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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 13 168 it is the complementary color RGB 91 242 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 13 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 13 168 shade: RGB 169 13 163, RGB 186 31 182, RGB 203 49 201, RGB 220 67 220 and RGB 237 85 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 13 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 13 168 shade: RGB 164 13 168, RGB 147 0 149, RGB 130 0 130, RGB 113 0 111 and RGB 96 0 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 13 168 shade: RGB 162 12 166, RGB 166 12 128, RGB 166 12 87, RGB 166 12 45 and RGB 166 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 13 168 shade: RGB 162 12 166, RGB 120 12 166, RGB 79 12 166, RGB 37 12 166 and RGB 12 12 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 13 168 shade matches the following richer shades: RGB 162 12 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 13 168 shade: RGB 162 12 166, RGB 148 26 151, RGB 134 41 137, RGB 120 55 122 and RGB 107 70 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 13 168 shade: RGB 79 12 166, RGB 119 12 166, RGB 160 12 166, RGB 166 12 130 and RGB 166 12 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 13 168 shade: RGB 87 6 89, RGB 124 9 127, RGB 162 12 166, RGB 199 15 204 and RGB 232 23 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 13 168 shade: RGB 164 13 168, RGB 166 38 12 and RGB 12 166 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 13 168 shade: RGB 164 13 168, RGB 166 160 12 and RGB 12 166 160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 13 168 shade: RGB 164 13 168, RGB 166 38 12, RGB 17 166 12 and RGB 12 140 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 13 168 shade: RGB 164 13 168, RGB 166 84 12, RGB 17 166 12 and RGB 12 94 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 92 / 0 / 34

HEX #A40DA8

RGB 164 13 168

HSL 298.45, 0.86%, 0.35%

LAB 39.59, 69.78, -44.94

 

Complementary color

CMYK 62 / 0 / 64 / 5

HEX #5BF257

RGB 91 242 87

HSL 118.45, 0.86%, 0.65%

LAB 85.21, -68.59, 61.1

 

CMYK 0 / 92 / 4 / 34

HEX #A90DA3

RGB 169 13 163

HSL 302.31, 0.86%, 0.36%

LAB 40.19, 69.9, -40.93

 

CMYK 0 / 83 / 2 / 27

HEX #BA1FB6

RGB 186 31 182

HSL 301.55, 0.71%, 0.43%

LAB 45.35, 72.86, -43.82

 

CMYK 0 / 76 / 1 / 20

HEX #CB31C9

RGB 203 49 201

HSL 300.78, 0.61%, 0.49%

LAB 50.82, 74.66, -46.02

 

CMYK 0 / 70 / 0 / 14

HEX #DC43DC

RGB 220 67 220

HSL 300, 0.69%, 0.56%

LAB 56.48, 75.65, -47.71

 

CMYK 1 / 64 / 0 / 6

HEX #ED55EF

RGB 237 85 239

HSL 299.22, 0.83%, 0.64%

LAB 62.28, 76.06, -49.01

 

CMYK 2 / 92 / 0 / 34

HEX #A40DA8

RGB 164 13 168

HSL 298.45, 0.86%, 0.35%

LAB 39.59, 69.78, -44.94

 

CMYK 1 / 100 / 0 / 42

HEX #930095

RGB 147 0 149

HSL 299.19, 1%, 0.29%

LAB 34.75, 65.48, -41.37

 

CMYK 0 / 100 / 0 / 49

HEX #820082

RGB 130 0 130

HSL 300, 1%, 0.25%

LAB 30.3, 59.6, -36.91

 

CMYK 0 / 100 / 2 / 56

HEX #71006F

RGB 113 0 111

HSL 301.06, 1%, 0.22%

LAB 25.74, 53.58, -32.3

 

CMYK 0 / 100 / 4 / 62

HEX #60005C

RGB 96 0 92

HSL 302.5, 1%, 0.19%

LAB 21.05, 47.4, -27.53

 

CMYK 2 / 93 / 0 / 35

HEX #A20CA6

RGB 162 12 166

HSL 298.44, 0.87%, 0.35%

LAB 39.07, 69.24, -44.61

 

CMYK 0 / 93 / 23 / 35

HEX #A60C80

RGB 166 12 128

HSL 314.81, 0.87%, 0.35%

LAB 37.71, 64.64, -23.49

 

CMYK 0 / 93 / 48 / 35

HEX #A60C57

RGB 166 12 87

HSL 330.78, 0.87%, 0.35%

LAB 36.1, 60.32, 0.07

 

CMYK 0 / 93 / 73 / 35

HEX #A60C2D

RGB 166 12 45

HSL 347.14, 0.87%, 0.35%

LAB 35.12, 57.62, 25.95

 

CMYK 0 / 93 / 93 / 35

HEX #A60C0C

RGB 166 12 12

HSL 0, 0.87%, 0.35%

LAB 34.8, 56.69, 43.96

 

CMYK 2 / 93 / 0 / 35

HEX #A20CA6

RGB 162 12 166

HSL 298.44, 0.87%, 0.35%

LAB 39.07, 69.24, -44.61

 

CMYK 28 / 93 / 0 / 35

HEX #780CA6

RGB 120 12 166

HSL 282.08, 0.87%, 0.35%

LAB 31.83, 62.6, -56.66

 

CMYK 52 / 93 / 0 / 35

HEX #4F0CA6

RGB 79 12 166

HSL 266.1, 0.87%, 0.35%

LAB 25.8, 57.74, -66.79

 

CMYK 78 / 93 / 0 / 35

HEX #250CA6

RGB 37 12 166

HSL 249.74, 0.87%, 0.35%

LAB 21.61, 54.94, -73.86

 

CMYK 93 / 93 / 0 / 35

HEX #0C0CA6

RGB 12 12 166

HSL 240, 0.87%, 0.35%

LAB 20.42, 54.25, -75.89

 

CMYK 2 / 93 / 0 / 35

HEX #A20CA6

RGB 162 12 166

HSL 298.44, 0.87%, 0.35%

LAB 39.07, 69.24, -44.61

 

CMYK 2 / 93 / 0 / 35

HEX #A20CA6

RGB 162 12 166

HSL 298.44, 0.87%, 0.35%

LAB 39.07, 69.24, -44.61

 

CMYK 2 / 83 / 0 / 41

HEX #941A97

RGB 148 26 151

HSL 298.56, 0.71%, 0.35%

LAB 36.5, 61.74, -39.79

 

CMYK 2 / 70 / 0 / 46

HEX #862989

RGB 134 41 137

HSL 298.13, 0.54%, 0.35%

LAB 34.92, 51.54, -33.85

 

CMYK 2 / 55 / 0 / 52

HEX #78377A

RGB 120 55 122

HSL 298.21, 0.38%, 0.35%

LAB 34.25, 38.5, -25.74

 

CMYK 1 / 35 / 0 / 58

HEX #6B466C

RGB 107 70 108

HSL 298.42, 0.21%, 0.35%

LAB 35.18, 22.76, -15.66

 

CMYK 52 / 93 / 0 / 35

HEX #4F0CA6

RGB 79 12 166

HSL 266.1, 0.87%, 0.35%

LAB 25.8, 57.74, -66.79

 

CMYK 28 / 93 / 0 / 35

HEX #770CA6

RGB 119 12 166

HSL 281.69, 0.87%, 0.35%

LAB 31.67, 62.46, -56.94

 

CMYK 4 / 93 / 0 / 35

HEX #A00CA6

RGB 160 12 166

HSL 297.66, 0.87%, 0.35%

LAB 38.71, 68.9, -45.2

 

CMYK 0 / 93 / 22 / 35

HEX #A60C82

RGB 166 12 130

HSL 314.03, 0.87%, 0.35%

LAB 37.81, 64.89, -24.58

 

CMYK 0 / 93 / 46 / 35

HEX #A60C59

RGB 166 12 89

HSL 330, 0.87%, 0.35%

LAB 36.16, 60.49, -1.13

 

CMYK 2 / 93 / 0 / 65

HEX #570659

RGB 87 6 89

HSL 298.55, 0.87%, 0.19%

LAB 19.55, 43.61, -28.04

 

CMYK 2 / 93 / 0 / 50

HEX #7C097F

RGB 124 9 127

HSL 298.47, 0.87%, 0.27%

LAB 29.44, 56.62, -36.45

 

CMYK 2 / 93 / 0 / 35

HEX #A20CA6

RGB 162 12 166

HSL 298.44, 0.87%, 0.35%

LAB 39.07, 69.24, -44.61

 

CMYK 2 / 93 / 0 / 20

HEX #C70FCC

RGB 199 15 204

HSL 298.41, 0.86%, 0.43%

LAB 48.06, 80.96, -52.19

 

CMYK 2 / 90 / 0 / 7

HEX #E817ED

RGB 232 23 237

HSL 298.6, 0.86%, 0.51%

LAB 55.97, 90.35, -57.99

 

CMYK 2 / 92 / 0 / 34

HEX #A40DA8

RGB 164 13 168

HSL 298.45, 0.86%, 0.35%

LAB 39.59, 69.78, -44.94

 

CMYK 0 / 77 / 93 / 35

HEX #A6260C

RGB 166 38 12

HSL 10.13, 0.87%, 0.35%

LAB 36.97, 50.54, 45.42

 

CMYK 93 / 0 / 40 / 35

HEX #0CA663

RGB 12 166 99

HSL 153.9, 0.87%, 0.35%

LAB 60.12, -51.78, 24.79

 

CMYK 2 / 92 / 0 / 34

HEX #A40DA8

RGB 164 13 168

HSL 298.45, 0.86%, 0.35%

LAB 39.59, 69.78, -44.94

 

CMYK 0 / 4 / 93 / 35

HEX #A6A00C

RGB 166 160 12

HSL 57.66, 0.87%, 0.35%

LAB 64.38, -12.35, 65.68

 

CMYK 93 / 0 / 4 / 35

HEX #0CA6A0

RGB 12 166 160

HSL 177.66, 0.87%, 0.35%

LAB 61.56, -36.25, -7.05

 

CMYK 2 / 92 / 0 / 34

HEX #A40DA8

RGB 164 13 168

HSL 298.45, 0.86%, 0.35%

LAB 39.59, 69.78, -44.94

 

CMYK 0 / 77 / 93 / 35

HEX #A6260C

RGB 166 38 12

HSL 10.13, 0.87%, 0.35%

LAB 36.97, 50.54, 45.42

 

CMYK 90 / 0 / 93 / 35

HEX #11A60C

RGB 17 166 12

HSL 118.05, 0.87%, 0.35%

LAB 59.36, -61.18, 58.76

 

CMYK 93 / 16 / 0 / 35

HEX #0C8CA6

RGB 12 140 166

HSL 190.13, 0.87%, 0.35%

LAB 53.59, -21.51, -22.52

 

CMYK 2 / 92 / 0 / 34

HEX #A40DA8

RGB 164 13 168

HSL 298.45, 0.86%, 0.35%

LAB 39.59, 69.78, -44.94

 

CMYK 0 / 49 / 93 / 35

HEX #A6540C

RGB 166 84 12

HSL 28.05, 0.87%, 0.35%

LAB 44.91, 29.64, 51.02

 

CMYK 90 / 0 / 93 / 35

HEX #11A60C

RGB 17 166 12

HSL 118.05, 0.87%, 0.35%

LAB 59.36, -61.18, 58.76

 

CMYK 93 / 43 / 0 / 35

HEX #0C5EA6

RGB 12 94 166

HSL 208.05, 0.87%, 0.35%

LAB 39.3, 5.56, -44.95

 

Description

Color code: RGB 164 13 168 | qconv.com Color code: RGB 164 13 168 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 13 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 13 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 92 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 92% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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