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Color name
RGB 162 187 113

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 162 187 113 it is the complementary color RGB 93 68 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 162 187 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 162 187 113 shade: RGB 167 187 108, RGB 184 205 127, RGB 201 223 146, RGB 218 241 165 and RGB 235 255 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 162 187 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 162 187 113 shade: RGB 162 187 113, RGB 145 169 94, RGB 128 151 75, RGB 111 133 56 and RGB 94 115 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 162 187 113 shade: RGB 162 187 113, RGB 182 187 113, RGB 187 172 113, RGB 187 152 113 and RGB 187 132 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 162 187 113 shade: RGB 162 187 113, RGB 142 187 113, RGB 122 187 113, RGB 113 187 124 and RGB 113 187 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 162 187 113 shade matches the following richer shades: RGB 162 187 113, RGB 167 203 96, RGB 173 220 80, RGB 178 237 63 and RGB 184 254 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 162 187 113 shade: RGB 162 187 113, RGB 156 170 130, RGB 151 153 147, RGB 145 136 164 and RGB 140 119 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 162 187 113 shade: RGB 187 172 113, RGB 182 187 113, RGB 162 187 113, RGB 143 187 113 and RGB 123 187 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 162 187 113 shade: RGB 121 147 70, RGB 144 173 86, RGB 162 187 113, RGB 180 200 141 and RGB 198 213 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 162 187 113 shade: RGB 162 187 113, RGB 113 187 152 and RGB 182 113 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 162 187 113 shade: RGB 162 187 113, RGB 113 162 187 and RGB 187 113 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 162 187 113 shade: RGB 162 187 113, RGB 113 187 152, RGB 138 113 187 and RGB 187 113 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 162 187 113 shade: RGB 162 187 113, RGB 113 187 174, RGB 138 113 187 and RGB 187 113 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 40 / 27

HEX #A2BB71

RGB 162 187 113

HSL 80.27, 0.35%, 0.59%

LAB 72.5, -20.89, 34.67

 

Complementary color

CMYK 35 / 52 / 0 / 44

HEX #5D448E

RGB 93 68 142

HSL 260.27, 0.35%, 0.41%

LAB 34.83, 27.94, -37.4

 

CMYK 11 / 0 / 42 / 27

HEX #A7BB6C

RGB 167 187 108

HSL 75.19, 0.37%, 0.58%

LAB 72.79, -19.55, 37.67

 

CMYK 10 / 0 / 38 / 20

HEX #B8CD7F

RGB 184 205 127

HSL 76.15, 0.44%, 0.65%

LAB 79.26, -19.68, 36.5

 

CMYK 10 / 0 / 35 / 13

HEX #C9DF92

RGB 201 223 146

HSL 77.14, 0.55%, 0.72%

LAB 85.64, -19.78, 35.37

 

CMYK 10 / 0 / 32 / 5

HEX #DAF1A5

RGB 218 241 165

HSL 78.16, 0.73%, 0.8%

LAB 91.92, -19.84, 34.28

 

CMYK 8 / 0 / 28 / 0

HEX #EBFFB8

RGB 235 255 184

HSL 76.9, 1%, 0.86%

LAB 97.08, -17.96, 31.84

 

CMYK 13 / 0 / 40 / 27

HEX #A2BB71

RGB 162 187 113

HSL 80.27, 0.35%, 0.59%

LAB 72.5, -20.89, 34.67

 

CMYK 14 / 0 / 44 / 34

HEX #91A95E

RGB 145 169 94

HSL 79.2, 0.3%, 0.52%

LAB 65.91, -20.81, 35.87

 

CMYK 15 / 0 / 50 / 41

HEX #80974B

RGB 128 151 75

HSL 78.16, 0.34%, 0.44%

LAB 59.19, -20.67, 37.07

 

CMYK 17 / 0 / 58 / 48

HEX #6F8538

RGB 111 133 56

HSL 77.14, 0.41%, 0.37%

LAB 52.33, -20.44, 38.22

 

CMYK 18 / 0 / 68 / 55

HEX #5E7325

RGB 94 115 37

HSL 76.15, 0.51%, 0.3%

LAB 45.32, -20.07, 39.15

 

CMYK 13 / 0 / 40 / 27

HEX #A2BB71

RGB 162 187 113

HSL 80.27, 0.35%, 0.59%

LAB 72.5, -20.89, 34.67

 

CMYK 3 / 0 / 40 / 27

HEX #B6BB71

RGB 182 187 113

HSL 64.05, 0.35%, 0.59%

LAB 73.98, -13.03, 36.86

 

CMYK 0 / 8 / 40 / 27

HEX #BBAC71

RGB 187 172 113

HSL 47.84, 0.35%, 0.59%

LAB 70.36, -3.16, 32.3

 

CMYK 0 / 19 / 40 / 27

HEX #BB9871

RGB 187 152 113

HSL 31.62, 0.35%, 0.59%

LAB 65.13, 7.66, 25.44

 

CMYK 0 / 29 / 40 / 27

HEX #BB8471

RGB 187 132 113

HSL 15.41, 0.35%, 0.59%

LAB 60.12, 18.72, 18.69

 

CMYK 13 / 0 / 40 / 27

HEX #A2BB71

RGB 162 187 113

HSL 80.27, 0.35%, 0.59%

LAB 72.5, -20.89, 34.67

 

CMYK 24 / 0 / 40 / 27

HEX #8EBB71

RGB 142 187 113

HSL 96.49, 0.35%, 0.59%

LAB 71.2, -28.38, 32.74

 

CMYK 35 / 0 / 40 / 27

HEX #7ABB71

RGB 122 187 113

HSL 112.7, 0.35%, 0.59%

LAB 70.09, -35.31, 31.07

 

CMYK 40 / 0 / 34 / 27

HEX #71BB7C

RGB 113 187 124

HSL 128.92, 0.35%, 0.59%

LAB 69.83, -36.4, 24.86

 

CMYK 40 / 0 / 23 / 27

HEX #71BB90

RGB 113 187 144

HSL 145.14, 0.35%, 0.59%

LAB 70.22, -32.68, 14.65

 

CMYK 13 / 0 / 40 / 27

HEX #A2BB71

RGB 162 187 113

HSL 80.27, 0.35%, 0.59%

LAB 72.5, -20.89, 34.67

 

CMYK 18 / 0 / 53 / 20

HEX #A7CB60

RGB 167 203 96

HSL 80.19, 0.51%, 0.59%

LAB 77.14, -28.66, 48.87

 

CMYK 21 / 0 / 64 / 14

HEX #ADDC50

RGB 173 220 80

HSL 80.14, 0.67%, 0.59%

LAB 82.19, -35.64, 61.68

 

CMYK 25 / 0 / 73 / 7

HEX #B2ED3F

RGB 178 237 63

HSL 80.34, 0.83%, 0.59%

LAB 87.19, -42.39, 73.08

 

CMYK 28 / 0 / 82 / 0

HEX #B8FE2E

RGB 184 254 46

HSL 80.19, 0.99%, 0.59%

LAB 92.25, -48.18, 82.58

 

CMYK 13 / 0 / 40 / 27

HEX #A2BB71

RGB 162 187 113

HSL 80.27, 0.35%, 0.59%

LAB 72.5, -20.89, 34.67

 

CMYK 8 / 0 / 24 / 33

HEX #9CAA82

RGB 156 170 130

HSL 81, 0.19%, 0.59%

LAB 67.6, -12.09, 19.03

 

CMYK 1 / 0 / 4 / 40

HEX #979993

RGB 151 153 147

HSL 80, 0.03%, 0.59%

LAB 62.9, -1.87, 2.89

 

CMYK 12 / 17 / 0 / 36

HEX #9188A4

RGB 145 136 164

HSL 259.29, 0.13%, 0.59%

LAB 58.33, 9.04, -13.6

 

CMYK 23 / 34 / 0 / 29

HEX #8C77B5

RGB 140 119 181

HSL 260.32, 0.3%, 0.59%

LAB 54.14, 21.22, -29.82

 

CMYK 0 / 8 / 40 / 27

HEX #BBAC71

RGB 187 172 113

HSL 47.84, 0.35%, 0.59%

LAB 70.36, -3.16, 32.3

 

CMYK 3 / 0 / 40 / 27

HEX #B6BB71

RGB 182 187 113

HSL 64.05, 0.35%, 0.59%

LAB 73.98, -13.03, 36.86

 

CMYK 13 / 0 / 40 / 27

HEX #A2BB71

RGB 162 187 113

HSL 80.27, 0.35%, 0.59%

LAB 72.5, -20.89, 34.67

 

CMYK 24 / 0 / 40 / 27

HEX #8FBB71

RGB 143 187 113

HSL 95.68, 0.35%, 0.59%

LAB 71.26, -28.02, 32.83

 

CMYK 34 / 0 / 40 / 27

HEX #7BBB71

RGB 123 187 113

HSL 111.89, 0.35%, 0.59%

LAB 70.14, -34.98, 31.15

 

CMYK 18 / 0 / 52 / 42

HEX #799346

RGB 121 147 70

HSL 80.26, 0.35%, 0.43%

LAB 57.44, -22.03, 37.39

 

CMYK 17 / 0 / 50 / 32

HEX #90AD56

RGB 144 173 86

HSL 80, 0.35%, 0.51%

LAB 66.89, -24.1, 41.1

 

CMYK 13 / 0 / 40 / 27

HEX #A2BB71

RGB 162 187 113

HSL 80.27, 0.35%, 0.59%

LAB 72.5, -20.89, 34.67

 

CMYK 10 / 0 / 30 / 22

HEX #B4C88D

RGB 180 200 141

HSL 80.34, 0.35%, 0.67%

LAB 77.84, -16.85, 27.33

 

CMYK 7 / 0 / 21 / 16

HEX #C6D5A9

RGB 198 213 169

HSL 80.45, 0.34%, 0.75%

LAB 83.16, -12.66, 20.1

 

CMYK 13 / 0 / 40 / 27

HEX #A2BB71

RGB 162 187 113

HSL 80.27, 0.35%, 0.59%

LAB 72.5, -20.89, 34.67

 

CMYK 40 / 0 / 19 / 27

HEX #71BB98

RGB 113 187 152

HSL 151.62, 0.35%, 0.59%

LAB 70.4, -31.04, 10.56

 

CMYK 3 / 40 / 0 / 27

HEX #B671BB

RGB 182 113 187

HSL 295.95, 0.35%, 0.59%

LAB 57.41, 39.1, -27.84

 

CMYK 13 / 0 / 40 / 27

HEX #A2BB71

RGB 162 187 113

HSL 80.27, 0.35%, 0.59%

LAB 72.5, -20.89, 34.67

 

CMYK 40 / 13 / 0 / 27

HEX #71A2BB

RGB 113 162 187

HSL 200.27, 0.35%, 0.59%

LAB 64.11, -9.87, -18.07

 

CMYK 0 / 40 / 13 / 27

HEX #BB71A2

RGB 187 113 162

HSL 320.27, 0.35%, 0.59%

LAB 57.06, 36.23, -13.94

 

CMYK 13 / 0 / 40 / 27

HEX #A2BB71

RGB 162 187 113

HSL 80.27, 0.35%, 0.59%

LAB 72.5, -20.89, 34.67

 

CMYK 40 / 0 / 19 / 27

HEX #71BB98

RGB 113 187 152

HSL 151.62, 0.35%, 0.59%

LAB 70.4, -31.04, 10.56

 

CMYK 26 / 40 / 0 / 27

HEX #8A71BB

RGB 138 113 187

HSL 260.27, 0.35%, 0.59%

LAB 52.73, 25.62, -35.48

 

CMYK 0 / 40 / 21 / 27

HEX #BB7194

RGB 187 113 148

HSL 331.62, 0.35%, 0.59%

LAB 56.6, 33.98, -6.51

 

CMYK 13 / 0 / 40 / 27

HEX #A2BB71

RGB 162 187 113

HSL 80.27, 0.35%, 0.59%

LAB 72.5, -20.89, 34.67

 

CMYK 40 / 0 / 7 / 27

HEX #71BBAE

RGB 113 187 174

HSL 169.46, 0.35%, 0.59%

LAB 70.94, -26.13, -0.68

 

CMYK 26 / 40 / 0 / 27

HEX #8A71BB

RGB 138 113 187

HSL 260.27, 0.35%, 0.59%

LAB 52.73, 25.62, -35.48

 

CMYK 0 / 40 / 33 / 27

HEX #BB717E

RGB 187 113 126

HSL 349.46, 0.35%, 0.59%

LAB 55.97, 30.84, 5.39

 

Description

Color code: RGB 162 187 113 | qconv.com Color code: RGB 162 187 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 187 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 187 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 40 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 40% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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