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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 190 14 it is the complementary color RGB 91 65 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 190 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 190 14 shade: RGB 169 190 9, RGB 186 208 28, RGB 203 226 47, RGB 220 244 66 and RGB 237 255 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 190 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 190 14 shade: RGB 164 190 14, RGB 147 172 0, RGB 130 154 0, RGB 113 136 0 and RGB 96 118 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 190 14 shade: RGB 163 189 14, RGB 189 168 14, RGB 189 121 14, RGB 189 73 14 and RGB 189 26 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 190 14 shade: RGB 163 189 14, RGB 116 189 14, RGB 69 189 14, RGB 21 189 14 and RGB 14 189 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 190 14 shade matches the following richer shades: RGB 163 189 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 190 14 shade: RGB 163 189 14, RGB 152 173 30, RGB 140 156 47, RGB 128 140 63 and RGB 117 123 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 190 14 shade: RGB 189 119 14, RGB 189 166 14, RGB 166 189 14, RGB 119 189 14 and RGB 72 189 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 190 14 shade: RGB 97 112 8, RGB 130 151 11, RGB 163 189 14, RGB 196 228 17 and RGB 210 239 47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 190 14 shade: RGB 164 190 14, RGB 14 189 72 and RGB 142 14 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 190 14 shade: RGB 164 190 14, RGB 14 166 189 and RGB 189 14 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 190 14 shade: RGB 164 190 14, RGB 14 189 72, RGB 37 14 189 and RGB 189 14 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 190 14 shade: RGB 164 190 14, RGB 14 189 125, RGB 37 14 189 and RGB 189 14 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 93 / 25

HEX #A4BE0E

RGB 164 190 14

HSL 68.86, 0.86%, 0.4%

LAB 72.73, -28.2, 71.83

 

Complementary color

CMYK 62 / 73 / 0 / 5

HEX #5B41F1

RGB 91 65 241

HSL 248.86, 0.86%, 0.6%

LAB 41.78, 58.34, -84.14

 

CMYK 11 / 0 / 95 / 25

HEX #A9BE09

RGB 169 190 9

HSL 66.96, 0.91%, 0.39%

LAB 73.08, -26.17, 72.84

 

CMYK 11 / 0 / 87 / 18

HEX #BAD01C

RGB 186 208 28

HSL 67.33, 0.76%, 0.46%

LAB 79.41, -27.35, 75.57

 

CMYK 10 / 0 / 79 / 11

HEX #CBE22F

RGB 203 226 47

HSL 67.71, 0.76%, 0.54%

LAB 85.65, -28.33, 76.98

 

CMYK 10 / 0 / 73 / 4

HEX #DCF442

RGB 220 244 66

HSL 68.09, 0.89%, 0.61%

LAB 91.82, -29.16, 77.49

 

CMYK 7 / 0 / 67 / 0

HEX #EDFF55

RGB 237 255 85

HSL 66.35, 1%, 0.67%

LAB 96.07, -26.59, 75.53

 

CMYK 14 / 0 / 93 / 25

HEX #A4BE0E

RGB 164 190 14

HSL 68.86, 0.86%, 0.4%

LAB 72.73, -28.2, 71.83

 

CMYK 15 / 0 / 100 / 33

HEX #93AC00

RGB 147 172 0

HSL 68.72, 1%, 0.34%

LAB 66.3, -26.92, 68.05

 

CMYK 16 / 0 / 100 / 40

HEX #829A00

RGB 130 154 0

HSL 69.35, 1%, 0.3%

LAB 59.76, -25.43, 62.6

 

CMYK 17 / 0 / 100 / 47

HEX #718800

RGB 113 136 0

HSL 70.15, 1%, 0.27%

LAB 53.08, -23.92, 57.04

 

CMYK 19 / 0 / 100 / 54

HEX #607600

RGB 96 118 0

HSL 71.19, 1%, 0.23%

LAB 46.24, -22.38, 51.34

 

CMYK 14 / 0 / 93 / 26

HEX #A3BD0E

RGB 163 189 14

HSL 68.91, 0.86%, 0.4%

LAB 72.37, -28.14, 71.52

 

CMYK 0 / 11 / 93 / 26

HEX #BDA80E

RGB 189 168 14

HSL 52.8, 0.86%, 0.4%

LAB 68.65, -6.24, 69.55

 

CMYK 0 / 36 / 93 / 26

HEX #BD790E

RGB 189 121 14

HSL 36.69, 0.86%, 0.4%

LAB 56.61, 19.33, 60.53

 

CMYK 0 / 61 / 93 / 26

HEX #BD490E

RGB 189 73 14

HSL 20.23, 0.86%, 0.4%

LAB 46.47, 44.34, 53.28

 

CMYK 0 / 86 / 93 / 26

HEX #BD1A0E

RGB 189 26 14

HSL 4.11, 0.86%, 0.4%

LAB 40.56, 60.57, 49.32

 

CMYK 14 / 0 / 93 / 26

HEX #A3BD0E

RGB 163 189 14

HSL 68.91, 0.86%, 0.4%

LAB 72.37, -28.14, 71.52

 

CMYK 39 / 0 / 93 / 26

HEX #74BD0E

RGB 116 189 14

HSL 85.03, 0.86%, 0.4%

LAB 69.57, -46.44, 68.1

 

CMYK 63 / 0 / 93 / 26

HEX #45BD0E

RGB 69 189 14

HSL 101.14, 0.86%, 0.4%

LAB 67.79, -60.2, 65.91

 

CMYK 89 / 0 / 93 / 26

HEX #15BD0E

RGB 21 189 14

HSL 117.6, 0.86%, 0.4%

LAB 66.97, -67.39, 64.89

 

CMYK 93 / 0 / 72 / 26

HEX #0EBD35

RGB 14 189 53

HSL 133.37, 0.86%, 0.4%

LAB 67.09, -65.67, 54.68

 

CMYK 14 / 0 / 93 / 26

HEX #A3BD0E

RGB 163 189 14

HSL 68.91, 0.86%, 0.4%

LAB 72.37, -28.14, 71.52

 

CMYK 14 / 0 / 93 / 26

HEX #A3BD0E

RGB 163 189 14

HSL 68.91, 0.86%, 0.4%

LAB 72.37, -28.14, 71.52

 

CMYK 12 / 0 / 83 / 32

HEX #98AD1E

RGB 152 173 30

HSL 68.81, 0.7%, 0.4%

LAB 67.02, -24.64, 63.7

 

CMYK 10 / 0 / 70 / 39

HEX #8C9C2F

RGB 140 156 47

HSL 68.81, 0.54%, 0.4%

LAB 61.27, -20.51, 52.46

 

CMYK 9 / 0 / 55 / 45

HEX #808C3F

RGB 128 140 63

HSL 69.35, 0.38%, 0.4%

LAB 55.79, -16.18, 39.09

 

CMYK 5 / 0 / 35 / 52

HEX #757B50

RGB 117 123 80

HSL 68.37, 0.21%, 0.4%

LAB 50.13, -9.73, 22.8

 

CMYK 0 / 37 / 93 / 26

HEX #BD770E

RGB 189 119 14

HSL 36, 0.86%, 0.4%

LAB 56.13, 20.44, 60.18

 

CMYK 0 / 12 / 93 / 26

HEX #BDA60E

RGB 189 166 14

HSL 52.11, 0.86%, 0.4%

LAB 68.11, -5.19, 69.15

 

CMYK 12 / 0 / 93 / 26

HEX #A6BD0E

RGB 166 189 14

HSL 67.89, 0.86%, 0.4%

LAB 72.58, -26.88, 71.78

 

CMYK 37 / 0 / 93 / 26

HEX #77BD0E

RGB 119 189 14

HSL 84, 0.86%, 0.4%

LAB 69.72, -45.38, 68.29

 

CMYK 62 / 0 / 93 / 26

HEX #48BD0E

RGB 72 189 14

HSL 100.11, 0.86%, 0.4%

LAB 67.88, -59.51, 66.02

 

CMYK 13 / 0 / 93 / 56

HEX #617008

RGB 97 112 8

HSL 68.65, 0.87%, 0.24%

LAB 44.44, -18.6, 48.19

 

CMYK 14 / 0 / 93 / 41

HEX #82970B

RGB 130 151 11

HSL 69, 0.86%, 0.32%

LAB 58.88, -23.74, 60.28

 

CMYK 14 / 0 / 93 / 26

HEX #A3BD0E

RGB 163 189 14

HSL 68.91, 0.86%, 0.4%

LAB 72.37, -28.14, 71.52

 

CMYK 14 / 0 / 93 / 11

HEX #C4E411

RGB 196 228 17

HSL 69.1, 0.86%, 0.48%

LAB 85.64, -32.83, 82.52

 

CMYK 12 / 0 / 80 / 6

HEX #D2EF2F

RGB 210 239 47

HSL 69.06, 0.86%, 0.56%

LAB 89.69, -31.57, 80.72

 

CMYK 14 / 0 / 93 / 25

HEX #A4BE0E

RGB 164 190 14

HSL 68.86, 0.86%, 0.4%

LAB 72.73, -28.2, 71.83

 

CMYK 93 / 0 / 62 / 26

HEX #0EBD48

RGB 14 189 72

HSL 139.89, 0.86%, 0.4%

LAB 67.24, -63.67, 47.02

 

CMYK 25 / 93 / 0 / 26

HEX #8E0EBD

RGB 142 14 189

HSL 283.89, 0.86%, 0.4%

LAB 37.37, 69.8, -61.19

 

CMYK 14 / 0 / 93 / 25

HEX #A4BE0E

RGB 164 190 14

HSL 68.86, 0.86%, 0.4%

LAB 72.73, -28.2, 71.83

 

CMYK 93 / 12 / 0 / 26

HEX #0EA6BD

RGB 14 166 189

HSL 187.89, 0.86%, 0.4%

LAB 62.54, -26.95, -21.83

 

CMYK 0 / 93 / 12 / 26

HEX #BD0EA6

RGB 189 14 166

HSL 307.89, 0.86%, 0.4%

LAB 44.07, 73.88, -36.35

 

CMYK 14 / 0 / 93 / 25

HEX #A4BE0E

RGB 164 190 14

HSL 68.86, 0.86%, 0.4%

LAB 72.73, -28.2, 71.83

 

CMYK 93 / 0 / 62 / 26

HEX #0EBD48

RGB 14 189 72

HSL 139.89, 0.86%, 0.4%

LAB 67.24, -63.67, 47.02

 

CMYK 80 / 93 / 0 / 26

HEX #250EBD

RGB 37 14 189

HSL 247.89, 0.86%, 0.4%

LAB 24.89, 60.6, -82.19

 

CMYK 0 / 93 / 31 / 26

HEX #BD0E83

RGB 189 14 131

HSL 319.89, 0.86%, 0.4%

LAB 42.42, 69.58, -17.71

 

CMYK 14 / 0 / 93 / 25

HEX #A4BE0E

RGB 164 190 14

HSL 68.86, 0.86%, 0.4%

LAB 72.73, -28.2, 71.83

 

CMYK 93 / 0 / 34 / 26

HEX #0EBD7D

RGB 14 189 125

HSL 158.06, 0.86%, 0.4%

LAB 68, -54.69, 21.44

 

CMYK 80 / 93 / 0 / 26

HEX #250EBD

RGB 37 14 189

HSL 247.89, 0.86%, 0.4%

LAB 24.89, 60.6, -82.19

 

CMYK 0 / 93 / 59 / 26

HEX #BD0E4E

RGB 189 14 78

HSL 338.06, 0.86%, 0.4%

LAB 40.71, 64.96, 13.05

 

Description

Color code: RGB 164 190 14 | qconv.com Color code: RGB 164 190 14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 190 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 190 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 93 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 93% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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