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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 37 212 it is the complementary color RGB 91 218 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 37 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 37 212 shade: RGB 169 37 207, RGB 186 55 226, RGB 203 73 245, RGB 220 91 255 and RGB 237 109 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 37 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 37 212 shade: RGB 164 37 212, RGB 147 19 193, RGB 130 1 174, RGB 113 0 155 and RGB 96 0 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 37 212 shade: RGB 164 37 212, RGB 211 37 212, RGB 212 37 166, RGB 212 37 118 and RGB 212 37 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 37 212 shade: RGB 164 37 212, RGB 117 37 212, RGB 70 37 212 and RGB 37 37 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 37 212 shade matches the following richer shades: RGB 164 37 212 and RGB 173 17 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 37 212 shade: RGB 164 37 212, RGB 155 57 192, RGB 146 77 171, RGB 137 98 151 and RGB 127 118 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 37 212 shade: RGB 69 37 212, RGB 116 37 212, RGB 162 37 212, RGB 209 37 212 and RGB 212 37 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 37 212 shade: RGB 110 25 142, RGB 137 31 177, RGB 164 37 212, RGB 180 68 222 and RGB 194 104 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 37 212 shade: RGB 164 37 212, RGB 212 37 52 and RGB 37 212 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 37 212 shade: RGB 164 37 212, RGB 212 162 37 and RGB 37 212 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 37 212 shade: RGB 164 37 212, RGB 212 37 52, RGB 87 212 37 and RGB 37 212 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 37 212 shade: RGB 164 37 212, RGB 212 75 37, RGB 87 212 37 and RGB 37 174 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 83 / 0 / 17

HEX #A425D4

RGB 164 37 212

HSL 283.54, 0.7%, 0.49%

LAB 44.19, 72.68, -63.34

 

Complementary color

CMYK 58 / 0 / 80 / 15

HEX #5BDA2B

RGB 91 218 43

HSL 103.54, 0.7%, 0.51%

LAB 77.6, -63.71, 68.65

 

CMYK 18 / 82 / 0 / 19

HEX #A925CF

RGB 169 37 207

HSL 286.59, 0.7%, 0.48%

LAB 44.61, 72.58, -59.74

 

CMYK 18 / 76 / 0 / 11

HEX #BA37E2

RGB 186 55 226

HSL 285.96, 0.75%, 0.55%

LAB 50.29, 73.82, -61.3

 

CMYK 17 / 70 / 0 / 4

HEX #CB49F5

RGB 203 73 245

HSL 285.35, 0.9%, 0.62%

LAB 56.14, 74.34, -62.43

 

CMYK 14 / 64 / 0 / 0

HEX #DC5BFF

RGB 220 91 255

HSL 287.2, 1%, 0.68%

LAB 61.58, 72.7, -59.13

 

CMYK 7 / 57 / 0 / 0

HEX #ED6DFF

RGB 237 109 255

HSL 292.6, 1%, 0.71%

LAB 66.64, 68.96, -50.95

 

CMYK 23 / 83 / 0 / 17

HEX #A425D4

RGB 164 37 212

HSL 283.54, 0.7%, 0.49%

LAB 44.19, 72.68, -63.34

 

CMYK 24 / 90 / 0 / 24

HEX #9313C1

RGB 147 19 193

HSL 284.14, 0.82%, 0.42%

LAB 38.76, 70.46, -61.24

 

CMYK 25 / 99 / 0 / 32

HEX #8201AE

RGB 130 1 174

HSL 284.74, 0.99%, 0.34%

LAB 33.61, 67.07, -58.49

 

CMYK 27 / 100 / 0 / 39

HEX #71009B

RGB 113 0 155

HSL 283.74, 1%, 0.3%

LAB 29.1, 61.4, -54.48

 

CMYK 29 / 100 / 0 / 47

HEX #600088

RGB 96 0 136

HSL 282.35, 1%, 0.27%

LAB 24.53, 55.45, -50.31

 

CMYK 23 / 83 / 0 / 17

HEX #A425D4

RGB 164 37 212

HSL 283.54, 0.7%, 0.49%

LAB 44.19, 72.68, -63.34

 

CMYK 0 / 83 / 0 / 17

HEX #D325D4

RGB 211 37 212

HSL 299.66, 0.7%, 0.49%

LAB 51.75, 80.8, -50.77

 

CMYK 0 / 83 / 22 / 17

HEX #D425A6

RGB 212 37 166

HSL 315.77, 0.7%, 0.49%

LAB 49.58, 74.65, -27.41

 

CMYK 0 / 83 / 44 / 17

HEX #D42576

RGB 212 37 118

HSL 332.23, 0.7%, 0.49%

LAB 47.79, 69.53, -1.21

 

CMYK 0 / 83 / 67 / 17

HEX #D42547

RGB 212 37 71

HSL 348.34, 0.7%, 0.49%

LAB 46.68, 66.25, 26.15

 

CMYK 23 / 83 / 0 / 17

HEX #A425D4

RGB 164 37 212

HSL 283.54, 0.7%, 0.49%

LAB 44.19, 72.68, -63.34

 

CMYK 45 / 83 / 0 / 17

HEX #7525D4

RGB 117 37 212

HSL 267.43, 0.7%, 0.49%

LAB 37.59, 65.83, -74.39

 

CMYK 67 / 83 / 0 / 17

HEX #4625D4

RGB 70 37 212

HSL 251.31, 0.7%, 0.49%

LAB 32.65, 60.91, -82.7

 

CMYK 83 / 83 / 0 / 17

HEX #2525D4

RGB 37 37 212

HSL 240, 0.7%, 0.49%

LAB 30.57, 58.91, -86.22

 

CMYK 23 / 83 / 0 / 17

HEX #A425D4

RGB 164 37 212

HSL 283.54, 0.7%, 0.49%

LAB 44.19, 72.68, -63.34

 

CMYK 25 / 93 / 0 / 9

HEX #AD11E8

RGB 173 17 232

HSL 283.53, 0.86%, 0.49%

LAB 45.79, 81.51, -72.1

 

CMYK 23 / 83 / 0 / 17

HEX #A425D4

RGB 164 37 212

HSL 283.54, 0.7%, 0.49%

LAB 44.19, 72.68, -63.34

 

CMYK 19 / 70 / 0 / 25

HEX #9B39C0

RGB 155 57 192

HSL 283.56, 0.54%, 0.49%

LAB 43.8, 60.43, -52.44

 

CMYK 15 / 55 / 0 / 33

HEX #924DAB

RGB 146 77 171

HSL 284.04, 0.38%, 0.49%

LAB 44.74, 44.51, -38.69

 

CMYK 9 / 35 / 0 / 41

HEX #896297

RGB 137 98 151

HSL 284.15, 0.21%, 0.49%

LAB 47.35, 25.67, -22.85

 

CMYK 3 / 10 / 0 / 49

HEX #7F7683

RGB 127 118 131

HSL 281.54, 0.05%, 0.49%

LAB 50.81, 6.04, -5.86

 

CMYK 67 / 83 / 0 / 17

HEX #4525D4

RGB 69 37 212

HSL 250.97, 0.7%, 0.49%

LAB 32.57, 60.83, -82.83

 

CMYK 45 / 83 / 0 / 17

HEX #7425D4

RGB 116 37 212

HSL 267.09, 0.7%, 0.49%

LAB 37.46, 65.7, -74.6

 

CMYK 24 / 83 / 0 / 17

HEX #A225D4

RGB 162 37 212

HSL 282.86, 0.7%, 0.49%

LAB 43.88, 72.36, -63.85

 

CMYK 1 / 83 / 0 / 17

HEX #D125D4

RGB 209 37 212

HSL 298.97, 0.7%, 0.49%

LAB 51.42, 80.44, -51.32

 

CMYK 0 / 83 / 21 / 17

HEX #D425A8

RGB 212 37 168

HSL 315.09, 0.7%, 0.49%

LAB 49.67, 74.9, -28.45

 

CMYK 23 / 82 / 0 / 44

HEX #6E198E

RGB 110 25 142

HSL 283.59, 0.7%, 0.33%

LAB 29.32, 53.1, -46.15

 

CMYK 23 / 82 / 0 / 31

HEX #891FB1

RGB 137 31 177

HSL 283.56, 0.7%, 0.41%

LAB 36.88, 63.1, -54.92

 

CMYK 23 / 83 / 0 / 17

HEX #A425D4

RGB 164 37 212

HSL 283.54, 0.7%, 0.49%

LAB 44.19, 72.68, -63.34

 

CMYK 19 / 69 / 0 / 13

HEX #B444DE

RGB 180 68 222

HSL 283.64, 0.7%, 0.57%

LAB 50.82, 67.19, -58.23

 

CMYK 15 / 54 / 0 / 11

HEX #C268E4

RGB 194 104 228

HSL 283.55, 0.7%, 0.65%

LAB 58.95, 55.36, -48.53

 

CMYK 23 / 83 / 0 / 17

HEX #A425D4

RGB 164 37 212

HSL 283.54, 0.7%, 0.49%

LAB 44.19, 72.68, -63.34

 

CMYK 0 / 83 / 75 / 17

HEX #D42534

RGB 212 37 52

HSL 354.86, 0.7%, 0.49%

LAB 46.4, 65.42, 37.16

 

CMYK 83 / 0 / 57 / 17

HEX #25D45C

RGB 37 212 92

HSL 138.86, 0.7%, 0.49%

LAB 74.98, -66.61, 46.99

 

CMYK 23 / 83 / 0 / 17

HEX #A425D4

RGB 164 37 212

HSL 283.54, 0.7%, 0.49%

LAB 44.19, 72.68, -63.34

 

CMYK 0 / 24 / 83 / 17

HEX #D4A225

RGB 212 162 37

HSL 42.86, 0.7%, 0.49%

LAB 69.45, 7.64, 65.94

 

CMYK 83 / 0 / 24 / 17

HEX #25D4A2

RGB 37 212 162

HSL 162.86, 0.7%, 0.49%

LAB 76.12, -53.55, 12.99

 

CMYK 23 / 83 / 0 / 17

HEX #A425D4

RGB 164 37 212

HSL 283.54, 0.7%, 0.49%

LAB 44.19, 72.68, -63.34

 

CMYK 0 / 83 / 75 / 17

HEX #D42534

RGB 212 37 52

HSL 354.86, 0.7%, 0.49%

LAB 46.4, 65.42, 37.16

 

CMYK 59 / 0 / 83 / 17

HEX #57D425

RGB 87 212 37

HSL 102.86, 0.7%, 0.49%

LAB 75.6, -62.92, 68.34

 

CMYK 83 / 0 / 7 / 17

HEX #25D4C5

RGB 37 212 197

HSL 174.86, 0.7%, 0.49%

LAB 76.99, -44.54, -4.51

 

CMYK 23 / 83 / 0 / 17

HEX #A425D4

RGB 164 37 212

HSL 283.54, 0.7%, 0.49%

LAB 44.19, 72.68, -63.34

 

CMYK 0 / 65 / 83 / 17

HEX #D44B25

RGB 212 75 37

HSL 13.03, 0.7%, 0.49%

LAB 50.88, 52.17, 49.56

 

CMYK 59 / 0 / 83 / 17

HEX #57D425

RGB 87 212 37

HSL 102.86, 0.7%, 0.49%

LAB 75.6, -62.92, 68.34

 

CMYK 83 / 18 / 0 / 17

HEX #25AED4

RGB 37 174 212

HSL 193.03, 0.7%, 0.49%

LAB 66.07, -21.94, -29.16

 

Description

Color code: RGB 164 37 212 | qconv.com Color code: RGB 164 37 212 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 37 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 37 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 83 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 83% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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