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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 119 43 it is the complementary color RGB 91 136 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 119 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 119 43 shade: RGB 169 119 38, RGB 186 137 57, RGB 203 155 76, RGB 220 173 95 and RGB 237 191 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 119 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 119 43 shade: RGB 164 119 43, RGB 147 101 24, RGB 130 83 5, RGB 113 65 0 and RGB 96 47 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 119 43 shade: RGB 165 120 43, RGB 165 87 43, RGB 165 54 43 and RGB 165 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 119 43 shade: RGB 165 120 43, RGB 165 152 43, RGB 144 165 43, RGB 112 165 43 and RGB 79 165 43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 119 43 shade matches the following richer shades: RGB 165 120 43, RGB 182 124 26 and RGB 199 128 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 119 43 shade: RGB 165 120 43, RGB 148 115 60, RGB 131 111 77, RGB 114 107 94 and RGB 97 102 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 119 43 shade: RGB 165 54 43, RGB 165 86 43, RGB 165 118 43, RGB 165 151 43 and RGB 146 165 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 119 43 shade: RGB 99 72 26, RGB 132 96 35, RGB 165 120 43, RGB 197 143 52 and RGB 209 162 82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 119 43 shade: RGB 164 119 43, RGB 66 165 43 and RGB 70 43 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 119 43 shade: RGB 164 119 43, RGB 43 165 118 and RGB 118 43 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 119 43 shade: RGB 164 119 43, RGB 66 165 43, RGB 43 90 165 and RGB 142 43 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 119 43 shade: RGB 164 119 43, RGB 43 165 58, RGB 43 90 165 and RGB 165 43 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 74 / 36

HEX #A4772B

RGB 164 119 43

HSL 37.69, 0.58%, 0.41%

LAB 53.23, 10.16, 46.75

 

Complementary color

CMYK 57 / 36 / 0 / 17

HEX #5B88D4

RGB 91 136 212

HSL 217.69, 0.58%, 0.59%

LAB 56.67, 7.14, -43.72

 

CMYK 0 / 30 / 78 / 34

HEX #A97726

RGB 169 119 38

HSL 37.1, 0.63%, 0.41%

LAB 53.78, 12.19, 49.63

 

CMYK 0 / 26 / 69 / 27

HEX #BA8939

RGB 186 137 57

HSL 37.21, 0.53%, 0.48%

LAB 60.45, 10.66, 48.68

 

CMYK 0 / 24 / 63 / 20

HEX #CB9B4C

RGB 203 155 76

HSL 37.32, 0.55%, 0.55%

LAB 67.02, 9.37, 47.44

 

CMYK 0 / 21 / 57 / 14

HEX #DCAD5F

RGB 220 173 95

HSL 37.44, 0.64%, 0.62%

LAB 73.5, 8.28, 46.11

 

CMYK 0 / 19 / 52 / 7

HEX #EDBF72

RGB 237 191 114

HSL 37.56, 0.77%, 0.69%

LAB 79.89, 7.34, 44.78

 

CMYK 0 / 27 / 74 / 36

HEX #A4772B

RGB 164 119 43

HSL 37.69, 0.58%, 0.41%

LAB 53.23, 10.16, 46.75

 

CMYK 0 / 31 / 84 / 42

HEX #936518

RGB 147 101 24

HSL 37.56, 0.72%, 0.34%

LAB 46.41, 11.86, 47.32

 

CMYK 0 / 36 / 96 / 49

HEX #825305

RGB 130 83 5

HSL 37.44, 0.93%, 0.26%

LAB 39.48, 13.93, 46.61

 

CMYK 0 / 42 / 100 / 56

HEX #714100

RGB 113 65 0

HSL 34.51, 1%, 0.22%

LAB 32.46, 16.45, 42.4

 

CMYK 0 / 51 / 100 / 62

HEX #602F00

RGB 96 47 0

HSL 29.38, 1%, 0.19%

LAB 25.32, 19.2, 35.58

 

CMYK 0 / 27 / 74 / 35

HEX #A5782B

RGB 165 120 43

HSL 37.87, 0.59%, 0.41%

LAB 53.61, 10.05, 47.17

 

CMYK 0 / 47 / 74 / 35

HEX #A5572B

RGB 165 87 43

HSL 21.64, 0.59%, 0.41%

LAB 45.62, 28.59, 38.89

 

CMYK 0 / 67 / 74 / 35

HEX #A5362B

RGB 165 54 43

HSL 5.41, 0.59%, 0.41%

LAB 39.26, 45.01, 31.92

 

CMYK 0 / 74 / 74 / 35

HEX #A52B2B

RGB 165 43 43

HSL 0, 0.59%, 0.41%

LAB 37.67, 49.38, 30.1

 

CMYK 0 / 27 / 74 / 35

HEX #A5782B

RGB 165 120 43

HSL 37.87, 0.59%, 0.41%

LAB 53.61, 10.05, 47.17

 

CMYK 0 / 8 / 74 / 35

HEX #A5982B

RGB 165 152 43

HSL 53.61, 0.59%, 0.41%

LAB 62.19, -7.63, 55.6

 

CMYK 13 / 0 / 74 / 35

HEX #90A52B

RGB 144 165 43

HSL 70.33, 0.59%, 0.41%

LAB 64.17, -23.54, 56.91

 

CMYK 32 / 0 / 74 / 35

HEX #70A52B

RGB 112 165 43

HSL 86.07, 0.59%, 0.41%

LAB 62.11, -36.46, 54.19

 

CMYK 52 / 0 / 74 / 35

HEX #4FA52B

RGB 79 165 43

HSL 102.3, 0.59%, 0.41%

LAB 60.56, -47.64, 52.14

 

CMYK 0 / 27 / 74 / 35

HEX #A5782B

RGB 165 120 43

HSL 37.87, 0.59%, 0.41%

LAB 53.61, 10.05, 47.17

 

CMYK 0 / 32 / 86 / 29

HEX #B67C1A

RGB 182 124 26

HSL 37.69, 0.75%, 0.41%

LAB 56.52, 14.81, 56.99

 

CMYK 0 / 36 / 95 / 22

HEX #C7800A

RGB 199 128 10

HSL 37.46, 0.9%, 0.41%

LAB 59.53, 19.83, 63.94

 

CMYK 0 / 27 / 74 / 35

HEX #A5782B

RGB 165 120 43

HSL 37.87, 0.59%, 0.41%

LAB 53.61, 10.05, 47.17

 

CMYK 0 / 22 / 59 / 42

HEX #94733C

RGB 148 115 60

HSL 37.5, 0.42%, 0.41%

LAB 50.55, 6.31, 34.97

 

CMYK 0 / 15 / 41 / 49

HEX #836F4D

RGB 131 111 77

HSL 37.78, 0.26%, 0.41%

LAB 47.92, 2.76, 21.85

 

CMYK 0 / 6 / 18 / 55

HEX #726B5E

RGB 114 107 94

HSL 39, 0.1%, 0.41%

LAB 45.5, 0.34, 8.27

 

CMYK 13 / 8 / 0 / 56

HEX #61666F

RGB 97 102 111

HSL 218.57, 0.07%, 0.41%

LAB 43.05, 0.08, -5.72

 

CMYK 0 / 67 / 74 / 35

HEX #A5362B

RGB 165 54 43

HSL 5.41, 0.59%, 0.41%

LAB 39.26, 45.01, 31.92

 

CMYK 0 / 48 / 74 / 35

HEX #A5562B

RGB 165 86 43

HSL 21.15, 0.59%, 0.41%

LAB 45.4, 29.13, 38.65

 

CMYK 0 / 28 / 74 / 35

HEX #A5762B

RGB 165 118 43

HSL 36.89, 0.59%, 0.41%

LAB 53.09, 11.18, 46.65

 

CMYK 0 / 8 / 74 / 35

HEX #A5972B

RGB 165 151 43

HSL 53.11, 0.59%, 0.41%

LAB 61.92, -7.09, 55.34

 

CMYK 12 / 0 / 74 / 35

HEX #92A52B

RGB 146 165 43

HSL 69.34, 0.59%, 0.41%

LAB 64.32, -22.69, 57.1

 

CMYK 0 / 27 / 74 / 61

HEX #63481A

RGB 99 72 26

HSL 37.81, 0.58%, 0.25%

LAB 32.62, 6.32, 31.1

 

CMYK 0 / 27 / 73 / 48

HEX #846023

RGB 132 96 35

HSL 37.73, 0.58%, 0.33%

LAB 43.35, 8.26, 39.12

 

CMYK 0 / 27 / 74 / 35

HEX #A5782B

RGB 165 120 43

HSL 37.87, 0.59%, 0.41%

LAB 53.61, 10.05, 47.17

 

CMYK 0 / 27 / 74 / 23

HEX #C58F34

RGB 197 143 52

HSL 37.66, 0.58%, 0.49%

LAB 63.15, 11.93, 54.06

 

CMYK 0 / 22 / 61 / 18

HEX #D1A252

RGB 209 162 82

HSL 37.8, 0.58%, 0.57%

LAB 69.47, 8.57, 47.5

 

CMYK 0 / 27 / 74 / 36

HEX #A4772B

RGB 164 119 43

HSL 37.69, 0.58%, 0.41%

LAB 53.23, 10.16, 46.75

 

CMYK 60 / 0 / 74 / 35

HEX #42A52B

RGB 66 165 43

HSL 108.69, 0.59%, 0.41%

LAB 60.11, -51.18, 51.54

 

CMYK 58 / 74 / 0 / 35

HEX #462BA5

RGB 70 43 165

HSL 253.28, 0.59%, 0.41%

LAB 28.76, 44.51, -61.33

 

CMYK 0 / 27 / 74 / 36

HEX #A4772B

RGB 164 119 43

HSL 37.69, 0.58%, 0.41%

LAB 53.23, 10.16, 46.75

 

CMYK 74 / 0 / 28 / 35

HEX #2BA576

RGB 43 165 118

HSL 156.89, 0.59%, 0.41%

LAB 60.54, -44.29, 15.06

 

CMYK 28 / 74 / 0 / 35

HEX #762BA5

RGB 118 43 165

HSL 276.89, 0.59%, 0.41%

LAB 34.59, 52.89, -51.58

 

CMYK 0 / 27 / 74 / 36

HEX #A4772B

RGB 164 119 43

HSL 37.69, 0.58%, 0.41%

LAB 53.23, 10.16, 46.75

 

CMYK 60 / 0 / 74 / 35

HEX #42A52B

RGB 66 165 43

HSL 108.69, 0.59%, 0.41%

LAB 60.11, -51.18, 51.54

 

CMYK 74 / 45 / 0 / 35

HEX #2B5AA5

RGB 43 90 165

HSL 216.89, 0.59%, 0.41%

LAB 38.8, 10.69, -45.12

 

CMYK 14 / 74 / 0 / 35

HEX #8E2BA5

RGB 142 43 165

HSL 288.69, 0.59%, 0.41%

LAB 38.19, 57.8, -45.6

 

CMYK 0 / 27 / 74 / 36

HEX #A4772B

RGB 164 119 43

HSL 37.69, 0.58%, 0.41%

LAB 53.23, 10.16, 46.75

 

CMYK 74 / 0 / 65 / 35

HEX #2BA53A

RGB 43 165 58

HSL 127.38, 0.59%, 0.41%

LAB 59.64, -54.56, 44.76

 

CMYK 74 / 45 / 0 / 35

HEX #2B5AA5

RGB 43 90 165

HSL 216.89, 0.59%, 0.41%

LAB 38.8, 10.69, -45.12

 

CMYK 0 / 74 / 8 / 35

HEX #A52B97

RGB 165 43 151

HSL 306.89, 0.59%, 0.41%

LAB 41.15, 60.48, -32.22

 

Description

Color code: RGB 164 119 43 | qconv.com Color code: RGB 164 119 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 119 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 119 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 74 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 74% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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