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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 73 157 it is the complementary color RGB 91 182 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 73 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 73 157 shade: RGB 169 73 152, RGB 186 91 171, RGB 203 109 190, RGB 220 127 209 and RGB 237 145 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 73 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 73 157 shade: RGB 164 73 157, RGB 147 55 138, RGB 130 37 119, RGB 113 19 100 and RGB 96 1 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 73 157 shade: RGB 161 72 155, RGB 161 72 130, RGB 161 72 106, RGB 161 72 82 and RGB 161 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 73 157 shade: RGB 161 72 155, RGB 144 72 161, RGB 120 72 161, RGB 96 72 161 and RGB 72 72 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 73 157 shade matches the following richer shades: RGB 161 72 155, RGB 180 53 171, RGB 199 34 187 and RGB 218 15 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 73 157 shade: RGB 161 72 155, RGB 142 91 138, RGB 123 110 122, RGB 104 129 106 and RGB 85 148 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 73 157 shade: RGB 120 72 161, RGB 144 72 161, RGB 161 72 155, RGB 161 72 132 and RGB 161 72 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 73 157 shade: RGB 104 47 100, RGB 133 59 127, RGB 161 72 155, RGB 182 93 175 and RGB 195 121 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 73 157 shade: RGB 164 73 157, RGB 161 96 72 and RGB 72 161 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 73 157 shade: RGB 164 73 157, RGB 155 161 72 and RGB 72 155 161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 73 157 shade: RGB 164 73 157, RGB 161 96 72, RGB 72 161 78 and RGB 72 138 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 73 157 shade: RGB 164 73 157, RGB 161 123 72, RGB 72 161 78 and RGB 72 111 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 4 / 36

HEX #A4499D

RGB 164 73 157

HSL 304.62, 0.38%, 0.46%

LAB 45.76, 48.85, -28.61

 

Complementary color

CMYK 50 / 0 / 46 / 29

HEX #5BB662

RGB 91 182 98

HSL 124.62, 0.38%, 0.54%

LAB 66.95, -44.84, 34.51

 

CMYK 0 / 57 / 10 / 34

HEX #A94998

RGB 169 73 152

HSL 310.63, 0.4%, 0.47%

LAB 46.27, 49.43, -24.78

 

CMYK 0 / 51 / 8 / 27

HEX #BA5BAB

RGB 186 91 171

HSL 309.47, 0.41%, 0.54%

LAB 52.8, 48.89, -25.69

 

CMYK 0 / 46 / 6 / 20

HEX #CB6DBE

RGB 203 109 190

HSL 308.3, 0.47%, 0.61%

LAB 59.3, 48.22, -26.42

 

CMYK 0 / 42 / 5 / 14

HEX #DC7FD1

RGB 220 127 209

HSL 307.1, 0.57%, 0.68%

LAB 65.75, 47.5, -27.04

 

CMYK 0 / 39 / 4 / 7

HEX #ED91E4

RGB 237 145 228

HSL 305.87, 0.72%, 0.75%

LAB 72.13, 46.77, -27.57

 

CMYK 0 / 55 / 4 / 36

HEX #A4499D

RGB 164 73 157

HSL 304.62, 0.38%, 0.46%

LAB 45.76, 48.85, -28.61

 

CMYK 0 / 63 / 6 / 42

HEX #93378A

RGB 147 55 138

HSL 305.87, 0.46%, 0.4%

LAB 39.19, 49.17, -27.6

 

CMYK 0 / 72 / 8 / 49

HEX #822577

RGB 130 37 119

HSL 307.1, 0.56%, 0.33%

LAB 32.7, 48.99, -26.17

 

CMYK 0 / 83 / 12 / 56

HEX #711364

RGB 113 19 100

HSL 308.3, 0.71%, 0.26%

LAB 26.44, 47.83, -24.06

 

CMYK 0 / 99 / 16 / 62

HEX #600151

RGB 96 1 81

HSL 309.47, 0.98%, 0.19%

LAB 20.45, 45.45, -21.1

 

CMYK 0 / 55 / 4 / 37

HEX #A1489B

RGB 161 72 155

HSL 304.04, 0.38%, 0.46%

LAB 45.05, 48.12, -28.56

 

CMYK 0 / 55 / 19 / 37

HEX #A14882

RGB 161 72 130

HSL 320.9, 0.38%, 0.46%

LAB 43.98, 43.96, -15.14

 

CMYK 0 / 55 / 34 / 37

HEX #A1486A

RGB 161 72 106

HSL 337.08, 0.38%, 0.46%

LAB 43.14, 40.57, -1.69

 

CMYK 0 / 55 / 49 / 37

HEX #A14852

RGB 161 72 82

HSL 353.26, 0.38%, 0.46%

LAB 42.49, 37.84, 12.2

 

CMYK 0 / 55 / 55 / 37

HEX #A14848

RGB 161 72 72

HSL 0, 0.38%, 0.46%

LAB 42.28, 36.92, 18.06

 

CMYK 0 / 55 / 4 / 37

HEX #A1489B

RGB 161 72 155

HSL 304.04, 0.38%, 0.46%

LAB 45.05, 48.12, -28.56

 

CMYK 11 / 55 / 0 / 37

HEX #9048A1

RGB 144 72 161

HSL 288.54, 0.38%, 0.46%

LAB 42.97, 44.46, -35.58

 

CMYK 25 / 55 / 0 / 37

HEX #7848A1

RGB 120 72 161

HSL 272.36, 0.38%, 0.46%

LAB 39.92, 37.88, -40.61

 

CMYK 40 / 55 / 0 / 37

HEX #6048A1

RGB 96 72 161

HSL 256.18, 0.38%, 0.46%

LAB 37.29, 31.66, -44.96

 

CMYK 55 / 55 / 0 / 37

HEX #4848A1

RGB 72 72 161

HSL 240, 0.38%, 0.46%

LAB 35.17, 26.17, -48.48

 

CMYK 0 / 55 / 4 / 37

HEX #A1489B

RGB 161 72 155

HSL 304.04, 0.38%, 0.46%

LAB 45.05, 48.12, -28.56

 

CMYK 0 / 71 / 5 / 29

HEX #B435AB

RGB 180 53 171

HSL 304.25, 0.55%, 0.46%

LAB 45.89, 63.7, -36.54

 

CMYK 0 / 83 / 6 / 22

HEX #C722BB

RGB 199 34 187

HSL 304.36, 0.71%, 0.46%

LAB 48.1, 75.46, -42.25

 

CMYK 0 / 93 / 7 / 15

HEX #DA0FCB

RGB 218 15 203

HSL 304.43, 0.87%, 0.46%

LAB 51.33, 84.03, -46.19

 

CMYK 0 / 55 / 4 / 37

HEX #A1489B

RGB 161 72 155

HSL 304.04, 0.38%, 0.46%

LAB 45.05, 48.12, -28.56

 

CMYK 0 / 36 / 3 / 44

HEX #8E5B8A

RGB 142 91 138

HSL 304.71, 0.22%, 0.46%

LAB 45.73, 28.75, -17.54

 

CMYK 0 / 11 / 1 / 52

HEX #7B6E7A

RGB 123 110 122

HSL 304.62, 0.06%, 0.46%

LAB 47.97, 7.41, -4.79

 

CMYK 19 / 0 / 18 / 49

HEX #68816A

RGB 104 129 106

HSL 124.8, 0.11%, 0.46%

LAB 51.48, -13.86, 9.53

 

CMYK 43 / 0 / 39 / 42

HEX #55945A

RGB 85 148 90

HSL 124.76, 0.27%, 0.46%

LAB 55.94, -32.95, 24.49

 

CMYK 25 / 55 / 0 / 37

HEX #7848A1

RGB 120 72 161

HSL 272.36, 0.38%, 0.46%

LAB 39.92, 37.88, -40.61

 

CMYK 11 / 55 / 0 / 37

HEX #9048A1

RGB 144 72 161

HSL 288.54, 0.38%, 0.46%

LAB 42.97, 44.46, -35.58

 

CMYK 0 / 55 / 4 / 37

HEX #A1489B

RGB 161 72 155

HSL 304.04, 0.38%, 0.46%

LAB 45.05, 48.12, -28.56

 

CMYK 0 / 55 / 18 / 37

HEX #A14884

RGB 161 72 132

HSL 319.55, 0.38%, 0.46%

LAB 44.06, 44.27, -16.24

 

CMYK 0 / 55 / 33 / 37

HEX #A1486C

RGB 161 72 108

HSL 335.73, 0.38%, 0.46%

LAB 43.2, 40.82, -2.83

 

CMYK 0 / 55 / 4 / 59

HEX #682F64

RGB 104 47 100

HSL 304.21, 0.38%, 0.3%

LAB 29.15, 33.51, -19.92

 

CMYK 0 / 56 / 5 / 48

HEX #853B7F

RGB 133 59 127

HSL 304.86, 0.39%, 0.38%

LAB 37.2, 41.29, -24.1

 

CMYK 0 / 55 / 4 / 37

HEX #A1489B

RGB 161 72 155

HSL 304.04, 0.38%, 0.46%

LAB 45.05, 48.12, -28.56

 

CMYK 0 / 49 / 4 / 29

HEX #B65DAF

RGB 182 93 175

HSL 304.72, 0.38%, 0.54%

LAB 52.81, 47.39, -28.05

 

CMYK 0 / 38 / 3 / 24

HEX #C379BD

RGB 195 121 189

HSL 304.86, 0.38%, 0.62%

LAB 60.74, 39.27, -23.72

 

CMYK 0 / 55 / 4 / 36

HEX #A4499D

RGB 164 73 157

HSL 304.62, 0.38%, 0.46%

LAB 45.76, 48.85, -28.61

 

CMYK 0 / 40 / 55 / 37

HEX #A16048

RGB 161 96 72

HSL 16.18, 0.38%, 0.46%

LAB 47.51, 23.9, 24.9

 

CMYK 55 / 0 / 18 / 37

HEX #48A184

RGB 72 161 132

HSL 160.45, 0.38%, 0.46%

LAB 60.37, -33.86, 7.1

 

CMYK 0 / 55 / 4 / 36

HEX #A4499D

RGB 164 73 157

HSL 304.62, 0.38%, 0.46%

LAB 45.76, 48.85, -28.61

 

CMYK 4 / 0 / 55 / 37

HEX #9BA148

RGB 155 161 72

HSL 64.04, 0.38%, 0.46%

LAB 64.1, -14.84, 44.84

 

CMYK 55 / 4 / 0 / 37

HEX #489BA1

RGB 72 155 161

HSL 184.04, 0.38%, 0.46%

LAB 59.34, -23.29, -10.81

 

CMYK 0 / 55 / 4 / 36

HEX #A4499D

RGB 164 73 157

HSL 304.62, 0.38%, 0.46%

LAB 45.76, 48.85, -28.61

 

CMYK 0 / 40 / 55 / 37

HEX #A16048

RGB 161 96 72

HSL 16.18, 0.38%, 0.46%

LAB 47.51, 23.9, 24.9

 

CMYK 55 / 0 / 52 / 37

HEX #48A14E

RGB 72 161 78

HSL 124.04, 0.38%, 0.46%

LAB 59.36, -44.26, 35.08

 

CMYK 55 / 14 / 0 / 37

HEX #488AA1

RGB 72 138 161

HSL 195.51, 0.38%, 0.46%

LAB 54.16, -14.26, -18.63

 

CMYK 0 / 55 / 4 / 36

HEX #A4499D

RGB 164 73 157

HSL 304.62, 0.38%, 0.46%

LAB 45.76, 48.85, -28.61

 

CMYK 0 / 24 / 55 / 37

HEX #A17B48

RGB 161 123 72

HSL 34.38, 0.38%, 0.46%

LAB 54.25, 8.55, 33.33

 

CMYK 55 / 0 / 52 / 37

HEX #48A14E

RGB 72 161 78

HSL 124.04, 0.38%, 0.46%

LAB 59.36, -44.26, 35.08

 

CMYK 55 / 31 / 0 / 37

HEX #486FA1

RGB 72 111 161

HSL 213.71, 0.38%, 0.46%

LAB 46.07, 1.39, -31.15

 

Description

Color code: RGB 164 73 157 | qconv.com Color code: RGB 164 73 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 73 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 73 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 4 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 4% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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