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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 211 59 it is the complementary color RGB 92 44 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 211 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 211 59 shade: RGB 168 211 54, RGB 185 229 73, RGB 202 247 92, RGB 219 255 111 and RGB 236 255 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 211 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 211 59 shade: RGB 163 211 59, RGB 146 193 40, RGB 129 175 21, RGB 112 157 2 and RGB 95 139 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 211 59 shade: RGB 162 210 59, RGB 203 210 59, RGB 210 176 59, RGB 210 136 59 and RGB 210 95 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 211 59 shade: RGB 162 210 59, RGB 122 210 59, RGB 81 210 59, RGB 59 210 78 and RGB 59 210 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 211 59 shade matches the following richer shades: RGB 162 210 59, RGB 170 230 40 and RGB 177 249 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 211 59 shade: RGB 162 210 59, RGB 155 191 79, RGB 148 171 98, RGB 141 152 117 and RGB 134 133 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 211 59 shade: RGB 210 175 59, RGB 205 210 59, RGB 165 210 59, RGB 125 210 59 and RGB 84 210 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 211 59 shade: RGB 115 153 34, RGB 141 186 42, RGB 162 210 59, RGB 178 218 93 and RGB 194 225 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 211 59 shade: RGB 163 211 59, RGB 59 210 135 and RGB 195 59 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 211 59 shade: RGB 163 211 59, RGB 59 165 210 and RGB 210 59 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 211 59 shade: RGB 163 211 59, RGB 59 210 135, RGB 104 59 210 and RGB 210 59 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 211 59 shade: RGB 163 211 59, RGB 59 210 180, RGB 104 59 210 and RGB 210 59 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 72 / 17

HEX #A3D33B

RGB 163 211 59

HSL 78.95, 0.63%, 0.53%

LAB 78.86, -36.75, 66.02

 

Complementary color

CMYK 53 / 78 / 0 / 23

HEX #5C2CC4

RGB 92 44 196

HSL 258.95, 0.63%, 0.47%

LAB 34.11, 55.86, -70.9

 

CMYK 20 / 0 / 74 / 17

HEX #A8D336

RGB 168 211 54

HSL 76.43, 0.64%, 0.52%

LAB 79.14, -35.07, 68.08

 

CMYK 19 / 0 / 68 / 10

HEX #B9E549

RGB 185 229 73

HSL 76.92, 0.75%, 0.59%

LAB 85.42, -35.61, 68

 

CMYK 18 / 0 / 63 / 3

HEX #CAF75C

RGB 202 247 92

HSL 77.42, 0.91%, 0.66%

LAB 91.62, -36.03, 67.48

 

CMYK 14 / 0 / 56 / 0

HEX #DBFF6F

RGB 219 255 111

HSL 75, 1%, 0.72%

LAB 95.05, -31.8, 63.68

 

CMYK 7 / 0 / 49 / 0

HEX #ECFF82

RGB 236 255 130

HSL 69.12, 1%, 0.75%

LAB 96.4, -23.7, 57.1

 

CMYK 23 / 0 / 72 / 17

HEX #A3D33B

RGB 163 211 59

HSL 78.95, 0.63%, 0.53%

LAB 78.86, -36.75, 66.02

 

CMYK 24 / 0 / 79 / 24

HEX #92C128

RGB 146 193 40

HSL 78.43, 0.66%, 0.46%

LAB 72.5, -36.15, 65.69

 

CMYK 26 / 0 / 88 / 31

HEX #81AF15

RGB 129 175 21

HSL 77.92, 0.79%, 0.38%

LAB 66.04, -35.35, 64.32

 

CMYK 29 / 0 / 99 / 38

HEX #709D02

RGB 112 157 2

HSL 77.42, 0.97%, 0.31%

LAB 59.49, -34.33, 61.58

 

CMYK 32 / 0 / 100 / 45

HEX #5F8B00

RGB 95 139 0

HSL 78.99, 1%, 0.27%

LAB 52.84, -32.96, 56.34

 

CMYK 23 / 0 / 72 / 18

HEX #A2D23B

RGB 162 210 59

HSL 79.07, 0.63%, 0.53%

LAB 78.51, -36.68, 65.66

 

CMYK 3 / 0 / 72 / 18

HEX #CBD23B

RGB 203 210 59

HSL 62.78, 0.63%, 0.53%

LAB 81.35, -20.16, 69.38

 

CMYK 0 / 16 / 72 / 18

HEX #D2B03B

RGB 210 176 59

HSL 46.49, 0.63%, 0.53%

LAB 72.94, 0.17, 61.4

 

CMYK 0 / 35 / 72 / 18

HEX #D2883B

RGB 210 136 59

HSL 30.6, 0.63%, 0.53%

LAB 63.03, 21.68, 51.34

 

CMYK 0 / 55 / 72 / 18

HEX #D25F3B

RGB 210 95 59

HSL 14.3, 0.63%, 0.53%

LAB 54.24, 43.11, 41.89

 

CMYK 23 / 0 / 72 / 18

HEX #A2D23B

RGB 162 210 59

HSL 79.07, 0.63%, 0.53%

LAB 78.51, -36.68, 65.66

 

CMYK 42 / 0 / 72 / 18

HEX #7AD23B

RGB 122 210 59

HSL 94.97, 0.63%, 0.53%

LAB 76.4, -50.96, 62.86

 

CMYK 61 / 0 / 72 / 18

HEX #51D23B

RGB 81 210 59

HSL 111.26, 0.63%, 0.53%

LAB 74.92, -62.3, 60.88

 

CMYK 72 / 0 / 63 / 18

HEX #3BD24E

RGB 59 210 78

HSL 127.55, 0.63%, 0.53%

LAB 74.55, -64.81, 52.82

 

CMYK 72 / 0 / 43 / 18

HEX #3BD277

RGB 59 210 119

HSL 143.84, 0.63%, 0.53%

LAB 75.05, -59.05, 34.02

 

CMYK 23 / 0 / 72 / 18

HEX #A2D23B

RGB 162 210 59

HSL 79.07, 0.63%, 0.53%

LAB 78.51, -36.68, 65.66

 

CMYK 26 / 0 / 83 / 10

HEX #AAE628

RGB 170 230 40

HSL 78.95, 0.79%, 0.53%

LAB 84.63, -43.33, 77.02

 

CMYK 29 / 0 / 92 / 2

HEX #B1F914

RGB 177 249 20

HSL 78.86, 0.95%, 0.53%

LAB 90.39, -49.29, 85.44

 

CMYK 23 / 0 / 72 / 18

HEX #A2D23B

RGB 162 210 59

HSL 79.07, 0.63%, 0.53%

LAB 78.51, -36.68, 65.66

 

CMYK 19 / 0 / 59 / 25

HEX #9BBF4F

RGB 155 191 79

HSL 79.29, 0.47%, 0.53%

LAB 72.76, -29.17, 51.43

 

CMYK 13 / 0 / 43 / 33

HEX #94AB62

RGB 148 171 98

HSL 78.9, 0.3%, 0.53%

LAB 66.75, -20.16, 34.91

 

CMYK 7 / 0 / 23 / 40

HEX #8D9875

RGB 141 152 117

HSL 78.86, 0.15%, 0.53%

LAB 61.14, -10.32, 17.14

 

CMYK 2 / 3 / 0 / 46

HEX #868589

RGB 134 133 137

HSL 255, 0.02%, 0.53%

LAB 55.74, 1.17, -2.02

 

CMYK 0 / 17 / 72 / 18

HEX #D2AF3B

RGB 210 175 59

HSL 46.09, 0.63%, 0.53%

LAB 72.68, 0.7, 61.15

 

CMYK 2 / 0 / 72 / 18

HEX #CDD23B

RGB 205 210 59

HSL 61.99, 0.63%, 0.53%

LAB 81.5, -19.32, 69.58

 

CMYK 21 / 0 / 72 / 18

HEX #A5D23B

RGB 165 210 59

HSL 77.88, 0.63%, 0.53%

LAB 78.7, -35.52, 65.9

 

CMYK 40 / 0 / 72 / 18

HEX #7DD23B

RGB 125 210 59

HSL 93.77, 0.63%, 0.53%

LAB 76.54, -49.98, 63.04

 

CMYK 60 / 0 / 72 / 18

HEX #54D23B

RGB 84 210 59

HSL 110.07, 0.63%, 0.53%

LAB 75.01, -61.61, 61

 

CMYK 25 / 0 / 78 / 40

HEX #739922

RGB 115 153 34

HSL 79.16, 0.64%, 0.37%

LAB 58.55, -30.26, 53.94

 

CMYK 24 / 0 / 77 / 27

HEX #8DBA2A

RGB 141 186 42

HSL 78.75, 0.63%, 0.45%

LAB 70.14, -34.83, 62.81

 

CMYK 23 / 0 / 72 / 18

HEX #A2D23B

RGB 162 210 59

HSL 79.07, 0.63%, 0.53%

LAB 78.51, -36.68, 65.66

 

CMYK 18 / 0 / 57 / 15

HEX #B2DA5D

RGB 178 218 93

HSL 79.2, 0.63%, 0.61%

LAB 82.05, -31.78, 56.09

 

CMYK 14 / 0 / 44 / 12

HEX #C2E17E

RGB 194 225 126

HSL 78.79, 0.62%, 0.69%

LAB 85.42, -25.75, 44.93

 

CMYK 23 / 0 / 72 / 17

HEX #A3D33B

RGB 163 211 59

HSL 78.95, 0.63%, 0.53%

LAB 78.86, -36.75, 66.02

 

CMYK 72 / 0 / 36 / 18

HEX #3BD287

RGB 59 210 135

HSL 150.2, 0.63%, 0.53%

LAB 75.31, -56.11, 26.15

 

CMYK 7 / 72 / 0 / 18

HEX #C33BD2

RGB 195 59 210

HSL 294.04, 0.63%, 0.53%

LAB 51.13, 71.4, -50.76

 

CMYK 23 / 0 / 72 / 17

HEX #A3D33B

RGB 163 211 59

HSL 78.95, 0.63%, 0.53%

LAB 78.86, -36.75, 66.02

 

CMYK 72 / 21 / 0 / 18

HEX #3BA5D2

RGB 59 165 210

HSL 197.88, 0.63%, 0.53%

LAB 63.75, -15.5, -31.62

 

CMYK 0 / 72 / 21 / 18

HEX #D23BA5

RGB 210 59 165

HSL 317.88, 0.63%, 0.53%

LAB 51.32, 67.98, -24.16

 

CMYK 23 / 0 / 72 / 17

HEX #A3D33B

RGB 163 211 59

HSL 78.95, 0.63%, 0.53%

LAB 78.86, -36.75, 66.02

 

CMYK 72 / 0 / 36 / 18

HEX #3BD287

RGB 59 210 135

HSL 150.2, 0.63%, 0.53%

LAB 75.31, -56.11, 26.15

 

CMYK 50 / 72 / 0 / 18

HEX #683BD2

RGB 104 59 210

HSL 257.88, 0.63%, 0.53%

LAB 39.11, 54.32, -70.79

 

CMYK 0 / 72 / 36 / 18

HEX #D23B87

RGB 210 59 135

HSL 329.8, 0.63%, 0.53%

LAB 50.19, 64.39, -8.01

 

CMYK 23 / 0 / 72 / 17

HEX #A3D33B

RGB 163 211 59

HSL 78.95, 0.63%, 0.53%

LAB 78.86, -36.75, 66.02

 

CMYK 72 / 0 / 14 / 18

HEX #3BD2B4

RGB 59 210 180

HSL 168.08, 0.63%, 0.53%

LAB 76.26, -45.96, 3.6

 

CMYK 50 / 72 / 0 / 18

HEX #683BD2

RGB 104 59 210

HSL 257.88, 0.63%, 0.53%

LAB 39.11, 54.32, -70.79

 

CMYK 0 / 72 / 58 / 18

HEX #D23B59

RGB 210 59 89

HSL 348.08, 0.63%, 0.53%

LAB 48.95, 60.28, 18.1

 

Description

Color code: RGB 163 211 59 | qconv.com Color code: RGB 163 211 59 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 211 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 211 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 72 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 72% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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