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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 161 39 250 it is the complementary color RGB 94 216 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 161 39 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 161 39 250 shade: RGB 166 39 245, RGB 183 57 255, RGB 200 75 255, RGB 217 93 255 and RGB 234 111 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 161 39 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 161 39 250 shade: RGB 161 39 250, RGB 144 21 231, RGB 127 3 212, RGB 110 0 193 and RGB 93 0 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 161 39 250 shade: RGB 161 41 249, RGB 217 41 249, RGB 249 41 225, RGB 249 41 168 and RGB 249 41 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 161 39 250 shade: RGB 161 41 249, RGB 105 41 249, RGB 49 41 249 and RGB 41 41 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 161 39 250 shade matches the following richer shades: RGB 161 41 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 161 39 250 shade: RGB 161 41 249, RGB 158 58 231, RGB 156 76 214, RGB 153 94 196 and RGB 150 112 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 161 39 250 shade: RGB 48 41 249, RGB 103 41 249, RGB 159 41 249, RGB 214 41 249 and RGB 249 41 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 161 39 250 shade: RGB 119 5 202, RGB 143 6 243, RGB 161 41 249, RGB 179 81 250 and RGB 196 121 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 161 39 250 shade: RGB 161 39 250, RGB 249 41 89 and RGB 41 249 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 161 39 250 shade: RGB 161 39 250, RGB 249 159 41 and RGB 41 249 159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 161 39 250 shade: RGB 161 39 250, RGB 249 41 89, RGB 131 249 41 and RGB 41 249 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 161 39 250 shade: RGB 161 39 250, RGB 249 55 41, RGB 131 249 41 and RGB 41 235 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 84 / 0 / 2

HEX #A127FA

RGB 161 39 250

HSL 274.69, 0.95%, 0.57%

LAB 46.88, 79.23, -80.52

 

Complementary color

CMYK 56 / 0 / 98 / 15

HEX #5ED805

RGB 94 216 5

HSL 94.69, 0.95%, 0.43%

LAB 76.98, -63.41, 74.68

 

CMYK 32 / 84 / 0 / 4

HEX #A627F5

RGB 166 39 245

HSL 276.99, 0.91%, 0.56%

LAB 47.17, 78.89, -77.22

 

CMYK 28 / 78 / 0 / 0

HEX #B739FF

RGB 183 57 255

HSL 278.18, 1%, 0.61%

LAB 52.08, 78.24, -74.7

 

CMYK 22 / 71 / 0 / 0

HEX #C84BFF

RGB 200 75 255

HSL 281.67, 1%, 0.65%

LAB 56.62, 74.92, -67.24

 

CMYK 15 / 64 / 0 / 0

HEX #D95DFF

RGB 217 93 255

HSL 285.93, 1%, 0.68%

LAB 61.48, 71.21, -59.31

 

CMYK 8 / 56 / 0 / 0

HEX #EA6FFF

RGB 234 111 255

HSL 291.25, 1%, 0.72%

LAB 66.58, 67.33, -51.07

 

CMYK 36 / 84 / 0 / 2

HEX #A127FA

RGB 161 39 250

HSL 274.69, 0.95%, 0.57%

LAB 46.88, 79.23, -80.52

 

CMYK 38 / 91 / 0 / 9

HEX #9015E7

RGB 144 21 231

HSL 275.14, 0.83%, 0.49%

LAB 41.59, 77.16, -78.57

 

CMYK 40 / 99 / 0 / 17

HEX #7F03D4

RGB 127 3 212

HSL 275.6, 0.97%, 0.42%

LAB 36.61, 73.89, -75.94

 

CMYK 43 / 100 / 0 / 24

HEX #6E00C1

RGB 110 0 193

HSL 274.2, 1%, 0.38%

LAB 32.18, 68.73, -72.24

 

CMYK 47 / 100 / 0 / 32

HEX #5D00AE

RGB 93 0 174

HSL 272.07, 1%, 0.34%

LAB 27.8, 63.11, -68.25

 

CMYK 35 / 84 / 0 / 2

HEX #A129F9

RGB 161 41 249

HSL 274.62, 0.95%, 0.57%

LAB 46.98, 78.5, -79.8

 

CMYK 13 / 84 / 0 / 2

HEX #D929F9

RGB 217 41 249

HSL 290.77, 0.95%, 0.57%

LAB 55.25, 86.87, -65.98

 

CMYK 0 / 84 / 10 / 2

HEX #F929E1

RGB 249 41 225

HSL 306.92, 0.95%, 0.57%

LAB 59.12, 88.9, -46.05

 

CMYK 0 / 84 / 33 / 2

HEX #F929A8

RGB 249 41 168

HSL 323.37, 0.95%, 0.57%

LAB 56.64, 82.09, -17.18

 

CMYK 0 / 84 / 55 / 2

HEX #F92970

RGB 249 41 112

HSL 339.52, 0.95%, 0.57%

LAB 54.96, 77.31, 13.63

 

CMYK 35 / 84 / 0 / 2

HEX #A129F9

RGB 161 41 249

HSL 274.62, 0.95%, 0.57%

LAB 46.98, 78.5, -79.8

 

CMYK 58 / 84 / 0 / 2

HEX #6929F9

RGB 105 41 249

HSL 258.46, 0.95%, 0.57%

LAB 40.29, 72.14, -91.04

 

CMYK 80 / 84 / 0 / 2

HEX #3129F9

RGB 49 41 249

HSL 242.31, 0.95%, 0.57%

LAB 36.13, 68.45, -98.06

 

CMYK 84 / 84 / 0 / 2

HEX #2929F9

RGB 41 41 249

HSL 240, 0.95%, 0.57%

LAB 35.78, 68.15, -98.65

 

CMYK 35 / 84 / 0 / 2

HEX #A129F9

RGB 161 41 249

HSL 274.62, 0.95%, 0.57%

LAB 46.98, 78.5, -79.8

 

CMYK 35 / 84 / 0 / 2

HEX #A129F9

RGB 161 41 249

HSL 274.62, 0.95%, 0.57%

LAB 46.98, 78.5, -79.8

 

CMYK 32 / 75 / 0 / 9

HEX #9E3AE7

RGB 158 58 231

HSL 274.68, 0.78%, 0.57%

LAB 47.06, 68.77, -69.55

 

CMYK 27 / 64 / 0 / 16

HEX #9C4CD6

RGB 156 76 214

HSL 274.78, 0.63%, 0.57%

LAB 48.38, 56.92, -57.77

 

CMYK 22 / 52 / 0 / 23

HEX #995EC4

RGB 153 94 196

HSL 274.71, 0.46%, 0.57%

LAB 50.41, 42.86, -44.22

 

CMYK 16 / 37 / 0 / 30

HEX #9670B2

RGB 150 112 178

HSL 274.55, 0.3%, 0.57%

LAB 53.26, 27.72, -29.38

 

CMYK 81 / 84 / 0 / 2

HEX #3029F9

RGB 48 41 249

HSL 242.02, 0.95%, 0.57%

LAB 36.09, 68.4, -98.14

 

CMYK 59 / 84 / 0 / 2

HEX #6729F9

RGB 103 41 249

HSL 257.88, 0.95%, 0.57%

LAB 40.1, 71.96, -91.37

 

CMYK 36 / 84 / 0 / 2

HEX #9F29F9

RGB 159 41 249

HSL 274.04, 0.95%, 0.57%

LAB 46.71, 78.24, -80.26

 

CMYK 14 / 84 / 0 / 2

HEX #D629F9

RGB 214 41 249

HSL 289.9, 0.95%, 0.57%

LAB 54.78, 86.38, -66.76

 

CMYK 0 / 84 / 8 / 2

HEX #F929E4

RGB 249 41 228

HSL 306.06, 0.95%, 0.57%

LAB 59.28, 89.3, -47.5

 

CMYK 41 / 98 / 0 / 21

HEX #7705CA

RGB 119 5 202

HSL 274.72, 0.95%, 0.41%

LAB 34.59, 70.78, -73.5

 

CMYK 41 / 98 / 0 / 5

HEX #8F06F3

RGB 143 6 243

HSL 274.68, 0.95%, 0.49%

LAB 41.91, 81.38, -84.85

 

CMYK 35 / 84 / 0 / 2

HEX #A129F9

RGB 161 41 249

HSL 274.62, 0.95%, 0.57%

LAB 46.98, 78.5, -79.8

 

CMYK 28 / 68 / 0 / 2

HEX #B351FA

RGB 179 81 250

HSL 274.79, 0.94%, 0.65%

LAB 54.42, 67.35, -68.16

 

CMYK 22 / 52 / 0 / 2

HEX #C479FB

RGB 196 121 251

HSL 274.62, 0.94%, 0.73%

LAB 63.65, 52.1, -53.8

 

CMYK 36 / 84 / 0 / 2

HEX #A127FA

RGB 161 39 250

HSL 274.69, 0.95%, 0.57%

LAB 46.88, 79.23, -80.52

 

CMYK 0 / 84 / 64 / 2

HEX #F92959

RGB 249 41 89

HSL 346.15, 0.95%, 0.57%

LAB 54.5, 75.95, 26.77

 

CMYK 84 / 0 / 70 / 2

HEX #29F94B

RGB 41 249 75

HSL 129.81, 0.95%, 0.57%

LAB 86.37, -79.29, 66.69

 

CMYK 36 / 84 / 0 / 2

HEX #A127FA

RGB 161 39 250

HSL 274.69, 0.95%, 0.57%

LAB 46.88, 79.23, -80.52

 

CMYK 0 / 36 / 84 / 2

HEX #F99F29

RGB 249 159 41

HSL 34.04, 0.95%, 0.57%

LAB 72.96, 25.16, 69.36

 

CMYK 84 / 0 / 36 / 2

HEX #29F99F

RGB 41 249 159

HSL 154.04, 0.95%, 0.57%

LAB 87.35, -67.54, 30.01

 

CMYK 36 / 84 / 0 / 2

HEX #A127FA

RGB 161 39 250

HSL 274.69, 0.95%, 0.57%

LAB 46.88, 79.23, -80.52

 

CMYK 0 / 84 / 64 / 2

HEX #F92959

RGB 249 41 89

HSL 346.15, 0.95%, 0.57%

LAB 54.5, 75.95, 26.77

 

CMYK 47 / 0 / 84 / 2

HEX #83F929

RGB 131 249 41

HSL 94.04, 0.95%, 0.57%

LAB 88.32, -63.94, 79.31

 

CMYK 84 / 0 / 20 / 2

HEX #29F9C8

RGB 41 249 200

HSL 165.87, 0.95%, 0.57%

LAB 88.16, -58.64, 10.12

 

CMYK 36 / 84 / 0 / 2

HEX #A127FA

RGB 161 39 250

HSL 274.69, 0.95%, 0.57%

LAB 46.88, 79.23, -80.52

 

CMYK 0 / 78 / 84 / 2

HEX #F93729

RGB 249 55 41

HSL 4.04, 0.95%, 0.57%

LAB 55.11, 70.79, 54.01

 

CMYK 47 / 0 / 84 / 2

HEX #83F929

RGB 131 249 41

HSL 94.04, 0.95%, 0.57%

LAB 88.32, -63.94, 79.31

 

CMYK 84 / 6 / 0 / 2

HEX #29EBF9

RGB 41 235 249

HSL 184.04, 0.95%, 0.57%

LAB 85.37, -39.52, -19.63

 

Description

Color code: RGB 161 39 250 | qconv.com Color code: RGB 161 39 250 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 39 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 39 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 84 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 84% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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