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Color name
RGB 163 67 128

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 67 128 it is the complementary color RGB 92 188 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 67 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 67 128 shade: RGB 168 67 123, RGB 185 85 142, RGB 202 103 161, RGB 219 121 180 and RGB 236 139 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 67 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 67 128 shade: RGB 163 67 128, RGB 146 49 109, RGB 129 31 90, RGB 112 13 71 and RGB 95 0 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 67 128 shade: RGB 162 66 127, RGB 162 66 101, RGB 162 66 75 and RGB 162 66 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 67 128 shade: RGB 162 66 127, RGB 162 66 153, RGB 146 66 162, RGB 120 66 162 and RGB 94 66 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 67 128 shade matches the following richer shades: RGB 162 66 127, RGB 181 47 132, RGB 200 29 137 and RGB 218 10 142

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 67 128 shade: RGB 162 66 127, RGB 144 85 122, RGB 125 103 117, RGB 107 122 112 and RGB 88 140 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 67 128 shade: RGB 145 66 162, RGB 162 66 154, RGB 162 66 129, RGB 162 66 103 and RGB 162 66 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 67 128 shade: RGB 104 42 81, RGB 133 54 104, RGB 162 66 127, RGB 185 85 148 and RGB 197 114 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 67 128 shade: RGB 163 67 128, RGB 162 119 66 and RGB 66 162 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 67 128 shade: RGB 163 67 128, RGB 129 162 66 and RGB 66 129 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 67 128 shade: RGB 163 67 128, RGB 162 119 66, RGB 66 162 100 and RGB 66 109 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 67 128 shade: RGB 163 67 128, RGB 162 148 66, RGB 66 162 100 and RGB 66 81 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 21 / 36

HEX #A34380

RGB 163 67 128

HSL 321.88, 0.42%, 0.45%

LAB 43.3, 46.71, -14.93

 

Complementary color

CMYK 51 / 0 / 32 / 26

HEX #5CBC7F

RGB 92 188 127

HSL 141.88, 0.42%, 0.55%

LAB 69.31, -42.19, 22.41

 

CMYK 0 / 60 / 27 / 34

HEX #A8437B

RGB 168 67 123

HSL 326.73, 0.43%, 0.46%

LAB 43.9, 47.55, -10.89

 

CMYK 0 / 54 / 23 / 27

HEX #B9558E

RGB 185 85 142

HSL 325.8, 0.42%, 0.53%

LAB 50.41, 46.99, -12.27

 

CMYK 0 / 49 / 20 / 21

HEX #CA67A1

RGB 202 103 161

HSL 324.85, 0.48%, 0.6%

LAB 56.91, 46.29, -13.4

 

CMYK 0 / 45 / 18 / 14

HEX #DB79B4

RGB 219 121 180

HSL 323.88, 0.58%, 0.67%

LAB 63.37, 45.53, -14.34

 

CMYK 0 / 41 / 16 / 7

HEX #EC8BC7

RGB 236 139 199

HSL 322.89, 0.72%, 0.74%

LAB 69.77, 44.76, -15.16

 

CMYK 0 / 59 / 21 / 36

HEX #A34380

RGB 163 67 128

HSL 321.88, 0.42%, 0.45%

LAB 43.3, 46.71, -14.93

 

CMYK 0 / 66 / 25 / 43

HEX #92316D

RGB 146 49 109

HSL 322.89, 0.5%, 0.38%

LAB 36.77, 46.98, -13.36

 

CMYK 0 / 76 / 30 / 49

HEX #811F5A

RGB 129 31 90

HSL 323.88, 0.61%, 0.31%

LAB 30.36, 46.65, -11.21

 

CMYK 0 / 88 / 37 / 56

HEX #700D47

RGB 112 13 71

HSL 324.85, 0.79%, 0.25%

LAB 24.28, 45.16, -8.11

 

CMYK 0 / 100 / 45 / 63

HEX #5F0034

RGB 95 0 52

HSL 327.16, 1%, 0.19%

LAB 18.72, 41.85, -3.64

 

CMYK 0 / 59 / 22 / 36

HEX #A2427F

RGB 162 66 127

HSL 321.88, 0.42%, 0.45%

LAB 42.93, 46.72, -14.9

 

CMYK 0 / 59 / 38 / 36

HEX #A24265

RGB 162 66 101

HSL 338.13, 0.42%, 0.45%

LAB 42.03, 43.25, -0.21

 

CMYK 0 / 59 / 54 / 36

HEX #A2424B

RGB 162 66 75

HSL 354.38, 0.42%, 0.45%

LAB 41.35, 40.55, 15

 

CMYK 0 / 59 / 59 / 36

HEX #A24242

RGB 162 66 66

HSL 0, 0.42%, 0.45%

LAB 41.17, 39.81, 20.3

 

CMYK 0 / 59 / 22 / 36

HEX #A2427F

RGB 162 66 127

HSL 321.88, 0.42%, 0.45%

LAB 42.93, 46.72, -14.9

 

CMYK 0 / 59 / 6 / 36

HEX #A24299

RGB 162 66 153

HSL 305.63, 0.42%, 0.45%

LAB 44.06, 50.89, -28.9

 

CMYK 10 / 59 / 0 / 36

HEX #9242A2

RGB 146 66 162

HSL 290, 0.42%, 0.45%

LAB 42.18, 48.22, -37.4

 

CMYK 26 / 59 / 0 / 36

HEX #7842A2

RGB 120 66 162

HSL 273.75, 0.42%, 0.45%

LAB 38.72, 41.44, -43.12

 

CMYK 42 / 59 / 0 / 36

HEX #5E42A2

RGB 94 66 162

HSL 257.5, 0.42%, 0.45%

LAB 35.76, 35.07, -48.03

 

CMYK 0 / 59 / 22 / 36

HEX #A2427F

RGB 162 66 127

HSL 321.88, 0.42%, 0.45%

LAB 42.93, 46.72, -14.9

 

CMYK 0 / 74 / 27 / 29

HEX #B52F84

RGB 181 47 132

HSL 321.94, 0.59%, 0.45%

LAB 43.54, 60.43, -16.73

 

CMYK 0 / 86 / 32 / 22

HEX #C81D89

RGB 200 29 137

HSL 322.11, 0.75%, 0.45%

LAB 45.59, 70.28, -16.35

 

CMYK 0 / 95 / 35 / 15

HEX #DA0A8E

RGB 218 10 142

HSL 321.92, 0.91%, 0.45%

LAB 48.36, 77.21, -14.85

 

CMYK 0 / 59 / 22 / 36

HEX #A2427F

RGB 162 66 127

HSL 321.88, 0.42%, 0.45%

LAB 42.93, 46.72, -14.9

 

CMYK 0 / 41 / 15 / 44

HEX #90557A

RGB 144 85 122

HSL 322.37, 0.26%, 0.45%

LAB 43.99, 29.94, -10.48

 

CMYK 0 / 18 / 6 / 51

HEX #7D6775

RGB 125 103 117

HSL 321.82, 0.1%, 0.45%

LAB 46.1, 11.34, -4.53

 

CMYK 12 / 0 / 8 / 52

HEX #6B7A70

RGB 107 122 112

HSL 140, 0.07%, 0.45%

LAB 49.76, -7.65, 3.6

 

CMYK 37 / 0 / 24 / 45

HEX #588C6B

RGB 88 140 107

HSL 141.92, 0.23%, 0.45%

LAB 53.91, -24.95, 12.24

 

CMYK 10 / 59 / 0 / 36

HEX #9142A2

RGB 145 66 162

HSL 289.38, 0.42%, 0.45%

LAB 42.04, 47.96, -37.64

 

CMYK 0 / 59 / 5 / 36

HEX #A2429A

RGB 162 66 154

HSL 305, 0.42%, 0.45%

LAB 44.1, 51.06, -29.43

 

CMYK 0 / 59 / 20 / 36

HEX #A24281

RGB 162 66 129

HSL 320.63, 0.42%, 0.45%

LAB 43.01, 47.02, -16

 

CMYK 0 / 59 / 36 / 36

HEX #A24267

RGB 162 66 103

HSL 336.88, 0.42%, 0.45%

LAB 42.09, 43.49, -1.36

 

CMYK 0 / 59 / 52 / 36

HEX #A2424D

RGB 162 66 77

HSL 353.13, 0.42%, 0.45%

LAB 41.4, 40.73, 13.82

 

CMYK 0 / 60 / 22 / 59

HEX #682A51

RGB 104 42 81

HSL 322.26, 0.42%, 0.29%

LAB 27.28, 32.78, -10.4

 

CMYK 0 / 59 / 22 / 48

HEX #853668

RGB 133 54 104

HSL 322.03, 0.42%, 0.37%

LAB 35.25, 39.91, -12.7

 

CMYK 0 / 59 / 22 / 36

HEX #A2427F

RGB 162 66 127

HSL 321.88, 0.42%, 0.45%

LAB 42.93, 46.72, -14.9

 

CMYK 0 / 54 / 20 / 27

HEX #B95594

RGB 185 85 148

HSL 322.2, 0.42%, 0.53%

LAB 50.63, 47.87, -15.51

 

CMYK 0 / 42 / 15 / 23

HEX #C572A7

RGB 197 114 167

HSL 321.69, 0.42%, 0.61%

LAB 58.69, 39.88, -14.24

 

CMYK 0 / 59 / 21 / 36

HEX #A34380

RGB 163 67 128

HSL 321.88, 0.42%, 0.45%

LAB 43.3, 46.71, -14.93

 

CMYK 0 / 27 / 59 / 36

HEX #A27742

RGB 162 119 66

HSL 33.13, 0.42%, 0.45%

LAB 53.24, 10.76, 35.36

 

CMYK 59 / 0 / 2 / 36

HEX #42A29E

RGB 66 162 158

HSL 177.5, 0.42%, 0.45%

LAB 61.19, -28.84, -6.36

 

CMYK 0 / 59 / 21 / 36

HEX #A34380

RGB 163 67 128

HSL 321.88, 0.42%, 0.45%

LAB 43.3, 46.71, -14.93

 

CMYK 20 / 0 / 59 / 36

HEX #81A242

RGB 129 162 66

HSL 80.63, 0.42%, 0.45%

LAB 62.42, -26.65, 45.25

 

CMYK 59 / 20 / 0 / 36

HEX #4281A2

RGB 66 129 162

HSL 200.63, 0.42%, 0.45%

LAB 51.23, -10.19, -23.73

 

CMYK 0 / 59 / 21 / 36

HEX #A34380

RGB 163 67 128

HSL 321.88, 0.42%, 0.45%

LAB 43.3, 46.71, -14.93

 

CMYK 0 / 27 / 59 / 36

HEX #A27742

RGB 162 119 66

HSL 33.13, 0.42%, 0.45%

LAB 53.24, 10.76, 35.36

 

CMYK 59 / 0 / 38 / 36

HEX #42A264

RGB 66 162 100

HSL 141.25, 0.42%, 0.45%

LAB 59.82, -42.52, 24.03

 

CMYK 59 / 33 / 0 / 36

HEX #426DA2

RGB 66 109 162

HSL 213.13, 0.42%, 0.45%

LAB 45.23, 1.63, -33.08

 

CMYK 0 / 59 / 21 / 36

HEX #A34380

RGB 163 67 128

HSL 321.88, 0.42%, 0.45%

LAB 43.3, 46.71, -14.93

 

CMYK 0 / 9 / 59 / 36

HEX #A29442

RGB 162 148 66

HSL 51.25, 0.42%, 0.45%

LAB 61.01, -5.39, 44.36

 

CMYK 59 / 0 / 38 / 36

HEX #42A264

RGB 66 162 100

HSL 141.25, 0.42%, 0.45%

LAB 59.82, -42.52, 24.03

 

CMYK 59 / 50 / 0 / 36

HEX #4251A2

RGB 66 81 162

HSL 230.63, 0.42%, 0.45%

LAB 37.21, 19.45, -45.82

 

Description

Color code: RGB 163 67 128 | qconv.com Color code: RGB 163 67 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 67 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 67 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 21 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 21% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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