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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 10 168 it is the complementary color RGB 91 245 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 10 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 10 168 shade: RGB 169 10 163, RGB 186 28 182, RGB 203 46 201, RGB 220 64 220 and RGB 237 82 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 10 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 10 168 shade: RGB 164 10 168, RGB 147 0 149, RGB 130 0 130, RGB 113 0 111 and RGB 96 0 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 10 168 shade: RGB 164 9 168, RGB 168 9 129, RGB 168 9 87, RGB 168 9 44 and RGB 168 9 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 10 168 shade: RGB 164 9 168, RGB 121 9 168, RGB 78 9 168, RGB 36 9 168 and RGB 9 9 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 10 168 shade matches the following richer shades: RGB 164 9 168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 10 168 shade: RGB 164 9 168, RGB 150 24 154, RGB 137 38 139, RGB 123 53 125 and RGB 109 67 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 10 168 shade: RGB 78 9 168, RGB 121 9 168, RGB 163 9 168, RGB 168 9 131 and RGB 168 9 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 10 168 shade: RGB 88 5 90, RGB 126 7 129, RGB 164 9 168, RGB 202 12 207 and RGB 235 19 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 10 168 shade: RGB 164 10 168, RGB 168 36 9 and RGB 9 168 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 10 168 shade: RGB 164 10 168, RGB 168 163 9 and RGB 9 168 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 10 168 shade: RGB 164 10 168, RGB 168 36 9, RGB 15 168 9 and RGB 9 142 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 10 168 shade: RGB 164 10 168, RGB 168 83 9, RGB 15 168 9 and RGB 9 94 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 94 / 0 / 34

HEX #A40AA8

RGB 164 10 168

HSL 298.48, 0.89%, 0.35%

LAB 39.47, 70.13, -45.13

 

Complementary color

CMYK 63 / 0 / 64 / 4

HEX #5BF557

RGB 91 245 87

HSL 118.48, 0.89%, 0.65%

LAB 86.11, -69.6, 62.1

 

CMYK 0 / 94 / 4 / 34

HEX #A90AA3

RGB 169 10 163

HSL 302.26, 0.89%, 0.35%

LAB 40.08, 70.24, -41.12

 

CMYK 0 / 85 / 2 / 27

HEX #BA1CB6

RGB 186 28 182

HSL 301.52, 0.74%, 0.42%

LAB 45.15, 73.46, -44.15

 

CMYK 0 / 77 / 1 / 20

HEX #CB2EC9

RGB 203 46 201

HSL 300.76, 0.63%, 0.49%

LAB 50.53, 75.48, -46.47

 

CMYK 0 / 71 / 0 / 14

HEX #DC40DC

RGB 220 64 220

HSL 300, 0.69%, 0.56%

LAB 56.14, 76.63, -48.25

 

CMYK 1 / 66 / 0 / 6

HEX #ED52EF

RGB 237 82 239

HSL 299.24, 0.83%, 0.63%

LAB 61.89, 77.17, -49.64

 

CMYK 2 / 94 / 0 / 34

HEX #A40AA8

RGB 164 10 168

HSL 298.48, 0.89%, 0.35%

LAB 39.47, 70.13, -45.13

 

CMYK 1 / 100 / 0 / 42

HEX #930095

RGB 147 0 149

HSL 299.19, 1%, 0.29%

LAB 34.75, 65.48, -41.37

 

CMYK 0 / 100 / 0 / 49

HEX #820082

RGB 130 0 130

HSL 300, 1%, 0.25%

LAB 30.3, 59.6, -36.91

 

CMYK 0 / 100 / 2 / 56

HEX #71006F

RGB 113 0 111

HSL 301.06, 1%, 0.22%

LAB 25.74, 53.58, -32.3

 

CMYK 0 / 100 / 4 / 62

HEX #60005C

RGB 96 0 92

HSL 302.5, 1%, 0.19%

LAB 21.05, 47.4, -27.53

 

CMYK 2 / 95 / 0 / 34

HEX #A409A8

RGB 164 9 168

HSL 298.49, 0.9%, 0.35%

LAB 39.44, 70.24, -45.19

 

CMYK 0 / 95 / 23 / 34

HEX #A80981

RGB 168 9 129

HSL 314.72, 0.9%, 0.35%

LAB 38.03, 65.54, -23.59

 

CMYK 0 / 95 / 48 / 34

HEX #A80957

RGB 168 9 87

HSL 330.57, 0.9%, 0.35%

LAB 36.38, 61.17, 0.54

 

CMYK 0 / 95 / 74 / 34

HEX #A8092C

RGB 168 9 44

HSL 346.79, 0.9%, 0.35%

LAB 35.4, 58.48, 27.02

 

CMYK 0 / 95 / 95 / 34

HEX #A80909

RGB 168 9 9

HSL 0, 0.9%, 0.35%

LAB 35.08, 57.58, 45.53

 

CMYK 2 / 95 / 0 / 34

HEX #A409A8

RGB 164 9 168

HSL 298.49, 0.9%, 0.35%

LAB 39.44, 70.24, -45.19

 

CMYK 28 / 95 / 0 / 34

HEX #7909A8

RGB 121 9 168

HSL 282.26, 0.9%, 0.35%

LAB 32.01, 63.59, -57.57

 

CMYK 54 / 95 / 0 / 34

HEX #4E09A8

RGB 78 9 168

HSL 266.04, 0.9%, 0.35%

LAB 25.69, 58.74, -68.18

 

CMYK 79 / 95 / 0 / 34

HEX #2409A8

RGB 36 9 168

HSL 250.19, 0.9%, 0.35%

LAB 21.57, 56.2, -75.15

 

CMYK 95 / 95 / 0 / 34

HEX #0909A8

RGB 9 9 168

HSL 240, 0.9%, 0.35%

LAB 20.36, 55.58, -77.19

 

CMYK 2 / 95 / 0 / 34

HEX #A409A8

RGB 164 9 168

HSL 298.49, 0.9%, 0.35%

LAB 39.44, 70.24, -45.19

 

CMYK 2 / 95 / 0 / 34

HEX #A409A8

RGB 164 9 168

HSL 298.49, 0.9%, 0.35%

LAB 39.44, 70.24, -45.19

 

CMYK 3 / 84 / 0 / 40

HEX #96189A

RGB 150 24 154

HSL 298.15, 0.73%, 0.35%

LAB 36.87, 63.09, -40.99

 

CMYK 1 / 73 / 0 / 45

HEX #89268B

RGB 137 38 139

HSL 298.81, 0.57%, 0.35%

LAB 35.14, 53.73, -34.71

 

CMYK 2 / 58 / 0 / 51

HEX #7B357D

RGB 123 53 125

HSL 298.33, 0.4%, 0.35%

LAB 34.47, 41, -27.23

 

CMYK 1 / 39 / 0 / 57

HEX #6D436E

RGB 109 67 110

HSL 298.6, 0.24%, 0.35%

LAB 34.78, 25.71, -17.5

 

CMYK 54 / 95 / 0 / 34

HEX #4E09A8

RGB 78 9 168

HSL 266.04, 0.9%, 0.35%

LAB 25.69, 58.74, -68.18

 

CMYK 28 / 95 / 0 / 34

HEX #7909A8

RGB 121 9 168

HSL 282.26, 0.9%, 0.35%

LAB 32.01, 63.59, -57.57

 

CMYK 3 / 95 / 0 / 34

HEX #A309A8

RGB 163 9 168

HSL 298.11, 0.9%, 0.35%

LAB 39.26, 70.07, -45.49

 

CMYK 0 / 95 / 22 / 34

HEX #A80983

RGB 168 9 131

HSL 313.96, 0.9%, 0.35%

LAB 38.13, 65.78, -24.68

 

CMYK 0 / 95 / 47 / 34

HEX #A80959

RGB 168 9 89

HSL 329.81, 0.9%, 0.35%

LAB 36.45, 61.34, -0.66

 

CMYK 2 / 94 / 0 / 65

HEX #58055A

RGB 88 5 90

HSL 298.59, 0.89%, 0.19%

LAB 19.73, 44.25, -28.41

 

CMYK 2 / 95 / 0 / 49

HEX #7E0781

RGB 126 7 129

HSL 298.52, 0.9%, 0.27%

LAB 29.84, 57.63, -37.05

 

CMYK 2 / 95 / 0 / 34

HEX #A409A8

RGB 164 9 168

HSL 298.49, 0.9%, 0.35%

LAB 39.44, 70.24, -45.19

 

CMYK 2 / 94 / 0 / 19

HEX #CA0CCF

RGB 202 12 207

HSL 298.46, 0.89%, 0.43%

LAB 48.67, 82.19, -52.92

 

CMYK 2 / 92 / 0 / 5

HEX #EB13F1

RGB 235 19 241

HSL 298.38, 0.89%, 0.51%

LAB 56.56, 91.85, -59.25

 

CMYK 2 / 94 / 0 / 34

HEX #A40AA8

RGB 164 10 168

HSL 298.48, 0.89%, 0.35%

LAB 39.47, 70.13, -45.13

 

CMYK 0 / 79 / 95 / 34

HEX #A82409

RGB 168 36 9

HSL 10.19, 0.9%, 0.35%

LAB 37.13, 51.77, 46.77

 

CMYK 95 / 0 / 41 / 34

HEX #09A863

RGB 9 168 99

HSL 153.96, 0.9%, 0.35%

LAB 60.75, -52.64, 25.63

 

CMYK 2 / 94 / 0 / 34

HEX #A40AA8

RGB 164 10 168

HSL 298.48, 0.89%, 0.35%

LAB 39.47, 70.13, -45.13

 

CMYK 0 / 3 / 95 / 34

HEX #A8A309

RGB 168 163 9

HSL 58.11, 0.9%, 0.35%

LAB 65.39, -13.07, 66.93

 

CMYK 95 / 0 / 3 / 34

HEX #09A8A3

RGB 9 168 163

HSL 178.11, 0.9%, 0.35%

LAB 62.26, -36.38, -7.69

 

CMYK 2 / 94 / 0 / 34

HEX #A40AA8

RGB 164 10 168

HSL 298.48, 0.89%, 0.35%

LAB 39.47, 70.13, -45.13

 

CMYK 0 / 79 / 95 / 34

HEX #A82409

RGB 168 36 9

HSL 10.19, 0.9%, 0.35%

LAB 37.13, 51.77, 46.77

 

CMYK 91 / 0 / 95 / 34

HEX #0FA809

RGB 15 168 9

HSL 117.74, 0.9%, 0.35%

LAB 60, -61.98, 59.72

 

CMYK 95 / 15 / 0 / 34

HEX #098EA8

RGB 9 142 168

HSL 189.81, 0.9%, 0.35%

LAB 54.27, -21.99, -22.62

 

CMYK 2 / 94 / 0 / 34

HEX #A40AA8

RGB 164 10 168

HSL 298.48, 0.89%, 0.35%

LAB 39.47, 70.13, -45.13

 

CMYK 0 / 51 / 95 / 34

HEX #A85309

RGB 168 83 9

HSL 27.92, 0.9%, 0.35%

LAB 44.99, 30.97, 51.97

 

CMYK 91 / 0 / 95 / 34

HEX #0FA809

RGB 15 168 9

HSL 117.74, 0.9%, 0.35%

LAB 60, -61.98, 59.72

 

CMYK 95 / 44 / 0 / 34

HEX #095EA8

RGB 9 94 168

HSL 207.92, 0.9%, 0.35%

LAB 39.4, 6.23, -45.99

 

Description

Color code: RGB 164 10 168 | qconv.com Color code: RGB 164 10 168 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 10 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 10 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 94 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 94% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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