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Color name
RGB 163 108 29

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 108 29 it is the complementary color RGB 92 147 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 108 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 108 29 shade: RGB 168 108 24, RGB 185 126 43, RGB 202 144 62, RGB 219 162 81 and RGB 236 180 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 108 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 108 29 shade: RGB 163 108 29, RGB 146 90 10, RGB 129 72 0, RGB 112 54 0 and RGB 95 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 108 29 shade: RGB 164 109 29, RGB 164 72 29, RGB 164 35 29 and RGB 164 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 108 29 shade: RGB 164 109 29, RGB 164 145 29, RGB 147 164 29, RGB 110 164 29 and RGB 74 164 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 108 29 shade matches the following richer shades: RGB 164 109 29 and RGB 180 111 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 108 29 shade: RGB 164 109 29, RGB 149 106 44, RGB 133 103 60, RGB 117 100 76 and RGB 102 97 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 108 29 shade: RGB 164 35 29, RGB 164 72 29, RGB 164 108 29, RGB 164 144 29 and RGB 148 164 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 108 29 shade: RGB 94 62 16, RGB 129 85 22, RGB 164 109 29, RGB 199 132 35 and RGB 219 152 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 108 29 shade: RGB 163 108 29, RGB 58 164 29 and RGB 53 29 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 108 29 shade: RGB 163 108 29, RGB 29 164 108 and RGB 108 29 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 108 29 shade: RGB 163 108 29, RGB 58 164 29, RGB 29 85 164 and RGB 135 29 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 108 29 shade: RGB 163 108 29, RGB 29 164 40, RGB 29 85 164 and RGB 164 29 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 82 / 36

HEX #A36C1D

RGB 163 108 29

HSL 35.37, 0.7%, 0.38%

LAB 50.22, 15.35, 49.61

 

Complementary color

CMYK 59 / 35 / 0 / 11

HEX #5C93E2

RGB 92 147 226

HSL 215.37, 0.7%, 0.62%

LAB 60.46, 5.4, -45.57

 

CMYK 0 / 36 / 86 / 34

HEX #A86C18

RGB 168 108 24

HSL 35, 0.75%, 0.38%

LAB 50.82, 17.45, 52.16

 

CMYK 0 / 32 / 77 / 27

HEX #B97E2B

RGB 185 126 43

HSL 35.07, 0.62%, 0.45%

LAB 57.47, 15.62, 51.78

 

CMYK 0 / 29 / 69 / 21

HEX #CA903E

RGB 202 144 62

HSL 35.14, 0.57%, 0.52%

LAB 64.04, 14.06, 50.74

 

CMYK 0 / 26 / 63 / 14

HEX #DBA251

RGB 219 162 81

HSL 35.22, 0.66%, 0.59%

LAB 70.52, 12.73, 49.46

 

CMYK 0 / 24 / 58 / 7

HEX #ECB464

RGB 236 180 100

HSL 35.29, 0.78%, 0.66%

LAB 76.92, 11.59, 48.1

 

CMYK 0 / 34 / 82 / 36

HEX #A36C1D

RGB 163 108 29

HSL 35.37, 0.7%, 0.38%

LAB 50.22, 15.35, 49.61

 

CMYK 0 / 38 / 93 / 43

HEX #925A0A

RGB 146 90 10

HSL 35.29, 0.87%, 0.31%

LAB 43.43, 17.4, 49.15

 

CMYK 0 / 44 / 100 / 49

HEX #814800

RGB 129 72 0

HSL 33.49, 1%, 0.25%

LAB 36.56, 19.82, 46.16

 

CMYK 0 / 52 / 100 / 56

HEX #703600

RGB 112 54 0

HSL 28.93, 1%, 0.22%

LAB 29.62, 22.49, 40.31

 

CMYK 0 / 62 / 100 / 63

HEX #5F2400

RGB 95 36 0

HSL 22.74, 1%, 0.19%

LAB 22.64, 25.09, 32.86

 

CMYK 0 / 34 / 82 / 36

HEX #A46D1D

RGB 164 109 29

HSL 35.56, 0.7%, 0.38%

LAB 50.59, 15.24, 49.99

 

CMYK 0 / 56 / 82 / 36

HEX #A4481D

RGB 164 72 29

HSL 19.11, 0.7%, 0.38%

LAB 42.18, 35.56, 42.3

 

CMYK 0 / 79 / 82 / 36

HEX #A4231D

RGB 164 35 29

HSL 2.67, 0.7%, 0.38%

LAB 36.33, 51.26, 36.73

 

CMYK 0 / 82 / 82 / 36

HEX #A41D1D

RGB 164 29 29

HSL 0, 0.7%, 0.38%

LAB 35.71, 53.01, 36.12

 

CMYK 0 / 34 / 82 / 36

HEX #A46D1D

RGB 164 109 29

HSL 35.56, 0.7%, 0.38%

LAB 50.59, 15.24, 49.99

 

CMYK 0 / 12 / 82 / 36

HEX #A4911D

RGB 164 145 29

HSL 51.56, 0.7%, 0.38%

LAB 60.1, -4.87, 58.37

 

CMYK 10 / 0 / 82 / 36

HEX #93A41D

RGB 147 164 29

HSL 67.56, 0.7%, 0.38%

LAB 64.03, -22.36, 61.23

 

CMYK 33 / 0 / 82 / 36

HEX #6EA41D

RGB 110 164 29

HSL 84, 0.7%, 0.38%

LAB 61.62, -37.51, 58.16

 

CMYK 55 / 0 / 82 / 36

HEX #4AA41D

RGB 74 164 29

HSL 100, 0.7%, 0.38%

LAB 59.97, -49.57, 56.06

 

CMYK 0 / 34 / 82 / 36

HEX #A46D1D

RGB 164 109 29

HSL 35.56, 0.7%, 0.38%

LAB 50.59, 15.24, 49.99

 

CMYK 0 / 38 / 93 / 29

HEX #B46F0D

RGB 180 111 13

HSL 35.21, 0.87%, 0.38%

LAB 53.06, 20.88, 57.62

 

CMYK 0 / 34 / 82 / 36

HEX #A46D1D

RGB 164 109 29

HSL 35.56, 0.7%, 0.38%

LAB 50.59, 15.24, 49.99

 

CMYK 0 / 29 / 70 / 42

HEX #956A2C

RGB 149 106 44

HSL 35.43, 0.54%, 0.38%

LAB 48.11, 10.82, 40.41

 

CMYK 0 / 23 / 55 / 48

HEX #85673C

RGB 133 103 60

HSL 35.34, 0.38%, 0.38%

LAB 45.65, 6.48, 28.68

 

CMYK 0 / 15 / 35 / 54

HEX #75644C

RGB 117 100 76

HSL 35.12, 0.21%, 0.38%

LAB 43.39, 2.94, 16.14

 

CMYK 0 / 5 / 11 / 60

HEX #66615B

RGB 102 97 91

HSL 32.73, 0.06%, 0.38%

LAB 41.42, 0.81, 4.12

 

CMYK 0 / 79 / 82 / 36

HEX #A4231D

RGB 164 35 29

HSL 2.67, 0.7%, 0.38%

LAB 36.33, 51.26, 36.73

 

CMYK 0 / 56 / 82 / 36

HEX #A4481D

RGB 164 72 29

HSL 19.11, 0.7%, 0.38%

LAB 42.18, 35.56, 42.3

 

CMYK 0 / 34 / 82 / 36

HEX #A46C1D

RGB 164 108 29

HSL 35.11, 0.7%, 0.38%

LAB 50.34, 15.81, 49.77

 

CMYK 0 / 12 / 82 / 36

HEX #A4901D

RGB 164 144 29

HSL 51.11, 0.7%, 0.38%

LAB 59.82, -4.32, 58.13

 

CMYK 10 / 0 / 82 / 36

HEX #94A41D

RGB 148 164 29

HSL 67.11, 0.7%, 0.38%

LAB 64.11, -21.93, 61.32

 

CMYK 0 / 34 / 83 / 63

HEX #5E3E10

RGB 94 62 16

HSL 35.38, 0.71%, 0.22%

LAB 29.06, 9.52, 32.19

 

CMYK 0 / 34 / 83 / 49

HEX #815516

RGB 129 85 22

HSL 35.33, 0.71%, 0.3%

LAB 39.95, 12.73, 41.43

 

CMYK 0 / 34 / 82 / 36

HEX #A46D1D

RGB 164 109 29

HSL 35.56, 0.7%, 0.38%

LAB 50.59, 15.24, 49.99

 

CMYK 0 / 34 / 82 / 22

HEX #C78423

RGB 199 132 35

HSL 35.49, 0.7%, 0.46%

LAB 60.57, 18.16, 58.32

 

CMYK 0 / 31 / 74 / 14

HEX #DB9838

RGB 219 152 56

HSL 35.34, 0.69%, 0.54%

LAB 67.87, 16.74, 57.92

 

CMYK 0 / 34 / 82 / 36

HEX #A36C1D

RGB 163 108 29

HSL 35.37, 0.7%, 0.38%

LAB 50.22, 15.35, 49.61

 

CMYK 65 / 0 / 82 / 36

HEX #3AA41D

RGB 58 164 29

HSL 107.11, 0.7%, 0.38%

LAB 59.47, -53.65, 55.41

 

CMYK 68 / 82 / 0 / 36

HEX #351DA4

RGB 53 29 164

HSL 250.67, 0.7%, 0.38%

LAB 24.69, 49.16, -67.5

 

CMYK 0 / 34 / 82 / 36

HEX #A36C1D

RGB 163 108 29

HSL 35.37, 0.7%, 0.38%

LAB 50.22, 15.35, 49.61

 

CMYK 82 / 0 / 34 / 36

HEX #1DA46C

RGB 29 164 108

HSL 155.11, 0.7%, 0.38%

LAB 59.79, -47.84, 19.5

 

CMYK 34 / 82 / 0 / 36

HEX #6C1DA4

RGB 108 29 164

HSL 275.11, 0.7%, 0.38%

LAB 31.22, 56.19, -56.52

 

CMYK 0 / 34 / 82 / 36

HEX #A36C1D

RGB 163 108 29

HSL 35.37, 0.7%, 0.38%

LAB 50.22, 15.35, 49.61

 

CMYK 65 / 0 / 82 / 36

HEX #3AA41D

RGB 58 164 29

HSL 107.11, 0.7%, 0.38%

LAB 59.47, -53.65, 55.41

 

CMYK 82 / 48 / 0 / 36

HEX #1D55A4

RGB 29 85 164

HSL 215.11, 0.7%, 0.38%

LAB 36.82, 11.93, -47.74

 

CMYK 18 / 82 / 0 / 36

HEX #871DA4

RGB 135 29 164

HSL 287.11, 0.7%, 0.38%

LAB 35.42, 60.8, -49.51

 

CMYK 0 / 34 / 82 / 36

HEX #A36C1D

RGB 163 108 29

HSL 35.37, 0.7%, 0.38%

LAB 50.22, 15.35, 49.61

 

CMYK 82 / 0 / 76 / 36

HEX #1DA428

RGB 29 164 40

HSL 124.89, 0.7%, 0.38%

LAB 58.94, -57.93, 51.18

 

CMYK 82 / 48 / 0 / 36

HEX #1D55A4

RGB 29 85 164

HSL 215.11, 0.7%, 0.38%

LAB 36.82, 11.93, -47.74

 

CMYK 0 / 82 / 7 / 36

HEX #A41D99

RGB 164 29 153

HSL 304.89, 0.7%, 0.38%

LAB 39.7, 64.56, -35.74

 

Description

Color code: RGB 163 108 29 | qconv.com Color code: RGB 163 108 29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 108 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 108 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 82 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 82% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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