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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 189 34 it is the complementary color RGB 92 66 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 189 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 189 34 shade: RGB 168 189 29, RGB 185 207 48, RGB 202 225 67, RGB 219 243 86 and RGB 236 255 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 189 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 189 34 shade: RGB 163 189 34, RGB 146 171 15, RGB 129 153 0, RGB 112 135 0 and RGB 95 117 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 189 34 shade: RGB 164 190 33, RGB 190 174 33, RGB 190 132 33, RGB 190 89 33 and RGB 190 47 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 189 34 shade: RGB 164 190 33, RGB 122 190 33, RGB 79 190 33, RGB 37 190 33 and RGB 33 190 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 189 34 shade matches the following richer shades: RGB 164 190 33 and RGB 176 208 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 189 34 shade: RGB 164 190 33, RGB 152 172 51, RGB 140 154 69, RGB 128 136 88 and RGB 116 118 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 189 34 shade: RGB 190 133 33, RGB 190 175 33, RGB 164 190 33, RGB 122 190 33 and RGB 80 190 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 189 34 shade: RGB 103 120 21, RGB 134 155 27, RGB 164 190 33, RGB 189 218 47 and RGB 200 224 82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 189 34 shade: RGB 163 189 34, RGB 33 190 91 and RGB 154 33 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 189 34 shade: RGB 163 189 34, RGB 33 164 190 and RGB 190 33 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 189 34 shade: RGB 163 189 34, RGB 33 190 91, RGB 59 33 190 and RGB 190 33 133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 189 34 shade: RGB 163 189 34, RGB 33 190 138, RGB 59 33 190 and RGB 190 33 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 82 / 26

HEX #A3BD22

RGB 163 189 34

HSL 70.06, 0.7%, 0.44%

LAB 72.43, -27.64, 67.68

 

Complementary color

CMYK 58 / 70 / 0 / 13

HEX #5C42DD

RGB 92 66 221

HSL 250.06, 0.7%, 0.56%

LAB 40.23, 52.07, -75.32

 

CMYK 11 / 0 / 85 / 26

HEX #A8BD1D

RGB 168 189 29

HSL 67.88, 0.73%, 0.43%

LAB 72.77, -25.71, 69.31

 

CMYK 11 / 0 / 77 / 19

HEX #B9CF30

RGB 185 207 48

HSL 68.3, 0.62%, 0.5%

LAB 79.13, -26.64, 70.35

 

CMYK 10 / 0 / 70 / 12

HEX #CAE143

RGB 202 225 67

HSL 68.73, 0.72%, 0.57%

LAB 85.41, -27.4, 70.53

 

CMYK 10 / 0 / 65 / 5

HEX #DBF356

RGB 219 243 86

HSL 69.17, 0.87%, 0.65%

LAB 91.61, -28.02, 70.17

 

CMYK 7 / 0 / 59 / 0

HEX #ECFF69

RGB 236 255 105

HSL 67.6, 1%, 0.71%

LAB 96.15, -25.72, 67.77

 

CMYK 14 / 0 / 82 / 26

HEX #A3BD22

RGB 163 189 34

HSL 70.06, 0.7%, 0.44%

LAB 72.43, -27.64, 67.68

 

CMYK 15 / 0 / 91 / 33

HEX #92AB0F

RGB 146 171 15

HSL 69.62, 0.84%, 0.36%

LAB 65.96, -26.62, 65.79

 

CMYK 16 / 0 / 100 / 40

HEX #819900

RGB 129 153 0

HSL 69.41, 1%, 0.3%

LAB 59.39, -25.37, 62.29

 

CMYK 17 / 0 / 100 / 47

HEX #708700

RGB 112 135 0

HSL 70.22, 1%, 0.26%

LAB 52.7, -23.86, 56.72

 

CMYK 19 / 0 / 100 / 54

HEX #5F7500

RGB 95 117 0

HSL 71.28, 1%, 0.23%

LAB 45.85, -22.32, 51.02

 

CMYK 14 / 0 / 83 / 25

HEX #A4BE21

RGB 164 190 33

HSL 69.94, 0.7%, 0.44%

LAB 72.78, -27.74, 68.27

 

CMYK 0 / 8 / 83 / 25

HEX #BEAE21

RGB 190 174 33

HSL 53.89, 0.7%, 0.44%

LAB 70.41, -8.53, 67.05

 

CMYK 0 / 31 / 83 / 25

HEX #BE8421

RGB 190 132 33

HSL 37.83, 0.7%, 0.44%

LAB 59.49, 14.14, 57.64

 

CMYK 0 / 53 / 83 / 25

HEX #BE5921

RGB 190 89 33

HSL 21.4, 0.7%, 0.44%

LAB 49.74, 37.35, 48.97

 

CMYK 0 / 75 / 83 / 25

HEX #BE2F21

RGB 190 47 33

HSL 5.35, 0.7%, 0.44%

LAB 42.9, 55.55, 42.67

 

CMYK 14 / 0 / 83 / 25

HEX #A4BE21

RGB 164 190 33

HSL 69.94, 0.7%, 0.44%

LAB 72.78, -27.74, 68.27

 

CMYK 36 / 0 / 83 / 25

HEX #7ABE21

RGB 122 190 33

HSL 85.99, 0.7%, 0.44%

LAB 70.23, -44.15, 65.05

 

CMYK 58 / 0 / 83 / 25

HEX #4FBE21

RGB 79 190 33

HSL 102.42, 0.7%, 0.44%

LAB 68.46, -57.46, 62.79

 

CMYK 81 / 0 / 83 / 25

HEX #25BE21

RGB 37 190 33

HSL 118.47, 0.7%, 0.44%

LAB 67.52, -65.37, 61.59

 

CMYK 83 / 0 / 62 / 25

HEX #21BE48

RGB 33 190 72

HSL 134.9, 0.7%, 0.44%

LAB 67.74, -62.51, 47.62

 

CMYK 14 / 0 / 83 / 25

HEX #A4BE21

RGB 164 190 33

HSL 69.94, 0.7%, 0.44%

LAB 72.78, -27.74, 68.27

 

CMYK 15 / 0 / 93 / 18

HEX #B0D00F

RGB 176 208 15

HSL 69.95, 0.87%, 0.44%

LAB 78.68, -31.71, 76.74

 

CMYK 14 / 0 / 83 / 25

HEX #A4BE21

RGB 164 190 33

HSL 69.94, 0.7%, 0.44%

LAB 72.78, -27.74, 68.27

 

CMYK 12 / 0 / 70 / 33

HEX #98AC33

RGB 152 172 51

HSL 69.92, 0.54%, 0.44%

LAB 66.84, -23.19, 56.78

 

CMYK 9 / 0 / 55 / 40

HEX #8C9A45

RGB 140 154 69

HSL 69.88, 0.38%, 0.44%

LAB 60.88, -17.82, 42.28

 

CMYK 6 / 0 / 35 / 47

HEX #808858

RGB 128 136 88

HSL 70, 0.21%, 0.44%

LAB 54.97, -11.18, 24.83

 

CMYK 2 / 0 / 10 / 54

HEX #74766A

RGB 116 118 106

HSL 70, 0.05%, 0.44%

LAB 49.14, -3.1, 6.35

 

CMYK 0 / 30 / 83 / 25

HEX #BE8521

RGB 190 133 33

HSL 38.22, 0.7%, 0.44%

LAB 59.74, 13.59, 57.85

 

CMYK 0 / 8 / 83 / 25

HEX #BEAF21

RGB 190 175 33

HSL 54.27, 0.7%, 0.44%

LAB 70.68, -9.05, 67.28

 

CMYK 14 / 0 / 83 / 25

HEX #A4BE21

RGB 164 190 33

HSL 69.94, 0.7%, 0.44%

LAB 72.78, -27.74, 68.27

 

CMYK 36 / 0 / 83 / 25

HEX #7ABE21

RGB 122 190 33

HSL 85.99, 0.7%, 0.44%

LAB 70.23, -44.15, 65.05

 

CMYK 58 / 0 / 83 / 25

HEX #50BE21

RGB 80 190 33

HSL 102.04, 0.7%, 0.44%

LAB 68.49, -57.21, 62.83

 

CMYK 14 / 0 / 83 / 53

HEX #677815

RGB 103 120 21

HSL 70.3, 0.7%, 0.28%

LAB 47.46, -19.62, 47.6

 

CMYK 14 / 0 / 83 / 39

HEX #869B1B

RGB 134 155 27

HSL 69.84, 0.7%, 0.36%

LAB 60.42, -23.56, 58.23

 

CMYK 14 / 0 / 83 / 25

HEX #A4BE21

RGB 164 190 33

HSL 69.94, 0.7%, 0.44%

LAB 72.78, -27.74, 68.27

 

CMYK 13 / 0 / 78 / 15

HEX #BDDA2F

RGB 189 218 47

HSL 70.18, 0.7%, 0.52%

LAB 82.47, -30.25, 73.77

 

CMYK 11 / 0 / 63 / 12

HEX #C8E052

RGB 200 224 82

HSL 70.14, 0.7%, 0.6%

LAB 85.1, -26.83, 64.5

 

CMYK 14 / 0 / 82 / 26

HEX #A3BD22

RGB 163 189 34

HSL 70.06, 0.7%, 0.44%

LAB 72.43, -27.64, 67.68

 

CMYK 83 / 0 / 52 / 25

HEX #21BE5B

RGB 33 190 91

HSL 142.17, 0.7%, 0.44%

LAB 67.95, -59.93, 38.96

 

CMYK 19 / 83 / 0 / 25

HEX #9A21BE

RGB 154 33 190

HSL 286.24, 0.7%, 0.44%

LAB 40.7, 67.94, -56.29

 

CMYK 14 / 0 / 82 / 26

HEX #A3BD22

RGB 163 189 34

HSL 70.06, 0.7%, 0.44%

LAB 72.43, -27.64, 67.68

 

CMYK 83 / 14 / 0 / 25

HEX #21A4BE

RGB 33 164 190

HSL 189.94, 0.7%, 0.44%

LAB 62.16, -24.44, -22.96

 

CMYK 0 / 83 / 14 / 25

HEX #BE21A4

RGB 190 33 164

HSL 309.94, 0.7%, 0.44%

LAB 45.24, 70.61, -33.3

 

CMYK 14 / 0 / 82 / 26

HEX #A3BD22

RGB 163 189 34

HSL 70.06, 0.7%, 0.44%

LAB 72.43, -27.64, 67.68

 

CMYK 83 / 0 / 52 / 25

HEX #21BE5B

RGB 33 190 91

HSL 142.17, 0.7%, 0.44%

LAB 67.95, -59.93, 38.96

 

CMYK 69 / 83 / 0 / 25

HEX #3B21BE

RGB 59 33 190

HSL 249.94, 0.7%, 0.44%

LAB 28.73, 55.49, -76.35

 

CMYK 0 / 83 / 30 / 25

HEX #BE2185

RGB 190 33 133

HSL 321.78, 0.7%, 0.44%

LAB 43.84, 66.69, -16.74

 

CMYK 14 / 0 / 82 / 26

HEX #A3BD22

RGB 163 189 34

HSL 70.06, 0.7%, 0.44%

LAB 72.43, -27.64, 67.68

 

CMYK 83 / 0 / 27 / 25

HEX #21BE8A

RGB 33 190 138

HSL 160.13, 0.7%, 0.44%

LAB 68.74, -50.87, 15.5

 

CMYK 69 / 83 / 0 / 25

HEX #3B21BE

RGB 59 33 190

HSL 249.94, 0.7%, 0.44%

LAB 28.73, 55.49, -76.35

 

CMYK 0 / 83 / 55 / 25

HEX #BE2156

RGB 190 33 86

HSL 339.75, 0.7%, 0.44%

LAB 42.32, 62.27, 10.25

 

Description

Color code: RGB 163 189 34 | qconv.com Color code: RGB 163 189 34 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 189 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 189 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 82 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 82% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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