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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 179 9 it is the complementary color RGB 91 76 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 179 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 179 9 shade: RGB 169 179 4, RGB 186 197 23, RGB 203 215 42, RGB 220 233 61 and RGB 237 251 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 179 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 179 9 shade: RGB 164 179 9, RGB 147 161 0, RGB 130 143 0, RGB 113 125 0 and RGB 96 107 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 179 9 shade: RGB 164 179 9, RGB 179 148 9, RGB 179 102 9, RGB 179 56 9 and RGB 179 11 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 179 9 shade: RGB 164 179 9, RGB 118 179 9, RGB 72 179 9, RGB 26 179 9 and RGB 9 179 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 179 9 shade matches the following richer shades: RGB 164 179 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 179 9 shade: RGB 164 179 9, RGB 151 163 24, RGB 139 148 39, RGB 126 133 55 and RGB 113 118 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 179 9 shade: RGB 179 102 9, RGB 179 148 9, RGB 165 179 9, RGB 119 179 9 and RGB 74 179 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 179 9 shade: RGB 92 100 5, RGB 128 140 7, RGB 164 179 9, RGB 200 218 11 and RGB 224 243 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 179 9 shade: RGB 164 179 9, RGB 9 179 57 and RGB 125 9 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 179 9 shade: RGB 164 179 9, RGB 9 165 179 and RGB 179 9 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 179 9 shade: RGB 164 179 9, RGB 9 179 57, RGB 23 9 179 and RGB 179 9 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 179 9 shade: RGB 164 179 9, RGB 9 179 108, RGB 23 9 179 and RGB 179 9 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 95 / 30

HEX #A4B309

RGB 164 179 9

HSL 65.29, 0.9%, 0.37%

LAB 69.58, -22.93, 69.99

 

Complementary color

CMYK 63 / 69 / 0 / 4

HEX #5B4CF6

RGB 91 76 246

HSL 245.29, 0.9%, 0.63%

LAB 44.3, 54.05, -82.8

 

CMYK 6 / 0 / 98 / 30

HEX #A9B304

RGB 169 179 4

HSL 63.43, 0.96%, 0.36%

LAB 69.95, -20.84, 71.03

 

CMYK 6 / 0 / 88 / 23

HEX #BAC517

RGB 186 197 23

HSL 63.79, 0.79%, 0.43%

LAB 76.33, -22.15, 74

 

CMYK 6 / 0 / 80 / 16

HEX #CBD72A

RGB 203 215 42

HSL 64.16, 0.68%, 0.5%

LAB 82.63, -23.26, 75.64

 

CMYK 6 / 0 / 74 / 9

HEX #DCE93D

RGB 220 233 61

HSL 64.53, 0.8%, 0.58%

LAB 88.84, -24.19, 76.27

 

CMYK 6 / 0 / 68 / 2

HEX #EDFB50

RGB 237 251 80

HSL 64.91, 0.96%, 0.65%

LAB 94.98, -24.98, 76.24

 

CMYK 8 / 0 / 95 / 30

HEX #A4B309

RGB 164 179 9

HSL 65.29, 0.9%, 0.37%

LAB 69.58, -22.93, 69.99

 

CMYK 9 / 0 / 100 / 37

HEX #93A100

RGB 147 161 0

HSL 65.22, 1%, 0.32%

LAB 63.09, -21.49, 65.65

 

CMYK 9 / 0 / 100 / 44

HEX #828F00

RGB 130 143 0

HSL 65.45, 1%, 0.28%

LAB 56.48, -19.9, 60.15

 

CMYK 10 / 0 / 100 / 51

HEX #717D00

RGB 113 125 0

HSL 65.76, 1%, 0.25%

LAB 49.71, -18.28, 54.52

 

CMYK 10 / 0 / 100 / 58

HEX #606B00

RGB 96 107 0

HSL 66.17, 1%, 0.21%

LAB 42.77, -16.62, 48.74

 

CMYK 8 / 0 / 95 / 30

HEX #A4B309

RGB 164 179 9

HSL 65.29, 0.9%, 0.37%

LAB 69.58, -22.93, 69.99

 

CMYK 0 / 17 / 95 / 30

HEX #B39409

RGB 179 148 9

HSL 49.06, 0.9%, 0.37%

LAB 62.32, -0.11, 65.09

 

CMYK 0 / 43 / 95 / 30

HEX #B36609

RGB 179 102 9

HSL 32.82, 0.9%, 0.37%

LAB 50.81, 25.35, 56.77

 

CMYK 0 / 69 / 95 / 30

HEX #B33809

RGB 179 56 9

HSL 16.59, 0.9%, 0.37%

LAB 41.89, 48.12, 50.82

 

CMYK 0 / 94 / 95 / 30

HEX #B30B09

RGB 179 11 9

HSL 0.71, 0.9%, 0.37%

LAB 37.56, 60.26, 48.21

 

CMYK 8 / 0 / 95 / 30

HEX #A4B309

RGB 164 179 9

HSL 65.29, 0.9%, 0.37%

LAB 69.58, -22.93, 69.99

 

CMYK 34 / 0 / 95 / 30

HEX #76B309

RGB 118 179 9

HSL 81.53, 0.9%, 0.37%

LAB 66.61, -41.61, 66.39

 

CMYK 60 / 0 / 95 / 30

HEX #48B309

RGB 72 179 9

HSL 97.76, 0.9%, 0.37%

LAB 64.67, -56.19, 64.02

 

CMYK 85 / 0 / 95 / 30

HEX #1AB309

RGB 26 179 9

HSL 114, 0.9%, 0.37%

LAB 63.74, -64.23, 62.87

 

CMYK 95 / 0 / 79 / 30

HEX #09B325

RGB 9 179 37

HSL 129.88, 0.9%, 0.37%

LAB 63.7, -64.23, 56.77

 

CMYK 8 / 0 / 95 / 30

HEX #A4B309

RGB 164 179 9

HSL 65.29, 0.9%, 0.37%

LAB 69.58, -22.93, 69.99

 

CMYK 8 / 0 / 95 / 30

HEX #A4B309

RGB 164 179 9

HSL 65.29, 0.9%, 0.37%

LAB 69.58, -22.93, 69.99

 

CMYK 7 / 0 / 85 / 36

HEX #97A318

RGB 151 163 24

HSL 65.18, 0.74%, 0.37%

LAB 64.03, -20.28, 62.6

 

CMYK 6 / 0 / 74 / 42

HEX #8B9427

RGB 139 148 39

HSL 64.95, 0.58%, 0.37%

LAB 58.8, -17.29, 53.05

 

CMYK 5 / 0 / 59 / 48

HEX #7E8537

RGB 126 133 55

HSL 65.38, 0.41%, 0.37%

LAB 53.48, -14.05, 40.32

 

CMYK 4 / 0 / 41 / 54

HEX #717646

RGB 113 118 70

HSL 66.25, 0.26%, 0.37%

LAB 48.15, -9.98, 25.8

 

CMYK 0 / 43 / 95 / 30

HEX #B36609

RGB 179 102 9

HSL 32.82, 0.9%, 0.37%

LAB 50.81, 25.35, 56.77

 

CMYK 0 / 17 / 95 / 30

HEX #B39409

RGB 179 148 9

HSL 49.06, 0.9%, 0.37%

LAB 62.32, -0.11, 65.09

 

CMYK 8 / 0 / 95 / 30

HEX #A5B309

RGB 165 179 9

HSL 64.94, 0.9%, 0.37%

LAB 69.65, -22.5, 70.08

 

CMYK 34 / 0 / 95 / 30

HEX #77B309

RGB 119 179 9

HSL 81.18, 0.9%, 0.37%

LAB 66.66, -41.24, 66.45

 

CMYK 59 / 0 / 95 / 30

HEX #4AB309

RGB 74 179 9

HSL 97.06, 0.9%, 0.37%

LAB 64.74, -55.68, 64.1

 

CMYK 8 / 0 / 95 / 61

HEX #5C6405

RGB 92 100 5

HSL 65.05, 0.9%, 0.21%

LAB 40.25, -14.56, 45.38

 

CMYK 9 / 0 / 95 / 45

HEX #808C07

RGB 128 140 7

HSL 65.41, 0.9%, 0.29%

LAB 55.44, -19.12, 58.14

 

CMYK 8 / 0 / 95 / 30

HEX #A4B309

RGB 164 179 9

HSL 65.29, 0.9%, 0.37%

LAB 69.58, -22.93, 69.99

 

CMYK 8 / 0 / 95 / 15

HEX #C8DA0B

RGB 200 218 11

HSL 65.22, 0.9%, 0.45%

LAB 83.15, -26.59, 81.35

 

CMYK 8 / 0 / 88 / 5

HEX #E0F31C

RGB 224 243 28

HSL 65.3, 0.9%, 0.53%

LAB 91.7, -28.27, 86.64

 

CMYK 8 / 0 / 95 / 30

HEX #A4B309

RGB 164 179 9

HSL 65.29, 0.9%, 0.37%

LAB 69.58, -22.93, 69.99

 

CMYK 95 / 0 / 68 / 30

HEX #09B339

RGB 9 179 57

HSL 136.94, 0.9%, 0.37%

LAB 63.83, -62.54, 49.66

 

CMYK 30 / 95 / 0 / 30

HEX #7D09B3

RGB 125 9 179

HSL 280.94, 0.9%, 0.37%

LAB 33.58, 66.28, -61.56

 

CMYK 8 / 0 / 95 / 30

HEX #A4B309

RGB 164 179 9

HSL 65.29, 0.9%, 0.37%

LAB 69.58, -22.93, 69.99

 

CMYK 95 / 8 / 0 / 30

HEX #09A5B3

RGB 9 165 179

HSL 184.94, 0.9%, 0.37%

LAB 61.85, -29.93, -17.29

 

CMYK 0 / 95 / 8 / 30

HEX #B309A5

RGB 179 9 165

HSL 304.94, 0.9%, 0.37%

LAB 41.99, 72.42, -39.16

 

CMYK 8 / 0 / 95 / 30

HEX #A4B309

RGB 164 179 9

HSL 65.29, 0.9%, 0.37%

LAB 69.58, -22.93, 69.99

 

CMYK 95 / 0 / 68 / 30

HEX #09B339

RGB 9 179 57

HSL 136.94, 0.9%, 0.37%

LAB 63.83, -62.54, 49.66

 

CMYK 87 / 95 / 0 / 30

HEX #1709B3

RGB 23 9 179

HSL 244.94, 0.9%, 0.37%

LAB 22.42, 58.78, -80.38

 

CMYK 0 / 95 / 27 / 30

HEX #B30983

RGB 179 9 131

HSL 316.94, 0.9%, 0.37%

LAB 40.28, 68.04, -21.17

 

CMYK 8 / 0 / 95 / 30

HEX #A4B309

RGB 164 179 9

HSL 65.29, 0.9%, 0.37%

LAB 69.58, -22.93, 69.99

 

CMYK 95 / 0 / 40 / 30

HEX #09B36C

RGB 9 179 108

HSL 154.94, 0.9%, 0.37%

LAB 64.47, -54.8, 25.75

 

CMYK 87 / 95 / 0 / 30

HEX #1709B3

RGB 23 9 179

HSL 244.94, 0.9%, 0.37%

LAB 22.42, 58.78, -80.38

 

CMYK 0 / 95 / 55 / 30

HEX #B30950

RGB 179 9 80

HSL 334.94, 0.9%, 0.37%

LAB 38.48, 63.25, 8.36

 

Description

Color code: RGB 164 179 9 | qconv.com Color code: RGB 164 179 9 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 179 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 179 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 95 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 95% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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