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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 156 153 it is the complementary color RGB 91 99 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 156 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 156 153 shade: RGB 169 156 148, RGB 186 174 167, RGB 203 192 186, RGB 220 210 205 and RGB 237 228 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 156 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 156 153 shade: RGB 164 156 153, RGB 147 138 134, RGB 130 120 115, RGB 113 102 96 and RGB 96 84 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 156 153 shade: RGB 163 155 152, RGB 163 152 152 and RGB 163 152 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 156 153 shade: RGB 163 155 152, RGB 163 158 152, RGB 163 161 152, RGB 162 163 152 and RGB 159 163 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 156 153 shade matches the following richer shades: RGB 163 155 152, RGB 179 148 136, RGB 195 141 120, RGB 210 134 105 and RGB 226 126 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 156 153 shade: RGB 163 155 152, RGB 148 162 167, RGB 132 169 183, RGB 116 176 199 and RGB 101 183 214

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 156 153 shade: RGB 163 152 155, RGB 163 152 152, RGB 163 155 152, RGB 163 158 152 and RGB 163 161 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 156 153 shade: RGB 123 113 109, RGB 144 134 130, RGB 163 155 152, RGB 183 176 174 and RGB 202 197 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 156 153 shade: RGB 164 156 153, RGB 158 163 152 and RGB 152 153 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 156 153 shade: RGB 164 156 153, RGB 152 163 155 and RGB 155 152 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 156 153 shade: RGB 164 156 153, RGB 158 163 152, RGB 152 160 163 and RGB 157 152 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 156 153 shade: RGB 164 156 153, RGB 154 163 152, RGB 152 160 163 and RGB 161 152 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 7 / 36

HEX #A49C99

RGB 164 156 153

HSL 16.36, 0.06%, 0.62%

LAB 64.94, 2.37, 2.6

 

Complementary color

CMYK 11 / 3 / 0 / 60

HEX #5B6366

RGB 91 99 102

HSL 196.36, 0.06%, 0.38%

LAB 41.39, -2.41, -2.76

 

CMYK 0 / 8 / 12 / 34

HEX #A99C94

RGB 169 156 148

HSL 22.86, 0.11%, 0.62%

LAB 65.24, 3.35, 5.89

 

CMYK 0 / 6 / 10 / 27

HEX #BAAEA7

RGB 186 174 167

HSL 22.11, 0.12%, 0.69%

LAB 71.89, 3.07, 5.12

 

CMYK 0 / 5 / 8 / 20

HEX #CBC0BA

RGB 203 192 186

HSL 21.18, 0.14%, 0.76%

LAB 78.43, 2.82, 4.39

 

CMYK 0 / 5 / 7 / 14

HEX #DCD2CD

RGB 220 210 205

HSL 20, 0.18%, 0.83%

LAB 84.85, 2.58, 3.69

 

CMYK 0 / 4 / 5 / 7

HEX #EDE4E0

RGB 237 228 224

HSL 18.46, 0.27%, 0.9%

LAB 91.18, 2.36, 3.02

 

CMYK 0 / 5 / 7 / 36

HEX #A49C99

RGB 164 156 153

HSL 16.36, 0.06%, 0.62%

LAB 64.94, 2.37, 2.6

 

CMYK 0 / 6 / 9 / 42

HEX #938A86

RGB 147 138 134

HSL 18.46, 0.06%, 0.55%

LAB 58.13, 2.62, 3.34

 

CMYK 0 / 8 / 12 / 49

HEX #827873

RGB 130 120 115

HSL 20, 0.06%, 0.48%

LAB 51.17, 2.91, 4.12

 

CMYK 0 / 10 / 15 / 56

HEX #716660

RGB 113 102 96

HSL 21.18, 0.08%, 0.41%

LAB 44.03, 3.24, 4.96

 

CMYK 0 / 13 / 20 / 62

HEX #60544D

RGB 96 84 77

HSL 22.11, 0.11%, 0.34%

LAB 36.67, 3.63, 5.89

 

CMYK 0 / 5 / 7 / 36

HEX #A39B98

RGB 163 155 152

HSL 16.36, 0.06%, 0.62%

LAB 64.56, 2.37, 2.6

 

CMYK 0 / 7 / 7 / 36

HEX #A39898

RGB 163 152 152

HSL 0, 0.06%, 0.62%

LAB 63.76, 4.03, 1.44

 

CMYK 0 / 7 / 7 / 36

HEX #A39898

RGB 163 152 152

HSL 0, 0.06%, 0.62%

LAB 63.76, 4.03, 1.44

 

CMYK 0 / 5 / 7 / 36

HEX #A39B98

RGB 163 155 152

HSL 16.36, 0.06%, 0.62%

LAB 64.56, 2.37, 2.6

 

CMYK 0 / 3 / 7 / 36

HEX #A39E98

RGB 163 158 152

HSL 32.73, 0.06%, 0.62%

LAB 65.36, 0.71, 3.77

 

CMYK 0 / 1 / 7 / 36

HEX #A3A198

RGB 163 161 152

HSL 49.09, 0.06%, 0.62%

LAB 66.17, -0.93, 4.93

 

CMYK 1 / 0 / 7 / 36

HEX #A2A398

RGB 162 163 152

HSL 65.45, 0.06%, 0.62%

LAB 66.63, -2.39, 5.58

 

CMYK 2 / 0 / 7 / 36

HEX #9FA398

RGB 159 163 152

HSL 81.82, 0.06%, 0.62%

LAB 66.39, -3.49, 5.21

 

CMYK 0 / 5 / 7 / 36

HEX #A39B98

RGB 163 155 152

HSL 16.36, 0.06%, 0.62%

LAB 64.56, 2.37, 2.6

 

CMYK 0 / 17 / 24 / 30

HEX #B39488

RGB 179 148 136

HSL 16.74, 0.22%, 0.62%

LAB 63.79, 9.71, 10.68

 

CMYK 0 / 28 / 38 / 24

HEX #C38D78

RGB 195 141 120

HSL 16.8, 0.38%, 0.62%

LAB 63.35, 17.79, 19.31

 

CMYK 0 / 36 / 50 / 18

HEX #D28669

RGB 210 134 105

HSL 16.57, 0.54%, 0.62%

LAB 63.15, 26.04, 27.71

 

CMYK 0 / 44 / 61 / 11

HEX #E27E59

RGB 226 126 89

HSL 16.2, 0.7%, 0.62%

LAB 63.19, 35.32, 36.92

 

CMYK 0 / 5 / 7 / 36

HEX #A39B98

RGB 163 155 152

HSL 16.36, 0.06%, 0.62%

LAB 64.56, 2.37, 2.6

 

CMYK 11 / 3 / 0 / 35

HEX #94A2A7

RGB 148 162 167

HSL 195.79, 0.1%, 0.62%

LAB 65.69, -3.89, -4.29

 

CMYK 28 / 8 / 0 / 28

HEX #84A9B7

RGB 132 169 183

HSL 196.47, 0.26%, 0.62%

LAB 67.05, -9.24, -11.3

 

CMYK 42 / 12 / 0 / 22

HEX #74B0C7

RGB 116 176 199

HSL 196.63, 0.43%, 0.62%

LAB 68.67, -13.4, -17.8

 

CMYK 53 / 14 / 0 / 16

HEX #65B7D6

RGB 101 183 214

HSL 196.46, 0.58%, 0.62%

LAB 70.52, -16.46, -23.29

 

CMYK 0 / 7 / 5 / 36

HEX #A3989B

RGB 163 152 155

HSL 343.64, 0.06%, 0.62%

LAB 63.84, 4.58, -0.13

 

CMYK 0 / 7 / 7 / 36

HEX #A39898

RGB 163 152 152

HSL 0, 0.06%, 0.62%

LAB 63.76, 4.03, 1.44

 

CMYK 0 / 5 / 7 / 36

HEX #A39B98

RGB 163 155 152

HSL 16.36, 0.06%, 0.62%

LAB 64.56, 2.37, 2.6

 

CMYK 0 / 3 / 7 / 36

HEX #A39E98

RGB 163 158 152

HSL 32.73, 0.06%, 0.62%

LAB 65.36, 0.71, 3.77

 

CMYK 0 / 1 / 7 / 36

HEX #A3A198

RGB 163 161 152

HSL 49.09, 0.06%, 0.62%

LAB 66.17, -0.93, 4.93

 

CMYK 0 / 8 / 11 / 52

HEX #7B716D

RGB 123 113 109

HSL 17.14, 0.06%, 0.45%

LAB 48.42, 3.13, 3.61

 

CMYK 0 / 7 / 10 / 44

HEX #908682

RGB 144 134 130

HSL 17.14, 0.06%, 0.54%

LAB 56.67, 3.02, 3.49

 

CMYK 0 / 5 / 7 / 36

HEX #A39B98

RGB 163 155 152

HSL 16.36, 0.06%, 0.62%

LAB 64.56, 2.37, 2.6

 

CMYK 0 / 4 / 5 / 28

HEX #B7B0AE

RGB 183 176 174

HSL 13.33, 0.06%, 0.7%

LAB 72.34, 2.13, 1.9

 

CMYK 0 / 2 / 3 / 21

HEX #CAC5C4

RGB 202 197 196

HSL 10, 0.05%, 0.78%

LAB 79.88, 1.56, 1.11

 

CMYK 0 / 5 / 7 / 36

HEX #A49C99

RGB 164 156 153

HSL 16.36, 0.06%, 0.62%

LAB 64.94, 2.37, 2.6

 

CMYK 3 / 0 / 7 / 36

HEX #9EA398

RGB 158 163 152

HSL 87.27, 0.06%, 0.62%

LAB 66.31, -3.86, 5.09

 

CMYK 7 / 6 / 0 / 36

HEX #9899A3

RGB 152 153 163

HSL 234.55, 0.06%, 0.62%

LAB 63.43, 1.63, -5.35

 

CMYK 0 / 5 / 7 / 36

HEX #A49C99

RGB 164 156 153

HSL 16.36, 0.06%, 0.62%

LAB 64.94, 2.37, 2.6

 

CMYK 7 / 0 / 5 / 36

HEX #98A39B

RGB 152 163 155

HSL 136.36, 0.06%, 0.62%

LAB 65.93, -5.46, 2.8

 

CMYK 5 / 7 / 0 / 36

HEX #9B98A3

RGB 155 152 163

HSL 256.36, 0.06%, 0.62%

LAB 63.4, 3.25, -5.37

 

CMYK 0 / 5 / 7 / 36

HEX #A49C99

RGB 164 156 153

HSL 16.36, 0.06%, 0.62%

LAB 64.94, 2.37, 2.6

 

CMYK 3 / 0 / 7 / 36

HEX #9EA398

RGB 158 163 152

HSL 87.27, 0.06%, 0.62%

LAB 66.31, -3.86, 5.09

 

CMYK 7 / 2 / 0 / 36

HEX #98A0A3

RGB 152 160 163

HSL 196.36, 0.06%, 0.62%

LAB 65.33, -2.24, -2.55

 

CMYK 4 / 7 / 0 / 36

HEX #9D98A3

RGB 157 152 163

HSL 267.27, 0.06%, 0.62%

LAB 63.56, 3.95, -5.11

 

CMYK 0 / 5 / 7 / 36

HEX #A49C99

RGB 164 156 153

HSL 16.36, 0.06%, 0.62%

LAB 64.94, 2.37, 2.6

 

CMYK 6 / 0 / 7 / 36

HEX #9AA398

RGB 154 163 152

HSL 109.09, 0.06%, 0.62%

LAB 66.01, -5.31, 4.6

 

CMYK 7 / 2 / 0 / 36

HEX #98A0A3

RGB 152 160 163

HSL 196.36, 0.06%, 0.62%

LAB 65.33, -2.24, -2.55

 

CMYK 1 / 7 / 0 / 36

HEX #A198A3

RGB 161 152 163

HSL 289.09, 0.06%, 0.62%

LAB 63.9, 5.38, -4.57

 

Description

Color code: RGB 164 156 153 | qconv.com Color code: RGB 164 156 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 156 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 156 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 7 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 7% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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