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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 225 105 it is the complementary color RGB 92 30 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 225 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 225 105 shade: RGB 168 225 100, RGB 185 243 119, RGB 202 255 138, RGB 219 255 157 and RGB 236 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 225 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 225 105 shade: RGB 163 225 105, RGB 146 207 86, RGB 129 189 67, RGB 112 171 48 and RGB 95 153 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 225 105 shade: RGB 163 225 105, RGB 196 225 105, RGB 225 222 105, RGB 225 190 105 and RGB 225 158 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 225 105 shade: RGB 163 225 105, RGB 131 225 105, RGB 105 225 112, RGB 105 225 144 and RGB 105 225 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 225 105 shade matches the following richer shades: RGB 163 225 105, RGB 163 239 91 and RGB 162 254 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 225 105 shade: RGB 163 225 105, RGB 164 211 120, RGB 164 196 134, RGB 165 182 149 and RGB 165 167 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 225 105 shade: RGB 225 223 105, RGB 195 225 105, RGB 163 225 105, RGB 131 225 105 and RGB 105 225 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 225 105 shade: RGB 121 207 41, RGB 142 218 71, RGB 163 225 105, RGB 184 232 140 and RGB 205 239 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 225 105 shade: RGB 163 225 105, RGB 105 225 191 and RGB 225 105 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 225 105 shade: RGB 163 225 105, RGB 105 163 225 and RGB 225 105 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 225 105 shade: RGB 163 225 105, RGB 105 225 191, RGB 167 105 225 and RGB 225 105 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 225 105 shade: RGB 163 225 105, RGB 105 223 225, RGB 167 105 225 and RGB 225 107 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 53 / 12

HEX #A3E169

RGB 163 225 105

HSL 91, 0.67%, 0.65%

LAB 83.26, -39.37, 51.84

 

Complementary color

CMYK 39 / 80 / 0 / 41

HEX #5C1E96

RGB 92 30 150

HSL 271, 0.67%, 0.35%

LAB 27.86, 49.96, -53.57

 

CMYK 25 / 0 / 56 / 12

HEX #A8E164

RGB 168 225 100

HSL 87.36, 0.68%, 0.64%

LAB 83.49, -38.07, 54.46

 

CMYK 24 / 0 / 51 / 5

HEX #B9F377

RGB 185 243 119

HSL 88.06, 0.84%, 0.71%

LAB 89.74, -38.15, 53.41

 

CMYK 21 / 0 / 46 / 0

HEX #CAFF8A

RGB 202 255 138

HSL 87.18, 1%, 0.77%

LAB 94.27, -35.47, 50.29

 

CMYK 14 / 0 / 38 / 0

HEX #DBFF9D

RGB 219 255 157

HSL 82.04, 1%, 0.81%

LAB 95.59, -27.18, 43.05

 

CMYK 7 / 0 / 31 / 0

HEX #ECFFB0

RGB 236 255 176

HSL 74.43, 1%, 0.85%

LAB 97.02, -18.66, 35.77

 

CMYK 28 / 0 / 53 / 12

HEX #A3E169

RGB 163 225 105

HSL 91, 0.67%, 0.65%

LAB 83.26, -39.37, 51.84

 

CMYK 29 / 0 / 58 / 19

HEX #92CF56

RGB 146 207 86

HSL 90.25, 0.56%, 0.57%

LAB 76.93, -39.29, 52.87

 

CMYK 32 / 0 / 65 / 26

HEX #81BD43

RGB 129 189 67

HSL 89.51, 0.48%, 0.5%

LAB 70.5, -39.12, 53.72

 

CMYK 35 / 0 / 72 / 33

HEX #70AB30

RGB 112 171 48

HSL 88.78, 0.56%, 0.43%

LAB 63.99, -38.8, 54.22

 

CMYK 38 / 0 / 81 / 40

HEX #5F991D

RGB 95 153 29

HSL 88.06, 0.68%, 0.36%

LAB 57.37, -38.28, 54

 

CMYK 28 / 0 / 53 / 12

HEX #A3E169

RGB 163 225 105

HSL 91, 0.67%, 0.65%

LAB 83.26, -39.37, 51.84

 

CMYK 13 / 0 / 53 / 12

HEX #C4E169

RGB 196 225 105

HSL 74.5, 0.67%, 0.65%

LAB 85.3, -27.09, 54.75

 

CMYK 0 / 1 / 53 / 12

HEX #E1DE69

RGB 225 222 105

HSL 58.5, 0.67%, 0.65%

LAB 86.64, -14.15, 56.84

 

CMYK 0 / 16 / 53 / 12

HEX #E1BE69

RGB 225 190 105

HSL 42.5, 0.67%, 0.65%

LAB 78.38, 2.18, 47.13

 

CMYK 0 / 30 / 53 / 12

HEX #E19E69

RGB 225 158 105

HSL 26.5, 0.67%, 0.65%

LAB 70.51, 19.18, 37.48

 

CMYK 28 / 0 / 53 / 12

HEX #A3E169

RGB 163 225 105

HSL 91, 0.67%, 0.65%

LAB 83.26, -39.37, 51.84

 

CMYK 42 / 0 / 53 / 12

HEX #83E169

RGB 131 225 105

HSL 107, 0.67%, 0.65%

LAB 81.67, -49.98, 49.57

 

CMYK 53 / 0 / 50 / 12

HEX #69E170

RGB 105 225 112

HSL 123.5, 0.67%, 0.65%

LAB 80.75, -56.36, 44.92

 

CMYK 53 / 0 / 36 / 12

HEX #69E190

RGB 105 225 144

HSL 139.5, 0.67%, 0.65%

LAB 81.22, -51.4, 29.63

 

CMYK 53 / 0 / 21 / 12

HEX #69E1B1

RGB 105 225 177

HSL 156, 0.67%, 0.65%

LAB 81.85, -44.96, 13.35

 

CMYK 28 / 0 / 53 / 12

HEX #A3E169

RGB 163 225 105

HSL 91, 0.67%, 0.65%

LAB 83.26, -39.37, 51.84

 

CMYK 32 / 0 / 62 / 6

HEX #A3EF5B

RGB 163 239 91

HSL 90.81, 0.82%, 0.65%

LAB 87.13, -46.75, 62.37

 

CMYK 36 / 0 / 70 / 0

HEX #A2FE4D

RGB 162 254 77

HSL 91.19, 0.99%, 0.65%

LAB 91.28, -54.31, 72.11

 

CMYK 28 / 0 / 53 / 12

HEX #A3E169

RGB 163 225 105

HSL 91, 0.67%, 0.65%

LAB 83.26, -39.37, 51.84

 

CMYK 22 / 0 / 43 / 17

HEX #A4D378

RGB 164 211 120

HSL 90.99, 0.51%, 0.65%

LAB 79.52, -30.91, 40.08

 

CMYK 16 / 0 / 32 / 23

HEX #A4C486

RGB 164 196 134

HSL 90.97, 0.34%, 0.65%

LAB 75.51, -21.77, 27.7

 

CMYK 9 / 0 / 18 / 29

HEX #A5B695

RGB 165 182 149

HSL 90.91, 0.18%, 0.65%

LAB 71.98, -11.94, 14.85

 

CMYK 1 / 0 / 2 / 35

HEX #A5A7A3

RGB 165 167 163

HSL 90, 0.02%, 0.65%

LAB 68.23, -1.46, 1.81

 

CMYK 0 / 1 / 53 / 12

HEX #E1DF69

RGB 225 223 105

HSL 59, 0.67%, 0.65%

LAB 86.9, -14.64, 57.15

 

CMYK 13 / 0 / 53 / 12

HEX #C3E169

RGB 195 225 105

HSL 75, 0.67%, 0.65%

LAB 85.24, -27.48, 54.65

 

CMYK 28 / 0 / 53 / 12

HEX #A3E169

RGB 163 225 105

HSL 91, 0.67%, 0.65%

LAB 83.26, -39.37, 51.84

 

CMYK 42 / 0 / 53 / 12

HEX #83E169

RGB 131 225 105

HSL 107, 0.67%, 0.65%

LAB 81.67, -49.98, 49.57

 

CMYK 53 / 0 / 51 / 12

HEX #69E16F

RGB 105 225 111

HSL 123, 0.67%, 0.65%

LAB 80.74, -56.49, 45.38

 

CMYK 42 / 0 / 80 / 19

HEX #79CF29

RGB 121 207 41

HSL 91.08, 0.67%, 0.49%

LAB 75.36, -51.11, 67.54

 

CMYK 35 / 0 / 67 / 15

HEX #8EDA47

RGB 142 218 71

HSL 91.02, 0.67%, 0.57%

LAB 79.81, -46.71, 62.2

 

CMYK 28 / 0 / 53 / 12

HEX #A3E169

RGB 163 225 105

HSL 91, 0.67%, 0.65%

LAB 83.26, -39.37, 51.84

 

CMYK 21 / 0 / 40 / 9

HEX #B8E88C

RGB 184 232 140

HSL 91.3, 0.67%, 0.73%

LAB 86.9, -31.06, 39.79

 

CMYK 14 / 0 / 27 / 6

HEX #CDEFAE

RGB 205 239 174

HSL 91.38, 0.67%, 0.81%

LAB 90.67, -22.28, 27.89

 

CMYK 28 / 0 / 53 / 12

HEX #A3E169

RGB 163 225 105

HSL 91, 0.67%, 0.65%

LAB 83.26, -39.37, 51.84

 

CMYK 53 / 0 / 15 / 12

HEX #69E1BF

RGB 105 225 191

HSL 163, 0.67%, 0.65%

LAB 82.17, -41.85, 6.42

 

CMYK 0 / 53 / 6 / 12

HEX #E169D3

RGB 225 105 211

HSL 307, 0.67%, 0.65%

LAB 62.35, 60.07, -33.36

 

CMYK 28 / 0 / 53 / 12

HEX #A3E169

RGB 163 225 105

HSL 91, 0.67%, 0.65%

LAB 83.26, -39.37, 51.84

 

CMYK 53 / 28 / 0 / 12

HEX #69A3E1

RGB 105 163 225

HSL 211, 0.67%, 0.65%

LAB 65.46, -1.45, -37.12

 

CMYK 0 / 53 / 28 / 12

HEX #E169A3

RGB 225 105 163

HSL 331, 0.67%, 0.65%

LAB 60.56, 52.96, -8.74

 

CMYK 28 / 0 / 53 / 12

HEX #A3E169

RGB 163 225 105

HSL 91, 0.67%, 0.65%

LAB 83.26, -39.37, 51.84

 

CMYK 53 / 0 / 15 / 12

HEX #69E1BF

RGB 105 225 191

HSL 163, 0.67%, 0.65%

LAB 82.17, -41.85, 6.42

 

CMYK 26 / 53 / 0 / 12

HEX #A769E1

RGB 167 105 225

HSL 271, 0.67%, 0.65%

LAB 55.84, 47.28, -51.97

 

CMYK 0 / 53 / 38 / 12

HEX #E1698B

RGB 225 105 139

HSL 343, 0.67%, 0.65%

LAB 59.87, 50.05, 4.11

 

CMYK 28 / 0 / 53 / 12

HEX #A3E169

RGB 163 225 105

HSL 91, 0.67%, 0.65%

LAB 83.26, -39.37, 51.84

 

CMYK 53 / 1 / 0 / 12

HEX #69DFE1

RGB 105 223 225

HSL 181, 0.67%, 0.65%

LAB 82.49, -32.54, -11.13

 

CMYK 26 / 53 / 0 / 12

HEX #A769E1

RGB 167 105 225

HSL 271, 0.67%, 0.65%

LAB 55.84, 47.28, -51.97

 

CMYK 0 / 52 / 53 / 12

HEX #E16B69

RGB 225 107 105

HSL 1, 0.67%, 0.65%

LAB 59.47, 45.78, 23.21

 

Description

Color code: RGB 163 225 105 | qconv.com Color code: RGB 163 225 105 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 225 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 225 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 53 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 53% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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