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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 107 111 it is the complementary color RGB 91 148 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 107 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 107 111 shade: RGB 169 107 106, RGB 186 125 125, RGB 203 143 144, RGB 220 161 163 and RGB 237 179 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 107 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 107 111 shade: RGB 164 107 111, RGB 147 89 92, RGB 130 71 73, RGB 113 53 54 and RGB 96 35 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 107 111 shade: RGB 163 106 110 and RGB 163 106 106

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 107 111 shade: RGB 163 106 110, RGB 163 106 125, RGB 163 106 141, RGB 163 106 156 and RGB 155 106 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 107 111 shade matches the following richer shades: RGB 163 106 110, RGB 183 86 93, RGB 202 67 77, RGB 222 48 60 and RGB 241 28 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 107 111 shade: RGB 163 106 110, RGB 144 125 127, RGB 125 145 143, RGB 105 164 160 and RGB 86 183 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 107 111 shade: RGB 163 106 141, RGB 163 106 126, RGB 163 106 111, RGB 163 116 106 and RGB 163 132 106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 107 111 shade: RGB 116 71 74, RGB 142 87 90, RGB 163 106 110, RGB 179 131 135 and RGB 195 157 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 107 111 shade: RGB 164 107 111, RGB 157 163 106 and RGB 106 134 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 107 111 shade: RGB 164 107 111, RGB 111 163 106 and RGB 106 111 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 107 111 shade: RGB 164 107 111, RGB 157 163 106, RGB 106 163 159 and RGB 113 106 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 107 111 shade: RGB 164 107 111, RGB 139 163 106, RGB 106 163 159 and RGB 130 106 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 32 / 36

HEX #A46B6F

RGB 164 107 111

HSL 355.79, 0.24%, 0.53%

LAB 51.33, 23.32, 7.19

 

Complementary color

CMYK 39 / 0 / 3 / 42

HEX #5B9490

RGB 91 148 144

HSL 175.79, 0.24%, 0.47%

LAB 57.48, -19.64, -3.8

 

CMYK 0 / 37 / 37 / 34

HEX #A96B6A

RGB 169 107 106

HSL 0.95, 0.27%, 0.54%

LAB 51.83, 24.64, 10.93

 

CMYK 0 / 33 / 33 / 27

HEX #BA7D7D

RGB 186 125 125

HSL 0, 0.31%, 0.61%

LAB 58.59, 23.72, 9.69

 

CMYK 0 / 30 / 29 / 20

HEX #CB8F90

RGB 203 143 144

HSL 359, 0.37%, 0.68%

LAB 65.24, 22.89, 8.59

 

CMYK 0 / 27 / 26 / 14

HEX #DCA1A3

RGB 220 161 163

HSL 357.97, 0.46%, 0.75%

LAB 71.79, 22.15, 7.6

 

CMYK 0 / 24 / 23 / 7

HEX #EDB3B6

RGB 237 179 182

HSL 356.9, 0.62%, 0.82%

LAB 78.24, 21.49, 6.69

 

CMYK 0 / 35 / 32 / 36

HEX #A46B6F

RGB 164 107 111

HSL 355.79, 0.24%, 0.53%

LAB 51.33, 23.32, 7.19

 

CMYK 0 / 39 / 37 / 42

HEX #93595C

RGB 147 89 92

HSL 356.9, 0.25%, 0.46%

LAB 44.41, 24.28, 8.45

 

CMYK 0 / 45 / 44 / 49

HEX #824749

RGB 130 71 73

HSL 357.97, 0.29%, 0.39%

LAB 37.36, 25.36, 9.96

 

CMYK 0 / 53 / 52 / 56

HEX #713536

RGB 113 53 54

HSL 359, 0.36%, 0.33%

LAB 30.21, 26.56, 11.84

 

CMYK 0 / 64 / 64 / 62

HEX #602323

RGB 96 35 35

HSL 0, 0.47%, 0.26%

LAB 23.03, 27.79, 14.32

 

CMYK 0 / 35 / 33 / 36

HEX #A36A6E

RGB 163 106 110

HSL 355.79, 0.24%, 0.53%

LAB 50.94, 23.35, 7.21

 

CMYK 0 / 35 / 35 / 36

HEX #A36A6A

RGB 163 106 106

HSL 0, 0.24%, 0.53%

LAB 50.85, 22.82, 9.44

 

CMYK 0 / 35 / 33 / 36

HEX #A36A6E

RGB 163 106 110

HSL 355.79, 0.24%, 0.53%

LAB 50.94, 23.35, 7.21

 

CMYK 0 / 35 / 23 / 36

HEX #A36A7D

RGB 163 106 125

HSL 340, 0.24%, 0.53%

LAB 51.35, 25.54, -1.09

 

CMYK 0 / 35 / 13 / 36

HEX #A36A8D

RGB 163 106 141

HSL 323.16, 0.24%, 0.53%

LAB 51.86, 28.15, -9.8

 

CMYK 0 / 35 / 4 / 36

HEX #A36A9C

RGB 163 106 156

HSL 307.37, 0.24%, 0.53%

LAB 52.39, 30.86, -17.8

 

CMYK 5 / 35 / 0 / 36

HEX #9B6AA3

RGB 155 106 163

HSL 291.58, 0.24%, 0.53%

LAB 51.75, 29.55, -22.96

 

CMYK 0 / 35 / 33 / 36

HEX #A36A6E

RGB 163 106 110

HSL 355.79, 0.24%, 0.53%

LAB 50.94, 23.35, 7.21

 

CMYK 0 / 53 / 49 / 28

HEX #B7565D

RGB 183 86 93

HSL 355.67, 0.4%, 0.53%

LAB 48.9, 39.9, 14.88

 

CMYK 0 / 67 / 62 / 21

HEX #CA434D

RGB 202 67 77

HSL 355.56, 0.56%, 0.53%

LAB 48.39, 53.95, 24.35

 

CMYK 0 / 78 / 73 / 13

HEX #DE303C

RGB 222 48 60

HSL 355.86, 0.73%, 0.53%

LAB 49.46, 65.67, 36.51

 

CMYK 0 / 88 / 82 / 5

HEX #F11C2B

RGB 241 28 43

HSL 355.77, 0.88%, 0.53%

LAB 51.5, 74.54, 49.17

 

CMYK 0 / 35 / 33 / 36

HEX #A36A6E

RGB 163 106 110

HSL 355.79, 0.24%, 0.53%

LAB 50.94, 23.35, 7.21

 

CMYK 0 / 13 / 12 / 44

HEX #907D7F

RGB 144 125 127

HSL 353.68, 0.08%, 0.53%

LAB 54.16, 7.63, 1.59

 

CMYK 14 / 0 / 1 / 43

HEX #7D918F

RGB 125 145 143

HSL 174, 0.08%, 0.53%

LAB 58.6, -7.54, -1.35

 

CMYK 36 / 0 / 2 / 36

HEX #69A4A0

RGB 105 164 160

HSL 175.93, 0.24%, 0.53%

LAB 63.42, -20.07, -4.02

 

CMYK 53 / 0 / 3 / 28

HEX #56B7B1

RGB 86 183 177

HSL 176.29, 0.4%, 0.53%

LAB 68.77, -29.9, -5.66

 

CMYK 0 / 35 / 13 / 36

HEX #A36A8D

RGB 163 106 141

HSL 323.16, 0.24%, 0.53%

LAB 51.86, 28.15, -9.8

 

CMYK 0 / 35 / 23 / 36

HEX #A36A7E

RGB 163 106 126

HSL 338.95, 0.24%, 0.53%

LAB 51.38, 25.69, -1.63

 

CMYK 0 / 35 / 32 / 36

HEX #A36A6F

RGB 163 106 111

HSL 354.74, 0.24%, 0.53%

LAB 50.97, 23.49, 6.65

 

CMYK 0 / 29 / 35 / 36

HEX #A3746A

RGB 163 116 106

HSL 10.53, 0.24%, 0.53%

LAB 53.3, 17.13, 12.87

 

CMYK 0 / 19 / 35 / 36

HEX #A3846A

RGB 163 132 106

HSL 27.37, 0.24%, 0.53%

LAB 57.4, 8.04, 18.52

 

CMYK 0 / 39 / 36 / 55

HEX #74474A

RGB 116 71 74

HSL 356, 0.24%, 0.37%

LAB 35.43, 19.69, 6.33

 

CMYK 0 / 39 / 37 / 44

HEX #8E575A

RGB 142 87 90

HSL 356.73, 0.24%, 0.45%

LAB 43.22, 23.15, 7.9

 

CMYK 0 / 35 / 33 / 36

HEX #A36A6E

RGB 163 106 110

HSL 355.79, 0.24%, 0.53%

LAB 50.94, 23.35, 7.21

 

CMYK 0 / 27 / 25 / 30

HEX #B38387

RGB 179 131 135

HSL 355, 0.24%, 0.61%

LAB 59.49, 19.06, 5.13

 

CMYK 0 / 19 / 18 / 24

HEX #C39DA0

RGB 195 157 160

HSL 355.26, 0.24%, 0.69%

LAB 68.21, 14.54, 3.78

 

CMYK 0 / 35 / 32 / 36

HEX #A46B6F

RGB 164 107 111

HSL 355.79, 0.24%, 0.53%

LAB 51.33, 23.32, 7.19

 

CMYK 4 / 0 / 35 / 36

HEX #9DA36A

RGB 157 163 106

HSL 66.32, 0.24%, 0.53%

LAB 65.28, -11.42, 28.94

 

CMYK 35 / 18 / 0 / 36

HEX #6A86A3

RGB 106 134 163

HSL 210.53, 0.24%, 0.53%

LAB 54.82, -2.62, -18.62

 

CMYK 0 / 35 / 32 / 36

HEX #A46B6F

RGB 164 107 111

HSL 355.79, 0.24%, 0.53%

LAB 51.33, 23.32, 7.19

 

CMYK 32 / 0 / 35 / 36

HEX #6FA36A

RGB 111 163 106

HSL 114.74, 0.24%, 0.53%

LAB 62.18, -28.81, 24.28

 

CMYK 35 / 32 / 0 / 36

HEX #6A6FA3

RGB 106 111 163

HSL 234.74, 0.24%, 0.53%

LAB 48.36, 11, -28.59

 

CMYK 0 / 35 / 32 / 36

HEX #A46B6F

RGB 164 107 111

HSL 355.79, 0.24%, 0.53%

LAB 51.33, 23.32, 7.19

 

CMYK 4 / 0 / 35 / 36

HEX #9DA36A

RGB 157 163 106

HSL 66.32, 0.24%, 0.53%

LAB 65.28, -11.42, 28.94

 

CMYK 35 / 0 / 2 / 36

HEX #6AA39F

RGB 106 163 159

HSL 175.79, 0.24%, 0.53%

LAB 63.15, -19.51, -3.86

 

CMYK 31 / 35 / 0 / 36

HEX #716AA3

RGB 113 106 163

HSL 247.37, 0.24%, 0.53%

LAB 47.58, 16.12, -29.76

 

CMYK 0 / 35 / 32 / 36

HEX #A46B6F

RGB 164 107 111

HSL 355.79, 0.24%, 0.53%

LAB 51.33, 23.32, 7.19

 

CMYK 15 / 0 / 35 / 36

HEX #8BA36A

RGB 139 163 106

HSL 85.26, 0.24%, 0.53%

LAB 63.94, -18.55, 26.92

 

CMYK 35 / 0 / 2 / 36

HEX #6AA39F

RGB 106 163 159

HSL 175.79, 0.24%, 0.53%

LAB 63.15, -19.51, -3.86

 

CMYK 20 / 35 / 0 / 36

HEX #826AA3

RGB 130 106 163

HSL 265.26, 0.24%, 0.53%

LAB 49.13, 21.41, -27.23

 

Description

Color code: RGB 164 107 111 | qconv.com Color code: RGB 164 107 111 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 107 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 107 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 32 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 32% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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