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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 175 110 it is the complementary color RGB 92 80 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 175 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 175 110 shade: RGB 168 175 105, RGB 185 193 124, RGB 202 211 143, RGB 219 229 162 and RGB 236 247 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 175 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 175 110 shade: RGB 163 175 110, RGB 146 157 91, RGB 129 139 72, RGB 112 121 53 and RGB 95 103 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 175 110 shade: RGB 163 175 110, RGB 175 169 110, RGB 175 152 110, RGB 175 134 110 and RGB 175 117 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 175 110 shade: RGB 163 175 110, RGB 145 175 110, RGB 128 175 110, RGB 110 175 110 and RGB 110 175 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 175 110 shade matches the following richer shades: RGB 163 175 110, RGB 174 193 92, RGB 186 211 73, RGB 197 229 55 and RGB 209 247 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 175 110 shade: RGB 163 175 110, RGB 151 157 128, RGB 140 139 146, RGB 128 120 164 and RGB 117 102 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 175 110 shade: RGB 175 152 110, RGB 175 169 110, RGB 163 175 110, RGB 146 175 110 and RGB 128 175 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 175 110 shade: RGB 120 130 72, RGB 144 157 86, RGB 163 175 110, RGB 180 189 136 and RGB 197 204 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 175 110 shade: RGB 163 175 110, RGB 110 175 135 and RGB 161 110 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 175 110 shade: RGB 163 175 110, RGB 110 163 175 and RGB 175 110 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 175 110 shade: RGB 163 175 110, RGB 110 175 135, RGB 122 110 175 and RGB 175 110 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 175 110 shade: RGB 163 175 110, RGB 110 175 154, RGB 122 110 175 and RGB 175 110 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 37 / 31

HEX #A3AF6E

RGB 163 175 110

HSL 71.08, 0.29%, 0.56%

LAB 69.16, -14.78, 31.95

 

Complementary color

CMYK 37 / 45 / 0 / 43

HEX #5C5091

RGB 92 80 145

HSL 251.08, 0.29%, 0.44%

LAB 37.94, 21.02, -34.29

 

CMYK 4 / 0 / 40 / 31

HEX #A8AF69

RGB 168 175 105

HSL 66, 0.3%, 0.55%

LAB 69.47, -13.38, 35.03

 

CMYK 4 / 0 / 36 / 24

HEX #B9C17C

RGB 185 193 124

HSL 66.96, 0.36%, 0.62%

LAB 76.01, -13.62, 33.85

 

CMYK 4 / 0 / 32 / 17

HEX #CAD38F

RGB 202 211 143

HSL 67.94, 0.44%, 0.69%

LAB 82.45, -13.81, 32.72

 

CMYK 4 / 0 / 29 / 10

HEX #DBE5A2

RGB 219 229 162

HSL 68.96, 0.56%, 0.77%

LAB 88.78, -13.97, 31.63

 

CMYK 4 / 0 / 27 / 3

HEX #ECF7B5

RGB 236 247 181

HSL 70, 0.8%, 0.84%

LAB 95.03, -14.1, 30.6

 

CMYK 7 / 0 / 37 / 31

HEX #A3AF6E

RGB 163 175 110

HSL 71.08, 0.29%, 0.56%

LAB 69.16, -14.78, 31.95

 

CMYK 7 / 0 / 42 / 38

HEX #929D5B

RGB 146 157 91

HSL 70, 0.27%, 0.49%

LAB 62.49, -14.59, 33.16

 

CMYK 7 / 0 / 48 / 45

HEX #818B48

RGB 129 139 72

HSL 68.96, 0.32%, 0.41%

LAB 55.69, -14.32, 34.39

 

CMYK 7 / 0 / 56 / 53

HEX #707935

RGB 112 121 53

HSL 67.94, 0.39%, 0.34%

LAB 48.73, -13.94, 35.6

 

CMYK 8 / 0 / 67 / 60

HEX #5F6722

RGB 95 103 34

HSL 66.96, 0.5%, 0.27%

LAB 41.61, -13.39, 36.61

 

CMYK 7 / 0 / 37 / 31

HEX #A3AF6E

RGB 163 175 110

HSL 71.08, 0.29%, 0.56%

LAB 69.16, -14.78, 31.95

 

CMYK 0 / 3 / 37 / 31

HEX #AFA96E

RGB 175 169 110

HSL 54.46, 0.29%, 0.56%

LAB 68.47, -6.81, 31.24

RGB 175 169 110

CMYK 0 / 13 / 37 / 31

HEX #AF986E

RGB 175 152 110

HSL 38.77, 0.29%, 0.56%

LAB 63.91, 2.37, 25.26

RGB 175 152 110

CMYK 0 / 23 / 37 / 31

HEX #AF866E

RGB 175 134 110

HSL 22.15, 0.29%, 0.56%

LAB 59.24, 12.36, 18.97

RGB 175 134 110

CMYK 0 / 33 / 37 / 31

HEX #AF756E

RGB 175 117 110

HSL 6.46, 0.29%, 0.56%

LAB 55.03, 21.92, 13.18

RGB 175 117 110

CMYK 7 / 0 / 37 / 31

HEX #A3AF6E

RGB 163 175 110

HSL 71.08, 0.29%, 0.56%

LAB 69.16, -14.78, 31.95

 

CMYK 17 / 0 / 37 / 31

HEX #91AF6E

RGB 145 175 110

HSL 87.69, 0.29%, 0.56%

LAB 67.88, -21.78, 30.03

 

CMYK 27 / 0 / 37 / 31

HEX #80AF6E

RGB 128 175 110

HSL 103.38, 0.29%, 0.56%

LAB 66.81, -28.05, 28.42

 

CMYK 37 / 0 / 37 / 31

HEX #6EAF6E

RGB 110 175 110

HSL 120, 0.29%, 0.56%

LAB 65.83, -34.17, 26.95

 

CMYK 37 / 0 / 27 / 31

HEX #6EAF7F

RGB 110 175 127

HSL 135.69, 0.29%, 0.56%

LAB 66.14, -31.19, 18.21

 

CMYK 7 / 0 / 37 / 31

HEX #A3AF6E

RGB 163 175 110

HSL 71.08, 0.29%, 0.56%

LAB 69.16, -14.78, 31.95

 

CMYK 10 / 0 / 52 / 24

HEX #AEC15C

RGB 174 193 92

HSL 71.29, 0.45%, 0.56%

LAB 74.77, -21.43, 48.08

 

CMYK 12 / 0 / 65 / 17

HEX #BAD349

RGB 186 211 73

HSL 70.87, 0.61%, 0.56%

LAB 80.46, -26.83, 62.92

 

CMYK 14 / 0 / 76 / 10

HEX #C5E537

RGB 197 229 55

HSL 71.03, 0.77%, 0.56%

LAB 86.1, -31.84, 74.97

 

CMYK 15 / 0 / 85 / 3

HEX #D1F725

RGB 209 247 37

HSL 70.86, 0.93%, 0.56%

LAB 91.78, -35.91, 84.7

 

CMYK 7 / 0 / 37 / 31

HEX #A3AF6E

RGB 163 175 110

HSL 71.08, 0.29%, 0.56%

LAB 69.16, -14.78, 31.95

 

CMYK 4 / 0 / 18 / 38

HEX #979D80

RGB 151 157 128

HSL 72.41, 0.13%, 0.56%

LAB 63.55, -7.39, 14.47

 

CMYK 4 / 5 / 0 / 43

HEX #8C8B92

RGB 140 139 146

HSL 248.57, 0.03%, 0.56%

LAB 58.15, 1.77, -3.6

 

CMYK 22 / 27 / 0 / 36

HEX #8078A4

RGB 128 120 164

HSL 250.91, 0.19%, 0.56%

LAB 52.62, 12.69, -22.42

 

CMYK 36 / 44 / 0 / 29

HEX #7566B6

RGB 117 102 182

HSL 251.25, 0.35%, 0.56%

LAB 47.83, 24.87, -40.44

 

CMYK 0 / 13 / 37 / 31

HEX #AF986E

RGB 175 152 110

HSL 38.77, 0.29%, 0.56%

LAB 63.91, 2.37, 25.26

 

CMYK 0 / 3 / 37 / 31

HEX #AFA96E

RGB 175 169 110

HSL 54.46, 0.29%, 0.56%

LAB 68.47, -6.81, 31.24

RGB 175 169 110

CMYK 7 / 0 / 37 / 31

HEX #A3AF6E

RGB 163 175 110

HSL 71.08, 0.29%, 0.56%

LAB 69.16, -14.78, 31.95

RGB 163 175 110

CMYK 17 / 0 / 37 / 31

HEX #92AF6E

RGB 146 175 110

HSL 86.77, 0.29%, 0.56%

LAB 67.94, -21.4, 30.13

RGB 146 175 110

CMYK 27 / 0 / 37 / 31

HEX #80AF6E

RGB 128 175 110

HSL 103.38, 0.29%, 0.56%

LAB 66.81, -28.05, 28.42

RGB 128 175 110

CMYK 8 / 0 / 45 / 49

HEX #788248

RGB 120 130 72

HSL 70.34, 0.29%, 0.4%

LAB 52.32, -13.32, 30.08

 

CMYK 8 / 0 / 45 / 38

HEX #909D56

RGB 144 157 86

HSL 70.99, 0.29%, 0.48%

LAB 62.27, -15.98, 35.45

 

CMYK 7 / 0 / 37 / 31

HEX #A3AF6E

RGB 163 175 110

HSL 71.08, 0.29%, 0.56%

LAB 69.16, -14.78, 31.95

 

CMYK 5 / 0 / 28 / 26

HEX #B4BD88

RGB 180 189 136

HSL 70.19, 0.29%, 0.64%

LAB 74.75, -11.94, 25.82

 

CMYK 3 / 0 / 20 / 20

HEX #C5CCA3

RGB 197 204 163

HSL 70.24, 0.29%, 0.72%

LAB 80.57, -9.35, 19.67

 

CMYK 7 / 0 / 37 / 31

HEX #A3AF6E

RGB 163 175 110

HSL 71.08, 0.29%, 0.56%

LAB 69.16, -14.78, 31.95

 

CMYK 37 / 0 / 23 / 31

HEX #6EAF87

RGB 110 175 135

HSL 143.08, 0.29%, 0.56%

LAB 66.31, -29.65, 14.07

 

CMYK 8 / 37 / 0 / 31

HEX #A16EAF

RGB 161 110 175

HSL 287.08, 0.29%, 0.56%

LAB 53.84, 31.71, -26.65

 

CMYK 7 / 0 / 37 / 31

HEX #A3AF6E

RGB 163 175 110

HSL 71.08, 0.29%, 0.56%

LAB 69.16, -14.78, 31.95

 

CMYK 37 / 7 / 0 / 31

HEX #6EA3AF

RGB 110 163 175

HSL 191.08, 0.29%, 0.56%

LAB 63.84, -14.38, -11.78

 

CMYK 0 / 37 / 7 / 31

HEX #AF6EA3

RGB 175 110 163

HSL 311.08, 0.29%, 0.56%

LAB 54.98, 33.98, -17.81

 

CMYK 7 / 0 / 37 / 31

HEX #A3AF6E

RGB 163 175 110

HSL 71.08, 0.29%, 0.56%

LAB 69.16, -14.78, 31.95

 

CMYK 37 / 0 / 23 / 31

HEX #6EAF87

RGB 110 175 135

HSL 143.08, 0.29%, 0.56%

LAB 66.31, -29.65, 14.07

 

CMYK 30 / 37 / 0 / 31

HEX #7A6EAF

RGB 122 110 175

HSL 251.08, 0.29%, 0.56%

LAB 49.96, 19.59, -32.99

 

CMYK 0 / 37 / 14 / 31

HEX #AF6E96

RGB 175 110 150

HSL 323.08, 0.29%, 0.56%

LAB 54.52, 31.71, -10.93

 

CMYK 7 / 0 / 37 / 31

HEX #A3AF6E

RGB 163 175 110

HSL 71.08, 0.29%, 0.56%

LAB 69.16, -14.78, 31.95

 

CMYK 37 / 0 / 12 / 31

HEX #6EAF9A

RGB 110 175 154

HSL 160.62, 0.29%, 0.56%

LAB 66.75, -25.63, 4.22

 

CMYK 30 / 37 / 0 / 31

HEX #7A6EAF

RGB 122 110 175

HSL 251.08, 0.29%, 0.56%

LAB 49.96, 19.59, -32.99

 

CMYK 0 / 37 / 26 / 31

HEX #AF6E82

RGB 175 110 130

HSL 341.54, 0.29%, 0.56%

LAB 53.9, 28.55, -0.14

 

Description

Color code: RGB 163 175 110 | qconv.com Color code: RGB 163 175 110 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 175 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 175 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 37 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 37% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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