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Color name
RGB 164 54 158

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 54 158 it is the complementary color RGB 91 201 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 54 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 54 158 shade: RGB 169 54 153, RGB 186 72 172, RGB 203 90 191, RGB 220 108 210 and RGB 237 126 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 54 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 54 158 shade: RGB 164 54 158, RGB 147 36 139, RGB 130 18 120, RGB 113 0 101 and RGB 96 0 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 54 158 shade: RGB 164 54 158, RGB 164 54 128, RGB 164 54 99, RGB 164 54 69 and RGB 164 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 54 158 shade: RGB 164 54 158, RGB 140 54 164, RGB 111 54 164, RGB 81 54 164 and RGB 54 54 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 54 158 shade matches the following richer shades: RGB 164 54 158, RGB 182 37 174, RGB 199 19 190 and RGB 217 1 205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 54 158 shade: RGB 164 54 158, RGB 146 72 142, RGB 128 90 126, RGB 111 108 111 and RGB 93 125 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 54 158 shade: RGB 111 54 164, RGB 140 54 164, RGB 164 54 158, RGB 164 54 129 and RGB 164 54 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 54 158 shade: RGB 102 34 98, RGB 133 44 128, RGB 164 54 158, RGB 192 67 185 and RGB 202 98 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 54 158 shade: RGB 164 54 158, RGB 164 82 54 and RGB 54 164 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 54 158 shade: RGB 164 54 158, RGB 158 164 54 and RGB 54 158 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 54 158 shade: RGB 164 54 158, RGB 164 82 54, RGB 54 164 60 and RGB 54 137 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 54 158 shade: RGB 164 54 158, RGB 164 115 54, RGB 54 164 60 and RGB 54 104 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 4 / 36

HEX #A4369E

RGB 164 54 158

HSL 303.27, 0.5%, 0.43%

LAB 42.76, 57.39, -33.91

 

Complementary color

CMYK 55 / 0 / 52 / 21

HEX #5BC961

RGB 91 201 97

HSL 123.27, 0.5%, 0.57%

LAB 72.8, -52.63, 42.28

 

CMYK 0 / 68 / 9 / 34

HEX #A93699

RGB 169 54 153

HSL 308.35, 0.52%, 0.44%

LAB 43.32, 57.82, -29.98

 

CMYK 0 / 61 / 8 / 27

HEX #BA48AC

RGB 186 72 172

HSL 307.37, 0.45%, 0.51%

LAB 49.56, 57.9, -31.31

 

CMYK 0 / 56 / 6 / 20

HEX #CB5ABF

RGB 203 90 191

HSL 306.37, 0.52%, 0.57%

LAB 55.86, 57.6, -32.33

 

CMYK 0 / 51 / 5 / 14

HEX #DC6CD2

RGB 220 108 210

HSL 305.36, 0.62%, 0.64%

LAB 62.16, 57.1, -33.14

 

CMYK 0 / 47 / 3 / 7

HEX #ED7EE5

RGB 237 126 229

HSL 304.32, 0.76%, 0.71%

LAB 68.45, 56.48, -33.81

 

CMYK 0 / 67 / 4 / 36

HEX #A4369E

RGB 164 54 158

HSL 303.27, 0.5%, 0.43%

LAB 42.76, 57.39, -33.91

 

CMYK 0 / 76 / 5 / 42

HEX #93248B

RGB 147 36 139

HSL 304.32, 0.61%, 0.36%

LAB 36.61, 56.72, -32.27

 

CMYK 0 / 86 / 8 / 49

HEX #821278

RGB 130 18 120

HSL 305.36, 0.76%, 0.29%

LAB 30.72, 54.98, -29.93

 

CMYK 0 / 100 / 11 / 56

HEX #710065

RGB 113 0 101

HSL 306.37, 1%, 0.22%

LAB 25.11, 52.04, -26.81

 

CMYK 0 / 100 / 15 / 62

HEX #600052

RGB 96 0 82

HSL 308.75, 1%, 0.19%

LAB 20.42, 45.85, -21.82

 

CMYK 0 / 67 / 4 / 36

HEX #A4369E

RGB 164 54 158

HSL 303.27, 0.5%, 0.43%

LAB 42.76, 57.39, -33.91

 

CMYK 0 / 67 / 22 / 36

HEX #A43680

RGB 164 54 128

HSL 319.64, 0.5%, 0.43%

LAB 41.36, 52.74, -17.88

 

CMYK 0 / 67 / 40 / 36

HEX #A43663

RGB 164 54 99

HSL 335.45, 0.5%, 0.43%

LAB 40.3, 49.08, -1.46

 

CMYK 0 / 67 / 58 / 36

HEX #A43645

RGB 164 54 69

HSL 351.82, 0.5%, 0.43%

LAB 39.51, 46.26, 16.31

 

CMYK 0 / 67 / 67 / 36

HEX #A43636

RGB 164 54 54

HSL 0, 0.5%, 0.43%

LAB 39.24, 45.24, 25.26

 

CMYK 0 / 67 / 4 / 36

HEX #A4369E

RGB 164 54 158

HSL 303.27, 0.5%, 0.43%

LAB 42.76, 57.39, -33.91

 

CMYK 15 / 67 / 0 / 36

HEX #8C36A4

RGB 140 54 164

HSL 286.91, 0.5%, 0.43%

LAB 39.4, 52.71, -43.07

 

CMYK 32 / 67 / 0 / 36

HEX #6F36A4

RGB 111 54 164

HSL 271.09, 0.5%, 0.43%

LAB 35.4, 46.09, -49.72

 

CMYK 51 / 67 / 0 / 36

HEX #5136A4

RGB 81 54 164

HSL 254.73, 0.5%, 0.43%

LAB 31.96, 39.95, -55.46

 

CMYK 67 / 67 / 0 / 36

HEX #3636A4

RGB 54 54 164

HSL 240, 0.5%, 0.43%

LAB 29.67, 35.52, -59.29

 

CMYK 0 / 67 / 4 / 36

HEX #A4369E

RGB 164 54 158

HSL 303.27, 0.5%, 0.43%

LAB 42.76, 57.39, -33.91

 

CMYK 0 / 80 / 4 / 29

HEX #B625AE

RGB 182 37 174

HSL 303.31, 0.66%, 0.43%

LAB 44.69, 69.46, -40.19

 

CMYK 0 / 90 / 5 / 22

HEX #C713BE

RGB 199 19 190

HSL 303, 0.83%, 0.43%

LAB 47.4, 78.44, -45.12

 

CMYK 0 / 100 / 6 / 15

HEX #D901CD

RGB 217 1 205

HSL 303.33, 0.99%, 0.43%

LAB 50.9, 85.23, -48.05

 

CMYK 0 / 67 / 4 / 36

HEX #A4369E

RGB 164 54 158

HSL 303.27, 0.5%, 0.43%

LAB 42.76, 57.39, -33.91

 

CMYK 0 / 51 / 3 / 43

HEX #92488E

RGB 146 72 142

HSL 303.24, 0.34%, 0.43%

LAB 42.31, 41.31, -25.18

 

CMYK 0 / 30 / 2 / 50

HEX #805A7E

RGB 128 90 126

HSL 303.16, 0.17%, 0.43%

LAB 43.37, 22.02, -14.04

 

CMYK 0 / 3 / 0 / 56

HEX #6F6C6F

RGB 111 108 111

HSL 300, 0.01%, 0.43%

LAB 45.98, 1.77, -1.26

 

CMYK 26 / 0 / 24 / 51

HEX #5D7D5F

RGB 93 125 95

HSL 123.75, 0.15%, 0.43%

LAB 49.28, -17.86, 12.74

 

CMYK 32 / 67 / 0 / 36

HEX #6F36A4

RGB 111 54 164

HSL 271.09, 0.5%, 0.43%

LAB 35.4, 46.09, -49.72

 

CMYK 15 / 67 / 0 / 36

HEX #8C36A4

RGB 140 54 164

HSL 286.91, 0.5%, 0.43%

LAB 39.4, 52.71, -43.07

 

CMYK 0 / 67 / 4 / 36

HEX #A4369E

RGB 164 54 158

HSL 303.27, 0.5%, 0.43%

LAB 42.76, 57.39, -33.91

 

CMYK 0 / 67 / 21 / 36

HEX #A43681

RGB 164 54 129

HSL 319.09, 0.5%, 0.43%

LAB 41.4, 52.89, -18.43

 

CMYK 0 / 67 / 39 / 36

HEX #A43664

RGB 164 54 100

HSL 334.91, 0.5%, 0.43%

LAB 40.33, 49.19, -2.04

 

CMYK 0 / 67 / 4 / 60

HEX #662262

RGB 102 34 98

HSL 303.53, 0.5%, 0.27%

LAB 26.31, 39.09, -23.1

 

CMYK 0 / 67 / 4 / 48

HEX #852C80

RGB 133 44 128

HSL 303.37, 0.5%, 0.35%

LAB 34.69, 48.47, -28.64

 

CMYK 0 / 67 / 4 / 36

HEX #A4369E

RGB 164 54 158

HSL 303.27, 0.5%, 0.43%

LAB 42.76, 57.39, -33.91

 

CMYK 0 / 65 / 4 / 25

HEX #C043B9

RGB 192 67 185

HSL 303.36, 0.5%, 0.51%

LAB 50.36, 63.6, -37.59

 

CMYK 0 / 51 / 2 / 21

HEX #CA62C5

RGB 202 98 197

HSL 302.88, 0.5%, 0.59%

LAB 57.39, 54.59, -33.39

 

CMYK 0 / 67 / 4 / 36

HEX #A4369E

RGB 164 54 158

HSL 303.27, 0.5%, 0.43%

LAB 42.76, 57.39, -33.91

 

CMYK 0 / 50 / 67 / 36

HEX #A45236

RGB 164 82 54

HSL 15.27, 0.5%, 0.43%

LAB 44.51, 31.5, 31.63

 

CMYK 67 / 0 / 23 / 36

HEX #36A47E

RGB 54 164 126

HSL 159.27, 0.5%, 0.43%

LAB 60.64, -40.26, 10.78

 

CMYK 0 / 67 / 4 / 36

HEX #A4369E

RGB 164 54 158

HSL 303.27, 0.5%, 0.43%

LAB 42.76, 57.39, -33.91

 

CMYK 4 / 0 / 67 / 36

HEX #9EA436

RGB 158 164 54

HSL 63.27, 0.5%, 0.43%

LAB 65.03, -16.41, 53.93

 

CMYK 67 / 4 / 0 / 36

HEX #369EA4

RGB 54 158 164

HSL 183.27, 0.5%, 0.43%

LAB 59.81, -27.18, -11.84

 

CMYK 0 / 67 / 4 / 36

HEX #A4369E

RGB 164 54 158

HSL 303.27, 0.5%, 0.43%

LAB 42.76, 57.39, -33.91

 

CMYK 0 / 50 / 67 / 36

HEX #A45236

RGB 164 82 54

HSL 15.27, 0.5%, 0.43%

LAB 44.51, 31.5, 31.63

 

CMYK 67 / 0 / 63 / 36

HEX #36A43C

RGB 54 164 60

HSL 123.27, 0.5%, 0.43%

LAB 59.58, -51.95, 43.87

 

CMYK 67 / 16 / 0 / 36

HEX #3689A4

RGB 54 137 164

HSL 194.73, 0.5%, 0.43%

LAB 53.34, -16.23, -21.68

 

CMYK 0 / 67 / 4 / 36

HEX #A4369E

RGB 164 54 158

HSL 303.27, 0.5%, 0.43%

LAB 42.76, 57.39, -33.91

 

CMYK 0 / 30 / 67 / 36

HEX #A47336

RGB 164 115 54

HSL 33.27, 0.5%, 0.43%

LAB 52.31, 13.05, 40.56

 

CMYK 67 / 0 / 63 / 36

HEX #36A43C

RGB 54 164 60

HSL 123.27, 0.5%, 0.43%

LAB 59.58, -51.95, 43.87

 

CMYK 67 / 37 / 0 / 36

HEX #3668A4

RGB 54 104 164

HSL 212.73, 0.5%, 0.43%

LAB 43.31, 3.11, -37.32

 

Description

Color code: RGB 164 54 158 | qconv.com Color code: RGB 164 54 158 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 54 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 54 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 4 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 4% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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