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Color name
RGB 160 59 80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 59 80 it is the complementary color RGB 95 196 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 59 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 160 59 80 shade: RGB 165 59 75, RGB 182 77 94, RGB 199 95 113, RGB 216 113 132 and RGB 233 131 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 59 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 160 59 80 shade: RGB 160 59 80, RGB 143 41 61, RGB 126 23 42, RGB 109 5 23 and RGB 92 0 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 160 59 80 shade: RGB 160 59 80 and RGB 160 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 160 59 80 shade: RGB 160 59 80, RGB 160 59 107, RGB 160 59 134, RGB 158 59 160 and RGB 131 59 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 160 59 80 shade matches the following richer shades: RGB 160 59 80, RGB 177 41 69, RGB 195 23 59 and RGB 213 5 49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 160 59 80 shade: RGB 160 59 80, RGB 142 76 90, RGB 124 94 100, RGB 106 112 111 and RGB 89 130 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 160 59 80 shade: RGB 160 59 134, RGB 160 59 107, RGB 160 59 81, RGB 160 64 59 and RGB 160 91 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 160 59 80 shade: RGB 99 36 50, RGB 129 48 65, RGB 160 59 80, RGB 187 72 96 and RGB 198 103 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 160 59 80 shade: RGB 160 59 80, RGB 160 158 59 and RGB 59 121 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 160 59 80 shade: RGB 160 59 80, RGB 81 160 59 and RGB 59 81 160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 160 59 80 shade: RGB 160 59 80, RGB 160 158 59, RGB 59 160 138 and RGB 59 60 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 160 59 80 shade: RGB 160 59 80, RGB 131 160 59, RGB 59 160 138 and RGB 87 59 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 50 / 37

HEX #A03B50

RGB 160 59 80

HSL 347.52, 0.46%, 0.43%

LAB 39.88, 43.62, 9.8

 

Complementary color

CMYK 52 / 0 / 11 / 23

HEX #5FC4AF

RGB 95 196 175

HSL 167.52, 0.46%, 0.57%

LAB 72.9, -34.63, 1.54

 

CMYK 0 / 64 / 55 / 35

HEX #A53B4B

RGB 165 59 75

HSL 350.94, 0.47%, 0.44%

LAB 40.63, 44.89, 14.1

 

CMYK 0 / 58 / 48 / 29

HEX #B64D5E

RGB 182 77 94

HSL 350.29, 0.42%, 0.51%

LAB 47.05, 44.09, 11.7

 

CMYK 0 / 52 / 43 / 22

HEX #C75F71

RGB 199 95 113

HSL 349.62, 0.48%, 0.58%

LAB 53.51, 43.16, 9.75

 

CMYK 0 / 48 / 39 / 15

HEX #D87184

RGB 216 113 132

HSL 348.93, 0.57%, 0.65%

LAB 59.96, 42.2, 8.12

 

CMYK 0 / 44 / 35 / 9

HEX #E98397

RGB 233 131 151

HSL 348.24, 0.7%, 0.71%

LAB 66.36, 41.25, 6.72

 

CMYK 0 / 63 / 50 / 37

HEX #A03B50

RGB 160 59 80

HSL 347.52, 0.46%, 0.43%

LAB 39.88, 43.62, 9.8

 

CMYK 0 / 71 / 57 / 44

HEX #8F293D

RGB 143 41 61

HSL 348.24, 0.55%, 0.36%

LAB 33.48, 44.08, 12.61

 

CMYK 0 / 82 / 67 / 51

HEX #7E172A

RGB 126 23 42

HSL 348.93, 0.69%, 0.29%

LAB 27.34, 43.82, 16.36

 

CMYK 0 / 95 / 79 / 57

HEX #6D0517

RGB 109 5 23

HSL 349.62, 0.91%, 0.22%

LAB 21.66, 42.31, 21.33

 

CMYK 0 / 100 / 96 / 64

HEX #5C0004

RGB 92 0 4

HSL 357.39, 1%, 0.18%

LAB 16.91, 38.15, 24.55

 

CMYK 0 / 63 / 50 / 37

HEX #A03B50

RGB 160 59 80

HSL 347.52, 0.46%, 0.43%

LAB 39.88, 43.62, 9.8

 

CMYK 0 / 63 / 63 / 37

HEX #A03B3B

RGB 160 59 59

HSL 0, 0.46%, 0.43%

LAB 39.44, 41.92, 22.3

 

CMYK 0 / 63 / 50 / 37

HEX #A03B50

RGB 160 59 80

HSL 347.52, 0.46%, 0.43%

LAB 39.88, 43.62, 9.8

 

CMYK 0 / 63 / 33 / 37

HEX #A03B6B

RGB 160 59 107

HSL 331.49, 0.46%, 0.43%

LAB 40.68, 46.59, -5.98

 

CMYK 0 / 63 / 16 / 37

HEX #A03B86

RGB 160 59 134

HSL 315.45, 0.46%, 0.43%

LAB 41.72, 50.38, -21.05

 

CMYK 1 / 63 / 0 / 37

HEX #9E3BA0

RGB 158 59 160

HSL 298.81, 0.46%, 0.43%

LAB 42.67, 54.17, -35.33

 

CMYK 18 / 63 / 0 / 37

HEX #833BA0

RGB 131 59 160

HSL 282.77, 0.46%, 0.43%

LAB 38.71, 47.37, -41.85

 

CMYK 0 / 63 / 50 / 37

HEX #A03B50

RGB 160 59 80

HSL 347.52, 0.46%, 0.43%

LAB 39.88, 43.62, 9.8

 

CMYK 0 / 77 / 61 / 31

HEX #B12945

RGB 177 41 69

HSL 347.65, 0.62%, 0.43%

LAB 40.18, 55.21, 17.64

 

CMYK 0 / 88 / 70 / 24

HEX #C3173B

RGB 195 23 59

HSL 347.44, 0.79%, 0.43%

LAB 42.05, 64.07, 27

 

CMYK 0 / 98 / 77 / 16

HEX #D50531

RGB 213 5 49

HSL 347.31, 0.95%, 0.43%

LAB 44.91, 70.35, 37.32

 

CMYK 0 / 63 / 50 / 37

HEX #A03B50

RGB 160 59 80

HSL 347.52, 0.46%, 0.43%

LAB 39.88, 43.62, 9.8

 

CMYK 0 / 46 / 37 / 44

HEX #8E4C5A

RGB 142 76 90

HSL 347.27, 0.3%, 0.43%

LAB 40.67, 29.42, 4.27

 

CMYK 0 / 24 / 19 / 51

HEX #7C5E64

RGB 124 94 100

HSL 348, 0.14%, 0.43%

LAB 43.08, 13.22, 1.31

 

CMYK 5 / 0 / 1 / 56

HEX #6A706F

RGB 106 112 111

HSL 170, 0.03%, 0.43%

LAB 46.71, -2.48, -0.24

 

CMYK 32 / 0 / 7 / 49

HEX #598279

RGB 89 130 121

HSL 166.83, 0.19%, 0.43%

LAB 51.23, -16.31, 0.31

 

CMYK 0 / 63 / 16 / 37

HEX #A03B86

RGB 160 59 134

HSL 315.45, 0.46%, 0.43%

LAB 41.72, 50.38, -21.05

 

CMYK 0 / 63 / 33 / 37

HEX #A03B6B

RGB 160 59 107

HSL 331.49, 0.46%, 0.43%

LAB 40.68, 46.59, -5.98

 

CMYK 0 / 63 / 49 / 37

HEX #A03B51

RGB 160 59 81

HSL 346.93, 0.46%, 0.43%

LAB 39.91, 43.72, 9.2

 

CMYK 0 / 60 / 63 / 37

HEX #A0403B

RGB 160 64 59

HSL 2.97, 0.46%, 0.43%

LAB 40.34, 39.54, 23.44

 

CMYK 0 / 43 / 63 / 37

HEX #A05B3B

RGB 160 91 59

HSL 19.01, 0.46%, 0.43%

LAB 46, 25.24, 30.45

 

CMYK 0 / 64 / 49 / 61

HEX #632432

RGB 99 36 50

HSL 346.67, 0.47%, 0.26%

LAB 24.14, 29.87, 5.73

 

CMYK 0 / 63 / 50 / 49

HEX #813041

RGB 129 48 65

HSL 347.41, 0.46%, 0.35%

LAB 32.17, 36.49, 7.81

 

CMYK 0 / 63 / 50 / 37

HEX #A03B50

RGB 160 59 80

HSL 347.52, 0.46%, 0.43%

LAB 39.88, 43.62, 9.8

 

CMYK 0 / 61 / 49 / 27

HEX #BB4860

RGB 187 72 96

HSL 347.48, 0.46%, 0.51%

LAB 47.03, 48.34, 10.58

 

CMYK 0 / 48 / 38 / 22

HEX #C6677A

RGB 198 103 122

HSL 348, 0.45%, 0.59%

LAB 55.19, 39.73, 6.81

 

CMYK 0 / 63 / 50 / 37

HEX #A03B50

RGB 160 59 80

HSL 347.52, 0.46%, 0.43%

LAB 39.88, 43.62, 9.8

 

CMYK 0 / 1 / 63 / 37

HEX #A09E3B

RGB 160 158 59

HSL 58.81, 0.46%, 0.43%

LAB 63.54, -12.1, 50.31

 

CMYK 63 / 24 / 0 / 37

HEX #3B79A0

RGB 59 121 160

HSL 203.17, 0.46%, 0.43%

LAB 48.44, -7.64, -26.91

 

CMYK 0 / 63 / 50 / 37

HEX #A03B50

RGB 160 59 80

HSL 347.52, 0.46%, 0.43%

LAB 39.88, 43.62, 9.8

 

CMYK 49 / 0 / 63 / 37

HEX #51A03B

RGB 81 160 59

HSL 106.93, 0.46%, 0.43%

LAB 59.17, -43.64, 44.1

 

CMYK 63 / 49 / 0 / 37

HEX #3B51A0

RGB 59 81 160

HSL 226.93, 0.46%, 0.43%

LAB 36.65, 17.37, -45.54

 

CMYK 0 / 63 / 50 / 37

HEX #A03B50

RGB 160 59 80

HSL 347.52, 0.46%, 0.43%

LAB 39.88, 43.62, 9.8

 

CMYK 0 / 1 / 63 / 37

HEX #A09E3B

RGB 160 158 59

HSL 58.81, 0.46%, 0.43%

LAB 63.54, -12.1, 50.31

 

CMYK 63 / 0 / 14 / 37

HEX #3BA08A

RGB 59 160 138

HSL 166.93, 0.46%, 0.43%

LAB 59.8, -34.58, 2.86

 

CMYK 63 / 63 / 0 / 37

HEX #3B3CA0

RGB 59 60 160

HSL 239.41, 0.46%, 0.43%

LAB 31.11, 31.1, -54.51

 

CMYK 0 / 63 / 50 / 37

HEX #A03B50

RGB 160 59 80

HSL 347.52, 0.46%, 0.43%

LAB 39.88, 43.62, 9.8

 

CMYK 18 / 0 / 63 / 37

HEX #83A03B

RGB 131 160 59

HSL 77.23, 0.46%, 0.43%

LAB 61.9, -25.45, 47.88

 

CMYK 63 / 0 / 14 / 37

HEX #3BA08A

RGB 59 160 138

HSL 166.93, 0.46%, 0.43%

LAB 59.8, -34.58, 2.86

 

CMYK 46 / 63 / 0 / 37

HEX #573BA0

RGB 87 59 160

HSL 256.63, 0.46%, 0.43%

LAB 33.33, 37.07, -50.79

 

Description

Color code: RGB 160 59 80 | qconv.com Color code: RGB 160 59 80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 59 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 59 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 50 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 50% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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