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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 124 13 it is the complementary color RGB 91 131 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 124 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 124 13 shade: RGB 169 124 8, RGB 186 142 27, RGB 203 160 46, RGB 220 178 65 and RGB 237 196 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 124 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 124 13 shade: RGB 164 124 13, RGB 147 106 0, RGB 130 88 0, RGB 113 70 0 and RGB 96 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 124 13 shade: RGB 165 124 13, RGB 165 84 13, RGB 165 43 13 and RGB 165 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 124 13 shade: RGB 165 124 13, RGB 164 165 13, RGB 123 165 13, RGB 82 165 13 and RGB 41 165 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 124 13 shade matches the following richer shades: RGB 165 124 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 124 13 shade: RGB 165 124 13, RGB 150 118 27, RGB 136 111 42, RGB 121 104 56 and RGB 107 97 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 124 13 shade: RGB 165 43 13, RGB 165 84 13, RGB 165 124 13, RGB 165 165 13 and RGB 124 165 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 124 13 shade: RGB 88 67 7, RGB 126 96 10, RGB 165 124 13, RGB 203 153 16 and RGB 236 180 24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 124 13 shade: RGB 164 124 13, RGB 23 165 13 and RGB 63 13 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 124 13 shade: RGB 164 124 13, RGB 13 165 124 and RGB 124 13 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 124 13 shade: RGB 164 124 13, RGB 23 165 13, RGB 13 53 165 and RGB 154 13 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 124 13 shade: RGB 164 124 13, RGB 13 165 48, RGB 13 53 165 and RGB 165 13 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 92 / 36

HEX #A47C0D

RGB 164 124 13

HSL 44.11, 0.85%, 0.35%

LAB 54.38, 6.34, 57.75

 

Complementary color

CMYK 62 / 46 / 0 / 5

HEX #5B83F2

RGB 91 131 242

HSL 224.11, 0.85%, 0.65%

LAB 56.95, 20.07, -60.03

 

CMYK 0 / 27 / 95 / 34

HEX #A97C08

RGB 169 124 8

HSL 43.23, 0.91%, 0.35%

LAB 54.94, 8.57, 59.33

 

CMYK 0 / 24 / 85 / 27

HEX #BA8E1B

RGB 186 142 27

HSL 43.4, 0.75%, 0.42%

LAB 61.54, 6.68, 61.06

 

CMYK 0 / 21 / 77 / 20

HEX #CBA02E

RGB 203 160 46

HSL 43.57, 0.63%, 0.49%

LAB 68.05, 5.08, 61.35

 

CMYK 0 / 19 / 70 / 14

HEX #DCB241

RGB 220 178 65

HSL 43.74, 0.69%, 0.56%

LAB 74.47, 3.72, 60.86

 

CMYK 0 / 17 / 65 / 7

HEX #EDC454

RGB 237 196 84

HSL 43.92, 0.81%, 0.63%

LAB 80.81, 2.55, 59.98

 

CMYK 0 / 24 / 92 / 36

HEX #A47C0D

RGB 164 124 13

HSL 44.11, 0.85%, 0.35%

LAB 54.38, 6.34, 57.75

 

CMYK 0 / 28 / 100 / 42

HEX #936A00

RGB 147 106 0

HSL 43.27, 1%, 0.29%

LAB 47.64, 8.44, 54.59

 

CMYK 0 / 32 / 100 / 49

HEX #825800

RGB 130 88 0

HSL 40.62, 1%, 0.25%

LAB 40.78, 10.86, 48.96

 

CMYK 0 / 38 / 100 / 56

HEX #714600

RGB 113 70 0

HSL 37.17, 1%, 0.22%

LAB 33.75, 13.44, 43.23

 

CMYK 0 / 46 / 100 / 62

HEX #603400

RGB 96 52 0

HSL 32.5, 1%, 0.19%

LAB 26.57, 16.16, 36.73

 

CMYK 0 / 25 / 92 / 35

HEX #A57C0D

RGB 165 124 13

HSL 43.82, 0.85%, 0.35%

LAB 54.49, 6.8, 57.88

 

CMYK 0 / 49 / 92 / 35

HEX #A5540D

RGB 165 84 13

HSL 28.03, 0.85%, 0.35%

LAB 44.76, 29.23, 50.57

 

CMYK 0 / 74 / 92 / 35

HEX #A52B0D

RGB 165 43 13

HSL 11.84, 0.85%, 0.35%

LAB 37.4, 48.48, 45.25

 

CMYK 0 / 92 / 92 / 35

HEX #A50D0D

RGB 165 13 13

HSL 0, 0.85%, 0.35%

LAB 34.63, 56.29, 43.33

 

CMYK 0 / 25 / 92 / 35

HEX #A57C0D

RGB 165 124 13

HSL 43.82, 0.85%, 0.35%

LAB 54.49, 6.8, 57.88

 

CMYK 1 / 0 / 92 / 35

HEX #A4A50D

RGB 164 165 13

HSL 60.39, 0.85%, 0.35%

LAB 65.62, -15.82, 66.41

 

CMYK 25 / 0 / 92 / 35

HEX #7BA50D

RGB 123 165 13

HSL 76.58, 0.85%, 0.35%

LAB 62.63, -33.37, 62.78

 

CMYK 50 / 0 / 92 / 35

HEX #52A50D

RGB 82 165 13

HSL 92.76, 0.85%, 0.35%

LAB 60.55, -48.18, 60.21

 

CMYK 75 / 0 / 92 / 35

HEX #29A50D

RGB 41 165 13

HSL 108.95, 0.85%, 0.35%

LAB 59.35, -57.99, 58.73

 

CMYK 0 / 25 / 92 / 35

HEX #A57C0D

RGB 165 124 13

HSL 43.82, 0.85%, 0.35%

LAB 54.49, 6.8, 57.88

 

CMYK 0 / 25 / 92 / 35

HEX #A57C0D

RGB 165 124 13

HSL 43.82, 0.85%, 0.35%

LAB 54.49, 6.8, 57.88

 

CMYK 0 / 21 / 82 / 41

HEX #96761B

RGB 150 118 27

HSL 44.39, 0.69%, 0.35%

LAB 51.29, 3.61, 50.72

 

CMYK 0 / 18 / 69 / 47

HEX #886F2A

RGB 136 111 42

HSL 44.04, 0.53%, 0.35%

LAB 47.97, 1.81, 40.78

 

CMYK 0 / 14 / 54 / 53

HEX #796838

RGB 121 104 56

HSL 44.31, 0.37%, 0.35%

LAB 44.59, 0.03, 29.31

 

CMYK 0 / 9 / 34 / 58

HEX #6B6147

RGB 107 97 71

HSL 43.33, 0.2%, 0.35%

LAB 41.42, -0.39, 16.31

 

CMYK 0 / 74 / 92 / 35

HEX #A52B0D

RGB 165 43 13

HSL 11.84, 0.85%, 0.35%

LAB 37.4, 48.48, 45.25

 

CMYK 0 / 49 / 92 / 35

HEX #A5540D

RGB 165 84 13

HSL 28.03, 0.85%, 0.35%

LAB 44.76, 29.23, 50.57

 

CMYK 0 / 25 / 92 / 35

HEX #A57C0D

RGB 165 124 13

HSL 43.82, 0.85%, 0.35%

LAB 54.49, 6.8, 57.88

 

CMYK 0 / 0 / 92 / 35

HEX #A5A50D

RGB 165 165 13

HSL 60, 0.85%, 0.35%

LAB 65.7, -15.38, 66.51

 

CMYK 25 / 0 / 92 / 35

HEX #7CA50D

RGB 124 165 13

HSL 76.18, 0.85%, 0.35%

LAB 62.7, -32.96, 62.86

 

CMYK 0 / 24 / 92 / 65

HEX #584307

RGB 88 67 7

HSL 44.44, 0.85%, 0.19%

LAB 29.67, 2.99, 36.05

 

CMYK 0 / 24 / 92 / 51

HEX #7E600A

RGB 126 96 10

HSL 44.48, 0.85%, 0.27%

LAB 42.5, 4.43, 47.34

 

CMYK 0 / 25 / 92 / 35

HEX #A57C0D

RGB 165 124 13

HSL 43.82, 0.85%, 0.35%

LAB 54.49, 6.8, 57.88

 

CMYK 0 / 25 / 92 / 20

HEX #CB9910

RGB 203 153 16

HSL 43.96, 0.85%, 0.43%

LAB 66.15, 8.05, 67.96

 

CMYK 0 / 24 / 90 / 7

HEX #ECB418

RGB 236 180 24

HSL 44.15, 0.85%, 0.51%

LAB 76.4, 8.23, 75.8

 

CMYK 0 / 24 / 92 / 36

HEX #A47C0D

RGB 164 124 13

HSL 44.11, 0.85%, 0.35%

LAB 54.38, 6.34, 57.75

 

CMYK 86 / 0 / 92 / 35

HEX #17A50D

RGB 23 165 13

HSL 116.05, 0.85%, 0.35%

LAB 59.09, -60.34, 58.4

 

CMYK 62 / 92 / 0 / 35

HEX #3F0DA5

RGB 63 13 165

HSL 259.74, 0.85%, 0.35%

LAB 23.87, 55.91, -69.43

 

CMYK 0 / 24 / 92 / 36

HEX #A47C0D

RGB 164 124 13

HSL 44.11, 0.85%, 0.35%

LAB 54.38, 6.34, 57.75

 

CMYK 92 / 0 / 25 / 35

HEX #0DA57C

RGB 13 165 124

HSL 163.82, 0.85%, 0.35%

LAB 60.29, -45.72, 11.32

 

CMYK 25 / 92 / 0 / 35

HEX #7C0DA5

RGB 124 13 165

HSL 283.82, 0.85%, 0.35%

LAB 32.46, 62.81, -55.01

 

CMYK 0 / 24 / 92 / 36

HEX #A47C0D

RGB 164 124 13

HSL 44.11, 0.85%, 0.35%

LAB 54.38, 6.34, 57.75

 

CMYK 86 / 0 / 92 / 35

HEX #17A50D

RGB 23 165 13

HSL 116.05, 0.85%, 0.35%

LAB 59.09, -60.34, 58.4

 

CMYK 92 / 68 / 0 / 35

HEX #0D35A5

RGB 13 53 165

HSL 224.21, 0.85%, 0.35%

LAB 27.71, 32.82, -63.19

 

CMYK 7 / 92 / 0 / 35

HEX #9A0DA5

RGB 154 13 165

HSL 295.66, 0.85%, 0.35%

LAB 37.62, 67.58, -46.41

 

CMYK 0 / 24 / 92 / 36

HEX #A47C0D

RGB 164 124 13

HSL 44.11, 0.85%, 0.35%

LAB 54.38, 6.34, 57.75

 

CMYK 92 / 0 / 71 / 35

HEX #0DA530

RGB 13 165 48

HSL 133.82, 0.85%, 0.35%

LAB 59.17, -58.97, 48.34

 

CMYK 92 / 68 / 0 / 35

HEX #0D35A5

RGB 13 53 165

HSL 224.21, 0.85%, 0.35%

LAB 27.71, 32.82, -63.19

 

CMYK 0 / 92 / 22 / 35

HEX #A50D81

RGB 165 13 129

HSL 314.21, 0.85%, 0.35%

LAB 37.61, 64.43, -24.28

 

Description

Color code: RGB 164 124 13 | qconv.com Color code: RGB 164 124 13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 124 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 124 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 92 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 92% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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