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Color name
RGB 164 23 85

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 23 85 it is the complementary color RGB 91 232 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 23 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 23 85 shade: RGB 169 23 80, RGB 186 41 99, RGB 203 59 118, RGB 220 77 137 and RGB 237 95 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 23 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 23 85 shade: RGB 164 23 85, RGB 147 5 66, RGB 130 0 47, RGB 113 0 28 and RGB 96 0 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 23 85 shade: RGB 165 23 85, RGB 165 23 47 and RGB 165 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 23 85 shade: RGB 165 23 85, RGB 165 23 123, RGB 165 23 162, RGB 129 23 165 and RGB 91 23 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 23 85 shade matches the following richer shades: RGB 165 23 85 and RGB 180 8 83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 23 85 shade: RGB 165 23 85, RGB 149 38 87, RGB 134 54 89, RGB 119 69 91 and RGB 104 84 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 23 85 shade: RGB 165 23 162, RGB 165 23 125, RGB 165 23 87, RGB 165 23 49 and RGB 165 35 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 23 85 shade: RGB 92 13 48, RGB 129 18 67, RGB 165 23 85, RGB 201 28 104 and RGB 225 46 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 23 85 shade: RGB 164 23 85, RGB 165 129 23 and RGB 23 143 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 23 85 shade: RGB 164 23 85, RGB 87 165 23 and RGB 23 87 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 23 85 shade: RGB 164 23 85, RGB 165 129 23, RGB 23 165 101 and RGB 23 58 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 23 85 shade: RGB 164 23 85, RGB 158 165 23, RGB 23 165 101 and RGB 30 23 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 48 / 36

HEX #A41755

RGB 164 23 85

HSL 333.62, 0.75%, 0.37%

LAB 36.29, 57.72, 1.6

 

Complementary color

CMYK 61 / 0 / 27 / 9

HEX #5BE8AA

RGB 91 232 170

HSL 153.62, 0.75%, 0.63%

LAB 83.36, -52.24, 19.06

 

CMYK 0 / 86 / 53 / 34

HEX #A91750

RGB 169 23 80

HSL 336.58, 0.76%, 0.38%

LAB 37.16, 58.59, 6.21

 

CMYK 0 / 78 / 47 / 27

HEX #BA2963

RGB 186 41 99

HSL 336, 0.64%, 0.45%

LAB 42.65, 60.1, 2.46

 

CMYK 0 / 71 / 42 / 20

HEX #CB3B76

RGB 203 59 118

HSL 335.42, 0.58%, 0.51%

LAB 48.43, 60.69, -0.47

 

CMYK 0 / 65 / 38 / 14

HEX #DC4D89

RGB 220 77 137

HSL 334.83, 0.67%, 0.58%

LAB 54.37, 60.7, -2.81

 

CMYK 0 / 60 / 34 / 7

HEX #ED5F9C

RGB 237 95 156

HSL 334.23, 0.8%, 0.65%

LAB 60.42, 60.36, -4.72

 

CMYK 0 / 86 / 48 / 36

HEX #A41755

RGB 164 23 85

HSL 333.62, 0.75%, 0.37%

LAB 36.29, 57.72, 1.6

 

CMYK 0 / 97 / 55 / 42

HEX #930542

RGB 147 5 66

HSL 334.23, 0.93%, 0.3%

LAB 31.13, 54.95, 6.17

 

CMYK 0 / 100 / 64 / 49

HEX #82002F

RGB 130 0 47

HSL 338.31, 1%, 0.25%

LAB 26.59, 50.21, 12.15

 

CMYK 0 / 100 / 75 / 56

HEX #71001C

RGB 113 0 28

HSL 345.13, 1%, 0.22%

LAB 22.28, 44.77, 18.9

 

CMYK 0 / 100 / 91 / 62

HEX #600009

RGB 96 0 9

HSL 354.38, 1%, 0.19%

LAB 17.95, 39.42, 24

 

CMYK 0 / 86 / 48 / 35

HEX #A51755

RGB 165 23 85

HSL 333.8, 0.76%, 0.37%

LAB 36.5, 57.98, 1.92

 

CMYK 0 / 86 / 72 / 35

HEX #A5172F

RGB 165 23 47

HSL 349.86, 0.76%, 0.37%

LAB 35.63, 55.46, 25.24

 

CMYK 0 / 86 / 86 / 35

HEX #A51717

RGB 165 23 23

HSL 0, 0.76%, 0.37%

LAB 35.35, 54.62, 39.11

 

CMYK 0 / 86 / 48 / 35

HEX #A51755

RGB 165 23 85

HSL 333.8, 0.76%, 0.37%

LAB 36.5, 57.98, 1.92

 

CMYK 0 / 86 / 25 / 35

HEX #A5177B

RGB 165 23 123

HSL 317.75, 0.76%, 0.37%

LAB 37.92, 61.98, -20.07

 

CMYK 0 / 86 / 2 / 35

HEX #A517A2

RGB 165 23 162

HSL 301.27, 0.76%, 0.37%

LAB 39.95, 67.43, -40.76

 

CMYK 22 / 86 / 0 / 35

HEX #8117A5

RGB 129 23 165

HSL 284.79, 0.76%, 0.37%

LAB 33.98, 61.53, -52.5

 

CMYK 45 / 86 / 0 / 35

HEX #5B17A5

RGB 91 23 165

HSL 268.73, 0.76%, 0.37%

LAB 28.26, 55.91, -62.08

 

CMYK 0 / 86 / 48 / 35

HEX #A51755

RGB 165 23 85

HSL 333.8, 0.76%, 0.37%

LAB 36.5, 57.98, 1.92

 

CMYK 0 / 96 / 54 / 29

HEX #B40853

RGB 180 8 83

HSL 333.84, 0.91%, 0.37%

LAB 38.73, 63.81, 6.81

 

CMYK 0 / 86 / 48 / 35

HEX #A51755

RGB 165 23 85

HSL 333.8, 0.76%, 0.37%

LAB 36.5, 57.98, 1.92

 

CMYK 0 / 74 / 42 / 42

HEX #952657

RGB 149 38 87

HSL 333.51, 0.59%, 0.37%

LAB 34.93, 49.51, -2.03

 

CMYK 0 / 60 / 34 / 47

HEX #863659

RGB 134 54 89

HSL 333.75, 0.43%, 0.37%

LAB 34.86, 38.09, -3.72

 

CMYK 0 / 42 / 24 / 53

HEX #77455B

RGB 119 69 91

HSL 333.6, 0.27%, 0.37%

LAB 35.86, 24.67, -3.77

 

CMYK 0 / 19 / 11 / 59

HEX #68545D

RGB 104 84 93

HSL 333, 0.11%, 0.37%

LAB 37.97, 9.94, -2.1

 

CMYK 0 / 86 / 2 / 35

HEX #A517A2

RGB 165 23 162

HSL 301.27, 0.76%, 0.37%

LAB 39.95, 67.43, -40.76

 

CMYK 0 / 86 / 24 / 35

HEX #A5177D

RGB 165 23 125

HSL 316.9, 0.76%, 0.37%

LAB 38.01, 62.23, -21.18

 

CMYK 0 / 86 / 47 / 35

HEX #A51757

RGB 165 23 87

HSL 332.96, 0.76%, 0.37%

LAB 36.56, 58.15, 0.72

 

CMYK 0 / 86 / 70 / 35

HEX #A51731

RGB 165 23 49

HSL 349.01, 0.76%, 0.37%

LAB 35.66, 55.55, 24.02

 

CMYK 0 / 79 / 86 / 35

HEX #A52317

RGB 165 35 23

HSL 5.07, 0.76%, 0.37%

LAB 36.49, 51.4, 40.11

 

CMYK 0 / 86 / 48 / 64

HEX #5C0D30

RGB 92 13 48

HSL 333.42, 0.75%, 0.21%

LAB 19.13, 37.07, -0.27

 

CMYK 0 / 86 / 48 / 49

HEX #811243

RGB 129 18 67

HSL 333.51, 0.76%, 0.29%

LAB 28.13, 48.04, 0.7

 

CMYK 0 / 86 / 48 / 35

HEX #A51755

RGB 165 23 85

HSL 333.8, 0.76%, 0.37%

LAB 36.5, 57.98, 1.92

 

CMYK 0 / 86 / 48 / 21

HEX #C91C68

RGB 201 28 104

HSL 333.64, 0.76%, 0.45%

LAB 44.59, 67.54, 2.5

 

CMYK 0 / 80 / 45 / 12

HEX #E12E7C

RGB 225 46 124

HSL 333.85, 0.75%, 0.53%

LAB 51.17, 71.11, 0.38

 

CMYK 0 / 86 / 48 / 36

HEX #A41755

RGB 164 23 85

HSL 333.62, 0.75%, 0.37%

LAB 36.29, 57.72, 1.6

 

CMYK 0 / 22 / 86 / 35

HEX #A58117

RGB 165 129 23

HSL 44.79, 0.76%, 0.37%

LAB 55.85, 4.23, 56.53

 

CMYK 86 / 13 / 0 / 35

HEX #178FA5

RGB 23 143 165

HSL 189.3, 0.76%, 0.37%

LAB 54.6, -22.77, -20.38

 

CMYK 0 / 86 / 48 / 36

HEX #A41755

RGB 164 23 85

HSL 333.62, 0.75%, 0.37%

LAB 36.29, 57.72, 1.6

 

CMYK 47 / 0 / 86 / 35

HEX #57A517

RGB 87 165 23

HSL 92.96, 0.76%, 0.37%

LAB 60.78, -46.28, 58.52

 

CMYK 86 / 47 / 0 / 35

HEX #1757A5

RGB 23 87 165

HSL 212.96, 0.76%, 0.37%

LAB 37.33, 10.46, -47.52

 

CMYK 0 / 86 / 48 / 36

HEX #A41755

RGB 164 23 85

HSL 333.62, 0.75%, 0.37%

LAB 36.29, 57.72, 1.6

 

CMYK 0 / 22 / 86 / 35

HEX #A58117

RGB 165 129 23

HSL 44.79, 0.76%, 0.37%

LAB 55.85, 4.23, 56.53

 

CMYK 86 / 0 / 39 / 35

HEX #17A565

RGB 23 165 101

HSL 152.96, 0.76%, 0.37%

LAB 59.92, -50.25, 23.47

 

CMYK 86 / 65 / 0 / 35

HEX #173AA5

RGB 23 58 165

HSL 225.21, 0.76%, 0.37%

LAB 29.22, 30.05, -60.69

 

CMYK 0 / 86 / 48 / 36

HEX #A41755

RGB 164 23 85

HSL 333.62, 0.75%, 0.37%

LAB 36.29, 57.72, 1.6

 

CMYK 4 / 0 / 86 / 35

HEX #9EA517

RGB 158 165 23

HSL 62.96, 0.76%, 0.37%

LAB 65.15, -18.26, 63.98

 

CMYK 86 / 0 / 39 / 35

HEX #17A565

RGB 23 165 101

HSL 152.96, 0.76%, 0.37%

LAB 59.92, -50.25, 23.47

 

CMYK 82 / 86 / 0 / 35

HEX #1E17A5

RGB 30 23 165

HSL 242.96, 0.76%, 0.37%

LAB 22.32, 50.54, -72.08

 

Description

Color code: RGB 164 23 85 | qconv.com Color code: RGB 164 23 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 23 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 23 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 48 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 48% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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