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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 71 183 it is the complementary color RGB 91 184 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 71 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 71 183 shade: RGB 169 71 178, RGB 186 89 197, RGB 203 107 216, RGB 220 125 235 and RGB 237 143 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 71 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 71 183 shade: RGB 164 71 183, RGB 147 53 164, RGB 130 35 145, RGB 113 17 126 and RGB 96 0 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 71 183 shade: RGB 164 71 183, RGB 183 71 172, RGB 183 71 142, RGB 183 71 111 and RGB 183 71 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 71 183 shade: RGB 164 71 183, RGB 134 71 183, RGB 104 71 183, RGB 73 71 183 and RGB 71 71 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 71 183 shade matches the following richer shades: RGB 164 71 183, RGB 178 50 204, RGB 191 30 224 and RGB 205 9 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 71 183 shade: RGB 164 71 183, RGB 150 92 162, RGB 137 112 142, RGB 123 133 121 and RGB 110 153 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 71 183 shade: RGB 103 71 183, RGB 133 71 183, RGB 163 71 183, RGB 183 71 174 and RGB 183 71 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 71 183 shade: RGB 111 48 124, RGB 137 59 153, RGB 164 71 183, RGB 179 101 195 and RGB 193 130 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 71 183 shade: RGB 164 71 183, RGB 183 73 71 and RGB 71 183 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 71 183 shade: RGB 164 71 183, RGB 183 163 71 and RGB 71 183 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 71 183 shade: RGB 164 71 183, RGB 183 73 71, RGB 91 183 71 and RGB 71 181 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 71 183 shade: RGB 164 71 183, RGB 183 106 71, RGB 91 183 71 and RGB 71 148 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 61 / 0 / 28

HEX #A447B7

RGB 164 71 183

HSL 289.82, 0.44%, 0.5%

LAB 46.73, 54.63, -42.42

 

Complementary color

CMYK 51 / 0 / 61 / 28

HEX #5BB848

RGB 91 184 72

HSL 109.82, 0.44%, 0.5%

LAB 67.26, -48.99, 47.46

 

CMYK 5 / 60 / 0 / 30

HEX #A947B2

RGB 169 71 178

HSL 294.95, 0.43%, 0.49%

LAB 47.18, 54.94, -38.75

 

CMYK 6 / 55 / 0 / 23

HEX #BA59C5

RGB 186 89 197

HSL 293.89, 0.48%, 0.56%

LAB 53.62, 54.52, -39.45

 

CMYK 6 / 50 / 0 / 15

HEX #CB6BD8

RGB 203 107 216

HSL 292.84, 0.58%, 0.63%

LAB 60.04, 53.92, -39.99

 

CMYK 6 / 47 / 0 / 8

HEX #DC7DEB

RGB 220 125 235

HSL 291.82, 0.73%, 0.71%

LAB 66.43, 53.23, -40.43

 

CMYK 7 / 44 / 0 / 0

HEX #ED8FFE

RGB 237 143 254

HSL 290.81, 0.98%, 0.78%

LAB 72.76, 52.51, -40.79

 

CMYK 10 / 61 / 0 / 28

HEX #A447B7

RGB 164 71 183

HSL 289.82, 0.44%, 0.5%

LAB 46.73, 54.63, -42.42

 

CMYK 10 / 68 / 0 / 36

HEX #9335A4

RGB 147 53 164

HSL 290.81, 0.51%, 0.43%

LAB 40.29, 54.78, -41.59

 

CMYK 10 / 76 / 0 / 43

HEX #822391

RGB 130 35 145

HSL 291.82, 0.61%, 0.35%

LAB 33.97, 54.33, -40.34

 

CMYK 10 / 87 / 0 / 51

HEX #71117E

RGB 113 17 126

HSL 292.84, 0.76%, 0.28%

LAB 27.89, 52.8, -38.42

 

CMYK 10 / 100 / 0 / 58

HEX #60006B

RGB 96 0 107

HSL 293.83, 1%, 0.21%

LAB 22.12, 49.94, -35.7

 

CMYK 10 / 61 / 0 / 28

HEX #A447B7

RGB 164 71 183

HSL 289.82, 0.44%, 0.5%

LAB 46.73, 54.63, -42.42

 

CMYK 0 / 61 / 6 / 28

HEX #B747AC

RGB 183 71 172

HSL 305.89, 0.44%, 0.5%

LAB 48.95, 57.54, -32.3

 

CMYK 0 / 61 / 22 / 28

HEX #B7478E

RGB 183 71 142

HSL 321.96, 0.44%, 0.5%

LAB 47.66, 52.93, -16.48

 

CMYK 0 / 61 / 39 / 28

HEX #B7476F

RGB 183 71 111

HSL 338.57, 0.44%, 0.5%

LAB 46.61, 49, 0.73

 

CMYK 0 / 61 / 56 / 28

HEX #B74751

RGB 183 71 81

HSL 354.64, 0.44%, 0.5%

LAB 45.86, 46.13, 18

 

CMYK 10 / 61 / 0 / 28

HEX #A447B7

RGB 164 71 183

HSL 289.82, 0.44%, 0.5%

LAB 46.73, 54.63, -42.42

 

CMYK 27 / 61 / 0 / 28

HEX #8647B7

RGB 134 71 183

HSL 273.75, 0.44%, 0.5%

LAB 42.75, 47.25, -49.01

 

CMYK 43 / 61 / 0 / 28

HEX #6847B7

RGB 104 71 183

HSL 257.68, 0.44%, 0.5%

LAB 39.36, 40.36, -54.66

 

CMYK 60 / 61 / 0 / 28

HEX #4947B7

RGB 73 71 183

HSL 241.07, 0.44%, 0.5%

LAB 36.63, 34.31, -59.2

 

CMYK 61 / 61 / 0 / 28

HEX #4747B7

RGB 71 71 183

HSL 240, 0.44%, 0.5%

LAB 36.49, 33.98, -59.44

 

CMYK 10 / 61 / 0 / 28

HEX #A447B7

RGB 164 71 183

HSL 289.82, 0.44%, 0.5%

LAB 46.73, 54.63, -42.42

 

CMYK 13 / 75 / 0 / 20

HEX #B232CC

RGB 178 50 204

HSL 289.87, 0.61%, 0.5%

LAB 47.11, 69.9, -53.9

 

CMYK 15 / 87 / 0 / 12

HEX #BF1EE0

RGB 191 30 224

HSL 289.79, 0.76%, 0.5%

LAB 48.74, 80.69, -62.62

 

CMYK 16 / 96 / 0 / 4

HEX #CD09F5

RGB 205 9 245

HSL 289.83, 0.93%, 0.5%

LAB 51.57, 88.84, -69.79

 

CMYK 10 / 61 / 0 / 28

HEX #A447B7

RGB 164 71 183

HSL 289.82, 0.44%, 0.5%

LAB 46.73, 54.63, -42.42

 

CMYK 7 / 43 / 0 / 36

HEX #965CA2

RGB 150 92 162

HSL 289.71, 0.28%, 0.5%

LAB 47.94, 35.64, -28.32

 

CMYK 4 / 21 / 0 / 44

HEX #89708E

RGB 137 112 142

HSL 290, 0.12%, 0.5%

LAB 50.52, 15.5, -12.68

 

CMYK 8 / 0 / 9 / 48

HEX #7B8579

RGB 123 133 121

HSL 110, 0.05%, 0.5%

LAB 54.41, -6.08, 5.21

 

CMYK 28 / 0 / 34 / 40

HEX #6E9965

RGB 110 153 101

HSL 109.62, 0.2%, 0.5%

LAB 59.01, -25.07, 22.77

 

CMYK 44 / 61 / 0 / 28

HEX #6747B7

RGB 103 71 183

HSL 257.14, 0.44%, 0.5%

LAB 39.26, 40.15, -54.82

 

CMYK 27 / 61 / 0 / 28

HEX #8547B7

RGB 133 71 183

HSL 273.21, 0.44%, 0.5%

LAB 42.63, 47.01, -49.22

 

CMYK 11 / 61 / 0 / 28

HEX #A347B7

RGB 163 71 183

HSL 289.29, 0.44%, 0.5%

LAB 46.59, 54.38, -42.66

 

CMYK 0 / 61 / 5 / 28

HEX #B747AE

RGB 183 71 174

HSL 304.82, 0.44%, 0.5%

LAB 49.04, 57.87, -33.32

 

CMYK 0 / 61 / 21 / 28

HEX #B74790

RGB 183 71 144

HSL 320.89, 0.44%, 0.5%

LAB 47.74, 53.21, -17.56

 

CMYK 10 / 61 / 0 / 51

HEX #6F307C

RGB 111 48 124

HSL 289.74, 0.44%, 0.34%

LAB 31.69, 39.94, -31.12

 

CMYK 10 / 61 / 0 / 40

HEX #893B99

RGB 137 59 153

HSL 289.79, 0.44%, 0.42%

LAB 39.15, 47.44, -36.88

 

CMYK 10 / 61 / 0 / 28

HEX #A447B7

RGB 164 71 183

HSL 289.82, 0.44%, 0.5%

LAB 46.73, 54.63, -42.42

 

CMYK 8 / 48 / 0 / 24

HEX #B365C3

RGB 179 101 195

HSL 289.79, 0.44%, 0.58%

LAB 54.9, 46.16, -36.36

 

CMYK 6 / 37 / 0 / 19

HEX #C182CE

RGB 193 130 206

HSL 289.74, 0.44%, 0.66%

LAB 63.14, 37.01, -29.63

 

CMYK 10 / 61 / 0 / 28

HEX #A447B7

RGB 164 71 183

HSL 289.82, 0.44%, 0.5%

LAB 46.73, 54.63, -42.42

 

CMYK 0 / 60 / 61 / 28

HEX #B74947

RGB 183 73 71

HSL 1.07, 0.44%, 0.5%

LAB 46.03, 44.45, 24.24

 

CMYK 61 / 0 / 36 / 28

HEX #47B776

RGB 71 183 118

HSL 145.18, 0.44%, 0.5%

LAB 66.91, -46.69, 23.86

 

CMYK 10 / 61 / 0 / 28

HEX #A447B7

RGB 164 71 183

HSL 289.82, 0.44%, 0.5%

LAB 46.73, 54.63, -42.42

 

CMYK 0 / 11 / 61 / 28

HEX #B7A347

RGB 183 163 71

HSL 49.29, 0.44%, 0.5%

LAB 67.06, -3.92, 49.31

 

CMYK 61 / 0 / 11 / 28

HEX #47B7A3

RGB 71 183 163

HSL 169.29, 0.44%, 0.5%

LAB 67.91, -36.52, 0.75

 

CMYK 10 / 61 / 0 / 28

HEX #A447B7

RGB 164 71 183

HSL 289.82, 0.44%, 0.5%

LAB 46.73, 54.63, -42.42

 

CMYK 0 / 60 / 61 / 28

HEX #B74947

RGB 183 73 71

HSL 1.07, 0.44%, 0.5%

LAB 46.03, 44.45, 24.24

 

CMYK 50 / 0 / 61 / 28

HEX #5BB747

RGB 91 183 71

HSL 109.29, 0.44%, 0.5%

LAB 66.94, -48.7, 47.54

 

CMYK 61 / 1 / 0 / 28

HEX #47B5B7

RGB 71 181 183

HSL 181.07, 0.44%, 0.5%

LAB 67.88, -30.16, -10.34

 

CMYK 10 / 61 / 0 / 28

HEX #A447B7

RGB 164 71 183

HSL 289.82, 0.44%, 0.5%

LAB 46.73, 54.63, -42.42

 

CMYK 0 / 42 / 61 / 28

HEX #B76A47

RGB 183 106 71

HSL 18.75, 0.44%, 0.5%

LAB 52.76, 27.43, 32.68

 

CMYK 50 / 0 / 61 / 28

HEX #5BB747

RGB 91 183 71

HSL 109.29, 0.44%, 0.5%

LAB 66.94, -48.7, 47.54

 

CMYK 61 / 19 / 0 / 28

HEX #4794B7

RGB 71 148 183

HSL 198.75, 0.44%, 0.5%

LAB 57.98, -13.11, -25.36

 

Description

Color code: RGB 164 71 183 | qconv.com Color code: RGB 164 71 183 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 71 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 71 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 61 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 61% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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