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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 155 201 it is the complementary color RGB 91 100 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 155 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 155 201 shade: RGB 169 155 196, RGB 186 173 215, RGB 203 191 234, RGB 220 209 253 and RGB 237 227 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 155 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 155 201 shade: RGB 164 155 201, RGB 147 137 182, RGB 130 119 163, RGB 113 101 144 and RGB 96 83 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 155 201 shade: RGB 164 155 201, RGB 176 155 201, RGB 189 155 201, RGB 201 155 201 and RGB 201 155 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 155 201 shade: RGB 164 155 201 and RGB 155 155 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 155 201 shade matches the following richer shades: RGB 164 155 201, RGB 156 143 213, RGB 149 130 226, RGB 141 118 238 and RGB 134 106 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 155 201 shade: RGB 164 155 201, RGB 172 167 189, RGB 179 180 176, RGB 187 192 164 and RGB 194 205 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 155 201 shade: RGB 155 171 201, RGB 155 159 201, RGB 163 155 201, RGB 176 155 201 and RGB 188 155 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 155 201 shade: RGB 115 101 172, RGB 140 128 187, RGB 164 155 201, RGB 188 182 215 and RGB 213 209 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 155 201 shade: RGB 164 155 201, RGB 201 155 183 and RGB 165 201 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 155 201 shade: RGB 164 155 201, RGB 201 163 155 and RGB 155 201 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 155 201 shade: RGB 164 155 201, RGB 201 155 183, RGB 193 201 155 and RGB 155 201 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 155 201 shade: RGB 164 155 201, RGB 201 155 170, RGB 193 201 155 and RGB 155 201 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 23 / 0 / 21

HEX #A49BC9

RGB 164 155 201

HSL 251.74, 0.3%, 0.7%

LAB 66.18, 12.75, -22.41

 

Complementary color

CMYK 9 / 0 / 46 / 61

HEX #5B6436

RGB 91 100 54

HSL 71.74, 0.3%, 0.3%

LAB 40.58, -11.54, 24.86

 

CMYK 14 / 21 / 0 / 23

HEX #A99BC4

RGB 169 155 196

HSL 260.49, 0.26%, 0.69%

LAB 66.42, 13.26, -19.23

 

CMYK 13 / 20 / 0 / 16

HEX #BAADD7

RGB 186 173 215

HSL 258.57, 0.34%, 0.76%

LAB 73.04, 12.86, -19.51

 

CMYK 13 / 18 / 0 / 8

HEX #CBBFEA

RGB 203 191 234

HSL 256.74, 0.51%, 0.83%

LAB 79.56, 12.49, -19.81

 

CMYK 13 / 17 / 0 / 1

HEX #DCD1FD

RGB 220 209 253

HSL 255, 0.92%, 0.91%

LAB 85.96, 12.15, -20.12

 

CMYK 7 / 11 / 0 / 0

HEX #EDE3FF

RGB 237 227 255

HSL 261.43, 1%, 0.95%

LAB 91.76, 8.48, -12.33

 

CMYK 18 / 23 / 0 / 21

HEX #A49BC9

RGB 164 155 201

HSL 251.74, 0.3%, 0.7%

LAB 66.18, 12.75, -22.41

 

CMYK 19 / 25 / 0 / 29

HEX #9389B6

RGB 147 137 182

HSL 253.33, 0.24%, 0.63%

LAB 59.41, 13.19, -22.21

 

CMYK 20 / 27 / 0 / 36

HEX #8277A3

RGB 130 119 163

HSL 255, 0.19%, 0.55%

LAB 52.49, 13.69, -22.03

 

CMYK 22 / 30 / 0 / 44

HEX #716590

RGB 113 101 144

HSL 256.74, 0.18%, 0.48%

LAB 45.4, 14.24, -21.89

 

CMYK 23 / 34 / 0 / 51

HEX #60537D

RGB 96 83 125

HSL 258.57, 0.2%, 0.41%

LAB 38.12, 14.88, -21.79

 

CMYK 18 / 23 / 0 / 21

HEX #A49BC9

RGB 164 155 201

HSL 251.74, 0.3%, 0.7%

LAB 66.18, 12.75, -22.41

 

CMYK 12 / 23 / 0 / 21

HEX #B09BC9

RGB 176 155 201

HSL 267.39, 0.3%, 0.7%

LAB 67.19, 16.62, -20.77

 

CMYK 6 / 23 / 0 / 21

HEX #BD9BC9

RGB 189 155 201

HSL 284.35, 0.3%, 0.7%

LAB 68.37, 20.91, -18.87

 

CMYK 0 / 23 / 0 / 21

HEX #C99BC9

RGB 201 155 201

HSL 300, 0.3%, 0.7%

LAB 69.52, 24.92, -17.01

 

CMYK 0 / 23 / 6 / 21

HEX #C99BBC

RGB 201 155 188

HSL 316.96, 0.3%, 0.7%

LAB 69.11, 22.53, -10.43

 

CMYK 18 / 23 / 0 / 21

HEX #A49BC9

RGB 164 155 201

HSL 251.74, 0.3%, 0.7%

LAB 66.18, 12.75, -22.41

 

CMYK 23 / 23 / 0 / 21

HEX #9B9BC9

RGB 155 155 201

HSL 240, 0.3%, 0.7%

LAB 65.46, 9.92, -23.57

 

CMYK 18 / 23 / 0 / 21

HEX #A49BC9

RGB 164 155 201

HSL 251.74, 0.3%, 0.7%

LAB 66.18, 12.75, -22.41

 

CMYK 27 / 33 / 0 / 16

HEX #9C8FD5

RGB 156 143 213

HSL 251.14, 0.45%, 0.7%

LAB 62.94, 19.96, -34.14

 

CMYK 34 / 42 / 0 / 11

HEX #9582E2

RGB 149 130 226

HSL 251.88, 0.62%, 0.7%

LAB 59.75, 28.79, -46.44

 

CMYK 41 / 50 / 0 / 7

HEX #8D76EE

RGB 141 118 238

HSL 251.5, 0.78%, 0.7%

LAB 56.87, 36.94, -57.74

 

CMYK 46 / 58 / 0 / 2

HEX #866AFA

RGB 134 106 250

HSL 251.67, 0.94%, 0.7%

LAB 54.32, 45.6, -68.55

 

CMYK 18 / 23 / 0 / 21

HEX #A49BC9

RGB 164 155 201

HSL 251.74, 0.3%, 0.7%

LAB 66.18, 12.75, -22.41

 

CMYK 9 / 12 / 0 / 26

HEX #ACA7BD

RGB 172 167 189

HSL 253.64, 0.14%, 0.7%

LAB 69.53, 6.09, -10.62

 

CMYK 1 / 0 / 2 / 29

HEX #B3B4B0

RGB 179 180 176

HSL 75, 0.03%, 0.7%

LAB 73.13, -1.09, 1.9

 

CMYK 3 / 0 / 15 / 25

HEX #BBC0A4

RGB 187 192 164

HSL 70.71, 0.18%, 0.7%

LAB 76.65, -6.64, 13.54

 

CMYK 5 / 0 / 26 / 20

HEX #C2CD97

RGB 194 205 151

HSL 72.22, 0.35%, 0.7%

LAB 80.39, -12.73, 25.7

 

CMYK 23 / 15 / 0 / 21

HEX #9BABC9

RGB 155 171 201

HSL 219.13, 0.3%, 0.7%

LAB 69.69, 0.99, -17.13

 

CMYK 23 / 21 / 0 / 21

HEX #9B9FC9

RGB 155 159 201

HSL 234.78, 0.3%, 0.7%

LAB 66.51, 7.66, -21.97

 

CMYK 19 / 23 / 0 / 21

HEX #A39BC9

RGB 163 155 201

HSL 250.43, 0.3%, 0.7%

LAB 66.09, 12.43, -22.54

 

CMYK 12 / 23 / 0 / 21

HEX #B09BC9

RGB 176 155 201

HSL 267.39, 0.3%, 0.7%

LAB 67.19, 16.62, -20.77

 

CMYK 6 / 23 / 0 / 21

HEX #BC9BC9

RGB 188 155 201

HSL 283.04, 0.3%, 0.7%

LAB 68.28, 20.58, -19.02

 

CMYK 33 / 41 / 0 / 33

HEX #7365AC

RGB 115 101 172

HSL 251.83, 0.3%, 0.54%

LAB 46.88, 22.17, -36.11

 

CMYK 25 / 32 / 0 / 27

HEX #8C80BB

RGB 140 128 187

HSL 252.2, 0.3%, 0.62%

LAB 56.69, 17.42, -29.3

 

CMYK 18 / 23 / 0 / 21

HEX #A49BC9

RGB 164 155 201

HSL 251.74, 0.3%, 0.7%

LAB 66.18, 12.75, -22.41

 

CMYK 13 / 15 / 0 / 16

HEX #BCB6D7

RGB 188 182 215

HSL 250.91, 0.29%, 0.78%

LAB 75.48, 8.58, -15.81

 

CMYK 7 / 9 / 0 / 10

HEX #D5D1E6

RGB 213 209 230

HSL 251.43, 0.3%, 0.86%

LAB 84.72, 5.3, -9.84

 

CMYK 18 / 23 / 0 / 21

HEX #A49BC9

RGB 164 155 201

HSL 251.74, 0.3%, 0.7%

LAB 66.18, 12.75, -22.41

 

CMYK 0 / 23 / 9 / 21

HEX #C99BB7

RGB 201 155 183

HSL 323.48, 0.3%, 0.7%

LAB 68.95, 21.65, -7.87

 

CMYK 18 / 0 / 23 / 21

HEX #A5C99B

RGB 165 201 155

HSL 106.96, 0.3%, 0.7%

LAB 77.36, -20.63, 19.13

 

CMYK 18 / 23 / 0 / 21

HEX #A49BC9

RGB 164 155 201

HSL 251.74, 0.3%, 0.7%

LAB 66.18, 12.75, -22.41

 

CMYK 0 / 19 / 23 / 21

HEX #C9A39B

RGB 201 163 155

HSL 10.43, 0.3%, 0.7%

LAB 70.16, 12.75, 9.43

 

CMYK 23 / 0 / 19 / 21

HEX #9BC9A3

RGB 155 201 163

HSL 130.43, 0.3%, 0.7%

LAB 76.91, -22.65, 14.14

 

CMYK 18 / 23 / 0 / 21

HEX #A49BC9

RGB 164 155 201

HSL 251.74, 0.3%, 0.7%

LAB 66.18, 12.75, -22.41

 

CMYK 0 / 23 / 9 / 21

HEX #C99BB7

RGB 201 155 183

HSL 323.48, 0.3%, 0.7%

LAB 68.95, 21.65, -7.87

 

CMYK 4 / 0 / 23 / 21

HEX #C1C99B

RGB 193 201 155

HSL 70.43, 0.3%, 0.7%

LAB 79.32, -10.48, 22.12

 

CMYK 23 / 0 / 14 / 21

HEX #9BC9AD

RGB 155 201 173

HSL 143.48, 0.3%, 0.7%

LAB 77.14, -20.77, 9.09

 

CMYK 18 / 23 / 0 / 21

HEX #A49BC9

RGB 164 155 201

HSL 251.74, 0.3%, 0.7%

LAB 66.18, 12.75, -22.41

 

CMYK 0 / 23 / 15 / 21

HEX #C99BAA

RGB 201 155 170

HSL 340.43, 0.3%, 0.7%

LAB 68.58, 19.46, -1.18

 

CMYK 4 / 0 / 23 / 21

HEX #C1C99B

RGB 193 201 155

HSL 70.43, 0.3%, 0.7%

LAB 79.32, -10.48, 22.12

 

CMYK 23 / 0 / 7 / 21

HEX #9BC9BA

RGB 155 201 186

HSL 160.43, 0.3%, 0.7%

LAB 77.45, -18.18, 2.55

 

Description

Color code: RGB 164 155 201 | qconv.com Color code: RGB 164 155 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 155 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 155 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 23 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 23% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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