

RGB 48 118 166

HSL 204.41, 0.55%, 0.42%

LAB 47.42, -5.68, -32.04

 

CMYK 7 / 71 / 0 / 35

HEX #9A30A6

RGB 154 48 166

HSL 293.9, 0.55%, 0.42%

LAB 40.8, 58.74, -41.92

 

Description

Color code: RGB 164 95 48 | qconv.com Color code: RGB 164 95 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 95 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 95 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 71 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 71% 36% C M Y K

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Provide designers and agencies with accurate color values.

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