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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 224 213 it is the complementary color RGB 92 31 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 224 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 224 213 shade: RGB 168 224 208, RGB 185 242 227, RGB 202 255 246, RGB 219 255 255 and RGB 236 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 224 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 224 213 shade: RGB 163 224 213, RGB 146 206 194, RGB 129 188 175, RGB 112 170 156 and RGB 95 152 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 224 213 shade: RGB 163 224 213, RGB 163 224 196, RGB 163 224 180, RGB 163 224 163 and RGB 179 224 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 224 213 shade: RGB 163 224 213, RGB 163 218 224, RGB 163 202 224, RGB 163 185 224 and RGB 163 169 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 224 213 shade matches the following richer shades: RGB 163 224 213, RGB 153 234 219, RGB 143 244 226 and RGB 133 254 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 224 213 shade: RGB 163 224 213, RGB 173 214 207, RGB 183 204 200, RGB 192 194 194 and RGB 202 184 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 224 213 shade: RGB 163 224 180, RGB 163 224 196, RGB 163 224 213, RGB 163 219 224 and RGB 163 202 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 224 213 shade: RGB 101 203 185, RGB 132 214 199, RGB 163 224 213, RGB 194 234 227 and RGB 225 245 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 224 213 shade: RGB 163 224 213, RGB 164 163 224 and RGB 224 188 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 224 213 shade: RGB 163 224 213, RGB 213 163 224 and RGB 224 213 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 224 213 shade: RGB 163 224 213, RGB 164 163 224, RGB 224 163 174 and RGB 223 224 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 224 213 shade: RGB 163 224 213, RGB 182 163 224, RGB 224 163 174 and RGB 205 224 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 5 / 12

HEX #A3E0D5

RGB 163 224 213

HSL 169.18, 0.5%, 0.76%

LAB 84.95, -21.59, -0.87

 

Complementary color

CMYK 0 / 66 / 54 / 64

HEX #5C1F2A

RGB 92 31 42

HSL 349.18, 0.5%, 0.24%

LAB 21.66, 28.94, 7.56

 

CMYK 25 / 0 / 7 / 12

HEX #A8E0D0

RGB 168 224 208

HSL 162.86, 0.47%, 0.77%

LAB 85.09, -21.15, 2.02

 

CMYK 24 / 0 / 6 / 5

HEX #B9F2E3

RGB 185 242 227

HSL 164.21, 0.69%, 0.84%

LAB 91.4, -21, 1.35

 

CMYK 21 / 0 / 4 / 0

HEX #CAFFF6

RGB 202 255 246

HSL 169.81, 1%, 0.9%

LAB 96.3, -18.44, -1.21

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 27 / 0 / 5 / 12

HEX #A3E0D5

RGB 163 224 213

HSL 169.18, 0.5%, 0.76%

LAB 84.95, -21.59, -0.87

 

CMYK 29 / 0 / 6 / 19

HEX #92CEC2

RGB 146 206 194

HSL 168, 0.38%, 0.69%

LAB 78.55, -21.74, -0.21

 

CMYK 31 / 0 / 7 / 26

HEX #81BCAF

RGB 129 188 175

HSL 166.78, 0.31%, 0.62%

LAB 72.05, -21.9, 0.48

 

CMYK 34 / 0 / 8 / 33

HEX #70AA9C

RGB 112 170 156

HSL 165.52, 0.25%, 0.55%

LAB 65.43, -22.08, 1.21

 

CMYK 38 / 0 / 10 / 40

HEX #5F9889

RGB 95 152 137

HSL 164.21, 0.23%, 0.48%

LAB 58.69, -22.27, 1.99

 

CMYK 27 / 0 / 5 / 12

HEX #A3E0D5

RGB 163 224 213

HSL 169.18, 0.5%, 0.76%

LAB 84.95, -21.59, -0.87

 

CMYK 27 / 0 / 13 / 12

HEX #A3E0C4

RGB 163 224 196

HSL 152.46, 0.5%, 0.76%

LAB 84.53, -25.09, 7.5

 

CMYK 27 / 0 / 20 / 12

HEX #A3E0B4

RGB 163 224 180

HSL 136.72, 0.5%, 0.76%

LAB 84.17, -28.15, 15.41

 

CMYK 27 / 0 / 27 / 12

HEX #A3E0A3

RGB 163 224 163

HSL 120, 0.5%, 0.76%

LAB 83.83, -31.11, 23.81

 

CMYK 20 / 0 / 27 / 12

HEX #B3E0A3

RGB 179 224 163

HSL 104.26, 0.5%, 0.76%

LAB 84.76, -25.75, 25.23

 

CMYK 27 / 0 / 5 / 12

HEX #A3E0D5

RGB 163 224 213

HSL 169.18, 0.5%, 0.76%

LAB 84.95, -21.59, -0.87

 

CMYK 27 / 3 / 0 / 12

HEX #A3DAE0

RGB 163 218 224

HSL 185.9, 0.5%, 0.76%

LAB 83.61, -16.17, -8.67

 

CMYK 27 / 10 / 0 / 12

HEX #A3CAE0

RGB 163 202 224

HSL 201.64, 0.5%, 0.76%

LAB 79.28, -7.91, -15.14

 

CMYK 27 / 17 / 0 / 12

HEX #A3B9E0

RGB 163 185 224

HSL 218.36, 0.5%, 0.76%

LAB 74.74, 1.18, -22

 

CMYK 27 / 25 / 0 / 12

HEX #A3A9E0

RGB 163 169 224

HSL 234.1, 0.5%, 0.76%

LAB 70.56, 10, -28.4

 

CMYK 27 / 0 / 5 / 12

HEX #A3E0D5

RGB 163 224 213

HSL 169.18, 0.5%, 0.76%

LAB 84.95, -21.59, -0.87

 

CMYK 35 / 0 / 6 / 8

HEX #99EADB

RGB 153 234 219

HSL 168.89, 0.66%, 0.76%

LAB 87.35, -27.97, -0.57

 

CMYK 41 / 0 / 7 / 4

HEX #8FF4E2

RGB 143 244 226

HSL 169.31, 0.82%, 0.76%

LAB 89.87, -33.71, -0.6

 

CMYK 48 / 0 / 9 / 0

HEX #85FEE8

RGB 133 254 232

HSL 169.09, 0.98%, 0.76%

LAB 92.44, -39.26, -0.01

 

CMYK 27 / 0 / 5 / 12

HEX #A3E0D5

RGB 163 224 213

HSL 169.18, 0.5%, 0.76%

LAB 84.95, -21.59, -0.87

 

CMYK 19 / 0 / 3 / 16

HEX #ADD6CF

RGB 173 214 207

HSL 169.76, 0.33%, 0.76%

LAB 82.64, -14.8, -1

 

CMYK 10 / 0 / 2 / 20

HEX #B7CCC8

RGB 183 204 200

HSL 168.57, 0.17%, 0.76%

LAB 80.42, -7.84, -0.43

 

CMYK 1 / 0 / 0 / 24

HEX #C0C2C2

RGB 192 194 194

HSL 180, 0.02%, 0.76%

LAB 78.28, -0.69, -0.25

 

CMYK 0 / 9 / 7 / 21

HEX #CAB8BC

RGB 202 184 188

HSL 346.67, 0.15%, 0.76%

LAB 76.36, 7.08, 0.29

 

CMYK 27 / 0 / 20 / 12

HEX #A3E0B4

RGB 163 224 180

HSL 136.72, 0.5%, 0.76%

LAB 84.17, -28.15, 15.41

 

CMYK 27 / 0 / 13 / 12

HEX #A3E0C4

RGB 163 224 196

HSL 152.46, 0.5%, 0.76%

LAB 84.53, -25.09, 7.5

 

CMYK 27 / 0 / 5 / 12

HEX #A3E0D5

RGB 163 224 213

HSL 169.18, 0.5%, 0.76%

LAB 84.95, -21.59, -0.87

 

CMYK 27 / 2 / 0 / 12

HEX #A3DBE0

RGB 163 219 224

HSL 184.92, 0.5%, 0.76%

LAB 83.88, -16.67, -8.27

 

CMYK 27 / 10 / 0 / 12

HEX #A3CAE0

RGB 163 202 224

HSL 201.64, 0.5%, 0.76%

LAB 79.28, -7.91, -15.14

 

CMYK 50 / 0 / 9 / 20

HEX #65CBB9

RGB 101 203 185

HSL 169.41, 0.5%, 0.6%

LAB 75.44, -34.12, -0.15

 

CMYK 38 / 0 / 7 / 16

HEX #84D6C7

RGB 132 214 199

HSL 169.02, 0.5%, 0.68%

LAB 80.25, -28.45, -0.49

 

CMYK 27 / 0 / 5 / 12

HEX #A3E0D5

RGB 163 224 213

HSL 169.18, 0.5%, 0.76%

LAB 84.95, -21.59, -0.87

 

CMYK 17 / 0 / 3 / 8

HEX #C2EAE3

RGB 194 234 227

HSL 169.5, 0.49%, 0.84%

LAB 89.79, -14.29, -0.92

 

CMYK 8 / 0 / 2 / 4

HEX #E1F5F1

RGB 225 245 241

HSL 168, 0.5%, 0.92%

LAB 95.02, -7.27, -0.33

 

CMYK 27 / 0 / 5 / 12

HEX #A3E0D5

RGB 163 224 213

HSL 169.18, 0.5%, 0.76%

LAB 84.95, -21.59, -0.87

 

CMYK 27 / 27 / 0 / 12

HEX #A4A3E0

RGB 164 163 224

HSL 240.98, 0.5%, 0.76%

LAB 69.09, 13.65, -30.65

 

CMYK 0 / 16 / 27 / 12

HEX #E0BCA3

RGB 224 188 163

HSL 24.59, 0.5%, 0.76%

LAB 78.73, 9.19, 17.45

 

CMYK 27 / 0 / 5 / 12

HEX #A3E0D5

RGB 163 224 213

HSL 169.18, 0.5%, 0.76%

LAB 84.95, -21.59, -0.87

 

CMYK 5 / 27 / 0 / 12

HEX #D5A3E0

RGB 213 163 224

HSL 289.18, 0.5%, 0.76%

LAB 73.37, 28.9, -23.72

 

CMYK 0 / 5 / 27 / 12

HEX #E0D5A3

RGB 224 213 163

HSL 49.18, 0.5%, 0.76%

LAB 85.04, -3.87, 26.13

 

CMYK 27 / 0 / 5 / 12

HEX #A3E0D5

RGB 163 224 213

HSL 169.18, 0.5%, 0.76%

LAB 84.95, -21.59, -0.87

 

CMYK 27 / 27 / 0 / 12

HEX #A4A3E0

RGB 164 163 224

HSL 240.98, 0.5%, 0.76%

LAB 69.09, 13.65, -30.65

 

CMYK 0 / 27 / 22 / 12

HEX #E0A3AE

RGB 224 163 174

HSL 349.18, 0.5%, 0.76%

LAB 72.96, 24.13, 3.26

 

CMYK 0 / 0 / 27 / 12

HEX #DFE0A3

RGB 223 224 163

HSL 60.98, 0.5%, 0.76%

LAB 87.8, -9.85, 29.85

 

CMYK 27 / 0 / 5 / 12

HEX #A3E0D5

RGB 163 224 213

HSL 169.18, 0.5%, 0.76%

LAB 84.95, -21.59, -0.87

 

CMYK 19 / 27 / 0 / 12

HEX #B6A3E0

RGB 182 163 224

HSL 258.69, 0.5%, 0.76%

LAB 70.54, 19.1, -28.3

 

CMYK 0 / 27 / 22 / 12

HEX #E0A3AE

RGB 224 163 174

HSL 349.18, 0.5%, 0.76%

LAB 72.96, 24.13, 3.26

 

CMYK 8 / 0 / 27 / 12

HEX #CDE0A3

RGB 205 224 163

HSL 78.69, 0.5%, 0.76%

LAB 86.47, -16.51, 27.84

 

Description

Color code: RGB 163 224 213 | qconv.com Color code: RGB 163 224 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 224 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 224 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 5 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 5% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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