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Color name
RGB 163 29 143

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 29 143 it is the complementary color RGB 92 226 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 29 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 29 143 shade: RGB 168 29 138, RGB 185 47 157, RGB 202 65 176, RGB 219 83 195 and RGB 236 101 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 29 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 29 143 shade: RGB 163 29 143, RGB 146 11 124, RGB 129 0 105, RGB 112 0 86 and RGB 95 0 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 29 143 shade: RGB 164 29 144, RGB 164 29 107, RGB 164 29 71, RGB 164 29 34 and RGB 164 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 29 143 shade: RGB 164 29 144, RGB 148 29 164, RGB 111 29 164, RGB 75 29 164 and RGB 38 29 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 29 143 shade matches the following richer shades: RGB 164 29 144 and RGB 180 13 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 29 143 shade: RGB 164 29 144, RGB 149 44 133, RGB 133 60 122, RGB 117 76 111 and RGB 102 91 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 29 143 shade: RGB 110 29 164, RGB 146 29 164, RGB 164 29 146, RGB 164 29 110 and RGB 164 29 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 29 143 shade: RGB 94 16 82, RGB 129 22 113, RGB 164 29 144, RGB 199 35 175 and RGB 219 56 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 29 143 shade: RGB 163 29 143, RGB 164 74 29 and RGB 29 164 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 29 143 shade: RGB 163 29 143, RGB 146 164 29 and RGB 29 146 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 29 143 shade: RGB 163 29 143, RGB 164 74 29, RGB 29 164 47 and RGB 29 119 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 29 143 shade: RGB 163 29 143, RGB 164 114 29, RGB 29 164 47 and RGB 29 78 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 12 / 36

HEX #A31D8F

RGB 163 29 143

HSL 308.96, 0.7%, 0.38%

LAB 38.98, 62.87, -30.79

 

Complementary color

CMYK 59 / 0 / 50 / 11

HEX #5CE270

RGB 92 226 112

HSL 128.96, 0.7%, 0.62%

LAB 80.65, -59.8, 44.7

 

CMYK 0 / 83 / 18 / 34

HEX #A81D8A

RGB 168 29 138

HSL 312.95, 0.71%, 0.39%

LAB 39.65, 63.26, -26.62

 

CMYK 0 / 75 / 15 / 27

HEX #B92F9D

RGB 185 47 157

HSL 312.17, 0.59%, 0.45%

LAB 45.33, 64.76, -29.03

 

CMYK 0 / 68 / 13 / 21

HEX #CA41B0

RGB 202 65 176

HSL 311.39, 0.56%, 0.52%

LAB 51.23, 65.42, -30.85

 

CMYK 0 / 62 / 11 / 14

HEX #DB53C3

RGB 219 83 195

HSL 310.59, 0.65%, 0.59%

LAB 57.26, 65.55, -32.27

 

CMYK 0 / 57 / 9 / 7

HEX #EC65D6

RGB 236 101 214

HSL 309.78, 0.78%, 0.66%

LAB 63.34, 65.34, -33.39

 

CMYK 0 / 82 / 12 / 36

HEX #A31D8F

RGB 163 29 143

HSL 308.96, 0.7%, 0.38%

LAB 38.98, 62.87, -30.79

 

CMYK 0 / 92 / 15 / 43

HEX #920B7C

RGB 146 11 124

HSL 309.78, 0.86%, 0.31%

LAB 33.57, 60.14, -27.75

 

CMYK 0 / 100 / 19 / 49

HEX #810069

RGB 129 0 105

HSL 311.16, 1%, 0.25%

LAB 28.61, 55.76, -23.67

 

CMYK 0 / 100 / 23 / 56

HEX #700056

RGB 112 0 86

HSL 313.93, 1%, 0.22%

LAB 24.05, 49.73, -18.57

 

CMYK 0 / 100 / 29 / 63

HEX #5F0043

RGB 95 0 67

HSL 317.68, 1%, 0.19%

LAB 19.38, 43.57, -13.17

 

CMYK 0 / 82 / 12 / 36

HEX #A41D90

RGB 164 29 144

HSL 308.89, 0.7%, 0.38%

LAB 39.22, 63.23, -31.03

 

CMYK 0 / 82 / 35 / 36

HEX #A41D6B

RGB 164 29 107

HSL 325.33, 0.7%, 0.38%

LAB 37.54, 58.48, -10.61

 

CMYK 0 / 82 / 57 / 36

HEX #A41D47

RGB 164 29 71

HSL 341.33, 0.7%, 0.38%

LAB 36.42, 55.15, 10.82

 

CMYK 0 / 82 / 79 / 36

HEX #A41D22

RGB 164 29 34

HSL 357.78, 0.7%, 0.38%

LAB 35.77, 53.17, 33.3

 

CMYK 0 / 82 / 82 / 36

HEX #A41D1D

RGB 164 29 29

HSL 0, 0.7%, 0.38%

LAB 35.71, 53.01, 36.12

 

CMYK 0 / 82 / 12 / 36

HEX #A41D90

RGB 164 29 144

HSL 308.89, 0.7%, 0.38%

LAB 39.22, 63.23, -31.03

 

CMYK 10 / 82 / 0 / 36

HEX #941DA4

RGB 148 29 164

HSL 292.89, 0.7%, 0.38%

LAB 37.58, 63.2, -45.92

 

CMYK 32 / 82 / 0 / 36

HEX #6F1DA4

RGB 111 29 164

HSL 276.44, 0.7%, 0.38%

LAB 31.67, 56.67, -55.78

 

CMYK 54 / 82 / 0 / 36

HEX #4B1DA4

RGB 75 29 164

HSL 260.44, 0.7%, 0.38%

LAB 26.89, 51.5, -63.79

 

CMYK 77 / 82 / 0 / 36

HEX #261DA4

RGB 38 29 164

HSL 244, 0.7%, 0.38%

LAB 23.58, 47.98, -69.38

 

CMYK 0 / 82 / 12 / 36

HEX #A41D90

RGB 164 29 144

HSL 308.89, 0.7%, 0.38%

LAB 39.22, 63.23, -31.03

 

CMYK 0 / 93 / 14 / 29

HEX #B40D9B

RGB 180 13 155

HSL 308.98, 0.87%, 0.38%

LAB 41.78, 70.81, -33.47

 

CMYK 0 / 82 / 12 / 36

HEX #A41D90

RGB 164 29 144

HSL 308.89, 0.7%, 0.38%

LAB 39.22, 63.23, -31.03

 

CMYK 0 / 70 / 11 / 42

HEX #952C85

RGB 149 44 133

HSL 309.14, 0.54%, 0.38%

LAB 37.63, 53.42, -26.94

 

CMYK 0 / 55 / 8 / 48

HEX #853C7A

RGB 133 60 122

HSL 309.04, 0.38%, 0.38%

LAB 37.16, 39.88, -21.06

 

CMYK 0 / 35 / 5 / 54

HEX #754C6F

RGB 117 76 111

HSL 308.78, 0.21%, 0.38%

LAB 38.02, 23.38, -13.09

 

CMYK 0 / 11 / 2 / 60

HEX #665B64

RGB 102 91 100

HSL 310.91, 0.06%, 0.38%

LAB 39.96, 6.24, -3.53

 

CMYK 33 / 82 / 0 / 36

HEX #6E1DA4

RGB 110 29 164

HSL 276, 0.7%, 0.38%

LAB 31.52, 56.51, -56.03

 

CMYK 11 / 82 / 0 / 36

HEX #921DA4

RGB 146 29 164

HSL 292, 0.7%, 0.38%

LAB 37.24, 62.83, -46.48

 

CMYK 0 / 82 / 11 / 36

HEX #A41D92

RGB 164 29 146

HSL 308, 0.7%, 0.38%

LAB 39.32, 63.52, -32.08

 

CMYK 0 / 82 / 33 / 36

HEX #A41D6E

RGB 164 29 110

HSL 324, 0.7%, 0.38%

LAB 37.66, 58.82, -12.33

 

CMYK 0 / 82 / 55 / 36

HEX #A41D4A

RGB 164 29 74

HSL 340, 0.7%, 0.38%

LAB 36.49, 55.38, 8.99

 

CMYK 0 / 83 / 13 / 63

HEX #5E1052

RGB 94 16 82

HSL 309.23, 0.71%, 0.22%

LAB 21.43, 41.28, -20.26

 

CMYK 0 / 83 / 12 / 49

HEX #811671

RGB 129 22 113

HSL 308.97, 0.71%, 0.3%

LAB 30.48, 52.7, -25.87

 

CMYK 0 / 82 / 12 / 36

HEX #A41D90

RGB 164 29 144

HSL 308.89, 0.7%, 0.38%

LAB 39.22, 63.23, -31.03

 

CMYK 0 / 82 / 12 / 22

HEX #C723AF

RGB 199 35 175

HSL 308.78, 0.7%, 0.46%

LAB 47.55, 73.54, -36.08

 

CMYK 0 / 74 / 11 / 14

HEX #DB38C3

RGB 219 56 195

HSL 308.83, 0.69%, 0.54%

LAB 53.84, 75.13, -37.6

 

CMYK 0 / 82 / 12 / 36

HEX #A31D8F

RGB 163 29 143

HSL 308.96, 0.7%, 0.38%

LAB 38.98, 62.87, -30.79

 

CMYK 0 / 55 / 82 / 36

HEX #A44A1D

RGB 164 74 29

HSL 20, 0.7%, 0.38%

LAB 42.58, 34.53, 42.67

 

CMYK 82 / 0 / 22 / 36

HEX #1DA480

RGB 29 164 128

HSL 164, 0.7%, 0.38%

LAB 60.22, -43.13, 9

 

CMYK 0 / 82 / 12 / 36

HEX #A31D8F

RGB 163 29 143

HSL 308.96, 0.7%, 0.38%

LAB 38.98, 62.87, -30.79

 

CMYK 11 / 0 / 82 / 36

HEX #92A41D

RGB 146 164 29

HSL 68, 0.7%, 0.38%

LAB 63.96, -22.8, 61.13

 

CMYK 82 / 11 / 0 / 36

HEX #1D92A4

RGB 29 146 164

HSL 188, 0.7%, 0.38%

LAB 55.58, -24.17, -18.3

 

CMYK 0 / 82 / 12 / 36

HEX #A31D8F

RGB 163 29 143

HSL 308.96, 0.7%, 0.38%

LAB 38.98, 62.87, -30.79

 

CMYK 0 / 55 / 82 / 36

HEX #A44A1D

RGB 164 74 29

HSL 20, 0.7%, 0.38%

LAB 42.58, 34.53, 42.67

 

CMYK 82 / 0 / 71 / 36

HEX #1DA42F

RGB 29 164 47

HSL 128, 0.7%, 0.38%

LAB 58.99, -57.33, 48.6

 

CMYK 82 / 27 / 0 / 36

HEX #1D77A4

RGB 29 119 164

HSL 200, 0.7%, 0.38%

LAB 47.15, -9.38, -31.32

 

CMYK 0 / 82 / 12 / 36

HEX #A31D8F

RGB 163 29 143

HSL 308.96, 0.7%, 0.38%

LAB 38.98, 62.87, -30.79

 

CMYK 0 / 30 / 82 / 36

HEX #A4721D

RGB 164 114 29

HSL 37.78, 0.7%, 0.38%

LAB 51.86, 12.4, 51.12

 

CMYK 82 / 0 / 71 / 36

HEX #1DA42F

RGB 29 164 47

HSL 128, 0.7%, 0.38%

LAB 58.99, -57.33, 48.6

 

CMYK 82 / 52 / 0 / 36

HEX #1D4EA4

RGB 29 78 164

HSL 218.22, 0.7%, 0.38%

LAB 34.78, 16.61, -51.02

 

Description

Color code: RGB 163 29 143 | qconv.com Color code: RGB 163 29 143 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 29 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 29 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 12 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 12% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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