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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 159 83 it is the complementary color RGB 92 96 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 159 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 159 83 shade: RGB 168 159 78, RGB 185 177 97, RGB 202 195 116, RGB 219 213 135 and RGB 236 231 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 159 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 159 83 shade: RGB 163 159 83, RGB 146 141 64, RGB 129 123 45, RGB 112 105 26 and RGB 95 87 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 159 83 shade: RGB 162 158 82, RGB 162 136 82, RGB 162 115 82, RGB 162 93 82 and RGB 162 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 159 83 shade: RGB 162 158 82, RGB 145 162 82, RGB 123 162 82, RGB 101 162 82 and RGB 82 162 84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 159 83 shade matches the following richer shades: RGB 162 158 82, RGB 182 176 62, RGB 202 194 42, RGB 222 212 22 and RGB 242 230 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 159 83 shade: RGB 162 158 82, RGB 142 140 101, RGB 123 123 121, RGB 103 105 141 and RGB 83 87 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 159 83 shade: RGB 162 115 82, RGB 162 137 82, RGB 162 158 82, RGB 145 162 82 and RGB 123 162 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 159 83 shade: RGB 107 105 54, RGB 135 131 68, RGB 162 158 82, RGB 179 176 106 and RGB 193 190 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 159 83 shade: RGB 163 159 83, RGB 82 162 94 and RGB 126 82 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 159 83 shade: RGB 163 159 83, RGB 82 162 158 and RGB 158 82 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 159 83 shade: RGB 163 159 83, RGB 82 162 94, RGB 82 86 162 and RGB 162 82 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 159 83 shade: RGB 163 159 83, RGB 82 162 118, RGB 82 86 162 and RGB 162 82 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 49 / 36

HEX #A39F53

RGB 163 159 83

HSL 57, 0.33%, 0.48%

LAB 64.33, -9.39, 39.86

 

Complementary color

CMYK 47 / 44 / 0 / 33

HEX #5C60AC

RGB 92 96 172

HSL 237, 0.33%, 0.52%

LAB 43.68, 19.07, -41.3

 

CMYK 0 / 5 / 54 / 34

HEX #A89F4E

RGB 168 159 78

HSL 54, 0.37%, 0.48%

LAB 64.7, -7.71, 42.91

 

CMYK 0 / 4 / 48 / 27

HEX #B9B161

RGB 185 177 97

HSL 54.55, 0.39%, 0.55%

LAB 71.3, -8.3, 41.69

 

CMYK 0 / 3 / 43 / 21

HEX #CAC374

RGB 202 195 116

HSL 55.12, 0.45%, 0.62%

LAB 77.79, -8.79, 40.48

 

CMYK 0 / 3 / 38 / 14

HEX #DBD587

RGB 219 213 135

HSL 55.71, 0.54%, 0.69%

LAB 84.17, -9.19, 39.29

 

CMYK 0 / 2 / 35 / 7

HEX #ECE79A

RGB 236 231 154

HSL 56.34, 0.68%, 0.76%

LAB 90.47, -9.54, 38.14

 

CMYK 0 / 2 / 49 / 36

HEX #A39F53

RGB 163 159 83

HSL 57, 0.33%, 0.48%

LAB 64.33, -9.39, 39.86

 

CMYK 0 / 3 / 56 / 43

HEX #928D40

RGB 146 141 64

HSL 56.34, 0.39%, 0.41%

LAB 57.59, -8.79, 41.06

 

CMYK 0 / 5 / 65 / 49

HEX #817B2D

RGB 129 123 45

HSL 55.71, 0.48%, 0.34%

LAB 50.71, -8.02, 42.1

 

CMYK 0 / 6 / 77 / 56

HEX #70691A

RGB 112 105 26

HSL 55.12, 0.62%, 0.27%

LAB 43.69, -6.99, 42.65

 

CMYK 0 / 8 / 93 / 63

HEX #5F5707

RGB 95 87 7

HSL 54.55, 0.86%, 0.2%

LAB 36.49, -5.62, 41.93

 

CMYK 0 / 2 / 49 / 36

HEX #A29E52

RGB 162 158 82

HSL 57, 0.33%, 0.48%

LAB 63.95, -9.38, 39.89

 

CMYK 0 / 16 / 49 / 36

HEX #A28852

RGB 162 136 82

HSL 40.5, 0.33%, 0.48%

LAB 57.94, 2.62, 32.53

 

CMYK 0 / 29 / 49 / 36

HEX #A27352

RGB 162 115 82

HSL 24.75, 0.33%, 0.48%

LAB 52.46, 14.48, 25.56

 

CMYK 0 / 43 / 49 / 36

HEX #A25D52

RGB 162 93 82

HSL 8.25, 0.33%, 0.48%

LAB 47.13, 26.94, 18.54

 

CMYK 0 / 49 / 49 / 36

HEX #A25252

RGB 162 82 82

HSL 0, 0.33%, 0.48%

LAB 44.7, 32.98, 15.25

 

CMYK 0 / 2 / 49 / 36

HEX #A29E52

RGB 162 158 82

HSL 57, 0.33%, 0.48%

LAB 63.95, -9.38, 39.89

 

CMYK 10 / 0 / 49 / 36

HEX #91A252

RGB 145 162 82

HSL 72.75, 0.33%, 0.48%

LAB 63.73, -18.58, 39.3

 

CMYK 24 / 0 / 49 / 36

HEX #7BA252

RGB 123 162 82

HSL 89.25, 0.33%, 0.48%

LAB 62.22, -27.34, 37.12

 

CMYK 38 / 0 / 49 / 36

HEX #65A252

RGB 101 162 82

HSL 105.75, 0.33%, 0.48%

LAB 60.97, -35.33, 35.31

 

CMYK 49 / 0 / 48 / 36

HEX #52A254

RGB 82 162 84

HSL 121.5, 0.33%, 0.48%

LAB 60.14, -41.04, 33.05

 

CMYK 0 / 2 / 49 / 36

HEX #A29E52

RGB 162 158 82

HSL 57, 0.33%, 0.48%

LAB 63.95, -9.38, 39.89

 

CMYK 0 / 3 / 66 / 29

HEX #B6B03E

RGB 182 176 62

HSL 57, 0.49%, 0.48%

LAB 70.42, -11.77, 56.82

 

CMYK 0 / 4 / 79 / 21

HEX #CAC22A

RGB 202 194 42

HSL 57, 0.66%, 0.48%

LAB 76.86, -13.29, 70.57

 

CMYK 0 / 5 / 90 / 13

HEX #DED416

RGB 222 212 22

HSL 57, 0.82%, 0.48%

LAB 83.27, -14.26, 80.86

 

CMYK 0 / 5 / 99 / 5

HEX #F2E602

RGB 242 230 2

HSL 57, 0.98%, 0.48%

LAB 89.62, -14.89, 88.38

 

CMYK 0 / 2 / 49 / 36

HEX #A29E52

RGB 162 158 82

HSL 57, 0.33%, 0.48%

LAB 63.95, -9.38, 39.89

 

CMYK 0 / 1 / 29 / 44

HEX #8E8C65

RGB 142 140 101

HSL 57.07, 0.17%, 0.48%

LAB 57.51, -5.8, 21.16

 

CMYK 0 / 0 / 2 / 52

HEX #7B7B79

RGB 123 123 121

HSL 60, 0.01%, 0.48%

LAB 51.56, -0.39, 1.08

 

CMYK 27 / 26 / 0 / 45

HEX #67698D

RGB 103 105 141

HSL 236.84, 0.16%, 0.48%

LAB 45.51, 7.76, -20

 

CMYK 48 / 46 / 0 / 37

HEX #5357A1

RGB 83 87 161

HSL 236.92, 0.32%, 0.48%

LAB 39.96, 19.07, -40.75

 

CMYK 0 / 29 / 49 / 36

HEX #A27352

RGB 162 115 82

HSL 24.75, 0.33%, 0.48%

LAB 52.46, 14.48, 25.56

 

CMYK 0 / 15 / 49 / 36

HEX #A28952

RGB 162 137 82

HSL 41.25, 0.33%, 0.48%

LAB 58.21, 2.06, 32.87

 

CMYK 0 / 2 / 49 / 36

HEX #A29E52

RGB 162 158 82

HSL 57, 0.33%, 0.48%

LAB 63.95, -9.38, 39.89

 

CMYK 10 / 0 / 49 / 36

HEX #91A252

RGB 145 162 82

HSL 72.75, 0.33%, 0.48%

LAB 63.73, -18.58, 39.3

 

CMYK 24 / 0 / 49 / 36

HEX #7BA252

RGB 123 162 82

HSL 89.25, 0.33%, 0.48%

LAB 62.22, -27.34, 37.12

 

CMYK 0 / 2 / 50 / 58

HEX #6B6936

RGB 107 105 54

HSL 57.74, 0.33%, 0.32%

LAB 43.5, -7.17, 28.77

 

CMYK 0 / 3 / 50 / 47

HEX #878344

RGB 135 131 68

HSL 56.42, 0.33%, 0.4%

LAB 53.82, -7.8, 34.34

 

CMYK 0 / 2 / 49 / 36

HEX #A29E52

RGB 162 158 82

HSL 57, 0.33%, 0.48%

LAB 63.95, -9.38, 39.89

 

CMYK 0 / 2 / 41 / 30

HEX #B3B06A

RGB 179 176 106

HSL 57.53, 0.32%, 0.56%

LAB 70.65, -9.32, 36.19

 

CMYK 0 / 2 / 31 / 24

HEX #C1BE85

RGB 193 190 133

HSL 57, 0.33%, 0.64%

LAB 75.98, -7.82, 29.23

 

CMYK 0 / 2 / 49 / 36

HEX #A39F53

RGB 163 159 83

HSL 57, 0.33%, 0.48%

LAB 64.33, -9.39, 39.86

 

CMYK 49 / 0 / 42 / 36

HEX #52A25E

RGB 82 162 94

HSL 129, 0.33%, 0.48%

LAB 60.29, -39.47, 27.99

 

CMYK 22 / 49 / 0 / 36

HEX #7E52A2

RGB 126 82 162

HSL 273, 0.33%, 0.48%

LAB 42.88, 34.09, -36.46

 

CMYK 0 / 2 / 49 / 36

HEX #A39F53

RGB 163 159 83

HSL 57, 0.33%, 0.48%

LAB 64.33, -9.39, 39.86

 

CMYK 49 / 0 / 2 / 36

HEX #52A29E

RGB 82 162 158

HSL 177, 0.33%, 0.48%

LAB 61.74, -25.47, -5.49

 

CMYK 2 / 49 / 0 / 36

HEX #9E52A2

RGB 158 82 162

HSL 297, 0.33%, 0.48%

LAB 46.86, 43.49, -29.93

 

CMYK 0 / 2 / 49 / 36

HEX #A39F53

RGB 163 159 83

HSL 57, 0.33%, 0.48%

LAB 64.33, -9.39, 39.86

 

CMYK 49 / 0 / 42 / 36

HEX #52A25E

RGB 82 162 94

HSL 129, 0.33%, 0.48%

LAB 60.29, -39.47, 27.99

 

CMYK 49 / 47 / 0 / 36

HEX #5256A2

RGB 82 86 162

HSL 237, 0.33%, 0.48%

LAB 39.68, 19.78, -41.8

 

CMYK 0 / 49 / 7 / 36

HEX #A25296

RGB 162 82 150

HSL 309, 0.33%, 0.48%

LAB 46.87, 42.5, -22.74

 

CMYK 0 / 2 / 49 / 36

HEX #A39F53

RGB 163 159 83

HSL 57, 0.33%, 0.48%

LAB 64.33, -9.39, 39.86

 

CMYK 49 / 0 / 27 / 36

HEX #52A276

RGB 82 162 118

HSL 147, 0.33%, 0.48%

LAB 60.73, -34.99, 15.49

 

CMYK 49 / 47 / 0 / 36

HEX #5256A2

RGB 82 86 162

HSL 237, 0.33%, 0.48%

LAB 39.68, 19.78, -41.8

 

CMYK 0 / 49 / 22 / 36

HEX #A2527E

RGB 162 82 126

HSL 327, 0.33%, 0.48%

LAB 45.94, 38.54, -9.74

 

Description

Color code: RGB 163 159 83 | qconv.com Color code: RGB 163 159 83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 159 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 159 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 49 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 49% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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