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Color name
RGB 163 100 200

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 100 200 it is the complementary color RGB 92 155 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 100 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 100 200 shade: RGB 168 100 195, RGB 185 118 214, RGB 202 136 233, RGB 219 154 252 and RGB 236 172 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 100 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 100 200 shade: RGB 163 100 200, RGB 146 82 181, RGB 129 64 162, RGB 112 46 143 and RGB 95 28 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 100 200 shade: RGB 163 100 200, RGB 190 100 200, RGB 200 100 183, RGB 200 100 156 and RGB 200 100 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 100 200 shade: RGB 163 100 200, RGB 136 100 200, RGB 109 100 200 and RGB 100 100 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 100 200 shade matches the following richer shades: RGB 163 100 200, RGB 167 83 217, RGB 172 66 234 and RGB 176 49 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 100 200 shade: RGB 163 100 200, RGB 159 117 183, RGB 154 134 166, RGB 150 151 149 and RGB 145 167 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 100 200 shade: RGB 108 100 200, RGB 135 100 200, RGB 162 100 200, RGB 188 100 200 and RGB 200 100 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 100 200 shade: RGB 122 56 161, RGB 145 69 189, RGB 163 100 200, RGB 181 130 211 and RGB 199 161 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 100 200 shade: RGB 163 100 200, RGB 200 100 118 and RGB 100 200 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 100 200 shade: RGB 163 100 200, RGB 200 162 100 and RGB 100 200 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 100 200 shade: RGB 163 100 200, RGB 200 100 118, RGB 138 200 100 and RGB 100 200 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 100 200 shade: RGB 163 100 200, RGB 200 111 100, RGB 138 200 100 and RGB 100 188 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 50 / 0 / 22

HEX #A364C8

RGB 163 100 200

HSL 277.8, 0.48%, 0.59%

LAB 53.03, 43.23, -42.29

 

Complementary color

CMYK 41 / 0 / 65 / 39

HEX #5C9B37

RGB 92 155 55

HSL 97.8, 0.48%, 0.41%

LAB 58.03, -38.36, 44.77

 

CMYK 14 / 49 / 0 / 24

HEX #A864C3

RGB 168 100 195

HSL 282.95, 0.44%, 0.58%

LAB 53.36, 43.55, -38.86

 

CMYK 14 / 45 / 0 / 16

HEX #B976D6

RGB 185 118 214

HSL 281.88, 0.54%, 0.65%

LAB 60, 42.75, -39.08

 

CMYK 13 / 42 / 0 / 9

HEX #CA88E9

RGB 202 136 233

HSL 280.82, 0.69%, 0.72%

LAB 66.56, 41.96, -39.27

 

CMYK 13 / 39 / 0 / 1

HEX #DB9AFC

RGB 219 154 252

HSL 279.8, 0.94%, 0.8%

LAB 73.02, 41.2, -39.45

 

CMYK 7 / 33 / 0 / 0

HEX #ECACFF

RGB 236 172 255

HSL 286.27, 1%, 0.84%

LAB 78.79, 37.3, -32

 

CMYK 19 / 50 / 0 / 22

HEX #A364C8

RGB 163 100 200

HSL 277.8, 0.48%, 0.59%

LAB 53.03, 43.23, -42.29

 

CMYK 19 / 55 / 0 / 29

HEX #9252B5

RGB 146 82 181

HSL 278.79, 0.4%, 0.52%

LAB 46.29, 44.05, -42.11

 

CMYK 20 / 60 / 0 / 36

HEX #8140A2

RGB 129 64 162

HSL 279.8, 0.43%, 0.44%

LAB 39.48, 44.8, -41.83

 

CMYK 22 / 68 / 0 / 44

HEX #702E8F

RGB 112 46 143

HSL 280.82, 0.51%, 0.37%

LAB 32.66, 45.31, -41.36

 

CMYK 23 / 77 / 0 / 51

HEX #5F1C7C

RGB 95 28 124

HSL 281.88, 0.63%, 0.3%

LAB 25.92, 45.28, -40.5

 

CMYK 19 / 50 / 0 / 22

HEX #A364C8

RGB 163 100 200

HSL 277.8, 0.48%, 0.59%

LAB 53.03, 43.23, -42.29

 

CMYK 5 / 50 / 0 / 22

HEX #BE64C8

RGB 190 100 200

HSL 294, 0.48%, 0.59%

LAB 56.32, 50.77, -36.89

 

CMYK 0 / 50 / 9 / 22

HEX #C864B7

RGB 200 100 183

HSL 310.2, 0.48%, 0.59%

LAB 56.89, 50.64, -26.16

 

CMYK 0 / 50 / 22 / 22

HEX #C8649C

RGB 200 100 156

HSL 326.4, 0.48%, 0.59%

LAB 55.88, 46.41, -12.06

 

CMYK 0 / 50 / 36 / 22

HEX #C86481

RGB 200 100 129

HSL 342.6, 0.48%, 0.59%

LAB 55.05, 42.81, 2.53

 

CMYK 19 / 50 / 0 / 22

HEX #A364C8

RGB 163 100 200

HSL 277.8, 0.48%, 0.59%

LAB 53.03, 43.23, -42.29

 

CMYK 32 / 50 / 0 / 22

HEX #8864C8

RGB 136 100 200

HSL 261.6, 0.48%, 0.59%

LAB 50.12, 35.94, -47.09

 

CMYK 46 / 50 / 0 / 22

HEX #6D64C8

RGB 109 100 200

HSL 245.4, 0.48%, 0.59%

LAB 47.67, 29.21, -51.14

 

CMYK 50 / 50 / 0 / 22

HEX #6464C8

RGB 100 100 200

HSL 240, 0.48%, 0.59%

LAB 46.97, 27.16, -52.31

 

CMYK 19 / 50 / 0 / 22

HEX #A364C8

RGB 163 100 200

HSL 277.8, 0.48%, 0.59%

LAB 53.03, 43.23, -42.29

 

CMYK 23 / 62 / 0 / 15

HEX #A753D9

RGB 167 83 217

HSL 277.61, 0.64%, 0.59%

LAB 51.17, 56.71, -54.92

 

CMYK 26 / 72 / 0 / 8

HEX #AC42EA

RGB 172 66 234

HSL 277.86, 0.8%, 0.59%

LAB 50.22, 68.83, -66.03

 

CMYK 30 / 80 / 0 / 2

HEX #B031FB

RGB 176 49 251

HSL 277.72, 0.96%, 0.59%

LAB 49.97, 78.81, -75.95

 

CMYK 19 / 50 / 0 / 22

HEX #A364C8

RGB 163 100 200

HSL 277.8, 0.48%, 0.59%

LAB 53.03, 43.23, -42.29

 

CMYK 13 / 36 / 0 / 28

HEX #9F75B7

RGB 159 117 183

HSL 278.18, 0.31%, 0.59%

LAB 55.6, 28.8, -28.56

 

CMYK 7 / 19 / 0 / 35

HEX #9A86A6

RGB 154 134 166

HSL 277.5, 0.15%, 0.59%

LAB 58.67, 13.72, -14.15

 

CMYK 1 / 0 / 1 / 41

HEX #969795

RGB 150 151 149

HSL 90, 0.01%, 0.59%

LAB 62.33, -0.74, 0.92

 

CMYK 13 / 0 / 21 / 35

HEX #91A784

RGB 145 167 132

HSL 97.71, 0.17%, 0.59%

LAB 66, -14.3, 15.6

 

CMYK 46 / 50 / 0 / 22

HEX #6C64C8

RGB 108 100 200

HSL 244.8, 0.48%, 0.59%

LAB 47.59, 28.98, -51.28

 

CMYK 33 / 50 / 0 / 22

HEX #8764C8

RGB 135 100 200

HSL 261, 0.48%, 0.59%

LAB 50.02, 35.68, -47.25

 

CMYK 19 / 50 / 0 / 22

HEX #A264C8

RGB 162 100 200

HSL 277.2, 0.48%, 0.59%

LAB 52.91, 42.95, -42.48

 

CMYK 6 / 50 / 0 / 22

HEX #BC64C8

RGB 188 100 200

HSL 292.8, 0.48%, 0.59%

LAB 56.06, 50.21, -37.31

 

CMYK 0 / 50 / 8 / 22

HEX #C864B9

RGB 200 100 185

HSL 309, 0.48%, 0.59%

LAB 56.97, 50.98, -27.18

 

CMYK 24 / 65 / 0 / 37

HEX #7A38A1

RGB 122 56 161

HSL 277.71, 0.48%, 0.43%

LAB 37, 46.89, -45.26

 

CMYK 23 / 63 / 0 / 26

HEX #9145BD

RGB 145 69 189

HSL 278, 0.48%, 0.51%

LAB 44.16, 52.22, -50.19

 

CMYK 19 / 50 / 0 / 22

HEX #A364C8

RGB 163 100 200

HSL 277.8, 0.48%, 0.59%

LAB 53.03, 43.23, -42.29

 

CMYK 14 / 38 / 0 / 17

HEX #B582D3

RGB 181 130 211

HSL 277.78, 0.48%, 0.67%

LAB 62.08, 34.36, -34.19

 

CMYK 10 / 27 / 0 / 13

HEX #C7A1DE

RGB 199 161 222

HSL 277.38, 0.48%, 0.75%

LAB 71.49, 25.11, -25.61

 

CMYK 19 / 50 / 0 / 22

HEX #A364C8

RGB 163 100 200

HSL 277.8, 0.48%, 0.59%

LAB 53.03, 43.23, -42.29

 

CMYK 0 / 50 / 41 / 22

HEX #C86476

RGB 200 100 118

HSL 349.2, 0.48%, 0.59%

LAB 54.76, 41.53, 8.6

 

CMYK 50 / 0 / 39 / 22

HEX #64C87A

RGB 100 200 122

HSL 133.2, 0.48%, 0.59%

LAB 73.17, -46.12, 30.25

 

CMYK 19 / 50 / 0 / 22

HEX #A364C8

RGB 163 100 200

HSL 277.8, 0.48%, 0.59%

LAB 53.03, 43.23, -42.29

 

CMYK 0 / 19 / 50 / 22

HEX #C8A264

RGB 200 162 100

HSL 37.2, 0.48%, 0.59%

LAB 68.78, 6.24, 37.36

 

CMYK 50 / 0 / 19 / 22

HEX #64C8A2

RGB 100 200 162

HSL 157.2, 0.48%, 0.59%

LAB 73.95, -38.32, 10.11

 

CMYK 19 / 50 / 0 / 22

HEX #A364C8

RGB 163 100 200

HSL 277.8, 0.48%, 0.59%

LAB 53.03, 43.23, -42.29

 

CMYK 0 / 50 / 41 / 22

HEX #C86476

RGB 200 100 118

HSL 349.2, 0.48%, 0.59%

LAB 54.76, 41.53, 8.6

 

CMYK 31 / 0 / 50 / 22

HEX #8AC864

RGB 138 200 100

HSL 97.2, 0.48%, 0.59%

LAB 74.59, -37.52, 43.48

 

CMYK 50 / 0 / 9 / 22

HEX #64C8B6

RGB 100 200 182

HSL 169.2, 0.48%, 0.59%

LAB 74.44, -33.67, 0.01

 

CMYK 19 / 50 / 0 / 22

HEX #A364C8

RGB 163 100 200

HSL 277.8, 0.48%, 0.59%

LAB 53.03, 43.23, -42.29

 

CMYK 0 / 45 / 50 / 22

HEX #C86F64

RGB 200 111 100

HSL 6.6, 0.48%, 0.59%

LAB 56.65, 33.97, 21.69

 

CMYK 31 / 0 / 50 / 22

HEX #8AC864

RGB 138 200 100

HSL 97.2, 0.48%, 0.59%

LAB 74.59, -37.52, 43.48

 

CMYK 50 / 6 / 0 / 22

HEX #64BCC8

RGB 100 188 200

HSL 187.2, 0.48%, 0.59%

LAB 71.45, -23.18, -14.22

 

Description

Color code: RGB 163 100 200 | qconv.com Color code: RGB 163 100 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 100 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 100 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 50 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 50% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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