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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 1 223 it is the complementary color RGB 91 254 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 1 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 1 223 shade: RGB 169 1 218, RGB 186 19 237, RGB 203 37 255, RGB 220 55 255 and RGB 237 73 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 1 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 1 223 shade: RGB 164 1 223, RGB 147 0 204, RGB 130 0 185, RGB 113 0 166 and RGB 96 0 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 1 223 shade: RGB 164 1 223, RGB 223 1 222, RGB 223 1 162, RGB 223 1 102 and RGB 223 1 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 1 223 shade: RGB 164 1 223, RGB 104 1 223, RGB 44 1 223 and RGB 1 1 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 1 223 shade matches the following richer shades: RGB 164 1 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 1 223 shade: RGB 164 1 223, RGB 155 19 205, RGB 147 37 186, RGB 138 55 168 and RGB 130 73 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 1 223 shade: RGB 45 1 223, RGB 104 1 223, RGB 164 1 223, RGB 223 1 223 and RGB 223 1 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 1 223 shade: RGB 103 0 141, RGB 134 0 182, RGB 164 1 223, RGB 189 11 253 and RGB 200 52 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 1 223 shade: RGB 164 1 223, RGB 223 1 15 and RGB 1 223 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 1 223 shade: RGB 164 1 223, RGB 223 164 1 and RGB 1 223 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 1 223 shade: RGB 164 1 223, RGB 223 1 15, RGB 60 223 1 and RGB 1 223 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 1 223 shade: RGB 164 1 223, RGB 223 52 1, RGB 60 223 1 and RGB 1 171 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 100 / 0 / 13

HEX #A401DF

RGB 164 1 223

HSL 284.05, 0.99%, 0.44%

LAB 43.13, 80.36, -71.38

 

Complementary color

CMYK 64 / 0 / 87 / 0

HEX #5BFE20

RGB 91 254 32

HSL 104.05, 0.99%, 0.56%

LAB 88.55, -75.89, 80.8

 

CMYK 22 / 100 / 0 / 15

HEX #A901DA

RGB 169 1 218

HSL 286.45, 0.99%, 0.43%

LAB 43.53, 80.1, -67.81

 

CMYK 22 / 92 / 0 / 7

HEX #BA13ED

RGB 186 19 237

HSL 285.96, 0.86%, 0.5%

LAB 48.28, 83.9, -70.77

 

CMYK 20 / 85 / 0 / 0

HEX #CB25FF

RGB 203 37 255

HSL 285.69, 1%, 0.57%

LAB 53.21, 86.52, -72.73

 

CMYK 14 / 78 / 0 / 0

HEX #DC37FF

RGB 220 55 255

HSL 289.5, 1%, 0.61%

LAB 57.24, 85.05, -66.09

 

CMYK 7 / 71 / 0 / 0

HEX #ED49FF

RGB 237 73 255

HSL 294.07, 1%, 0.64%

LAB 61.65, 82.88, -58.89

 

CMYK 26 / 100 / 0 / 13

HEX #A401DF

RGB 164 1 223

HSL 284.05, 0.99%, 0.44%

LAB 43.13, 80.36, -71.38

 

CMYK 28 / 100 / 0 / 20

HEX #9300CC

RGB 147 0 204

HSL 283.24, 1%, 0.4%

LAB 38.83, 74.92, -67.54

 

CMYK 30 / 100 / 0 / 27

HEX #8200B9

RGB 130 0 185

HSL 282.16, 1%, 0.36%

LAB 34.5, 69.28, -63.6

 

CMYK 32 / 100 / 0 / 35

HEX #7100A6

RGB 113 0 166

HSL 280.84, 1%, 0.33%

LAB 30.07, 63.54, -59.59

 

CMYK 35 / 100 / 0 / 42

HEX #600093

RGB 96 0 147

HSL 279.18, 1%, 0.29%

LAB 25.54, 57.68, -55.49

 

CMYK 26 / 100 / 0 / 13

HEX #A401DF

RGB 164 1 223

HSL 284.05, 0.99%, 0.44%

LAB 43.13, 80.36, -71.38

 

CMYK 0 / 100 / 0 / 13

HEX #DF01DE

RGB 223 1 222

HSL 300.27, 0.99%, 0.44%

LAB 52.93, 88.58, -54.47

 

CMYK 0 / 100 / 27 / 13

HEX #DF01A2

RGB 223 1 162

HSL 316.49, 0.99%, 0.44%

LAB 49.88, 81, -24.42

 

CMYK 0 / 100 / 54 / 13

HEX #DF0166

RGB 223 1 102

HSL 332.7, 0.99%, 0.44%

LAB 47.84, 75.68, 8.99

 

CMYK 0 / 100 / 81 / 13

HEX #DF012A

RGB 223 1 42

HSL 348.92, 0.99%, 0.44%

LAB 46.81, 72.91, 43.94

 

CMYK 26 / 100 / 0 / 13

HEX #A401DF

RGB 164 1 223

HSL 284.05, 0.99%, 0.44%

LAB 43.13, 80.36, -71.38

 

CMYK 53 / 100 / 0 / 13

HEX #6801DF

RGB 104 1 223

HSL 267.84, 0.99%, 0.44%

LAB 34.58, 74.52, -85.73

 

CMYK 80 / 100 / 0 / 13

HEX #2C01DF

RGB 44 1 223

HSL 251.62, 0.99%, 0.44%

LAB 29.12, 71.87, -94.98

 

CMYK 100 / 100 / 0 / 13

HEX #0101DF

RGB 1 1 223

HSL 240, 0.99%, 0.44%

LAB 27.73, 71.39, -97.34

 

CMYK 26 / 100 / 0 / 13

HEX #A401DF

RGB 164 1 223

HSL 284.05, 0.99%, 0.44%

LAB 43.13, 80.36, -71.38

 

CMYK 26 / 100 / 0 / 13

HEX #A401DF

RGB 164 1 223

HSL 284.05, 0.99%, 0.44%

LAB 43.13, 80.36, -71.38

 

CMYK 24 / 91 / 0 / 20

HEX #9B13CD

RGB 155 19 205

HSL 283.87, 0.83%, 0.44%

LAB 40.96, 73.84, -64.6

 

CMYK 21 / 80 / 0 / 27

HEX #9325BA

RGB 147 37 186

HSL 284.3, 0.67%, 0.44%

LAB 39.7, 64.83, -55.6

 

CMYK 18 / 67 / 0 / 34

HEX #8A37A8

RGB 138 55 168

HSL 284.07, 0.51%, 0.44%

LAB 39.52, 52.62, -45.29

 

CMYK 13 / 51 / 0 / 41

HEX #824996

RGB 130 73 150

HSL 284.42, 0.35%, 0.44%

LAB 40.76, 37.59, -32.6

 

CMYK 80 / 100 / 0 / 13

HEX #2D01DF

RGB 45 1 223

HSL 251.89, 0.99%, 0.44%

LAB 29.18, 71.9, -94.88

 

CMYK 53 / 100 / 0 / 13

HEX #6801DF

RGB 104 1 223

HSL 267.84, 0.99%, 0.44%

LAB 34.58, 74.52, -85.73

 

CMYK 26 / 100 / 0 / 13

HEX #A401DF

RGB 164 1 223

HSL 284.05, 0.99%, 0.44%

LAB 43.13, 80.36, -71.38

 

CMYK 0 / 100 / 0 / 13

HEX #DF01DF

RGB 223 1 223

HSL 300, 0.99%, 0.44%

LAB 52.99, 88.72, -54.94

 

CMYK 0 / 100 / 26 / 13

HEX #DF01A4

RGB 223 1 164

HSL 315.95, 0.99%, 0.44%

LAB 49.97, 81.22, -25.47

 

CMYK 27 / 100 / 0 / 45

HEX #67008D

RGB 103 0 141

HSL 283.83, 1%, 0.28%

LAB 26.18, 57.36, -50.69

 

CMYK 26 / 100 / 0 / 29

HEX #8600B6

RGB 134 0 182

HSL 284.18, 1%, 0.36%

LAB 34.89, 69.21, -61.14

 

CMYK 26 / 100 / 0 / 13

HEX #A401DF

RGB 164 1 223

HSL 284.05, 0.99%, 0.44%

LAB 43.13, 80.36, -71.38

 

CMYK 25 / 96 / 0 / 1

HEX #BD0BFD

RGB 189 11 253

HSL 284.13, 0.98%, 0.52%

LAB 49.68, 87.93, -77.46

 

CMYK 21 / 79 / 0 / 1

HEX #C834FD

RGB 200 52 253

HSL 284.18, 0.98%, 0.6%

LAB 53.84, 82.12, -70.62

 

CMYK 26 / 100 / 0 / 13

HEX #A401DF

RGB 164 1 223

HSL 284.05, 0.99%, 0.44%

LAB 43.13, 80.36, -71.38

 

CMYK 0 / 100 / 93 / 13

HEX #DF010F

RGB 223 1 15

HSL 356.22, 0.99%, 0.44%

LAB 46.64, 72.43, 56.29

 

CMYK 100 / 0 / 66 / 13

HEX #01DF4B

RGB 1 223 75

HSL 140, 0.99%, 0.44%

LAB 78.05, -73.99, 57.75

 

CMYK 26 / 100 / 0 / 13

HEX #A401DF

RGB 164 1 223

HSL 284.05, 0.99%, 0.44%

LAB 43.13, 80.36, -71.38

 

CMYK 0 / 26 / 100 / 13

HEX #DFA401

RGB 223 164 1

HSL 44.05, 0.99%, 0.44%

LAB 71.04, 10.79, 74.47

 

CMYK 100 / 0 / 26 / 13

HEX #01DFA4

RGB 1 223 164

HSL 164.05, 0.99%, 0.44%

LAB 79.31, -59.02, 16.37

 

CMYK 26 / 100 / 0 / 13

HEX #A401DF

RGB 164 1 223

HSL 284.05, 0.99%, 0.44%

LAB 43.13, 80.36, -71.38

 

CMYK 0 / 100 / 93 / 13

HEX #DF010F

RGB 223 1 15

HSL 356.22, 0.99%, 0.44%

LAB 46.64, 72.43, 56.29

 

CMYK 73 / 0 / 100 / 13

HEX #3CDF01

RGB 60 223 1

HSL 104.05, 0.99%, 0.44%

LAB 78.31, -72.8, 75.77

 

CMYK 100 / 0 / 7 / 13

HEX #01DFD0

RGB 1 223 208

HSL 175.95, 0.99%, 0.44%

LAB 80.37, -47.73, -5.43

 

CMYK 26 / 100 / 0 / 13

HEX #A401DF

RGB 164 1 223

HSL 284.05, 0.99%, 0.44%

LAB 43.13, 80.36, -71.38

 

CMYK 0 / 77 / 100 / 13

HEX #DF3401

RGB 223 52 1

HSL 13.78, 0.99%, 0.44%

LAB 49.67, 63.54, 61.7

 

CMYK 73 / 0 / 100 / 13

HEX #3CDF01

RGB 60 223 1

HSL 104.05, 0.99%, 0.44%

LAB 78.31, -72.8, 75.77

 

CMYK 100 / 23 / 0 / 13

HEX #01ABDF

RGB 1 171 223

HSL 194.05, 0.99%, 0.44%

LAB 65.33, -18.27, -36.41

 

Description

Color code: RGB 164 1 223 | qconv.com Color code: RGB 164 1 223 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 1 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 1 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 100 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 100% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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