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Color name
RGB 162 123 42

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 162 123 42 it is the complementary color RGB 93 132 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 162 123 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 162 123 42 shade: RGB 167 123 37, RGB 184 141 56, RGB 201 159 75, RGB 218 177 94 and RGB 235 195 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 162 123 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 162 123 42 shade: RGB 162 123 42, RGB 145 105 23, RGB 128 87 4, RGB 111 69 0 and RGB 94 51 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 162 123 42 shade: RGB 162 123 41, RGB 162 90 41, RGB 162 58 41 and RGB 162 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 162 123 42 shade: RGB 162 123 41, RGB 162 155 41, RGB 136 162 41, RGB 103 162 41 and RGB 71 162 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 162 123 42 shade matches the following richer shades: RGB 162 123 41, RGB 178 128 25 and RGB 195 134 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 162 123 42 shade: RGB 162 123 41, RGB 145 117 58, RGB 129 111 74, RGB 112 105 91 and RGB 96 99 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 162 123 42 shade: RGB 162 57 41, RGB 162 89 41, RGB 162 122 41, RGB 162 154 41 and RGB 138 162 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 162 123 42 shade: RGB 96 73 24, RGB 129 98 33, RGB 162 123 41, RGB 194 147 50 and RGB 209 166 77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 162 123 42 shade: RGB 162 123 42, RGB 57 162 41 and RGB 73 41 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 162 123 42 shade: RGB 162 123 42, RGB 41 162 122 and RGB 122 41 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 162 123 42 shade: RGB 162 123 42, RGB 57 162 41, RGB 41 81 162 and RGB 146 41 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 162 123 42 shade: RGB 162 123 42, RGB 41 162 61, RGB 41 81 162 and RGB 162 41 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 74 / 36

HEX #A27B2A

RGB 162 123 42

HSL 40.5, 0.59%, 0.4%

LAB 54.04, 6.94, 47.93

 

Complementary color

CMYK 56 / 38 / 0 / 16

HEX #5D84D5

RGB 93 132 213

HSL 220.5, 0.59%, 0.6%

LAB 55.72, 10.26, -45.78

 

CMYK 0 / 26 / 78 / 35

HEX #A77B25

RGB 167 123 37

HSL 39.69, 0.64%, 0.4%

LAB 54.57, 8.99, 50.7

 

CMYK 0 / 23 / 70 / 28

HEX #B88D38

RGB 184 141 56

HSL 39.84, 0.53%, 0.47%

LAB 61.24, 7.51, 49.91

 

CMYK 0 / 21 / 63 / 21

HEX #C99F4B

RGB 201 159 75

HSL 40, 0.54%, 0.54%

LAB 67.82, 6.28, 48.76

 

CMYK 0 / 19 / 57 / 15

HEX #DAB15E

RGB 218 177 94

HSL 40.16, 0.63%, 0.61%

LAB 74.29, 5.24, 47.49

 

CMYK 0 / 17 / 52 / 8

HEX #EBC371

RGB 235 195 113

HSL 40.33, 0.75%, 0.68%

LAB 80.67, 4.35, 46.2

 

CMYK 0 / 24 / 74 / 36

HEX #A27B2A

RGB 162 123 42

HSL 40.5, 0.59%, 0.4%

LAB 54.04, 6.94, 47.93

 

CMYK 0 / 28 / 84 / 43

HEX #916917

RGB 145 105 23

HSL 40.33, 0.73%, 0.33%

LAB 47.22, 8.58, 48.29

 

CMYK 0 / 32 / 97 / 50

HEX #805704

RGB 128 87 4

HSL 40.16, 0.94%, 0.26%

LAB 40.27, 10.58, 47.34

 

CMYK 0 / 38 / 100 / 56

HEX #6F4500

RGB 111 69 0

HSL 37.3, 1%, 0.22%

LAB 33.21, 13.07, 42.74

 

CMYK 0 / 46 / 100 / 63

HEX #5E3300

RGB 94 51 0

HSL 32.55, 1%, 0.18%

LAB 26, 15.8, 36.1

 

CMYK 0 / 24 / 75 / 36

HEX #A27B29

RGB 162 123 41

HSL 40.66, 0.6%, 0.4%

LAB 54.03, 6.89, 48.35

 

CMYK 0 / 44 / 75 / 36

HEX #A25A29

RGB 162 90 41

HSL 24.3, 0.6%, 0.4%

LAB 45.84, 25.56, 40.01

 

CMYK 0 / 64 / 75 / 36

HEX #A23A29

RGB 162 58 41

HSL 8.43, 0.6%, 0.4%

LAB 39.36, 42.07, 33.03

 

CMYK 0 / 75 / 75 / 36

HEX #A22929

RGB 162 41 41

HSL 0, 0.6%, 0.4%

LAB 36.79, 49.05, 30.16

 

CMYK 0 / 24 / 75 / 36

HEX #A27B29

RGB 162 123 41

HSL 40.66, 0.6%, 0.4%

LAB 54.03, 6.89, 48.35

 

CMYK 0 / 4 / 75 / 36

HEX #A29B29

RGB 162 155 41

HSL 56.53, 0.6%, 0.4%

LAB 62.75, -10.65, 56.76

 

CMYK 16 / 0 / 75 / 36

HEX #88A229

RGB 136 162 41

HSL 72.89, 0.6%, 0.4%

LAB 62.71, -25.54, 56

 

CMYK 36 / 0 / 75 / 36

HEX #67A229

RGB 103 162 41

HSL 89.26, 0.6%, 0.4%

LAB 60.68, -38.6, 53.34

 

CMYK 56 / 0 / 75 / 36

HEX #47A229

RGB 71 162 41

HSL 105.12, 0.6%, 0.4%

LAB 59.29, -48.91, 51.5

 

CMYK 0 / 24 / 75 / 36

HEX #A27B29

RGB 162 123 41

HSL 40.66, 0.6%, 0.4%

LAB 54.03, 6.89, 48.35

 

CMYK 0 / 28 / 86 / 30

HEX #B28019

RGB 178 128 25

HSL 40.39, 0.75%, 0.4%

LAB 57.05, 10.76, 57.54

 

CMYK 0 / 31 / 96 / 24

HEX #C38608

RGB 195 134 8

HSL 40.43, 0.92%, 0.4%

LAB 60.49, 14.76, 64.7

 

CMYK 0 / 24 / 75 / 36

HEX #A27B29

RGB 162 123 41

HSL 40.66, 0.6%, 0.4%

LAB 54.03, 6.89, 48.35

 

CMYK 0 / 19 / 60 / 43

HEX #91753A

RGB 145 117 58

HSL 40.69, 0.43%, 0.4%

LAB 50.74, 3.65, 36.16

 

CMYK 0 / 14 / 43 / 49

HEX #816F4A

RGB 129 111 74

HSL 40.36, 0.27%, 0.4%

LAB 47.66, 1.52, 23.2

 

CMYK 0 / 6 / 19 / 56

HEX #70695B

RGB 112 105 91

HSL 40, 0.1%, 0.4%

LAB 44.66, 0.17, 8.86

 

CMYK 10 / 7 / 0 / 58

HEX #60636B

RGB 96 99 107

HSL 223.64, 0.05%, 0.4%

LAB 41.96, 0.6, -4.92

 

CMYK 0 / 65 / 75 / 36

HEX #A23929

RGB 162 57 41

HSL 7.93, 0.6%, 0.4%

LAB 39.19, 42.53, 32.84

 

CMYK 0 / 45 / 75 / 36

HEX #A25929

RGB 162 89 41

HSL 23.8, 0.6%, 0.4%

LAB 45.62, 26.12, 39.77

 

CMYK 0 / 25 / 75 / 36

HEX #A27A29

RGB 162 122 41

HSL 40.17, 0.6%, 0.4%

LAB 53.77, 7.46, 48.09

 

CMYK 0 / 5 / 75 / 36

HEX #A29A29

RGB 162 154 41

HSL 56.03, 0.6%, 0.4%

LAB 62.47, -10.12, 56.5

 

CMYK 15 / 0 / 75 / 36

HEX #8AA229

RGB 138 162 41

HSL 71.9, 0.6%, 0.4%

LAB 62.85, -24.7, 56.19

 

CMYK 0 / 24 / 75 / 62

HEX #604918

RGB 96 73 24

HSL 40.83, 0.6%, 0.24%

LAB 32.52, 4.09, 31.89

 

CMYK 0 / 24 / 74 / 49

HEX #816221

RGB 129 98 33

HSL 40.63, 0.59%, 0.32%

LAB 43.53, 5.56, 40.12

 

CMYK 0 / 24 / 75 / 36

HEX #A27B29

RGB 162 123 41

HSL 40.66, 0.6%, 0.4%

LAB 54.03, 6.89, 48.35

 

CMYK 0 / 24 / 74 / 24

HEX #C29332

RGB 194 147 50

HSL 40.42, 0.59%, 0.48%

LAB 63.81, 8.33, 55.43

 

CMYK 0 / 21 / 63 / 18

HEX #D1A64D

RGB 209 166 77

HSL 40.45, 0.59%, 0.56%

LAB 70.43, 6.08, 50.97

 

CMYK 0 / 24 / 74 / 36

HEX #A27B2A

RGB 162 123 42

HSL 40.5, 0.59%, 0.4%

LAB 54.04, 6.94, 47.93

 

CMYK 65 / 0 / 75 / 36

HEX #39A229

RGB 57 162 41

HSL 112.07, 0.6%, 0.4%

LAB 58.85, -52.4, 50.92

 

CMYK 55 / 75 / 0 / 36

HEX #4929A2

RGB 73 41 162

HSL 255.87, 0.6%, 0.4%

LAB 28.41, 45.11, -60.09

 

CMYK 0 / 24 / 74 / 36

HEX #A27B2A

RGB 162 123 42

HSL 40.5, 0.59%, 0.4%

LAB 54.04, 6.94, 47.93

 

CMYK 75 / 0 / 25 / 36

HEX #29A27A

RGB 41 162 122

HSL 160.17, 0.6%, 0.4%

LAB 59.63, -42.38, 11.55

 

CMYK 25 / 75 / 0 / 36

HEX #7A29A2

RGB 122 41 162

HSL 280.17, 0.6%, 0.4%

LAB 34.67, 53.85, -49.63

 

CMYK 0 / 24 / 74 / 36

HEX #A27B2A

RGB 162 123 42

HSL 40.5, 0.59%, 0.4%

LAB 54.04, 6.94, 47.93

 

CMYK 65 / 0 / 75 / 36

HEX #39A229

RGB 57 162 41

HSL 112.07, 0.6%, 0.4%

LAB 58.85, -52.4, 50.92

 

CMYK 75 / 50 / 0 / 36

HEX #2951A2

RGB 41 81 162

HSL 220.17, 0.6%, 0.4%

LAB 35.92, 15.21, -47.97

 

CMYK 10 / 75 / 0 / 36

HEX #9229A2

RGB 146 41 162

HSL 292.07, 0.6%, 0.4%

LAB 38.39, 58.8, -43.45

 

CMYK 0 / 24 / 74 / 36

HEX #A27B2A

RGB 162 123 42

HSL 40.5, 0.59%, 0.4%

LAB 54.04, 6.94, 47.93

 

CMYK 75 / 0 / 62 / 36

HEX #29A23D

RGB 41 162 61

HSL 129.92, 0.6%, 0.4%

LAB 58.65, -53.51, 42.28

 

CMYK 75 / 50 / 0 / 36

HEX #2951A2

RGB 41 81 162

HSL 220.17, 0.6%, 0.4%

LAB 35.92, 15.21, -47.97

 

CMYK 0 / 75 / 12 / 36

HEX #A2298E

RGB 162 41 142

HSL 309.92, 0.6%, 0.4%

LAB 39.95, 59.06, -28.68

 

Description

Color code: RGB 162 123 42 | qconv.com Color code: RGB 162 123 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 123 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 123 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 74 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 74% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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