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Color name
RGB 160 99 143

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 99 143 it is the complementary color RGB 95 156 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 99 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 160 99 143 shade: RGB 165 99 138, RGB 182 117 157, RGB 199 135 176, RGB 216 153 195 and RGB 233 171 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 99 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 160 99 143 shade: RGB 160 99 143, RGB 143 81 124, RGB 126 63 105, RGB 109 45 86 and RGB 92 27 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 160 99 143 shade: RGB 160 100 143, RGB 160 100 127, RGB 160 100 110 and RGB 160 100 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 160 99 143 shade: RGB 160 100 143, RGB 160 100 159, RGB 144 100 160, RGB 128 100 160 and RGB 112 100 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 160 99 143 shade matches the following richer shades: RGB 160 100 143, RGB 180 79 152, RGB 200 59 161, RGB 220 39 170 and RGB 240 19 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 160 99 143 shade: RGB 160 100 143, RGB 139 120 134, RGB 119 140 125, RGB 99 160 116 and RGB 79 180 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 160 99 143 shade: RGB 144 100 160, RGB 160 100 160, RGB 160 100 144, RGB 160 100 128 and RGB 160 100 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 160 99 143 shade: RGB 110 67 98, RGB 135 83 121, RGB 160 100 143, RGB 175 125 161 and RGB 191 151 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 160 99 143 shade: RGB 160 99 143, RGB 160 128 100 and RGB 100 160 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 160 99 143 shade: RGB 160 99 143, RGB 144 160 100 and RGB 100 144 160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 160 99 143 shade: RGB 160 99 143, RGB 160 128 100, RGB 100 160 116 and RGB 100 132 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 160 99 143 shade: RGB 160 99 143, RGB 160 146 100, RGB 100 160 116 and RGB 100 114 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 11 / 37

HEX #A0638F

RGB 160 99 143

HSL 316.72, 0.24%, 0.51%

LAB 49.95, 31.38, -13.88

 

Complementary color

CMYK 39 / 0 / 28 / 39

HEX #5F9C70

RGB 95 156 112

HSL 136.72, 0.24%, 0.49%

LAB 59.32, -29.61, 16.97

 

CMYK 0 / 40 / 16 / 35

HEX #A5638A

RGB 165 99 138

HSL 324.55, 0.27%, 0.52%

LAB 50.4, 32.28, -10.18

 

CMYK 0 / 36 / 14 / 29

HEX #B6759D

RGB 182 117 157

HSL 323.08, 0.31%, 0.59%

LAB 57.17, 31.48, -10.93

 

CMYK 0 / 32 / 12 / 22

HEX #C787B0

RGB 199 135 176

HSL 321.56, 0.36%, 0.65%

LAB 63.84, 30.73, -11.6

 

CMYK 0 / 29 / 10 / 15

HEX #D899C3

RGB 216 153 195

HSL 320, 0.45%, 0.72%

LAB 70.4, 30.02, -12.22

 

CMYK 0 / 27 / 8 / 9

HEX #E9ABD6

RGB 233 171 214

HSL 318.39, 0.58%, 0.79%

LAB 76.86, 29.37, -12.79

 

CMYK 0 / 38 / 11 / 37

HEX #A0638F

RGB 160 99 143

HSL 316.72, 0.24%, 0.51%

LAB 49.95, 31.38, -13.88

 

CMYK 0 / 43 / 13 / 44

HEX #8F517C

RGB 143 81 124

HSL 318.39, 0.28%, 0.44%

LAB 43.03, 32.19, -13.16

 

CMYK 0 / 50 / 17 / 51

HEX #7E3F69

RGB 126 63 105

HSL 320, 0.33%, 0.37%

LAB 36, 33, -12.29

 

CMYK 0 / 59 / 21 / 57

HEX #6D2D56

RGB 109 45 86

HSL 321.56, 0.42%, 0.3%

LAB 28.9, 33.72, -11.14

 

CMYK 0 / 71 / 27 / 64

HEX #5C1B43

RGB 92 27 67

HSL 323.08, 0.55%, 0.23%

LAB 21.82, 34.06, -9.5

 

CMYK 0 / 38 / 11 / 37

HEX #A0648F

RGB 160 100 143

HSL 317, 0.24%, 0.51%

LAB 50.18, 30.82, -13.54

 

CMYK 0 / 38 / 21 / 37

HEX #A0647F

RGB 160 100 127

HSL 333, 0.24%, 0.51%

LAB 49.64, 28.12, -4.84

 

CMYK 0 / 38 / 31 / 37

HEX #A0646E

RGB 160 100 110

HSL 350, 0.24%, 0.51%

LAB 49.15, 25.58, 4.59

 

CMYK 0 / 38 / 38 / 37

HEX #A06464

RGB 160 100 100

HSL 0, 0.24%, 0.51%

LAB 48.89, 24.25, 10.2

 

CMYK 0 / 38 / 11 / 37

HEX #A0648F

RGB 160 100 143

HSL 317, 0.24%, 0.51%

LAB 50.18, 30.82, -13.54

 

CMYK 0 / 38 / 1 / 37

HEX #A0649F

RGB 160 100 159

HSL 301, 0.24%, 0.51%

LAB 50.79, 33.78, -22.04

 

CMYK 10 / 38 / 0 / 37

HEX #9064A0

RGB 144 100 160

HSL 284, 0.24%, 0.51%

LAB 48.98, 28.76, -25.57

 

CMYK 20 / 38 / 0 / 37

HEX #8064A0

RGB 128 100 160

HSL 268, 0.24%, 0.51%

LAB 47.29, 23.62, -28.34

 

CMYK 30 / 38 / 0 / 37

HEX #7064A0

RGB 112 100 160

HSL 252, 0.24%, 0.51%

LAB 45.77, 18.67, -30.83

 

CMYK 0 / 38 / 11 / 37

HEX #A0648F

RGB 160 100 143

HSL 317, 0.24%, 0.51%

LAB 50.18, 30.82, -13.54

 

CMYK 0 / 56 / 16 / 29

HEX #B44F98

RGB 180 79 152

HSL 316.63, 0.4%, 0.51%

LAB 48.96, 49.84, -20.49

 

CMYK 0 / 71 / 20 / 22

HEX #C83BA1

RGB 200 59 161

HSL 316.6, 0.56%, 0.51%

LAB 49.47, 64.96, -24.78

 

CMYK 0 / 82 / 23 / 14

HEX #DC27AA

RGB 220 39 170

HSL 316.57, 0.72%, 0.51%

LAB 51.35, 76.42, -26.92

 

CMYK 0 / 92 / 25 / 6

HEX #F013B3

RGB 240 19 179

HSL 316.56, 0.88%, 0.51%

LAB 54.29, 84.72, -27.36

 

CMYK 0 / 38 / 11 / 37

HEX #A0648F

RGB 160 100 143

HSL 317, 0.24%, 0.51%

LAB 50.18, 30.82, -13.54

 

CMYK 0 / 14 / 4 / 45

HEX #8B7886

RGB 139 120 134

HSL 315.79, 0.08%, 0.51%

LAB 52.56, 9.94, -4.91

 

CMYK 15 / 0 / 11 / 45

HEX #778C7D

RGB 119 140 125

HSL 137.14, 0.08%, 0.51%

LAB 56.25, -10.64, 5.5

 

CMYK 38 / 0 / 28 / 37

HEX #63A074

RGB 99 160 116

HSL 136.72, 0.24%, 0.51%

LAB 60.83, -29.52, 16.86

 

CMYK 56 / 0 / 41 / 29

HEX #4FB46B

RGB 79 180 107

HSL 136.63, 0.4%, 0.51%

LAB 66.03, -45.67, 28.57

 

CMYK 10 / 38 / 0 / 37

HEX #9064A0

RGB 144 100 160

HSL 284, 0.24%, 0.51%

LAB 48.98, 28.76, -25.57

 

CMYK 0 / 38 / 0 / 37

HEX #A064A0

RGB 160 100 160

HSL 300, 0.24%, 0.51%

LAB 50.83, 33.98, -22.56

 

CMYK 0 / 38 / 10 / 37

HEX #A06490

RGB 160 100 144

HSL 316, 0.24%, 0.51%

LAB 50.22, 31, -14.08

 

CMYK 0 / 38 / 20 / 37

HEX #A06480

RGB 160 100 128

HSL 332, 0.24%, 0.51%

LAB 49.67, 28.28, -5.39

 

CMYK 0 / 38 / 30 / 37

HEX #A06470

RGB 160 100 112

HSL 348, 0.24%, 0.51%

LAB 49.2, 25.86, 3.47

 

CMYK 0 / 39 / 11 / 57

HEX #6E4362

RGB 110 67 98

HSL 316.74, 0.24%, 0.35%

LAB 34.42, 23.67, -10.48

 

CMYK 0 / 39 / 10 / 47

HEX #875379

RGB 135 83 121

HSL 316.15, 0.24%, 0.43%

LAB 42.34, 27.68, -12.49

 

CMYK 0 / 38 / 11 / 37

HEX #A0648F

RGB 160 100 143

HSL 317, 0.24%, 0.51%

LAB 50.18, 30.82, -13.54

 

CMYK 0 / 29 / 8 / 31

HEX #AF7DA1

RGB 175 125 161

HSL 316.8, 0.24%, 0.59%

LAB 58.37, 25.25, -11.52

 

CMYK 0 / 21 / 6 / 25

HEX #BF97B4

RGB 191 151 180

HSL 316.5, 0.24%, 0.67%

LAB 66.9, 19.8, -9.36

 

CMYK 0 / 38 / 11 / 37

HEX #A0638F

RGB 160 99 143

HSL 316.72, 0.24%, 0.51%

LAB 49.95, 31.38, -13.88

 

CMYK 0 / 20 / 38 / 37

HEX #A08064

RGB 160 128 100

HSL 28, 0.24%, 0.51%

LAB 55.92, 8.28, 19.88

 

CMYK 38 / 0 / 5 / 37

HEX #64A098

RGB 100 160 152

HSL 172, 0.24%, 0.51%

LAB 61.76, -21.36, -2

 

CMYK 0 / 38 / 11 / 37

HEX #A0638F

RGB 160 99 143

HSL 316.72, 0.24%, 0.51%

LAB 49.95, 31.38, -13.88

 

CMYK 10 / 0 / 38 / 37

HEX #90A064

RGB 144 160 100

HSL 76, 0.24%, 0.51%

LAB 63.34, -15.84, 29.43

 

CMYK 38 / 10 / 0 / 37

HEX #6490A0

RGB 100 144 160

HSL 196, 0.24%, 0.51%

LAB 57.26, -10.79, -13.23

 

CMYK 0 / 38 / 11 / 37

HEX #A0638F

RGB 160 99 143

HSL 316.72, 0.24%, 0.51%

LAB 49.95, 31.38, -13.88

 

CMYK 0 / 20 / 38 / 37

HEX #A08064

RGB 160 128 100

HSL 28, 0.24%, 0.51%

LAB 55.92, 8.28, 19.88

 

CMYK 38 / 0 / 28 / 37

HEX #64A074

RGB 100 160 116

HSL 136, 0.24%, 0.51%

LAB 60.88, -29.21, 16.93

 

CMYK 38 / 18 / 0 / 37

HEX #6484A0

RGB 100 132 160

HSL 208, 0.24%, 0.51%

LAB 53.76, -4.03, -18.54

 

CMYK 0 / 38 / 11 / 37

HEX #A0638F

RGB 160 99 143

HSL 316.72, 0.24%, 0.51%

LAB 49.95, 31.38, -13.88

 

CMYK 0 / 9 / 38 / 37

HEX #A09264

RGB 160 146 100

HSL 46, 0.24%, 0.51%

LAB 60.74, -1.78, 26.29

 

CMYK 38 / 0 / 28 / 37

HEX #64A074

RGB 100 160 116

HSL 136, 0.24%, 0.51%

LAB 60.88, -29.21, 16.93

 

CMYK 38 / 29 / 0 / 37

HEX #6472A0

RGB 100 114 160

HSL 226, 0.24%, 0.51%

LAB 48.61, 6.58, -26.46

 

Description

Color code: RGB 160 99 143 | qconv.com Color code: RGB 160 99 143 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 99 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 99 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 11 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 11% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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