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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 87 150 it is the complementary color RGB 91 168 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 87 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 87 150 shade: RGB 169 87 145, RGB 186 105 164, RGB 203 123 183, RGB 220 141 202 and RGB 237 159 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 87 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 87 150 shade: RGB 164 87 150, RGB 147 69 131, RGB 130 51 112, RGB 113 33 93 and RGB 96 15 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 87 150 shade: RGB 163 86 149, RGB 163 86 128, RGB 163 86 107, RGB 163 86 86 and RGB 163 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 87 150 shade: RGB 163 86 149, RGB 156 86 163, RGB 135 86 163, RGB 115 86 163 and RGB 94 86 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 87 150 shade matches the following richer shades: RGB 163 86 149, RGB 183 65 162, RGB 204 45 175, RGB 224 25 188 and RGB 244 5 201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 87 150 shade: RGB 163 86 149, RGB 143 106 136, RGB 123 126 123, RGB 103 146 111 and RGB 82 167 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 87 150 shade: RGB 135 86 163, RGB 155 86 163, RGB 163 86 150, RGB 163 86 130 and RGB 163 86 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 87 150 shade: RGB 109 57 100, RGB 136 71 124, RGB 163 86 149, RGB 179 111 167 and RGB 193 138 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 87 150 shade: RGB 164 87 150, RGB 163 114 86 and RGB 86 163 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 87 150 shade: RGB 164 87 150, RGB 150 163 86 and RGB 86 150 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 87 150 shade: RGB 164 87 150, RGB 163 114 86, RGB 86 163 99 and RGB 86 135 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 87 150 shade: RGB 164 87 150, RGB 163 137 86, RGB 86 163 99 and RGB 86 112 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 9 / 36

HEX #A45796

RGB 164 87 150

HSL 310.91, 0.31%, 0.49%

LAB 48.15, 40.51, -20.75

 

Complementary color

CMYK 46 / 0 / 38 / 34

HEX #5BA869

RGB 91 168 105

HSL 130.91, 0.31%, 0.51%

LAB 62.72, -37.67, 25.35

 

CMYK 0 / 49 / 14 / 34

HEX #A95791

RGB 169 87 145

HSL 317.56, 0.32%, 0.5%

LAB 48.63, 41.27, -16.97

 

CMYK 0 / 44 / 12 / 27

HEX #BA69A4

RGB 186 105 164

HSL 316.3, 0.37%, 0.57%

LAB 55.3, 40.51, -17.78

 

CMYK 0 / 39 / 10 / 20

HEX #CB7BB7

RGB 203 123 183

HSL 315, 0.43%, 0.64%

LAB 61.9, 39.74, -18.46

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCA

RGB 220 141 202

HSL 313.67, 0.53%, 0.71%

LAB 68.41, 38.99, -19.07

 

CMYK 0 / 33 / 7 / 7

HEX #ED9FDD

RGB 237 159 221

HSL 312.31, 0.68%, 0.78%

LAB 74.84, 38.26, -19.61

 

CMYK 0 / 47 / 9 / 36

HEX #A45796

RGB 164 87 150

HSL 310.91, 0.31%, 0.49%

LAB 48.15, 40.51, -20.75

 

CMYK 0 / 53 / 11 / 42

HEX #934583

RGB 147 69 131

HSL 312.31, 0.36%, 0.42%

LAB 41.37, 41.2, -19.93

 

CMYK 0 / 61 / 14 / 49

HEX #823370

RGB 130 51 112

HSL 313.67, 0.44%, 0.35%

LAB 34.57, 41.72, -18.85

 

CMYK 0 / 71 / 18 / 56

HEX #71215D

RGB 113 33 93

HSL 315, 0.55%, 0.29%

LAB 27.81, 41.79, -17.33

 

CMYK 0 / 84 / 23 / 62

HEX #600F4A

RGB 96 15 74

HSL 316.3, 0.73%, 0.22%

LAB 21.29, 40.86, -15.02

 

CMYK 0 / 47 / 9 / 36

HEX #A35695

RGB 163 86 149

HSL 310.91, 0.31%, 0.49%

LAB 47.77, 40.54, -20.75

 

CMYK 0 / 47 / 21 / 36

HEX #A35680

RGB 163 86 128

HSL 327.27, 0.31%, 0.49%

LAB 46.98, 37.07, -9.37

 

CMYK 0 / 47 / 34 / 36

HEX #A3566B

RGB 163 86 107

HSL 343.64, 0.31%, 0.49%

LAB 46.32, 34.08, 2.36

 

CMYK 0 / 47 / 47 / 36

HEX #A35656

RGB 163 86 86

HSL 0, 0.31%, 0.49%

LAB 45.79, 31.61, 14.35

 

CMYK 0 / 47 / 47 / 36

HEX #A35656

RGB 163 86 86

HSL 0, 0.31%, 0.49%

LAB 45.79, 31.61, 14.35

 

CMYK 0 / 47 / 9 / 36

HEX #A35695

RGB 163 86 149

HSL 310.91, 0.31%, 0.49%

LAB 47.77, 40.54, -20.75

 

CMYK 4 / 47 / 0 / 36

HEX #9C56A3

RGB 156 86 163

HSL 294.55, 0.31%, 0.49%

LAB 47.45, 40.97, -29.61

 

CMYK 17 / 47 / 0 / 36

HEX #8756A3

RGB 135 86 163

HSL 278.18, 0.31%, 0.49%

LAB 44.87, 34.67, -33.84

 

CMYK 29 / 47 / 0 / 36

HEX #7356A3

RGB 115 86 163

HSL 262.6, 0.31%, 0.49%

LAB 42.68, 28.83, -37.45

 

CMYK 42 / 47 / 0 / 36

HEX #5E56A3

RGB 94 86 163

HSL 246.23, 0.31%, 0.49%

LAB 40.7, 23.09, -40.71

 

CMYK 0 / 47 / 9 / 36

HEX #A35695

RGB 163 86 149

HSL 310.91, 0.31%, 0.49%

LAB 47.77, 40.54, -20.75

 

CMYK 0 / 64 / 11 / 28

HEX #B741A2

RGB 183 65 162

HSL 310.68, 0.48%, 0.49%

LAB 47.57, 58.46, -28.55

 

CMYK 0 / 78 / 14 / 20

HEX #CC2DAF

RGB 204 45 175

HSL 310.94, 0.64%, 0.49%

LAB 49.26, 72.15, -33.32

 

CMYK 0 / 89 / 16 / 12

HEX #E019BC

RGB 224 25 188

HSL 310.85, 0.8%, 0.49%

LAB 52.03, 81.97, -36.33

 

CMYK 0 / 98 / 18 / 4

HEX #F405C9

RGB 244 5 201

HSL 310.79, 0.96%, 0.49%

LAB 55.64, 89.1, -37.93

 

CMYK 0 / 47 / 9 / 36

HEX #A35695

RGB 163 86 149

HSL 310.91, 0.31%, 0.49%

LAB 47.77, 40.54, -20.75

 

CMYK 0 / 26 / 5 / 44

HEX #8F6A88

RGB 143 106 136

HSL 311.35, 0.15%, 0.49%

LAB 49.41, 19.99, -10.75

 

CMYK 2 / 0 / 2 / 51

HEX #7B7E7B

RGB 123 126 123

HSL 120, 0.01%, 0.49%

LAB 52.47, -1.72, 1.23

 

CMYK 29 / 0 / 24 / 43

HEX #67926F

RGB 103 146 111

HSL 131.16, 0.17%, 0.49%

LAB 56.67, -22.22, 13.93

 

CMYK 51 / 0 / 41 / 35

HEX #52A762

RGB 82 167 98

HSL 131.29, 0.34%, 0.49%

LAB 61.92, -40.97, 27.99

 

CMYK 17 / 47 / 0 / 36

HEX #8756A3

RGB 135 86 163

HSL 278.18, 0.31%, 0.49%

LAB 44.87, 34.67, -33.84

 

CMYK 5 / 47 / 0 / 36

HEX #9B56A3

RGB 155 86 163

HSL 293.77, 0.31%, 0.49%

LAB 47.32, 40.67, -29.82

 

CMYK 0 / 47 / 8 / 36

HEX #A35696

RGB 163 86 150

HSL 310.13, 0.31%, 0.49%

LAB 47.81, 40.72, -21.28

 

CMYK 0 / 47 / 20 / 36

HEX #A35682

RGB 163 86 130

HSL 325.71, 0.31%, 0.49%

LAB 47.05, 37.38, -10.47

 

CMYK 0 / 47 / 33 / 36

HEX #A3566D

RGB 163 86 109

HSL 342.08, 0.31%, 0.49%

LAB 46.37, 34.34, 1.23

 

CMYK 0 / 48 / 8 / 57

HEX #6D3964

RGB 109 57 100

HSL 310.38, 0.31%, 0.33%

LAB 32.03, 29.58, -15.41

 

CMYK 0 / 48 / 9 / 47

HEX #88477C

RGB 136 71 124

HSL 311.08, 0.31%, 0.41%

LAB 39.91, 35.35, -18.02

 

CMYK 0 / 47 / 9 / 36

HEX #A35695

RGB 163 86 149

HSL 310.91, 0.31%, 0.49%

LAB 47.77, 40.54, -20.75

 

CMYK 0 / 38 / 7 / 30

HEX #B36FA7

RGB 179 111 167

HSL 310.59, 0.31%, 0.57%

LAB 55.83, 35.49, -18.79

 

CMYK 0 / 28 / 5 / 24

HEX #C18AB7

RGB 193 138 183

HSL 310.91, 0.31%, 0.65%

LAB 64.11, 28.24, -15.22

 

CMYK 0 / 47 / 9 / 36

HEX #A45796

RGB 164 87 150

HSL 310.91, 0.31%, 0.49%

LAB 48.15, 40.51, -20.75

 

CMYK 0 / 30 / 47 / 36

HEX #A37256

RGB 163 114 86

HSL 21.82, 0.31%, 0.49%

LAB 52.39, 15.89, 23.22

 

CMYK 47 / 0 / 11 / 36

HEX #56A391

RGB 86 163 145

HSL 165.97, 0.31%, 0.49%

LAB 61.84, -28.31, 1.99

 

CMYK 0 / 47 / 9 / 36

HEX #A45796

RGB 164 87 150

HSL 310.91, 0.31%, 0.49%

LAB 48.15, 40.51, -20.75

 

CMYK 8 / 0 / 47 / 36

HEX #96A356

RGB 150 163 86

HSL 70.13, 0.31%, 0.49%

LAB 64.44, -16.62, 38.23

 

CMYK 47 / 8 / 0 / 36

HEX #5696A3

RGB 86 150 163

HSL 190.13, 0.31%, 0.49%

LAB 58.45, -16.93, -13.22

 

CMYK 0 / 47 / 9 / 36

HEX #A45796

RGB 164 87 150

HSL 310.91, 0.31%, 0.49%

LAB 48.15, 40.51, -20.75

 

CMYK 0 / 30 / 47 / 36

HEX #A37256

RGB 163 114 86

HSL 21.82, 0.31%, 0.49%

LAB 52.39, 15.89, 23.22

 

CMYK 47 / 0 / 39 / 36

HEX #56A363

RGB 86 163 99

HSL 130.13, 0.31%, 0.49%

LAB 60.85, -37.93, 26.07

 

CMYK 47 / 17 / 0 / 36

HEX #5687A3

RGB 86 135 163

HSL 201.82, 0.31%, 0.49%

LAB 53.97, -8.69, -20.02

 

CMYK 0 / 47 / 9 / 36

HEX #A45796

RGB 164 87 150

HSL 310.91, 0.31%, 0.49%

LAB 48.15, 40.51, -20.75

 

CMYK 0 / 16 / 47 / 36

HEX #A38956

RGB 163 137 86

HSL 39.74, 0.31%, 0.49%

LAB 58.37, 2.9, 30.93

 

CMYK 47 / 0 / 39 / 36

HEX #56A363

RGB 86 163 99

HSL 130.13, 0.31%, 0.49%

LAB 60.85, -37.93, 26.07

 

CMYK 47 / 31 / 0 / 36

HEX #5670A3

RGB 86 112 163

HSL 219.74, 0.31%, 0.49%

LAB 47.25, 4.84, -30.42

 

Description

Color code: RGB 164 87 150 | qconv.com Color code: RGB 164 87 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 87 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 87 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 9 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 9% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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