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Color name
RGB 160 52 27

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 52 27 it is the complementary color RGB 95 203 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 52 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 160 52 27 shade: RGB 165 52 22, RGB 182 70 41, RGB 199 88 60, RGB 216 106 79 and RGB 233 124 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 52 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 160 52 27 shade: RGB 160 52 27, RGB 143 34 8, RGB 126 16 0, RGB 109 0 0 and RGB 92 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 160 52 27 shade: RGB 161 52 27 and RGB 161 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 160 52 27 shade: RGB 161 52 27, RGB 161 88 27, RGB 161 124 27, RGB 161 160 27 and RGB 125 161 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 160 52 27 shade matches the following richer shades: RGB 161 52 27 and RGB 176 43 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 160 52 27 shade: RGB 161 52 27, RGB 146 62 42, RGB 130 71 57, RGB 115 81 73 and RGB 100 90 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 160 52 27 shade: RGB 161 27 74, RGB 161 27 38, RGB 161 51 27, RGB 161 87 27 and RGB 161 123 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 160 52 27 shade: RGB 90 29 15, RGB 126 41 21, RGB 161 52 27, RGB 196 64 33 and RGB 220 82 50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 160 52 27 shade: RGB 160 52 27, RGB 109 161 27 and RGB 27 56 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 160 52 27 shade: RGB 160 52 27, RGB 27 161 51 and RGB 51 27 161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 160 52 27 shade: RGB 160 52 27, RGB 109 161 27, RGB 27 136 161 and RGB 78 27 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 160 52 27 shade: RGB 160 52 27, RGB 69 161 27, RGB 27 136 161 and RGB 118 27 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 83 / 37

HEX #A0341B

RGB 160 52 27

HSL 11.28, 0.71%, 0.37%

LAB 37.86, 43.49, 38.97

 

Complementary color

CMYK 58 / 11 / 0 / 11

HEX #5FCBE4

RGB 95 203 228

HSL 191.28, 0.71%, 0.63%

LAB 76.53, -23.87, -21.75

 

CMYK 0 / 68 / 87 / 35

HEX #A53416

RGB 165 52 22

HSL 12.59, 0.76%, 0.37%

LAB 38.75, 45.12, 42.54

 

CMYK 0 / 62 / 77 / 29

HEX #B64629

RGB 182 70 41

HSL 12.34, 0.63%, 0.44%

LAB 44.92, 43.85, 40.02

 

CMYK 0 / 56 / 70 / 22

HEX #C7583C

RGB 199 88 60

HSL 12.09, 0.55%, 0.51%

LAB 51.21, 42.45, 37.47

 

CMYK 0 / 51 / 63 / 15

HEX #D86A4F

RGB 216 106 79

HSL 11.82, 0.64%, 0.58%

LAB 57.53, 41.04, 35.14

 

CMYK 0 / 47 / 58 / 9

HEX #E97C62

RGB 233 124 98

HSL 11.56, 0.75%, 0.65%

LAB 63.85, 39.69, 33.06

 

CMYK 0 / 68 / 83 / 37

HEX #A0341B

RGB 160 52 27

HSL 11.28, 0.71%, 0.37%

LAB 37.86, 43.49, 38.97

 

CMYK 0 / 76 / 94 / 44

HEX #8F2208

RGB 143 34 8

HSL 11.56, 0.89%, 0.3%

LAB 31.81, 44.36, 41.23

 

CMYK 0 / 87 / 100 / 51

HEX #7E1000

RGB 126 16 0

HSL 7.62, 1%, 0.25%

LAB 26.18, 44.32, 38.49

 

CMYK 0 / 100 / 100 / 57

HEX #6D0000

RGB 109 0 0

HSL 0, 1%, 0.21%

LAB 21.02, 42.84, 32.03

 

CMYK 0 / 100 / 100 / 64

HEX #5C0000

RGB 92 0 0

HSL 0, 1%, 0.18%

LAB 16.87, 38.03, 26.13

 

CMYK 0 / 68 / 83 / 37

HEX #A1341B

RGB 161 52 27

HSL 11.19, 0.71%, 0.37%

LAB 38.04, 43.84, 39.21

 

CMYK 0 / 83 / 83 / 37

HEX #A11B1B

RGB 161 27 27

HSL 0, 0.71%, 0.37%

LAB 34.88, 52.59, 36.22

 

CMYK 0 / 68 / 83 / 37

HEX #A1341B

RGB 161 52 27

HSL 11.19, 0.71%, 0.37%

LAB 38.04, 43.84, 39.21

 

CMYK 0 / 45 / 83 / 37

HEX #A1581B

RGB 161 88 27

HSL 27.31, 0.71%, 0.37%

LAB 45.13, 25.67, 45.72

 

CMYK 0 / 23 / 83 / 37

HEX #A17C1B

RGB 161 124 27

HSL 43.43, 0.71%, 0.37%

LAB 54.1, 5.31, 53.66

 

CMYK 0 / 1 / 83 / 37

HEX #A1A01B

RGB 161 160 27

HSL 59.55, 0.71%, 0.37%

LAB 64, -14.25, 62.16

 

CMYK 22 / 0 / 83 / 37

HEX #7DA11B

RGB 125 161 27

HSL 76.12, 0.71%, 0.37%

LAB 61.59, -30.27, 59.03

 

CMYK 0 / 68 / 83 / 37

HEX #A1341B

RGB 161 52 27

HSL 11.19, 0.71%, 0.37%

LAB 38.04, 43.84, 39.21

 

CMYK 0 / 76 / 93 / 31

HEX #B02B0C

RGB 176 43 12

HSL 11.34, 0.87%, 0.37%

LAB 39.55, 52.05, 48.1

 

CMYK 0 / 68 / 83 / 37

HEX #A1341B

RGB 161 52 27

HSL 11.19, 0.71%, 0.37%

LAB 38.04, 43.84, 39.21

 

CMYK 0 / 58 / 71 / 43

HEX #923E2A

RGB 146 62 42

HSL 11.54, 0.55%, 0.37%

LAB 37.34, 34.1, 29.42

 

CMYK 0 / 45 / 56 / 49

HEX #824739

RGB 130 71 57

HSL 11.51, 0.39%, 0.37%

LAB 37.02, 23.68, 19.45

 

CMYK 0 / 30 / 37 / 55

HEX #735149

RGB 115 81 73

HSL 11.43, 0.22%, 0.37%

LAB 37.86, 13.08, 10.36

 

CMYK 0 / 10 / 12 / 61

HEX #645A58

RGB 100 90 88

HSL 10, 0.06%, 0.37%

LAB 39.12, 3.66, 2.62

 

CMYK 0 / 83 / 54 / 37

HEX #A11B4A

RGB 161 27 74

HSL 338.96, 0.71%, 0.37%

LAB 35.7, 55.08, 7.8

 

CMYK 0 / 83 / 76 / 37

HEX #A11B26

RGB 161 27 38

HSL 355.07, 0.71%, 0.37%

LAB 35, 52.97, 29.9

 

CMYK 0 / 68 / 83 / 37

HEX #A1331B

RGB 161 51 27

HSL 10.75, 0.71%, 0.37%

LAB 37.89, 44.27, 39.06

 

CMYK 0 / 46 / 83 / 37

HEX #A1571B

RGB 161 87 27

HSL 26.87, 0.71%, 0.37%

LAB 44.9, 26.23, 45.51

 

CMYK 0 / 24 / 83 / 37

HEX #A17B1B

RGB 161 123 27

HSL 42.99, 0.71%, 0.37%

LAB 53.84, 5.87, 53.43

 

CMYK 0 / 68 / 83 / 65

HEX #5A1D0F

RGB 90 29 15

HSL 11.2, 0.71%, 0.21%

LAB 20.39, 27.22, 23.74

 

CMYK 0 / 67 / 83 / 51

HEX #7E2915

RGB 126 41 21

HSL 11.43, 0.71%, 0.29%

LAB 29.6, 35.74, 32

 

CMYK 0 / 68 / 83 / 37

HEX #A1341B

RGB 161 52 27

HSL 11.19, 0.71%, 0.37%

LAB 38.04, 43.84, 39.21

 

CMYK 0 / 67 / 83 / 23

HEX #C44021

RGB 196 64 33

HSL 11.41, 0.71%, 0.45%

LAB 46.33, 51.16, 46.25

 

CMYK 0 / 63 / 77 / 14

HEX #DC5232

RGB 220 82 50

HSL 11.29, 0.71%, 0.53%

LAB 53.47, 52.36, 46.21

 

CMYK 0 / 68 / 83 / 37

HEX #A0341B

RGB 160 52 27

HSL 11.28, 0.71%, 0.37%

LAB 37.86, 43.49, 38.97

 

CMYK 32 / 0 / 83 / 37

HEX #6DA11B

RGB 109 161 27

HSL 83.28, 0.71%, 0.37%

LAB 60.62, -36.64, 57.8

 

CMYK 83 / 65 / 0 / 37

HEX #1B38A1

RGB 27 56 161

HSL 227.01, 0.71%, 0.37%

LAB 28.47, 30.13, -59.5

 

CMYK 0 / 68 / 83 / 37

HEX #A0341B

RGB 160 52 27

HSL 11.28, 0.71%, 0.37%

LAB 37.86, 43.49, 38.97

 

CMYK 83 / 0 / 68 / 37

HEX #1BA133

RGB 27 161 51

HSL 130.75, 0.71%, 0.37%

LAB 58, -56.21, 45.91

 

CMYK 68 / 83 / 0 / 37

HEX #331BA1

RGB 51 27 161

HSL 250.75, 0.71%, 0.37%

LAB 23.87, 48.98, -67.04

 

CMYK 0 / 68 / 83 / 37

HEX #A0341B

RGB 160 52 27

HSL 11.28, 0.71%, 0.37%

LAB 37.86, 43.49, 38.97

 

CMYK 32 / 0 / 83 / 37

HEX #6DA11B

RGB 109 161 27

HSL 83.28, 0.71%, 0.37%

LAB 60.62, -36.64, 57.8

 

CMYK 83 / 16 / 0 / 37

HEX #1B88A1

RGB 27 136 161

HSL 191.19, 0.71%, 0.37%

LAB 52.3, -20.13, -21.59

 

CMYK 52 / 83 / 0 / 37

HEX #4E1BA1

RGB 78 27 161

HSL 262.84, 0.71%, 0.37%

LAB 26.67, 51.87, -62.32

 

CMYK 0 / 68 / 83 / 37

HEX #A0341B

RGB 160 52 27

HSL 11.28, 0.71%, 0.37%

LAB 37.86, 43.49, 38.97

 

CMYK 57 / 0 / 83 / 37

HEX #45A11B

RGB 69 161 27

HSL 101.19, 0.71%, 0.37%

LAB 58.82, -49.94, 55.5

 

CMYK 83 / 16 / 0 / 37

HEX #1B88A1

RGB 27 136 161

HSL 191.19, 0.71%, 0.37%

LAB 52.3, -20.13, -21.59

 

CMYK 27 / 83 / 0 / 37

HEX #761BA1

RGB 118 27 161

HSL 280.75, 0.71%, 0.37%

LAB 32.28, 57.82, -52.92

 

Description

Color code: RGB 160 52 27 | qconv.com Color code: RGB 160 52 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 52 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 52 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 83 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 83% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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