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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 71 196 it is the complementary color RGB 91 184 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 71 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 71 196 shade: RGB 169 71 191, RGB 186 89 210, RGB 203 107 229, RGB 220 125 248 and RGB 237 143 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 71 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 71 196 shade: RGB 164 71 196, RGB 147 53 177, RGB 130 35 158, RGB 113 17 139 and RGB 96 0 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 71 196 shade: RGB 163 70 195, RGB 195 70 193, RGB 195 70 159, RGB 195 70 125 and RGB 195 70 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 71 196 shade: RGB 163 70 195, RGB 129 70 195, RGB 95 70 195 and RGB 70 70 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 71 196 shade matches the following richer shades: RGB 163 70 195, RGB 172 50 214, RGB 182 30 234 and RGB 192 10 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 71 196 shade: RGB 163 70 195, RGB 153 89 175, RGB 143 109 155, RGB 134 129 135 and RGB 124 149 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 71 196 shade: RGB 95 70 195, RGB 128 70 195, RGB 161 70 195, RGB 195 70 195 and RGB 195 70 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 71 196 shade: RGB 114 44 137, RGB 139 54 169, RGB 163 70 195, RGB 178 101 205 and RGB 194 132 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 71 196 shade: RGB 164 71 196, RGB 195 70 78 and RGB 70 195 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 71 196 shade: RGB 164 71 196, RGB 195 161 70 and RGB 70 195 161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 71 196 shade: RGB 164 71 196, RGB 195 70 78, RGB 103 195 70 and RGB 70 195 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 71 196 shade: RGB 164 71 196, RGB 195 99 70, RGB 103 195 70 and RGB 70 165 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 64 / 0 / 23

HEX #A447C4

RGB 164 71 196

HSL 284.64, 0.51%, 0.52%

LAB 47.47, 57.21, -48.81

 

Complementary color

CMYK 51 / 0 / 68 / 28

HEX #5BB83B

RGB 91 184 59

HSL 104.64, 0.51%, 0.48%

LAB 67.14, -50.25, 52.9

 

CMYK 12 / 63 / 0 / 25

HEX #A947BF

RGB 169 71 191

HSL 289, 0.48%, 0.51%

LAB 47.88, 57.41, -45.22

 

CMYK 11 / 58 / 0 / 18

HEX #BA59D2

RGB 186 89 210

HSL 288.1, 0.57%, 0.59%

LAB 54.28, 57.01, -45.84

 

CMYK 11 / 53 / 0 / 10

HEX #CB6BE5

RGB 203 107 229

HSL 287.21, 0.7%, 0.66%

LAB 60.67, 56.42, -46.3

 

CMYK 11 / 50 / 0 / 3

HEX #DC7DF8

RGB 220 125 248

HSL 286.34, 0.9%, 0.73%

LAB 67.02, 55.73, -46.65

 

CMYK 7 / 44 / 0 / 0

HEX #ED8FFF

RGB 237 143 255

HSL 290.36, 1%, 0.78%

LAB 72.81, 52.7, -41.27

 

CMYK 16 / 64 / 0 / 23

HEX #A447C4

RGB 164 71 196

HSL 284.64, 0.51%, 0.52%

LAB 47.47, 57.21, -48.81

 

CMYK 17 / 70 / 0 / 31

HEX #9335B1

RGB 147 53 177

HSL 285.48, 0.54%, 0.45%

LAB 41.09, 57.33, -48.04

 

CMYK 18 / 78 / 0 / 38

HEX #82239E

RGB 130 35 158

HSL 286.34, 0.64%, 0.38%

LAB 34.84, 56.83, -46.87

 

CMYK 19 / 88 / 0 / 45

HEX #71118B

RGB 113 17 139

HSL 287.21, 0.78%, 0.31%

LAB 28.84, 55.24, -45.04

 

CMYK 20 / 100 / 0 / 53

HEX #600078

RGB 96 0 120

HSL 288, 1%, 0.24%

LAB 23.14, 52.33, -42.43

 

CMYK 16 / 64 / 0 / 24

HEX #A346C3

RGB 163 70 195

HSL 284.64, 0.51%, 0.52%

LAB 47.11, 57.22, -48.81

 

CMYK 0 / 64 / 1 / 24

HEX #C346C1

RGB 195 70 193

HSL 300.96, 0.51%, 0.52%

LAB 51.65, 64.47, -40.17

 

CMYK 0 / 64 / 18 / 24

HEX #C3469F

RGB 195 70 159

HSL 317.28, 0.51%, 0.52%

LAB 50.08, 59.18, -22.73

 

CMYK 0 / 64 / 36 / 24

HEX #C3467D

RGB 195 70 125

HSL 333.6, 0.51%, 0.52%

LAB 48.84, 54.78, -4.27

 

CMYK 0 / 64 / 53 / 24

HEX #C3465C

RGB 195 70 92

HSL 349.44, 0.51%, 0.52%

LAB 47.95, 51.52, 14.49

 

CMYK 16 / 64 / 0 / 24

HEX #A346C3

RGB 163 70 195

HSL 284.64, 0.51%, 0.52%

LAB 47.11, 57.22, -48.81

 

CMYK 34 / 64 / 0 / 24

HEX #8146C3

RGB 129 70 195

HSL 268.32, 0.51%, 0.52%

LAB 42.74, 49.51, -56.07

 

CMYK 51 / 64 / 0 / 24

HEX #5F46C3

RGB 95 70 195

HSL 252, 0.51%, 0.52%

LAB 39.16, 42.61, -62.04

 

CMYK 64 / 64 / 0 / 24

HEX #4646C3

RGB 70 70 195

HSL 240, 0.51%, 0.52%

LAB 37.16, 38.45, -65.4

 

CMYK 16 / 64 / 0 / 24

HEX #A346C3

RGB 163 70 195

HSL 284.64, 0.51%, 0.52%

LAB 47.11, 57.22, -48.81

 

CMYK 20 / 77 / 0 / 16

HEX #AC32D6

RGB 172 50 214

HSL 284.63, 0.67%, 0.52%

LAB 46.85, 70.62, -60.12

 

CMYK 22 / 87 / 0 / 8

HEX #B61EEA

RGB 182 30 234

HSL 284.71, 0.83%, 0.52%

LAB 48.02, 81.07, -69.53

 

CMYK 24 / 96 / 0 / 0

HEX #C00AFE

RGB 192 10 254

HSL 284.75, 0.99%, 0.52%

LAB 50.19, 88.56, -77.16

 

CMYK 16 / 64 / 0 / 24

HEX #A346C3

RGB 163 70 195

HSL 284.64, 0.51%, 0.52%

LAB 47.11, 57.22, -48.81

 

CMYK 13 / 49 / 0 / 31

HEX #9959AF

RGB 153 89 175

HSL 284.65, 0.35%, 0.52%

LAB 48.28, 40.93, -35.4

 

CMYK 8 / 30 / 0 / 39

HEX #8F6D9B

RGB 143 109 155

HSL 284.35, 0.19%, 0.52%

LAB 50.85, 22.11, -19.76

 

CMYK 1 / 4 / 0 / 47

HEX #868187

RGB 134 129 135

HSL 290, 0.02%, 0.52%

LAB 54.57, 3.06, -2.57

 

CMYK 17 / 0 / 23 / 42

HEX #7C9573

RGB 124 149 115

HSL 104.12, 0.14%, 0.52%

LAB 58.99, -15.53, 15.1

 

CMYK 51 / 64 / 0 / 24

HEX #5F46C3

RGB 95 70 195

HSL 252, 0.51%, 0.52%

LAB 39.16, 42.61, -62.04

 

CMYK 34 / 64 / 0 / 24

HEX #8046C3

RGB 128 70 195

HSL 267.84, 0.51%, 0.52%

LAB 42.63, 49.29, -56.26

 

CMYK 17 / 64 / 0 / 24

HEX #A146C3

RGB 161 70 195

HSL 283.68, 0.51%, 0.52%

LAB 46.84, 56.76, -49.27

 

CMYK 0 / 64 / 0 / 24

HEX #C346C3

RGB 195 70 195

HSL 300, 0.51%, 0.52%

LAB 51.75, 64.8, -41.16

 

CMYK 0 / 64 / 17 / 24

HEX #C346A1

RGB 195 70 161

HSL 316.32, 0.51%, 0.52%

LAB 50.16, 59.46, -23.78

 

CMYK 17 / 68 / 0 / 46

HEX #722C89

RGB 114 44 137

HSL 285.16, 0.51%, 0.35%

LAB 32.22, 45.42, -38.34

 

CMYK 18 / 68 / 0 / 34

HEX #8B36A9

RGB 139 54 169

HSL 284.35, 0.52%, 0.44%

LAB 39.57, 53.5, -45.8

 

CMYK 16 / 64 / 0 / 24

HEX #A346C3

RGB 163 70 195

HSL 284.64, 0.51%, 0.52%

LAB 47.11, 57.22, -48.81

 

CMYK 13 / 51 / 0 / 20

HEX #B265CD

RGB 178 101 205

HSL 284.42, 0.51%, 0.6%

LAB 55.26, 47.91, -41.51

 

CMYK 10 / 39 / 0 / 16

HEX #C284D7

RGB 194 132 215

HSL 284.82, 0.51%, 0.68%

LAB 64.06, 38.04, -33.24

 

CMYK 16 / 64 / 0 / 23

HEX #A447C4

RGB 164 71 196

HSL 284.64, 0.51%, 0.52%

LAB 47.47, 57.21, -48.81

 

CMYK 0 / 64 / 60 / 24

HEX #C3464E

RGB 195 70 78

HSL 356.16, 0.51%, 0.52%

LAB 47.67, 50.45, 22.57

 

CMYK 64 / 0 / 43 / 24

HEX #46C36F

RGB 70 195 111

HSL 139.68, 0.51%, 0.52%

LAB 70.51, -52.92, 32.28

 

CMYK 16 / 64 / 0 / 23

HEX #A447C4

RGB 164 71 196

HSL 284.64, 0.51%, 0.52%

LAB 47.47, 57.21, -48.81

 

CMYK 0 / 17 / 64 / 24

HEX #C3A146

RGB 195 161 70

HSL 43.68, 0.51%, 0.52%

LAB 67.68, 2.28, 50.77

 

CMYK 64 / 0 / 17 / 24

HEX #46C3A1

RGB 70 195 161

HSL 163.68, 0.51%, 0.52%

LAB 71.49, -42.56, 7.01

 

CMYK 16 / 64 / 0 / 23

HEX #A447C4

RGB 164 71 196

HSL 284.64, 0.51%, 0.52%

LAB 47.47, 57.21, -48.81

 

CMYK 0 / 64 / 60 / 24

HEX #C3464E

RGB 195 70 78

HSL 356.16, 0.51%, 0.52%

LAB 47.67, 50.45, 22.57

 

CMYK 47 / 0 / 64 / 24

HEX #67C346

RGB 103 195 70

HSL 104.16, 0.51%, 0.52%

LAB 71.12, -50.04, 52.77

 

CMYK 64 / 0 / 5 / 24

HEX #46C3BA

RGB 70 195 186

HSL 175.68, 0.51%, 0.52%

LAB 72.15, -36.12, -5.64

 

CMYK 16 / 64 / 0 / 23

HEX #A447C4

RGB 164 71 196

HSL 284.64, 0.51%, 0.52%

LAB 47.47, 57.21, -48.81

 

CMYK 0 / 49 / 64 / 24

HEX #C36346

RGB 195 99 70

HSL 13.92, 0.51%, 0.52%

LAB 52.91, 35.94, 33.81

 

CMYK 47 / 0 / 64 / 24

HEX #67C346

RGB 103 195 70

HSL 104.16, 0.51%, 0.52%

LAB 71.12, -50.04, 52.77

 

CMYK 64 / 15 / 0 / 24

HEX #46A5C3

RGB 70 165 195

HSL 194.4, 0.51%, 0.52%

LAB 63.47, -18.67, -23.68

 

Description

Color code: RGB 164 71 196 | qconv.com Color code: RGB 164 71 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 71 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 71 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 64 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 64% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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