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Color name
RGB 164 181 83

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 181 83 it is the complementary color RGB 91 74 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 181 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 181 83 shade: RGB 169 181 78, RGB 186 199 97, RGB 203 217 116, RGB 220 235 135 and RGB 237 253 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 181 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 181 83 shade: RGB 164 181 83, RGB 147 163 64, RGB 130 145 45, RGB 113 127 26 and RGB 96 109 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 181 83 shade: RGB 164 181 83, RGB 181 172 83, RGB 181 145 83, RGB 181 119 83 and RGB 181 92 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 181 83 shade: RGB 164 181 83, RGB 138 181 83, RGB 111 181 83, RGB 85 181 83 and RGB 83 181 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 181 83 shade matches the following richer shades: RGB 164 181 83, RGB 177 201 63, RGB 190 221 44 and RGB 203 240 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 181 83 shade: RGB 164 181 83, RGB 151 161 103, RGB 138 141 123, RGB 125 122 143 and RGB 112 102 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 181 83 shade: RGB 181 145 83, RGB 181 171 83, RGB 165 181 83, RGB 139 181 83 and RGB 113 181 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 181 83 shade: RGB 115 127 54, RGB 141 156 67, RGB 164 181 83, RGB 179 193 112 and RGB 195 206 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 181 83 shade: RGB 164 181 83, RGB 83 181 119 and RGB 158 83 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 181 83 shade: RGB 164 181 83, RGB 83 165 181 and RGB 181 83 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 181 83 shade: RGB 164 181 83, RGB 83 181 119, RGB 99 83 181 and RGB 181 83 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 181 83 shade: RGB 164 181 83, RGB 83 181 148, RGB 99 83 181 and RGB 181 83 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 54 / 29

HEX #A4B553

RGB 164 181 83

HSL 70.41, 0.4%, 0.52%

LAB 70.57, -20.33, 47.25

 

Complementary color

CMYK 47 / 57 / 0 / 33

HEX #5B4AAC

RGB 91 74 172

HSL 250.41, 0.4%, 0.48%

LAB 38.02, 32.52, -50.37

 

CMYK 7 / 0 / 57 / 29

HEX #A9B54E

RGB 169 181 78

HSL 66.99, 0.41%, 0.51%

LAB 70.89, -18.7, 50.05

 

CMYK 7 / 0 / 51 / 22

HEX #BAC761

RGB 186 199 97

HSL 67.65, 0.48%, 0.58%

LAB 77.37, -19.12, 48.99

 

CMYK 6 / 0 / 47 / 15

HEX #CBD974

RGB 203 217 116

HSL 68.32, 0.57%, 0.65%

LAB 83.75, -19.46, 47.86

 

CMYK 6 / 0 / 43 / 8

HEX #DCEB87

RGB 220 235 135

HSL 69, 0.71%, 0.73%

LAB 90.04, -19.73, 46.72

 

CMYK 6 / 0 / 39 / 1

HEX #EDFD9A

RGB 237 253 154

HSL 69.7, 0.96%, 0.8%

LAB 96.24, -19.95, 45.59

 

CMYK 9 / 0 / 54 / 29

HEX #A4B553

RGB 164 181 83

HSL 70.41, 0.4%, 0.52%

LAB 70.57, -20.33, 47.25

 

CMYK 10 / 0 / 61 / 36

HEX #93A340

RGB 147 163 64

HSL 69.7, 0.44%, 0.45%

LAB 63.97, -19.9, 48.25

 

CMYK 10 / 0 / 69 / 43

HEX #82912D

RGB 130 145 45

HSL 69, 0.53%, 0.37%

LAB 57.26, -19.33, 48.95

 

CMYK 11 / 0 / 80 / 50

HEX #717F1A

RGB 113 127 26

HSL 68.32, 0.66%, 0.3%

LAB 50.41, -18.56, 48.97

 

CMYK 12 / 0 / 94 / 57

HEX #606D07

RGB 96 109 7

HSL 67.65, 0.88%, 0.23%

LAB 43.42, -17.49, 47.56

 

CMYK 9 / 0 / 54 / 29

HEX #A4B553

RGB 164 181 83

HSL 70.41, 0.4%, 0.52%

LAB 70.57, -20.33, 47.25

 

CMYK 0 / 5 / 54 / 29

HEX #B5AC53

RGB 181 172 83

HSL 54.49, 0.4%, 0.52%

LAB 69.44, -8.62, 46.28

 

CMYK 0 / 20 / 54 / 29

HEX #B59153

RGB 181 145 83

HSL 37.96, 0.4%, 0.52%

LAB 62.25, 5.92, 37.74

 

CMYK 0 / 34 / 54 / 29

HEX #B57753

RGB 181 119 83

HSL 22.04, 0.4%, 0.52%

LAB 55.73, 20.38, 29.65

 

CMYK 0 / 49 / 54 / 29

HEX #B55C53

RGB 181 92 83

HSL 5.51, 0.4%, 0.52%

LAB 49.62, 35.12, 21.75

 

CMYK 9 / 0 / 54 / 29

HEX #A4B553

RGB 164 181 83

HSL 70.41, 0.4%, 0.52%

LAB 70.57, -20.33, 47.25

 

CMYK 24 / 0 / 54 / 29

HEX #8AB553

RGB 138 181 83

HSL 86.33, 0.4%, 0.52%

LAB 68.81, -30.62, 44.75

 

CMYK 39 / 0 / 54 / 29

HEX #6FB553

RGB 111 181 83

HSL 102.86, 0.4%, 0.52%

LAB 67.32, -40.3, 42.61

 

CMYK 53 / 0 / 54 / 29

HEX #55B553

RGB 85 181 83

HSL 118.78, 0.4%, 0.52%

LAB 66.22, -48.17, 41.03

 

CMYK 54 / 0 / 40 / 29

HEX #53B56C

RGB 83 181 108

HSL 135.31, 0.4%, 0.52%

LAB 66.5, -44.93, 28.68

 

CMYK 9 / 0 / 54 / 29

HEX #A4B553

RGB 164 181 83

HSL 70.41, 0.4%, 0.52%

LAB 70.57, -20.33, 47.25

 

CMYK 12 / 0 / 69 / 21

HEX #B1C93F

RGB 177 201 63

HSL 70.43, 0.56%, 0.52%

LAB 76.97, -26.3, 63

 

CMYK 14 / 0 / 80 / 13

HEX #BEDD2C

RGB 190 221 44

HSL 70.51, 0.72%, 0.52%

LAB 83.36, -31.36, 75.4

 

CMYK 15 / 0 / 90 / 6

HEX #CBF018

RGB 203 240 24

HSL 70.28, 0.88%, 0.52%

LAB 89.43, -35.4, 84.82

 

CMYK 9 / 0 / 54 / 29

HEX #A4B553

RGB 164 181 83

HSL 70.41, 0.4%, 0.52%

LAB 70.57, -20.33, 47.25

 

CMYK 6 / 0 / 36 / 37

HEX #97A167

RGB 151 161 103

HSL 70.34, 0.24%, 0.52%

LAB 64.2, -13.17, 29.05

 

CMYK 2 / 0 / 13 / 45

HEX #8A8D7B

RGB 138 141 123

HSL 70, 0.07%, 0.52%

LAB 57.93, -4.47, 9.23

 

CMYK 13 / 15 / 0 / 44

HEX #7D7A8F

RGB 125 122 143

HSL 248.57, 0.09%, 0.52%

LAB 52.13, 5.57, -10.95

 

CMYK 31 / 37 / 0 / 36

HEX #7066A2

RGB 112 102 162

HSL 250, 0.24%, 0.52%

LAB 46.39, 17.98, -31.04

 

CMYK 0 / 20 / 54 / 29

HEX #B59153

RGB 181 145 83

HSL 37.96, 0.4%, 0.52%

LAB 62.25, 5.92, 37.74

 

CMYK 0 / 6 / 54 / 29

HEX #B5AB53

RGB 181 171 83

HSL 53.88, 0.4%, 0.52%

LAB 69.17, -8.09, 45.97

 

CMYK 9 / 0 / 54 / 29

HEX #A5B553

RGB 165 181 83

HSL 69.8, 0.4%, 0.52%

LAB 70.64, -19.92, 47.36

 

CMYK 23 / 0 / 54 / 29

HEX #8BB553

RGB 139 181 83

HSL 85.71, 0.4%, 0.52%

LAB 68.87, -30.24, 44.83

 

CMYK 38 / 0 / 54 / 29

HEX #71B553

RGB 113 181 83

HSL 101.63, 0.4%, 0.52%

LAB 67.41, -39.63, 42.76

 

CMYK 9 / 0 / 57 / 50

HEX #737F36

RGB 115 127 54

HSL 69.86, 0.4%, 0.35%

LAB 50.79, -15.76, 37.53

 

CMYK 10 / 0 / 57 / 39

HEX #8D9C43

RGB 141 156 67

HSL 70.11, 0.4%, 0.44%

LAB 61.52, -18.61, 43.99

 

CMYK 9 / 0 / 54 / 29

HEX #A4B553

RGB 164 181 83

HSL 70.41, 0.4%, 0.52%

LAB 70.57, -20.33, 47.25

 

CMYK 7 / 0 / 42 / 24

HEX #B3C170

RGB 179 193 112

HSL 70.37, 0.4%, 0.6%

LAB 75.39, -17.39, 39.1

 

CMYK 5 / 0 / 32 / 19

HEX #C3CE8D

RGB 195 206 141

HSL 70.15, 0.4%, 0.68%

LAB 80.55, -14.22, 31.15

 

CMYK 9 / 0 / 54 / 29

HEX #A4B553

RGB 164 181 83

HSL 70.41, 0.4%, 0.52%

LAB 70.57, -20.33, 47.25

 

CMYK 54 / 0 / 34 / 29

HEX #53B577

RGB 83 181 119

HSL 142.04, 0.4%, 0.52%

LAB 66.69, -42.94, 23.09

 

CMYK 13 / 54 / 0 / 29

HEX #9E53B5

RGB 158 83 181

HSL 285.92, 0.4%, 0.52%

LAB 48, 46.78, -39.31

 

CMYK 9 / 0 / 54 / 29

HEX #A4B553

RGB 164 181 83

HSL 70.41, 0.4%, 0.52%

LAB 70.57, -20.33, 47.25

 

CMYK 54 / 9 / 0 / 29

HEX #53A5B5

RGB 83 165 181

HSL 189.8, 0.4%, 0.52%

LAB 63.41, -20.4, -15.9

 

CMYK 0 / 54 / 9 / 29

HEX #B553A5

RGB 181 83 165

HSL 309.8, 0.4%, 0.52%

LAB 50.37, 50.32, -26

 

CMYK 9 / 0 / 54 / 29

HEX #A4B553

RGB 164 181 83

HSL 70.41, 0.4%, 0.52%

LAB 70.57, -20.33, 47.25

 

CMYK 54 / 0 / 34 / 29

HEX #53B577

RGB 83 181 119

HSL 142.04, 0.4%, 0.52%

LAB 66.69, -42.94, 23.09

 

CMYK 45 / 54 / 0 / 29

HEX #6353B5

RGB 99 83 181

HSL 249.8, 0.4%, 0.52%

LAB 41.49, 31.55, -50.06

 

CMYK 0 / 54 / 20 / 29

HEX #B55391

RGB 181 83 145

HSL 322.04, 0.4%, 0.52%

LAB 49.56, 47.14, -15.4

 

CMYK 9 / 0 / 54 / 29

HEX #A4B553

RGB 164 181 83

HSL 70.41, 0.4%, 0.52%

LAB 70.57, -20.33, 47.25

 

CMYK 54 / 0 / 18 / 29

HEX #53B594

RGB 83 181 148

HSL 159.8, 0.4%, 0.52%

LAB 67.3, -36.82, 8.16

 

CMYK 45 / 54 / 0 / 29

HEX #6353B5

RGB 99 83 181

HSL 249.8, 0.4%, 0.52%

LAB 41.49, 31.55, -50.06

 

CMYK 0 / 54 / 36 / 29

HEX #B55374

RGB 181 83 116

HSL 339.8, 0.4%, 0.52%

LAB 48.6, 43.19, 0.56

 

Description

Color code: RGB 164 181 83 | qconv.com Color code: RGB 164 181 83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 181 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 181 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 54 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 54% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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